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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
323
Piano & claviers
Piano, Voix
411
Piano Facile
142
Piano seul
135
Piano, Voix et Guitare
79
Instruments en Do
26
1 Piano, 4 mains
16
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
Piano grosses notes
4
Accordéon, Voix
2
Orgue
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
25
Guitare notes et tablatures
19
Guitare
18
Ukulele
10
Basse electrique
5
2 Guitares (duo)
4
Mandoline
2
+ 2 instrumentations
Retracter
Voix
Chorale SATB
38
Voix Soprano, Piano
10
Chorale 3 parties
9
Voix Tenor, Piano
7
Voix duo, Piano
5
Chorale SSAA
4
Voix duo
3
Voix basse, Piano
2
Voix seule
2
Chorale Unison
2
Voix haute
2
Voix Baryton, Piano
2
Voix Baryton
1
Voix haute, Piano
1
Voix Tenor
1
Voix Soprano
1
Chorale 2 parties
1
Voix Mezzo-Soprano, Piano
1
Chorale TTBB
1
Soli, choeur mixte et accompagnement
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
74
Clarinette et Piano
69
Hautbois, Piano (duo)
56
Saxophone Alto et Piano
38
Clarinette
34
Quatuor de Saxophones: 4 saxophones
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Flûte traversière
26
Quatuor de Flûtes : 4 flûtes
23
Saxophone Soprano et Piano
23
Hautbois (partie séparée)
20
2 Flûtes traversières (duo)
19
Quatuor de Clarinettes: 4 clarinettes
17
2 Saxophones (duo)
15
Cor anglais, Piano
14
Saxophone Tenor et Piano
12
Flûte, Hautbois, Clarinette, Basson
12
Quintette de Clarinettes: 5 clarinettes
8
3 Saxophones (trio)
8
2 Clarinettes (duo)
8
Ensemble de Clarinettes
8
Quintette de Saxophone: 5 saxophones
6
3 Clarinettes (trio)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Ensemble de Flûtes
5
Saxophone Alto
5
2 Saxophones, Piano
4
Flûte, Clarinette (duo)
4
Quintette de Flûte : 5 flûtes
4
Saxophone Baryton, Piano
4
Trio de Flûtes: 3 flûtes
3
Flûte, Hautbois, Basson
3
Saxophone Tenor
3
Clarinette Basse, Piano
3
Flûte, Clarinette et Basson
3
5 Flûtes à bec
3
2 Hautbois (duo)
2
Clarinette, Violoncelle (duo)
2
Saxophone (partie séparée)
2
Flûte, Violon et Violoncelle
2
Quatuor de Flûtes à bec
2
Flûte et Guitare
2
Saxophone, Clarinette (duo)
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Basson (duo)
2
Clarinette, Basson (duo)
2
2 Flûte à bec (duo)
2
Flûte à Bec
2
Flûte, Violon
1
Clarinette, Harpe (duo)
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Soprano
1
Flûte à Bec, Piano
1
Flûte traversière, Basse continue
1
Flûte, Saxophone (duo)
1
Clarinette, Trompette (duo)
1
Flûte de Pan
1
Ensemble de saxophones
1
Flûte à bec Alto
1
Flûte à bec, Guitare (duo)
1
Clarinette, Violon (duo)
1
3 Flûtes à bec (trio)
1
Flûte, Violon, Piano
1
Saxophone
1
2 Clarinettes, Piano
1
Clarinette (partie séparée)
1
Hautbois, Harpe
1
Flûte, Violoncelle
1
Piccolo, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûtes à bec, Guitare
1
+ 68 instrumentations
Retracter
Cuivres
Cor et Piano
48
Trompette, Piano
41
Cor
41
Trombone et Piano
40
Trompette
34
Tuba et Piano
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trombone
18
Tuba
18
Cor anglais, Piano
14
Ensemble de Trombones
9
Quatuor de cuivres: 4 trombones
8
Euphonium, Piano (duo)
8
2 Trombones (duo)
8
Quatuor de cuivres: 4 cors
4
2 Trompettes (duo)
4
Ensemble de Trompettes
4
Trompette, Trombone (duo)
3
Ensemble de Cors
3
3 Trombones (trio)
2
4 Tubas
2
3 Tubas (trio)
2
3 Cors (trio)
2
Trompette (partie séparée)
2
2 Cors (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Cor (duo)
1
Cor (partie séparée)
1
Trompette, Saxophone (duo)
1
2 Tubas (duo)
1
Euphonium, Tuba (duo)
1
Quatuor de Cuivres
1
Trombone, Cor (duo)
1
Tuba et Orgue
1
