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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Lydia
Non classifié
108
Piano & claviers
Piano seul
188
Piano, Voix
34
Piano Facile
26
2 Pianos, 4 mains
21
Instruments en Do
16
Piano, Voix et Guitare
9
Orgue
3
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare notes et tablatures
151
Guitare
16
Basse electrique
13
Ligne De Mélodie, (Paroles) et Accords
6
Dulcimer
2
Ukulele
2
+ 1 instrumentations
Retracter
Voix
Chorale SATB
37
Chorale 3 parties
8
Voix seule
6
Chorale 2 parties
5
Chorale SSAA
5
Chorale
3
Voix Soprano, Piano
3
Chorale TTBB
3
Chorale Unison
2
+ 4 instrumentations
Retracter
Vents
Saxophone Tenor et Piano
6
Clarinette et Piano
5
Saxophone (partie séparée)
4
Clarinette (partie séparée)
4
Flûte traversière et Piano
4
2 Clarinettes (duo)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Clarinette
3
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Tenor
3
Flûte traversière
3
2 Flûtes traversières (duo)
2
Saxophone Alto et Piano
2
Flûte, Saxophone (duo)
1
2 Flûte à bec (duo)
1
Ensemble de Flûtes
1
Flûte à Bec
1
Hautbois, Piano (duo)
1
Saxophone Soprano
1
Quatuor de Flûtes à bec
1
Saxophone Alto
1
Quatuor de Clarinettes: 4 clarinettes
1
Hautbois (partie séparée)
1
Flûte, Clarinette (duo)
1
Clarinette, Violoncelle (duo)
1
Ensemble de saxophones
1
2 Saxophones (duo)
1
Ensemble de Clarinettes
1
Clarinette, Guitare (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Flute (partie séparée)
1
Clarinette et Alto
1
+ 27 instrumentations
Retracter
Cuivres
Tuba (partie séparée)
3
Trombone (partie séparée)
3
Cor et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trombone et Piano
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trompette
2
Trompette (partie séparée)
1
Cor (partie séparée)
1
2 Tubas (duo)
1
Trombone
1
Tuba et Piano
1
Euphonium, Piano (duo)
1
Trompette, Piano
1
+ 9 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
Harpe
21
Violoncelle, Piano
9
Violon et Piano
7
Harpe, Violon, Violoncelle
6
Violoncelle
6
Violon
4
2 Harpes (duo)
4
Trio à Cordes: violon, alto, violoncelle
2
2 Violons (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Violoncelle (duo)
1
Trio à cordes
1
Alto seul
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
14
Batterie
8
Ensemble de cuivres
6
Orchestre
5
Orchestre à Cordes
5
Jazz combo
3
Ensemble Jazz
3
Cloches
2
Marimba
1
Ensemble de Percussions
1
Vibraphone
1
Percussion
1
Timbales (partie séparée)
1
Orchestre de chambre
1
Percussion (partie séparée)
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Vous avez sélectionné:
Lydia
Piano seul
Partitions à imprimer
188 partitions trouvées
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176
Lydia McCool: The Distant Days
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Piano seul
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AVANCÉ
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Lydia McCool
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Lydia McCool: The Distant Days
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Lydia McCool
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1086298 Composed by Lydia McCool. 20th Century,Classical,Contemporary,Praise & Worship,Romantic Period. Score. 6 pages. L...
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Piano Solo - Level 5 - SKU: A0.1086298 Composed by Lydia McCool. 20th Century,Classical,Contemporary,Praise & Worship,Romantic Period. Score. 6 pages. Lydia McCool #690497. Published by Lydia McCool (A0.1086298). The Distant Days: This is an advanced classical piano piece of romantic genre. The melody is nostalgic and yet original. The beautiful melody takes the audience through a journey of memories. As the music unfolds, it evokes feelings of sweetness, bitterness, pains, joys and finally reaches a peaceful resolution. Many audiences are moved to tears. They perceive the music through their own unique experiences, and it is a universal appreciation that the composer Lydia McCool aims for.
