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2
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16
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12
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11
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8
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4
3 Trombones (trio)
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Cor
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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2
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Cor anglais et Harpe (duo)
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CORDES
Harpe
73
Quatuor à cordes: 2 violons, alto, violoncelle
36
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31
Alto, Piano
17
Violoncelle
15
Violon, Violoncelle (duo)
14
Violon
13
2 Violons (duo)
11
Trio à Cordes: violon, alto, violoncelle
10
Violon (partie séparée)
9
Violon, Alto (duo)
9
Violoncelle, Piano
8
2 Violoncelles (duo)
7
Harpe, Violon (duo)
7
2 Altos (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Harpe, Flûte (duo)
6
Alto seul
3
Alto (partie séparée)
3
Violoncelle, Contrebasse (duo)
2
4 Violoncelles
2
Quatuor à cordes : 4 altos
2
Trio à Cordes: 3 violoncelles
2
Violoncelle, Basse continue
2
Alto, Violoncelle (duo)
2
Contrebasse (partie séparée)
2
Violoncelle (partie séparée)
1
Trio à cordes: 3 violins
1
Ensemble de Violons
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Trio à cordes: 3 altos
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2 Harpes (duo)
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Ensemble d'Altos
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
240
Orchestre à Cordes
52
Orchestre
42
Ensemble Jazz
36
Ensemble de cuivres
17
Orchestre de chambre
14
Cloches
3
Jazz combo
3
Percussion
2
Fanfare
2
Batterie
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AUTRES
Formation musicale - Solfège
232
Théorie de la musique
1
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SavvyDigit Unit 1 – Follow on piano course to Preliminary Level
Piano seul
Piano - Level 1 - Digital Download SKU: A0.1455349 Composed by Jane Stavrinoudis. 1…
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Piano - Level 1 - Digital Download SKU: A0.1455349 Composed by Jane Stavrinoudis. 19th Century,20th Century,21st Century,Children,Folk. Educational Method. 33 pages. Jane Stavrinoudis #1034439. Published by Jane Stavrinoudis (A0.1455349). SavvyDigit units 1 and 2 are designed to follow-on from either minidigit or MaxiDigit piano beginner courses and progress at a moderate pace. This course expands on the piano fundamentals and music reading covered in the beginner courses to expose students to a wide range of performance styles and technical challenges, carefully graded for musical development of the preliminary piano level. The digital download version includes the unit pdf, flash cards, a graduation certificate, and links to mp4 backings. Listen here https://youtu.be/jI8MnbwmNPg
$9.99
9.1 €
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Piano seul
#
Jane Stavrinoudis
#
SavvyDigit Unit 1 – Follow on piano course to Preliminary Level
#
Jane Stavrinoudis
#
SheetMusicPlus
SavvyDigit Unit 2 – Follow on piano course to Preliminary Level
Piano seul
Piano - Level 1 - Digital Download SKU: A0.1455350 Composed by Jane Stavrinoudis. 1…
(+)
Piano - Level 1 - Digital Download SKU: A0.1455350 Composed by Jane Stavrinoudis. 19th Century,20th Century,21st Century,Children,Rock. Educational Method. 43 pages. Jane Stavrinoudis #1034440. Published by Jane Stavrinoudis (A0.1455350). SavvyDigit units 1 and 2 are designed to follow-on from either minidigit or MaxiDigit piano beginner courses and progress at a moderate pace. This course expands on the piano fundamentals and music reading covered in the beginner courses to expose students to a wide range of performance styles and technical challenges, carefully graded for musical development of the preliminary piano level. The digital download version includes the unit pdf, flash cards, a graduation certificate, and links to mp4 backings. Listen here https://youtu.be/vhTuFroLiu4
$9.99
9.1 €
#
Piano seul
#
Jane Stavrinoudis
#
SavvyDigit Unit 2 – Follow on piano course to Preliminary Level
#
Jane Stavrinoudis
#
SheetMusicPlus
Life is Beautiful
Piano seul
Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century,…
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Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century, New Age. Sheet Music Single. 4 pages. Published by Landon Creative, Inc.