Trompette, Trombone, Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Euphoniums (duo)
1
+ 33 instrumentations
Retracter
Cordes
Violon et Piano
77
Violoncelle, Piano
64
Alto, Piano
60
Quatuor à cordes: 2 violons, alto, violoncelle
53
Violon
35
Violoncelle
25
Contrebasse, Piano (duo)
22
Contre Basse
19
Violon, Violoncelle (duo)
16
Alto seul
16
Harpe
13
Harpe, Flûte (duo)
12
Trio à Cordes: violon, alto, violoncelle
11
Alto (partie séparée)
8
4 Violoncelles
7
Violon, Alto (duo)
7
2 Violoncelles (duo)
6
2 Violons (duo)
6
2 Altos (duo)
5
Trio à Cordes: 3 violoncelles
4
Trio à Cordes: 2 violons, violoncelle
4
Alto, Violoncelle (duo)
3
Quatuor à cordes: 4 violons
3
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
1
Violon, Guitare (duo)
1
Flûte, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Violon, Basse continue
1
Violon (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
2 Violons, Piano
1
Violon, Basson (duo)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
145
Orchestre
81
Orchestre à Cordes
44
Orchestre de chambre
23
Ensemble de cuivres
17
Ensemble Jazz
5
Big band
2
Percussion (partie séparée)
2
Percussion
2
Ensemble de Percussions
2
Jazz combo
2
Piano et Orchestre
1
Fanfare
1
Cloches
1
+ 9 instrumentations
Retracter
Autres
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CITHARE
CLAIRON
CLARINETTE
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CLOCHES
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COR ANGLAIS
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CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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PIANO
SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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MANDOLINE
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
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Piano seul
Partitions à imprimer
135 partitions trouvées
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126
CIMAROSA PERDONATE SIGNOR MIO Complete Opera's Aria Piano Accompaniment
Piano seul
Piano - Digital Download SKU: A0.1067718 Composed by Domenico Cimarosa. Arranged by…
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Piano - Digital Download SKU: A0.1067718 Composed by Domenico Cimarosa. Arranged by D'Andrea H. Classical,Opera. Accompaniment. Duration 404. D'Andrea Helios #6137347. Published by D'Andrea Helios (A0.1067718). Cimarosa Perdonate signor mio from Opera Il Matrimonio segreto Complete Aria Piano Accompaniment.
$3.00
2.75 €
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Piano seul
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Domenico Cimarosa
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D'Andrea H
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CIMAROSA PERDONATE SIGNOR MIO Complete Opera's Aria Piano Accompaniment
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D'Andrea Helios
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SheetMusicPlus
Five Rivers: Scenes from a Ballet
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1124974 Composed by Frederick Frahm…
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Piano Solo - Level 4 - Digital Download SKU: A0.1124974 Composed by Frederick Frahm. 20th Century. Score. 10 pages. Frederick Frahm #725746. Published by Frederick Frahm (A0.1124974). Five Rivers: Scenes from a Ballet, by Frederick Frahm, is a set of piano pieces named for the rivers in the underworld of Greek mythology. The music is modeled after baroque keyboard dances. Originally composed as ballets for an opera. Lethe - Sarabande; Phlegathon - Gigue; Kokytus - Sarabande; Styx - Courante; Acheron -Sarabande.