$11.99
Lydia McCool: Unsettling Sky , for piano solo
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Piano seul
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DÉBUTANT
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Lydia McCool
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Level: mid-late elementary
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Lydia McCool: Unsettling Sky ,
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Lydia McCool
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1137208 Composed by Lydia McCool. 20th Century,Classical,Contemporary,Instructional,New Age. Score. 3 pages. Lydia McCool...
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Piano Solo - Level 1 - SKU: A0.1137208 Composed by Lydia McCool. 20th Century,Classical,Contemporary,Instructional,New Age. Score. 3 pages. Lydia McCool #737400. Published by Lydia McCool (A0.1137208). Description: Unsettling Sky, is a piano solo that employs new intervals, expands on the fundamentals, and explore new sounds for elementary level students. Time signature: 4/4 ; Level: mid-late elementary ; Tonal center: D major ; Teaching concepts: 1-5 handshape, wrist circles, hand crossing, intervals of tritone, augmented 5ths, 6th, 7th, sequence, simple two hand coordination, and rit.
$2.99
Lydia McCool: Evening in the Desert, for piano solo
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Piano seul
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FACILE
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Lydia McCool
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Lydia McCool: Evening in the D
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Lydia McCool
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1046293 Composed by Lydia McCool. 20th Century,Celtic,Classical,Contemporary,Instructional,Irish. Score. 2 pages. Lydia M...
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Piano Solo - Level 2 - SKU: A0.1046293 Composed by Lydia McCool. 20th Century,Celtic,Classical,Contemporary,Instructional,Irish. Score. 2 pages. Lydia McCool #650802. Published by Lydia McCool (A0.1046293). Evening in the Desert is a lyrical piece written for early intermediate level piano students. It's kept to one page for quick learning and zoom teaching. It teaches the skills of playing 6ths, A minor scale fingering, and voicing a second melody on the left hand. The smooth and pleasant feel of the melody makes an impressive recital repertoire for intermediate pianists and advanced late elementary pianists.
$1.99
Lydia McCool: Strolling in the Sun, for piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Lydia McCool
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Lydia McCool: Strolling in the
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Lydia McCool
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1045612 Composed by Lydia McCool. Classical,Instructional,Romantic Period. Score. 3 pages. Lydia McCool #650188. Publishe...
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Piano Solo - Level 4 - SKU: A0.1045612 Composed by Lydia McCool. Classical,Instructional,Romantic Period. Score. 3 pages. Lydia McCool #650188. Published by Lydia McCool (A0.1045612). Strolling in the Sun is a lively piece in 6/8 time, written for intermediate level pianists. The left hand accompaniment is a classical waltz pattern while the right hand carries a sweet melody that spans the two octaves of the A minor scale. The piece is perfect for learning how to handle the balance between melody and accompaniment. The rapid 16th-note arpeggiated passages help develop technical fluency. Performers also have the option to improvise this section to make it as simple or complex as they wish. They will also learn to negotiate playing with two hands being 4 octaves apart at the end of the piece. It is a perfect performance piece to add to their repertoire to showcase the artistry and creativity of the pianists.
$2.49
Lydia McCool: Minor Waltz, for piano solo
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Piano seul
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FACILE
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Lydia McCool
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Lydia McCool: Minor Waltz, for
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Lydia McCool
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1043779 Composed by Lydia McCool. Classical,Instructional,Romantic Period. Score. 3 pages. Lydia McCool #648459. Publishe...
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Piano Solo - Level 2 - SKU: A0.1043779 Composed by Lydia McCool. Classical,Instructional,Romantic Period. Score. 3 pages. Lydia McCool #648459. Published by Lydia McCool (A0.1043779). Minor Waltz is a piece in G minor scale with a waltz pattern accompaniment in 3/4 time. It addresses the sight reading skill of key signature of two flats, negotiating two hands to achieve balance of melody and accompaniment, and the technique of wrist movement to affect the bouncy feel of waltz. It makes a perfect study and recital piece for students in early-mid intermediate level.