Healing Hearts 3<br> Louis Landon<br> 2016 / Landon Creative, Inc.<br> 63 minutes<br> Review by Kathy Parsons<br> Louis Landon’s Healing Hearts 3 is the third in a series of solo piano albums that are comprised of improvisations that were created while clients were in session at his Healing Piano of Sedona (AZ). These sixty-minute healing and music sessions consist of forty minutes of mentoring and twenty minutes of music that includes personalized music for the client’s own use. Landon created Healing Piano of Sedona several years ago to help people live life joyously, passionately, and stress- and disease-free. Landon is a Steinway Artist who has been a life-long musician. Healing Hearts 3 is his twenty-first album and fourteenth solo piano collection. Each of the thirteen pieces on the album was inspired by a different “soul journey,” so the music is quite varied although it maintains a very calming and peaceful vibe throughout.<br> <br> It is interesting to note that Healing Hearts 3 has the closest to the ideal sound Landon has been looking for on his recordings. He attributes that achievement to the mastering and editing expertise of Joe Bongiorno of Piano Haven Studio, also in Sedona. Landon has been trying to get the sound of a classical concert hall in his Peace Palace studio recordings and this album definitely has that sound, which is exceptionally beautiful - clear, warm and resonant.<br> <br> Healing Hearts 3 begins with “Standing In the Light,” a softly flowing piece with a poignant melody that gently soothes the heart - a favorite. “Heart Song” is hushed, intimate and obviously very personal. “Triumph of the Soul” starts out in the deep bass of the piano - very dark and lost. As the piece evolves, it gradually lightens as it moves up the piano keyboard, ending in a very positive place. I’ve often said that the piano is the best instrument to express the sound and feeling of rain and “Night Rain” proves that point again. More energetic than most of the other tracks, the notes flow freely: sometimes smoothly and evenly, sometimes more percussive like big fat raindrops - love it! “Tears” is heartbreak set to music, although tears are so often a big part of the healing process. Such deep emotion is expressed in this piece! Landon wisely follows sadness with “Happy Man,” a lively slice of pianistic sunshine. “Phoenix Rising” begins in the deep bass of the piano, obviously signifying a very dark place or crisis. Over the course of the composition, there is turmoil and pain, but then Landon gradually moves the piece into the upper end of the piano to a much lighter and more peaceful place - a stunning piece! “Healing Time” is gently uplifting and so soothing and serene that I can actually feel it melting away tension - another favorite. “Music Runs Through Me” flows quickly like a stream with sparkles of sunlight dancing happily on its surface. “Balance” returns to a calm stillness that comes when things/life are in balance. Slow, lyrical and very peaceful, it’s the perfect closing for another great album from Louis Landon!<br> <br> I have thoroughly enjoyed all three Healing Hearts albums, but I think #3 is my favorite. It is available from LouisLandon.com, Amazon, iTunes and CD Baby. Very highly recommended!<br> November 4, 2016<br> <br> Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.<br> <br> Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ<br> <br> <br> <br> Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.<br> <br> Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.<br> <br> For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.<br> <br> Louis Landon mission:<br> <br> To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.<br> <br> Reviews:<br> <br> “While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com<br> <br> "He has a gift for composition that is second to none." Zone Music Reporter<br> <br> "… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine<br> <br> Recognition:<br> <br> Louis Landon's music has had over 140 million streams on Pandora radio!<br> <br> Louis Landon's music has had over 34 million streams on Spotify!<br> <br> Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.<br> <br> Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.<br> <br> Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.<br> <br> Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.<br> <br> Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.<br> <br> Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.<br> <br> Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.<br> <br> unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.<br> <br> Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.Healing Hearts 3<br> Louis Landon<br> 2016 / Landon Creative, Inc.<br> 63 minutes<br> Review by Kathy Parsons<br> Louis Landon’s Healing Hearts 3 is the third in a series of solo piano albums that are comprised of improvisations that were created while clients were in session at his Healing Piano of Sedona (AZ). These sixty-minute healing and music sessions consist of forty minutes of mentoring and twenty minutes of music that includes personalized music for the client’s own use. Landon created Healing Piano of Sedona several years ago to help people live life joyously, passionately, and stress- and disease-free. Landon is a Steinway Artist who has been a life-long musician. Healing Hearts 3 is his twenty-first album and fourteenth solo piano collection. Each of the thirteen pieces on the album was inspired by a different “soul journey,” so the music is quite varied although it maintains a very calming and peaceful vibe throughout.