$11.99
11 €
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Piano seul
#
Frederick Frahm
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Phlegathon - Gigue
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Five Rivers: Scenes from a Ballet
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Frederick Frahm
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.74 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.74 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Waltz of the Summer Palace for Solo Piano from the Snow Queen Ballet
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.730405 Composed by James Nathaniel …
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Piano Solo - Level 3 - Digital Download SKU: A0.730405 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Romantic Period. Score. 7 pages. James Nathaniel Holland #3361821. Published by James Nathaniel Holland (A0.730405). A lovely summer waltz arranged for solo piano from the ballet The Snow Queen by American composer James Nathaniel Holland. Beautiful addition to concerts, dances, weddings and special occasions that evokes a bygone Era.Duration: 7 minutesYouTube presentation with orchestra: https://youtu.be/xywqhfnenP0James Nathaniel Holland is an American-Costa Rican classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$4.95
4.54 €
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Piano seul
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James Nathaniel Holland
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Waltz of the Summer Palace for Solo Piano from the Snow Queen Ballet
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James Nathaniel Holland
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SheetMusicPlus
Claude Debussy: Fêtes Galantes for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.534653 Composed by Claude Debussy/R…
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Piano Solo - Level 4 - Digital Download SKU: A0.534653 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. 16 pages. Musik Fabrik Music Publishing #5726995. Published by Musik Fabrik Music Publishing (A0.534653). Recorded for Grand Piano (GP822) by Nicolas Horvath.IFêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres. The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin..This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle Joyeuse (1904). Following Laloy’s scenario, the mas-queraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.
$12.95
11.88 €
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Piano seul
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Claude Debussy/Robert Orledge
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Claude Debussy: Fêtes Galantes for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
La Donna è Mobile - Rigoletto (Verdi)
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.1242216 By Fabio Eduardo de Oliveir…
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Piano Solo - Level 1 - Digital Download SKU: A0.1242216 By Fabio Eduardo de Oliveira. By Giuseppe Verdi. Arranged by Fabio Eduardo de Oliveira. 19th Century,Classical,Film/TV,Opera,Wedding. Score. 2 pages. Fabio Eduardo #837574. Published by Fabio Eduardo (A0.1242216). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadLa donna è mobile is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The canzone is famous as a showcase for tenors. Raffaele Mirate's performance of the bravura aria at the opera's 1851 premiere was hailed as the highlight of the evening. Before the opera's first public performance (in Venice), the aria was rehearsed under tight secrecy: a necessary precaution, as La donna è mobile proved to be incredibly catchy, and soon after the aria's first public performance it became popular to sing among Venetian gondoliers.
$1.99
1.83 €
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Piano seul
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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La Donna è Mobile - Rigoletto
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Fabio Eduardo
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SheetMusicPlus
'O Let Me Weep/The Plaint' from The Fairy Queen - Purcell (Easy Piano)
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1506263 By Henry Purcell. By Henry …
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Piano Solo - Level 2 - Digital Download SKU: A0.1506263 By Henry Purcell. By Henry Purcell. Arranged by PianoForEveryone. Baroque,Classical,Opera. Score. 5 pages. PianoForEveryone #1081639. Published by PianoForEveryone (A0.1506263). An easy piano arrangement of Purcell's 'O Let Me Weep/The Plaint' from The Fairy Queen. The voicing has been reduced whilst still retaining the melody. About the arranger: I have been playing and teaching piano for over 20 years, and hold a degree in music from Oxford University. I'm on a mission to make piano accessible to everyone who wants to enjoy the beauty of playing, aiming for high quality sheet music at a cheap, affordable rate.