$1.99
Lydia McCool: Chugging Along, for piano solo
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Piano seul
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INTERMÉDIAIRE
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Lydia McCool
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Lydia McCool: Chugging Along,
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Lydia McCool
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1046288 Composed by Lydia McCool. 20th Century,Classical,Instructional,Latin,Multicultural,World. Score. 3 pages. Lydia M...
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Piano Solo - Level 3 - SKU: A0.1046288 Composed by Lydia McCool. 20th Century,Classical,Instructional,Latin,Multicultural,World. Score. 3 pages. Lydia McCool #650794. Published by Lydia McCool (A0.1046288). Chugging Along is a spirited piece in 2/4 time and F major for intermediate level pianists. The accompaniment on the left hand is in syncopated Habanera dance style. It teaches F major fingering, giving students many chances to practice thumb under finger 3 and 4. There is also a section where the performer improvises to complete the middle section. This piece will not only help intermediate pianists build up technique but also their creativity.
$2.45
Lydia McCool: Echo in the Valley, for piano solo
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Piano seul
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FACILE
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Lydia McCool
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Lydia McCool: Echo in the Vall
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Lydia McCool
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1043764 Composed by Lydia McCool. 20th Century,Classical,Instructional,Multicultural,World. Score. 5 pages. Lydia McCool ...
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Piano Solo - Level 2 - SKU: A0.1043764 Composed by Lydia McCool. 20th Century,Classical,Instructional,Multicultural,World. Score. 5 pages. Lydia McCool #648445. Published by Lydia McCool (A0.1043764). Echo in the Valley is a piece that is suitable for piano students from late elementary to intermediate levels. It explores the Dorian mode in the melody in 6/8 time. The left hand accompaniment is using perfect fifths that with the melody notes creates an attractive sound and chord progression. It furthers explores the use of dynamics so that students learn to shape their tones. The piece is a one-pager and this bundle contains 3 versions of the same piece in D Dorian, E Dorian and G Dorian modes. Fingerings are adjusted according to the scale fingering associated with each key. The unique sound of Dorian mode and the smooth gliding of the left hand accompaniment makes this a perfect study and recital piece for students of various pianistic skills.
$2.99
Lydia McCool: Emerging, for piano solo
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Lydia McCool
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Lydia McCool: Emerging, for pi
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Lydia McCool
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SheetMusicPlus
Composed by Lydia McCool. 21st Century, Classical, Contemporary, Instructional, New Age. Score. 4 pages. Lydia McCool #843142. Published by Lydia McCo...
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Composed by Lydia McCool. 21st Century, Classical, Contemporary, Instructional, New Age. Score. 4 pages. Lydia McCool #843142. Published by Lydia McCool
$2.99
Lydia's Song
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Piano seul
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Contemporain
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Stephen Richard Thomas Brown
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Lydia's Song
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Stephen Richard Thomas Brown
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SheetMusicPlus
Piano Solo - SKU: A0.909100 Composed by Stephen Richard Thomas Brown. 20th Century. Score. 4 pages. Stephen Richard Thomas Brown #3517923. Published by ...
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Piano Solo - SKU: A0.909100 Composed by Stephen Richard Thomas Brown. 20th Century. Score. 4 pages. Stephen Richard Thomas Brown #3517923. Published by Stephen Richard Thomas Brown (A0.909100). Lydia's Song is rather intense and dramatic.
$3.99
Myxolydian Jig
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Piano seul
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INTERMÉDIAIRE
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Scott Warren
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Myxolydian Jig
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Scott Warren
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1008041 Composed by Scott Warren. Celtic,Concert,Folk,World. Score. 2 pages. Scott Warren #4574641. Published by Scott Wa...