<br> <br> It is interesting to note that Healing Hearts 3 has the closest to the ideal sound Landon has been looking for on his recordings. He attributes that achievement to the mastering and editing expertise of Joe Bongiorno of Piano Haven Studio, also in Sedona. Landon has been trying to get the sound of a classical concert hall in his Peace Palace studio recordings and this album definitely has that sound, which is exceptionally beautiful - clear, warm and resonant.<br> <br> Healing Hearts 3 begins with “Standing In the Light,” a softly flowing piece with a poignant melody that gently soothes the heart - a favorite. “Heart Song” is hushed, intimate and obviously very personal. “Triumph of the Soul” starts out in the deep bass of the piano - very dark and lost. As the piece evolves, it gradually lightens as it moves up the piano keyboard, ending in a very positive place. I’ve often said that the piano is the best instrument to express the sound and feeling of rain and “Night Rain” proves that point again. More energetic than most of the other tracks, the notes flow freely: sometimes smoothly and evenly, sometimes more percussive like big fat raindrops - love it! “Tears” is heartbreak set to music, although tears are so often a big part of the healing process. Such deep emotion is expressed in this piece! Landon wisely follows sadness with “Happy Man,” a lively slice of pianistic sunshine. “Phoenix Rising” begins in the deep bass of the piano, obviously signifying a very dark place or crisis. Over the course of the composition, there is turmoil and pain, but then Landon gradually moves the piece into the upper end of the piano to a much lighter and more peaceful place - a stunning piece! “Healing Time” is gently uplifting and so soothing and serene that I can actually feel it melting away tension - another favorite. “Music Runs Through Me” flows quickly like a stream with sparkles of sunlight dancing happily on its surface. “Balance” returns to a calm stillness that comes when things/life are in balance. Slow, lyrical and very peaceful, it’s the perfect closing for another great album from Louis Landon!<br> <br> I have thoroughly enjoyed all three Healing Hearts albums, but I think #3 is my favorite. It is available from LouisLandon.com, Amazon, iTunes and CD Baby. Very highly recommended!<br> November 4, 2016<br> <br> Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.<br> <br> Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ<br> <br> <br> <br> Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.<br> <br> Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.<br> <br> For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.<br> <br> Louis Landon mission:<br> <br> To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.<br> <br> Reviews:<br> <br> “While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com<br> <br> "He has a gift for composition that is second to none." Zone Music Reporter<br> <br> "… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine<br> <br> Recognition:<br> <br> Louis Landon's music has had over 140 million streams on Pandora radio!<br> <br> Louis Landon's music has had over 34 million streams on Spotify!<br> <br> Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.<br> <br> Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.<br> <br> Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.<br> <br> Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.<br> <br> Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.<br> <br> Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.<br> <br> Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.<br> <br> unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.<br> <br> Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.
$5.25
4.78 €
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Piano seul
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Louis Landon
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Life is Beautiful
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Landon Creative, Inc.
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SheetMusicPlus
MaxiDigit Unit 2 – Beginner Piano Course (for 9 year olds to adults)
Piano seul
Piano - Level 1 - Digital Download SKU: A0.1455348 Composed by Jane Stavrinoudis. 2…
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Piano - Level 1 - Digital Download SKU: A0.1455348 Composed by Jane Stavrinoudis. 20th Century,21st Century,Children,Folk,Jazz. Educational Method. 29 pages. Jane Stavrinoudis #1034438. Published by Jane Stavrinoudis (A0.1455348). MaxiDigit units 1 and 2 are designed for piano beginners aged 9 years and above and is easy to use. This is a great way to start new students at a moderate pace and is also useful for older beginners who wish to move more quickly. This course explores the piano fundamentals and music reading to expose students to a wide range of performance styles and technical challenges, carefully graded for musical development. The digital download version includes the unit pdf, flash cards, a graduation certificate, and links to mp4 backings. Listen here https://youtu.be/5NHl7q64rqU
$9.99
9.1 €
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Piano seul
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Jane Stavrinoudis
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MaxiDigit Unit 2 – Beginner Piano Course
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Jane Stavrinoudis
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SheetMusicPlus
MaxiDigit Unit 1 – Beginner Piano Course (for 9 year olds to adults)
Piano seul
Piano - Level 1 - Digital Download SKU: A0.1455346 Composed by Jane Stavrinoudis. 2…