$5.99
5.5 €
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Piano seul
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Henry Purcell
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PianoForEveryone
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'O Let Me Weep/The Plaint' from The Fairy Queen - Purcell
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PianoForEveryone
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SheetMusicPlus
La Donna e Mobile from Rigoletto
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.1436394 Composed by Giuseppe Verdi.…
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Piano Solo - Level 1 - Digital Download SKU: A0.1436394 Composed by Giuseppe Verdi. Arranged by Jane Stavrinoudis. 19th Century,Instructional. Score. 5 pages. Jane Stavrinoudis #1016504. Published by Jane Stavrinoudis (A0.1436394). With this Grade 1 middle elementary piano solo you can play from the score of Verdis’ Opera Rigoletto. The key is C major and the time signature is C or Common Time. Included is an easy-read colour-coded version, and an analysis.Listen here https://youtu.be/5Dsu6rUj2os
$5.99
5.5 €
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Piano seul
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Giuseppe Verdi
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Jane Stavrinoudis
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La Donna e Mobile from Rigoletto
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Jane Stavrinoudis
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SheetMusicPlus
Giuseppe Verdi - La donna e mobile (Rigoletto) Piano Accompaniment - C Key
Piano seul
Piano - Digital Download SKU: A0.1070636 Composed by Giuseppe Verdi. Arranged by An…
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Piano - Digital Download SKU: A0.1070636 Composed by Giuseppe Verdi. Arranged by André Laitano. Instructional,Opera,Romantic Period,Standards,Wedding. Accompaniment. Duration 127. ANDRÉ DOS SANTOS #6236705. Published by ANDRÉ DOS SANTOS (A0.1070636). Giuseppe Verdi - La donna e mobile (Rigoletto) Piano Accompaniment - C KeyBpm = Allegretto: 72 (quarter note).
$1.99
1.83 €
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Piano seul
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Giuseppe Verdi
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André Laitano
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Giuseppe Verdi - La donna e mobile
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ANDRÉ DOS SANTOS
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SheetMusicPlus
Giuseppe Verdi - La donna e mobile (Rigoletto) Piano Accompaniment - D Key
Piano seul
Piano - Digital Download SKU: A0.1070637 Composed by Giuseppe Verdi. Arranged by An…
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Piano - Digital Download SKU: A0.1070637 Composed by Giuseppe Verdi. Arranged by André Laitano. Instructional,Opera,Romantic Period,Standards,Wedding. Accompaniment. Duration 127. ANDRÉ DOS SANTOS #6236707. Published by ANDRÉ DOS SANTOS (A0.1070637). Giuseppe Verdi - La donna e mobile (Rigoletto) Piano Accompaniment - D KeyBpm = Allegretto: 72 (quarter note).
$1.99
1.83 €
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Piano seul
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Giuseppe Verdi
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André Laitano
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Giuseppe Verdi - La donna e mobile
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ANDRÉ DOS SANTOS
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SheetMusicPlus
Giuseppe Verdi - La donna e mobile (Rigoletto) Piano Accompaniment - G Key
Piano seul
Piano - Digital Download SKU: A0.1070638 Composed by Giuseppe Verdi. Arranged by An…
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Piano - Digital Download SKU: A0.1070638 Composed by Giuseppe Verdi. Arranged by André Laitano. Instructional,Opera,Romantic Period,Standards,Wedding. Accompaniment. Duration 127. ANDRÉ DOS SANTOS #6236711. Published by ANDRÉ DOS SANTOS (A0.1070638). Giuseppe Verdi - La donna e mobile (Rigoletto) Piano Accompaniment - G KeyBpm = Allegretto: 72 (quarter note).