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Piano Solo - Level 3 - SKU: A0.1008041 Composed by Scott Warren. Celtic,Concert,Folk,World. Score. 2 pages. Scott Warren #4574641. Published by Scott Warren (A0.1008041). The myxolydian scale is like a major scale with a lowered 7th scale step, so a D myxolydian scale would consist of d, e, f#, g, a, b, c, d.
$1.99
Neapolitan Lydian
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Piano seul
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Classique
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J
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Neapolitan Lydian
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J. Randolph Hall
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SheetMusicPlus
Piano and Keyboard - Interactive Download SKU: A0.482483 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Worksheet. 1 pages....
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Piano and Keyboard - Interactive Download SKU: A0.482483 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Worksheet. 1 pages. Duration 22. Published by J. Randolph Hall (A0.482483). The Neapolitan Lydian scale is a synthetic scale. It is based on the Lydian church mode but is also Neapolitan in that the second is lowered a half step. A) demonstrates the scale accompanied by the Shearer solfège. B) shows triad chords based on the scale. C) explores some chord play with the scale in question.
$3.00
Prelude 11 in Db Major Lydian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 11 in Db Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden...
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Piano Solo - Level 4 - SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden #812807. Published by Brian Golden (A0.1216196). Prelude 11 in Db Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
Prelude 23 in G Major Lydian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 23 in G Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
The Modal Piano No. 1 - F Lydian
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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The Modal Piano No. 1 - F Lydi
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.525181 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Classical,Cont...
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Piano Solo - Level 3 - SKU: A0.525181 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Classical,Contemporary,Instructional,New Age. Score. 4 pages. James M Stevens Music ASCAP #135714. Published by James M Stevens Music ASCAP (A0.525181). Written January 8, 2022, this is a an original piano composition in the ancient mode of F Lydian. Lydian is similar to the major scale except that it has raised 4th. We are so used to hearing music in Major and Minor that when it is a mode at moments it can feel a little unsettling because the notes and chords don’t go exactly where we are expecting, yet if you allow for that it can be very beautiful. This is the first in a new collection where I will be writing compositions in all of the modes except for Ionian (Major). James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$4.99
Prelude 17 in E Major Lydian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 17 in E Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843071. Published by Brian Golden (A0.1248579). Prelude 17 in E Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Lydian Lullaby
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Piano seul
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FACILE
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David Frankel
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Lydian Lullaby
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David Frankel
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.948851 Composed by David Frankel. Contemporary,Standards. Score. 2 pages. David Frankel #3675221. Published by David Fran...
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Piano Solo - Level 2 - SKU: A0.948851 Composed by David Frankel. Contemporary,Standards. Score. 2 pages. David Frankel #3675221. Published by David Frankel (A0.948851). An elementary/intermediate level piece in the Lydian mode, including a Lydian pentascale improvisation
$1.99
Prelude 5 in Bb Major Lydian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 5 in Bb Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Nocturnes of the Seven Modes: IV. Lydian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Nathanael Lloyd
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Nocturnes of the Seven Modes:
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Nathanael Lloyd
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1210494 Composed by Nathanael Lloyd. Chamber,Classical,Contemporary,Contest,Festival. Score. 3 pages. Nathanael Lloyd #80...
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Piano Solo - Level 4 - SKU: A0.1210494 Composed by Nathanael Lloyd. Chamber,Classical,Contemporary,Contest,Festival. Score. 3 pages. Nathanael Lloyd #808278. Published by Nathanael Lloyd (A0.1210494). The fourth movement of the piece Nocturnes of the Seven Modes written in the Lydian mode.
$4.99
The Modal Piano No. 1 - F Lydian
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Piano seul
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James Michael Stevens
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James Michael Stevens
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The Modal Piano No. 1 - F Lydi
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano - SKU: A0.1063414 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred. Full Performance...
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Piano - SKU: A0.1063414 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred. Full Performance. Duration 183. James M Stevens Music ASCAP #6673763. Published by James M Stevens Music ASCAP (A0.1063414). This is the piano demonstration performance of Stevens' The Modal Piano No. 1 - F Lydian.