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Piano - Level 1 - Digital Download SKU: A0.1455346 Composed by Jane Stavrinoudis. 20th Century,21st Century,Blues,Children,Folk. Educational Method. 26 pages. Jane Stavrinoudis #1034436. Published by Jane Stavrinoudis (A0.1455346). MaxiDigit units 1 and 2 are designed for piano beginners aged 9 years and above and is easy to use. This is a great way to start new students at a moderate pace and is also useful for older beginners who wish to move more quickly. This course explores the piano fundamentals and music reading to expose students to a wide range of performance styles and technical challenges, carefully graded for musical development. The digital download version includes the unit pdf, flash cards, a graduation certificate, and links to mp4 backings.Listen here https://youtu.be/vCBhnL8JgiU
$9.99
9.1 €
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Piano seul
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Jane Stavrinoudis
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MaxiDigit Unit 1 – Beginner Piano Course
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Jane Stavrinoudis
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SheetMusicPlus
minidigit Unit 1 - Beginner Piano Course (for 5 to 8 year olds)
Piano seul
Piano - Level 1 - Digital Download SKU: A0.1455667 Composed by Jane Stavrinoudis. 2…
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Piano - Level 1 - Digital Download SKU: A0.1455667 Composed by Jane Stavrinoudis. 20th Century,21st Century,Children,Folk. Educational Method. 25 pages. Jane Stavrinoudis #1034763. Published by Jane Stavrinoudis (A0.1455667). minidigit units 1, 2 and 3 are specially designed for piano beginners aged 5 to 8 years and includes a certificate at the end of each unit. This is a great way to start new students and progress in small steps which takes into account small hands. This course explores the piano fundamentals and music reading to expose students to a wide range of performance styles and technical challenges, carefully graded for musical development. The digital download version includes the unit pdf, flash cards, a graduation certificate, and links to mp4 backings. Listen here: https://youtu.be/l6b1e4Vbojk
$9.99
9.1 €
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Piano seul
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Jane Stavrinoudis
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minidigit Unit 1 - Beginner Piano Course
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Jane Stavrinoudis
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SheetMusicPlus
minidigit Unit 2 - Beginner Piano Course (for 5 to 8 year olds)
Piano seul
Piano - Level 1 - Digital Download SKU: A0.1455675 Composed by Jane Stavrinoudis. 2…
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Piano - Level 1 - Digital Download SKU: A0.1455675 Composed by Jane Stavrinoudis. 20th Century,21st Century,Children,Classical. Educational Method. 27 pages. Jane Stavrinoudis #1034771. Published by Jane Stavrinoudis (A0.1455675). minidigit units 1, 2 and 3 are specially designed for piano beginners aged 5 to 8 years and includes a certificate at the end of each unit. This is a great way to start new students and progress in small steps which takes into account small hands. This course explores the piano fundamentals and music reading to expose students to a wide range of performance styles and technical challenges, carefully graded for musical development. The digital download version includes the unit pdf, flash cards, a graduation certificate, and links to mp4 backings. Listen here: https://youtu.be/WAoF1F08Yw8
$9.99
9.1 €
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Piano seul
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Jane Stavrinoudis
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minidigit Unit 2 - Beginner Piano Course
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Jane Stavrinoudis
#
SheetMusicPlus
minidigit Unit 3 - Beginner Piano Course (for 5 to 8 year olds)
Piano seul
Piano - Level 1 - Digital Download SKU: A0.1455678 Composed by Jane Stavrinoudis. 2…
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Piano - Level 1 - Digital Download SKU: A0.1455678 Composed by Jane Stavrinoudis. 21st Century,Chamber,Children,Classical. Educational Method. 27 pages. Jane Stavrinoudis #1034774. Published by Jane Stavrinoudis (A0.1455678). minidigit units 1, 2 and 3 are specially designed for piano beginners aged 5 to 8 years and includes a certificate at the end of each unit. This is a great way to start new students and progress in small steps which takes into account small hands. This course explores the piano fundamentals and music reading to expose students to a wide range of performance styles and technical challenges, carefully graded for musical development. The digital download version includes the unit pdf, flash cards, a graduation certificate, and links to mp4 backings. Listen here: https://youtu.be/9nlzUhKlJ5U
$9.99
9.1 €
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Piano seul
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Jane Stavrinoudis
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minidigit Unit 3 - Beginner Piano Course
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Jane Stavrinoudis
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SheetMusicPlus
Miremifa's Fantastical Obstacle Course
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1212675 Composed by Elizabeth Borow…
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Piano Solo - Level 2 - Digital Download SKU: A0.1212675 Composed by Elizabeth Borowsky. 20th Century,Classical,Contemporary. Score. 11 pages. Piano Prodigies #809995. Published by Piano Prodigies (A0.1212675). Hundreds of years ago, the enchantress Miremifa created a fantastical obstacle course to test the skills of brave young people and determine whether they were worthy of the honor of being invited to live in her magical kingdom. This musical set of variations takes you through an array of acrobatic challenges. To complete them, your hands have to work as equal partners. Note that Miremifa’s name is embedded in the theme, in solfege!