$1.99
1.83 €
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Piano seul
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Giuseppe Verdi
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André Laitano
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Giuseppe Verdi - La donna e mobile
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ANDRÉ DOS SANTOS
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SheetMusicPlus
Giuseppe Verdi - La donna e mobile (Rigoletto) Piano Accompaniment
Piano seul
Piano - Digital Download SKU: A0.1070639 Composed by Giuseppe Verdi. Arranged by An…
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Piano - Digital Download SKU: A0.1070639 Composed by Giuseppe Verdi. Arranged by André Laitano. Instructional,Opera,Romantic Period,Standards,Wedding. Accompaniment. Duration 127. ANDRÉ DOS SANTOS #6236715. Published by ANDRÉ DOS SANTOS (A0.1070639). Giuseppe Verdi - La donna e mobile (Rigoletto) Piano Accompaniment Bpm = Allegretto: 72 (quarter note).
$1.99
1.83 €
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Piano seul
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Giuseppe Verdi
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André Laitano
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Giuseppe Verdi - La donna e mobile
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ANDRÉ DOS SANTOS
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SheetMusicPlus
Toreador Song / March of the Toreadors (HARD PIANO) Opera "Carmen" [Georges Bizet]
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1276427 By Georges Bizet. By George…
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Piano Solo - Level 4 - Digital Download SKU: A0.1276427 By Georges Bizet. By Georges Bizet. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 2 pages. Darek #868161. Published by Darek (A0.1276427). Toreador Song / March of the Toreadors (HARD PIANO) Opera Carmen [Georges Bizet]Advanced arrangement for pianists of Toreador Song / March of the Toreadors, Opera Carmen by Georges Bizet. Advanced version for pianists | Advanced piano arrangement | Advanced Version | Advanced Piano Sheet Music Classical Music | Romantic Music | Advanced arrangement | Piano | Keyboard | For Advanced Pianists. Included: Fingering, Articulations, Dynamics and video YouTube tutorial. Embark on an exhilarating musical journey with the meticulously curated sheet music offering: Toreador Song / March of the Toreadors from Georges Bizet's timeless opera Carmen. Immerse yourself in the grandeur of this iconic composition, meticulously arranged for advanced pianists seeking a captivating and rewarding challenge. Step back in time and embrace the opulent melodies of the 19th century as they come to life under your fingertips. With intricate fingering, articulation, and dynamics markings, every note becomes a canvas for your artistic expression. This arrangement transcends mere proficiency, allowing you to delve deep into the heart of the composition and channel the essence of the era. Elevate your practice sessions with the accompanying YouTube tutorial, meticulously crafted to unveil the subtleties and intricacies of this masterpiece. Whether you're seated at a piano or a guitar, this arrangement resonates with both passion and precision, making it a captivating choice for accomplished musicians. Indulge in the magic of this composition, a testament to Georges Bizet's genius, and witness the profound impact of your musical interpretation on the soul of the piece. With each note you master, you pay homage to a legacy that has shaped the course of musical history. Keywords: Toreador Song, March of the Toreadors, Carmen opera, Georges Bizet, advanced pianists, fingering, articulation, dynamics, YouTube tutorial, piano, guitar, musical interpretation, exhilarating journey, iconic composition, era, challenge, artistic expression, masterpiece.
$4.00
3.67 €
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Piano seul
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Georges Bizet
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Darek
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Toreador Song / March of the Toreadors
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Darek
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SheetMusicPlus
Ch'Ella Mi Creda (Let Her Believe)
Piano seul
Piano Solo - Digital Download SKU: HX.1416600 Composed by Giacomo Puccini. This edi…
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Piano Solo - Digital Download SKU: HX.1416600 Composed by Giacomo Puccini. This edition: scorch. Classical,Opera. Score. 2 pages. Hal Leonard - Digital #952565. Published by Hal Leonard - Digital (HX.1416600).
$4.99
4.58 €
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Piano seul
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Giacomo Puccini
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Ch'Ella Mi Creda
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Hal Leonard - Digital
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SheetMusicPlus
Ch'Ella Mi Creda (Let Her Believe)
Piano seul
Piano Solo - Digital Download SKU: HX.1416881 This edition: scorch. Classical,Opera…
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Piano Solo - Digital Download SKU: HX.1416881 This edition: scorch. Classical,Opera. Score. 2 pages. Hal Leonard - Digital #952565. Published by Hal Leonard - Digital (HX.1416881).