$1.99
Lydian Improvisations (1993)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Bill Whitley
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Bill Whitley
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Lydian Improvisations
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Musica Semplice
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1279784 By Bill Whitley. By Bill Whitley. Arranged by Bill Whitley. 20th Century,21st Century,Classical,Contemporary. Sco...
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Piano Solo - Level 4 - SKU: A0.1279784 By Bill Whitley. By Bill Whitley. Arranged by Bill Whitley. 20th Century,21st Century,Classical,Contemporary. Score. 10 pages. Musica Semplice #871233. Published by Musica Semplice (A0.1279784). Lydian Improvisations (1993) is three short, contrasting movements for solo piano. I wrote these three movements while working on a rigorous recital program that included works by Prokofiev, Debussy, Beethoven, Satie, and Scarlatti, and they show their influence. They are playful, sometimes circusy, and feature extreme emotional shifts.
$7.99
Eight Contradanza: Lydian mode
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Domina Petric
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Domina Petric
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Eight Contradanza: Lydian mode
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Domina Petric
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.665625 By Domina Petric. By Domina Petric. Arranged by Domina Petric. Contemporary,Jazz,Multicultural,World. Score. 2 pag...
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Piano Solo - Level 4 - SKU: A0.665625 By Domina Petric. By Domina Petric. Arranged by Domina Petric. Contemporary,Jazz,Multicultural,World. Score. 2 pages. Domina Petric #274647. Published by Domina Petric (A0.665625). Contradanza Lydian mode, from album Contradanzas, contemporary-jazz-traditional fusion.
$3.43
Lydia's Spinning Song
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Piano seul
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Joseph Martin, David Angerman
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Lydia's Spinning Song
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Hal Leonard - Digital
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SheetMusicPlus
Piano and Keyboard - SKU: HX.1270316 Composed by Joseph Martin, David Angerman and Mark Hayes. This edition: scorch. Christian. Piano Method. 2 pages. H...
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Piano and Keyboard - SKU: HX.1270316 Composed by Joseph Martin, David Angerman and Mark Hayes. This edition: scorch. Christian. Piano Method. 2 pages. Hal Leonard - Digital #330276. Published by Hal Leonard - Digital (HX.1270316).
$3.99
Für Lydia
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Piano seul
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INTERMÉDIAIRE
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Pop musique
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Gert Th
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Für Lydia
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Gert Th. Walter
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Gert Th. Walter. Pop. Score. 3 pages. Published by Gert Th. Walter...
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Piano Solo - Intermediate - Composed by Gert Th. Walter. Pop. Score. 3 pages. Published by Gert Th. Walter
Easy Pop-Song, but not only for pupil and beginners. With completely fingering and pedal.
$2.99
Mixolydia City
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Piano seul
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DÉBUTANT
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Pavel Frolov
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Mixolydia City
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Pavel Frolov
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.939203 Composed by Pavel Frolov. 20th Century,Celtic,Contemporary,Folk,Irish,Video Game. Score. 3 pages. Pavel Frolov #35...
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Piano Solo - Level 1 - SKU: A0.939203 Composed by Pavel Frolov. 20th Century,Celtic,Contemporary,Folk,Irish,Video Game. Score. 3 pages. Pavel Frolov #3532643. Published by Pavel Frolov (A0.939203). A flourishing capital of a medieval kingdom.
$2.50
Bela Bartok : Mikrokosmos, Volume II - N° 37 En mode lydien
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Piano seul
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DÉBUTANT
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Classique
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Bela Bartok
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Mikrokosmos, Volume II
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Tomplay
Telechargez la partition Piano Mikrokosmos, Volume II - N° 37 En mode lydien de Bartók. Partition pour Piano seul -- Classique...
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Telechargez la partition Piano Mikrokosmos, Volume II - N° 37 En mode lydien de Bartók. Partition pour Piano seul -- Classique
2.99€
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