$7.00
6.37 €
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Piano seul
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Elizabeth Borowsky
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Miremifa's Fantastical Obstacle Course
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Piano Prodigies
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SheetMusicPlus
The Race Course March Two-Step
Piano seul
Piano - Digital Download SKU: LV.15324 Composed by J. Glogau. Arranged by E.T. Paul…
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Piano - Digital Download SKU: LV.15324 Composed by J. Glogau. Arranged by E.T. Paull. Horse racing, Jockeys, Crowds, Families, Flags, Racetracks. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15324). The Race Course March Two-Step. By J. Glogau. Arranged by E.T. Paull. Published 1910 by E.T. Paull Music Co., 46 West 28th St. in New York. Composition of aba with piano instrumentation. Subject headings for this piece include Horse racing, Jockeys, Crowds, Families, Flags, Racetracks. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.45 €
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Piano seul
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J
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J
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E
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The Race Course March Two-Step
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Super Mario Bros. Course Clear Fanfare
Piano seul
Super Mario Bros. - Course Clear Fanfare. By Nintendo®. By Koji Kondo. Arranged by S…
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Super Mario Bros. - Course Clear Fanfare. By Nintendo®. By Koji Kondo. Arranged by Shinobu Amayake. Pop/Rock. 1 pages. Alfred Music - Digital Sheet Music #00-PS-0015259. Published by Alfred Music - Digital Sheet Music
$3.99
3.63 €
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Piano seul
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Nintendo®
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Shinobu Amayake
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Super Mario Bros. Course Clear Fanfare
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
New Super Mario Bros. Wii Enemy Course
Piano seul
New Super Mario Bros. Wii - Enemy Course. By Nintendo®. By Koji Kondo and Shiho Fuji.…
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New Super Mario Bros. Wii - Enemy Course. By Nintendo®. By Koji Kondo and Shiho Fuji. Arranged by Shinobu Amayake. Pop/Rock. 2 pages. Alfred Music - Digital Sheet Music #00-PS-0015345. Published by Alfred Music - Digital Sheet Music
$3.99
3.63 €
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Piano seul
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Nintendo®
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Shinobu Amayake
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New Super Mario Bros. Wii Enemy Course
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.47 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.47 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Kabalevski : 24 petites pièces, Opus 39 - N° 6 Course
Piano seul
Téléchargez la partition Piano 24 petites pièces, Opus 39 - N° 6 …
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Téléchargez la partition Piano 24 petites pièces, Opus 39 - N° 6 Course de Kabalevski. Partition pour Piano seul -- Classique
1.99 €
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Piano seul
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Kabalevski
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24 petites pièces, Opus 39
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Tomplay
Premier Piano Course, Jazz, Rags & Blues 2A
Piano seul
Composed by Martha Mier. Instructional. 32 pages. Alfred Music - Digital Sheet Music…
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Composed by Martha Mier. Instructional. 32 pages. Alfred Music - Digital Sheet Music #00-PB-0000580. Published by Alfred Music - Digital Sheet Music
$8.99
8.19 €
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Piano seul
#
Martha Mier
#
Premier Piano Course, Jazz, Rags & Blues 2A
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Premier Piano Course, Jazz, Rags & Blues 6
Piano seul
Composed by Martha Mier. Instructional. 32 pages. Alfred Music - Digital Sheet Music…
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Composed by Martha Mier. Instructional. 32 pages. Alfred Music - Digital Sheet Music #00-PB-0000584. Published by Alfred Music - Digital Sheet Music
$8.99
8.19 €
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Piano seul
#
Martha Mier
#
Premier Piano Course, Jazz, Rags & Blues 6
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Premier Piano Course, Jazz, Rags & Blues 2B
Piano seul