$4.99
4.58 €
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Piano seul
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Ch'Ella Mi Creda
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Hal Leonard - Digital
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SheetMusicPlus
Claude Debussy: Rodrigue et Chimène: Prélude à l'Acte 1 for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.534658 Composed by Claude Debussy/R…
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Piano Solo - Level 3 - Digital Download SKU: A0.534658 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. 9 pages. Musik Fabrik Music Publishing #5732669. Published by Musik Fabrik Music Publishing (A0.534658). This is the piano solo reduction of Debussy’s Wagnerian opera Rodrigue et Chimène (1890–93) which has had quite a few orchestral performances. Here the work is completed by Robert Orledge with a new concert ending.
$10.35
9.5 €
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Piano seul
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Claude Debussy/Robert Orledge
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Claude Debussy: Rodrigue et Chimène: Prélude à l'Acte 1 for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Giuseppe Verdi - La donna è mobile (from "Rigoletto") - Piano Solo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.510885 Composed by Giuseppe Verdi. …
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Piano Solo - Level 4 - Digital Download SKU: A0.510885 Composed by Giuseppe Verdi. Arranged by Mario Stallbaumer. Opera,Romantic Period. Score. 2 pages. Mario Stallbaumer #6367009. Published by Mario Stallbaumer (A0.510885). With this sheet music, you can play La donna è mobile by Giuseppe Verdi on piano!
$1.99
1.83 €
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Piano seul
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Giuseppe Verdi
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Mario Stallbaumer
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Giuseppe Verdi - La donna è mobile
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Mario Stallbaumer
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SheetMusicPlus
Caro Nome - Rigoletto (Piano Solo)
Piano seul
Easy Piano - Level 3 - Digital Download SKU: A0.762618 By Piano Notion. By Giuseppe…
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Easy Piano - Level 3 - Digital Download SKU: A0.762618 By Piano Notion. By Giuseppe Verdi. Arranged by Bobby Cyr. 20th Century,Opera,Romantic Period. Score. 2 pages. Bobby Cyr #5310199. Published by Bobby Cyr (A0.762618). A simplified piano solo version that you can play. Arranged by Bobby Cyr - Piano Notion
$4.99
4.58 €
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Piano seul
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Piano Notion
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Bobby Cyr
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Caro Nome - Rigoletto
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Bobby Cyr
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SheetMusicPlus
Rigoletto: La donna è mobile
Piano seul
Piano - Digital Download SKU: A0.1064100 Composed by Giuseppe Verdi. Arranged by Es…
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Piano - Digital Download SKU: A0.1064100 Composed by Giuseppe Verdi. Arranged by Ester Alessandrini. Children,Concert,Holiday,Opera,Standards. Accompaniment. Duration 59. Ester #5740351. Published by ester (A0.1064100). Easy arrangement for pianists in the first 2 years of study.
$2.00
1.84 €
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Piano seul
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Giuseppe Verdi
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Ester Alessandrini
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Rigoletto: La donna è mobile
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ester
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SheetMusicPlus
La donna è mobile - Rigoletto
Piano seul
Piano Solo - Digital Download SKU: A0.906403 Composed by Giuseppe Verdi. Arranged b…
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Piano Solo - Digital Download SKU: A0.906403 Composed by Giuseppe Verdi. Arranged by Los Angeles Scores. Opera. Score. 2 pages. Los Angeles Scores #6424831. Published by Los Angeles Scores (A0.906403).
$3.99
3.66 €
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Piano seul
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Giuseppe Verdi
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Los Angeles Scores
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La donna è mobile - Rigoletto
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Los Angeles Scores
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SheetMusicPlus
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