Composed by Martha Mier. Instructional. 32 pages. Alfred Music - Digital Sheet Music…
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Composed by Martha Mier. Instructional. 32 pages. Alfred Music - Digital Sheet Music #00-PB-0000581. Published by Alfred Music - Digital Sheet Music
$8.99
8.19 €
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Piano seul
#
Martha Mier
#
Premier Piano Course, Jazz, Rags & Blues 2B
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Premier Piano Course, Jazz, Rags & Blues 1B
Piano seul
Composed by Martha Mier. Instructional. 64 pages. Alfred Music - Digital Sheet Music…
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Composed by Martha Mier. Instructional. 64 pages. Alfred Music - Digital Sheet Music #00-PB-0000626. Published by Alfred Music - Digital Sheet Music
$9.99
9.1 €
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Piano seul
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Martha Mier
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Premier Piano Course, Jazz, Rags & Blues 1B
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Premier Piano Course, Jazz, Rags and Blues 4
Piano seul
Composed by Martha Mier. Instructional. 32 pages. Alfred Music - Digital Sheet Music #0…
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Composed by Martha Mier. Instructional. 32 pages. Alfred Music - Digital Sheet Music #00-PB-0000582. Published by Alfred Music - Digital Sheet Music
$8.99
8.19 €
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Piano seul
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Martha Mier
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Premier Piano Course, Jazz, Rags and Blues 4
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Premier Piano Course, Jazz, Rags & Blues 3
Piano seul
Composed by Martha Mier. Instructional. 32 pages. Alfred Music - Digital Sheet Music…
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Composed by Martha Mier. Instructional. 32 pages. Alfred Music - Digital Sheet Music #00-PB-0000579. Published by Alfred Music - Digital Sheet Music
$9.99
9.1 €
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Piano seul
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Martha Mier
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Premier Piano Course, Jazz, Rags & Blues 3
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Music for First Piano
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1025463 Composed by Alexandra Eddy.…
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Piano Solo - Level 5 - Digital Download SKU: A0.1025463 Composed by Alexandra Eddy. 20th Century,Contemporary. Score. 18 pages. Alexandra Eddy Project #4887035. Published by Alexandra Eddy Project (A0.1025463). The title of this 14-minute piece reflects the fact that it was commissioned by my dear late friend Edwin Good to perform on his beautiful Thomas and Barbara Wolf copy of the very first piano. (Cristofori, 1700). It is playable on the modern piano as well. The movements are as follows: 1. In Medias Res: Fanfare (begins at 0:00 in the mp3 file) is a showy, energetic, brief, humorous beginning.2. Ricercar (begins at 0:33 in the mp3 file) uses the imitative techniques of 16th century instrumental music, with modern harmonies.3. For JSB (begins at 3:25 in the mp3 file) was composed in loving homage to Johann Sebastian Bach.4. Burlesca (begins at 6:15 in the mp3 file) is another moment of humor and energy.5. Nocturne (begins at 8:04 in the mp3 file) is, of course, night music.6. Passacaglia (begins at 11:04 in the mp3 file) continues without break from the Nocturne. In the left hand, a pattern of several notes repeats many times, organizing the music. Simultaneously, the right hand quotes fragments from the other movements.NOTE: The mp3 file is automated, but gives a rough sense of the music.
$9.95
9.06 €
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Piano seul
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Alexandra Eddy
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Music for First Piano
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Alexandra Eddy Project
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SheetMusicPlus
These Hands Held Music
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1208726 By Kathleen Ryan. By Kathle…
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Piano Solo - Level 5 - Digital Download SKU: A0.1208726 By Kathleen Ryan. By Kathleen Ryan. Classical,New Age. Score. 9 pages. Indigo Mesa Music LLC #806822. Published by Indigo Mesa Music LLC (A0.1208726). A lyrical and powerful solo piano elegy, composed and performed by Kathleen Ryan on her CD Passages.Kathleen's note: “A friend to cherish, a life to mourn and to celebrate. There would be music, of course.â€Advanced, and requires sensitivity as well as technique.
$5.25
4.78 €
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Piano seul
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Kathleen Ryan
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These Hands Held Music
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Indigo Mesa Music LLC
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SheetMusicPlus
Horacio Salgán - Álbum de Partituras de sus Mejores Temas
Piano seul
Composed by Horacio Salgán. World, Latin, South American, Afro-Brazilian. Set o…
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Composed by Horacio Salgán. World, Latin, South American, Afro-Brazilian. Set of Parts, Sheet Music Single. 149 pages. Published by A Fuego Lento Ediciones
El Maestro Horacio Salgán seleccionó 22 de sus “Mejores Temas” para que armara un álbum cuando él tocaba en el Club de Vino y músicos venían a comprar sus partituras que yo vendía, así nació este proyecto entre tantos que juntos ideamos para la difusión de su obra.<br> <br> Tomándome de su palabras cómo dijo en el prólogo de su libro “Curso de Tango” espero sinceramente que este álbum le sea útil a alguien.<br> <br> Susana Salgán<br> <br> The Maestro Horacio Salgán selected 22 of his "Best Themes" that I put together an album when he played at the Club del Vino and musicians came to buy their music sheets that I was selling, so that’s how this project was born among so many that together we designed for the diffusion of his oeuvre.<br> <br> Taking from his words how he said in the prologue of his book "Tango Course" I sincerely hope that this album will be useful to someone.<br> <br> Susana SalgánEl Maestro Horacio Salgán seleccionó 22 de sus “Mejores Temas” para que armara un álbum cuando él tocaba en el Club de Vino y músicos venían a comprar sus partituras que yo vendía, así nació este proyecto entre tantos que juntos ideamos para la difusión de su obra.<br> <br> Tomándome de su palabras cómo dijo en el prólogo de su libro “Curso de Tango” espero sinceramente que este álbum le sea útil a alguien.<br> <br> Susana Salgán<br> <br> The Maestro Horacio Salgán selected 22 of his "Best Themes" that I put together an album when he played at the Club del Vino and musicians came to buy their music sheets that I was selling, so that’s how this project was born among so many that together we designed for the diffusion of his oeuvre.<br> <br> Taking from his words how he said in the prologue of his book "Tango Course" I sincerely hope that this album will be useful to someone.<br> <br> Susana Salgán
$12.99
11.83 €
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Piano seul
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Horacio Salgán
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Horacio Salgán - Álbum de Partituras de sus Mejores Temas
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A Fuego Lento Ediciones
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SheetMusicPlus
Drill & Excel On the Piano Book 4
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Kathi Kerr. Method, Etudes a…
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Piano Solo - Intermediate - Digital Download Composed by Kathi Kerr. Method, Etudes and Exercises, Repertoire, Classroom, General Instructional. 130 pages. Published by Melody Music Publishers
Drill & Excel On the Piano – Read Music Like a Pro book 4 is for the late intermediate student. This 165 book has everything from the previous 3 books, with the first chapter being a recap of the previous books. Starting with chapter 2 it includes many new rhythms with odd meters with new bottom numbers. And there are tons of new theory, including altered intervals, triads and triad numbers, and 7th chords, with multiple worksheets to fully understand the student. Of course, there are more exercises and special exercises for specific skills included in the songs. The scales are the keys of C, G, D, A, and F to recap, then B flat and E flat is added. Best of all, 60 songs, written beautifully and specifically for what is taught in each chapter. By the end of this book, a student is ready for a college degree or a performance career!Drill & Excel On the Piano – Read Music Like a Pro book 4 is for the late intermediate student. This 165 book has everything from the previous 3 books, with the first chapter being a recap of the previous books. Starting with chapter 2 it includes many new rhythms with odd meters with new bottom numbers. And there are tons of new theory, including altered intervals, triads and triad numbers, and 7th chords, with multiple worksheets to fully understand the student. Of course, there are more exercises and special exercises for specific skills included in the songs. The scales are the keys of C, G, D, A, and F to recap, then B flat and E flat is added. Best of all, 60 songs, written beautifully and specifically for what is taught in each chapter. By the end of this book, a student is ready for a college degree or a performance career!
$14.99
13.65 €
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Piano seul
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Kathi Kerr
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Drill & Excel On the Piano Book 4
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Melody Music Publishers
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SheetMusicPlus
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