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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Minute By Minute - Drums
Non classifié
7 146
Piano & claviers
Piano seul
2 356
Piano, Voix
475
Orgue
447
Piano Facile
231
Piano, Voix et Guitare
186
1 Piano, 4 mains
132
Instruments en Do
123
Piano Trio: piano, violon, violoncelle
89
2 Pianos, 4 mains
61
Orgue, Trompette (duo)
38
Clavecin
30
Orgue, Piano (duo)
15
Accordéon
14
Piano Quatuor: piano, violon, alto, violoncelle
13
Accompagnement Piano
13
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
7
2 Accordéons
7
2 Pianos, 8 mains
5
Orgue, Voix
4
Piano (partie séparée)
4
1 Piano, 6 mains
4
Ensemble d'Accordéons
2
Fake Book
2
Piano grosses notes
1
Clavier
1
+ 21 instrumentations
Retracter
Guitares
Guitare
199
Guitare notes et tablatures
117
Ligne De Mélodie, (Paroles) et Accords
49
2 Guitares (duo)
39
Basse electrique
25
Ukulele
10
Mandoline
10
Paroles et Accords
7
Dulcimer
6
4 Guitares (Quatuor)
6
3 Guitares (trio)
5
Banjo
4
Guitare, Quatuor à cordes
4
Guitare (partie séparée)
3
Ensemble de guitares
3
Mandoline, Guitare (duo)
2
Piano, Guitare (duo)
2
Guitare, Orchestre
2
Dobro
1
Basse électrique (partie séparée)
1
Guitare, Violon, Violoncelle (trio)
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
1 708
Chorale TTBB
428
Chorale 3 parties
335
Chorale 2 parties
110
Voix Soprano, Piano
109
Chorale SSAA
102
Chorale Unison
80
Chorale SSAATTBB
65
Voix Baryton, Piano
42
Chorale
40
Voix haute
37
Voix Tenor, Piano
35
Voix moyenne, Piano
34
Chorale SSATTB
31
Voix basse, Piano
29
Voix duo, Piano
21
Voix Mezzo-Soprano, Piano
19
Chorale SSATB
16
Voix Alto, Piano
15
Soli, choeur mixte et accompagnement
15
Voix haute, Piano
8
Voix duo
6
Voix Soprano, Orchestre
5
Voix seule
5
Voix Soprano
3
Voix Tenor
3
Chorale SSAATB
3
Voix basse
3
Chorale SATBB
1
Chorale SATTBB A Cappella
1
Voix, Guitare
1
Voix duo, Orgue
1
+ 27 instrumentations
Retracter
Vents
2 Saxophones (duo)
877
2 Clarinettes (duo)
429
Saxophone, Clarinette (duo)
415
Flûte traversière et Piano
374
2 Flûtes traversières (duo)
354
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
307
Clarinette et Piano
305
Saxophone Alto et Piano
298
Clarinette, Violon (duo)
277
Hautbois, Piano (duo)
272
Quatuor de Clarinettes: 4 clarinettes
252
Quatuor de Saxophones: 4 saxophones
249
Clarinette, Trompette (duo)
239
Clarinette
200
2 Hautbois (duo)
193
Flûte, Clarinette (duo)
192
Flûte traversière
169
Flûte, Hautbois, Clarinette, Basson
156
Saxophone Tenor et Piano
149
Hautbois, Clarinette (duo)
145
Hautbois, Basson (duo)
143
Flûte, Violon
141
Hautbois, Flûte
141
Clarinette et Alto
140
Flûte, Saxophone (duo)
135
Flûte, Trompette (duo)
111
Flûte, Alto (duo)
109
Quatuor de Flûtes : 4 flûtes
103
Saxophone Soprano et Piano
93
Saxophone (partie séparée)
89
Ensemble de Flûtes
87
Hautbois (partie séparée)
86
Saxophone Alto
79
Ensemble de Clarinettes
75
2 Flûte à bec (duo)
70
Trio de Flûtes: 3 flûtes
68
3 Clarinettes (trio)
68
Saxophone Tenor
66
Quintette de Saxophone: 5 saxophones
60
Quintette de Clarinettes: 5 clarinettes
52
3 Saxophones (trio)
48
Clarinette Basse, Piano
46
Saxophone Baryton, Piano
45
Flûte à bec Soprano
36
Ensemble de saxophones
33
Clarinette (partie séparée)
24
Cor Anglais
23
Cor anglais, Piano
22
Hautbois, Clarinette, Basson (trio d'anches)
21
Flute (partie séparée)
20
Flûte et Guitare
20
3 Flûtes à bec (trio)
19
Quatuor de Flûtes à bec
18
2 Clarinettes, Piano
17
Flûte, Clarinette et Basson
14
Quintette de Flûte : 5 flûtes
14
Flûte, Clarinette, Piano (trio)
14
Flûte traversière, Orgue (duo)
13
Flûte, Violoncelle, Piano (trio)
13
Clarinette, Trombone (duo)
12
Flûte à bec Alto
12
Flûte, Violon, Piano
12
2 Flûtes traversières, Piano
11
Flûte à bec Alto, Piano
11
Ensemble à vent
10
Hautbois
10
Flûte, Hautbois (duo)
9
Clarinette, Violoncelle (duo)
9
Clarinette, Orchestre
9
Quintette de Clarinette: Clarinette, Quatuor à Cordes
8
Flûte à bec Soprano, Piano
8
Flûte, Violoncelle
8
Ensemble De Flûte à bec
8
Flûte traversière, Orchestre
7
Flûte, Violon et Violoncelle
7
Piccolo
6
2 Cors Anglais Et Pianoforte
6
Flûte à bec Tenor
6
Clarinette Basse
6
3 Hautbois
6
Flûte, Hautbois, Clarinette (trio)
5
5 Flûtes à bec
5
Clarinette, Basson, Piano (trio)
5
Clarinette, Basson (duo)
5
2 Flûtes à bec, Piano
4
Flûte, Hautbois, Basson
4
Hautbois, Quatuor à cordes
4
Hautbois, violon (duo)
4
Flûte à Bec, Piano
4
Flûte, Hautbois, Piano (trio)
4
Flûte à Bec
3
Clarinette, Alto et Piano (trio)
3
Clarinette, Contrebasse (duo)
3
Clarinette, Harpe (duo)
3
Flûte, Basson et Piano
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte et Quatuor à Cordes
3
4 Hautbois
3
Hautbois, Orgue
2
Flûte, Clarinette, Violon (trio)
2
Flûte, alto et harpe
2
Hautbois, Basson et Piano
2
Flûte traversière, Basse continue
2
Saxophone
2
Saxophone et Orgue
2
Flûte, Trombone (duo)
2
Flûte, Violon, Guitare
2
Flute, Cor (duo)
2
Hautbois et Orchestre
2
Piccolo, Piano
2
Hautbois, Guitare (duo)
2
Clarinette, Orgue
2
Saxophone Soprano
2
2 Saxophones, Piano
1
Clarinette, Tuba
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, Violon, Violoncelle et Piano
1
Harmonica
1
2 clarinettes, 2 bassons
1
Cornemuse
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte irlandaise
1
2 Clarinettes, Basson
1
Flûte à bec, Harpe
1
Flute, harpe et violon
1
Hautbois, Violon, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Guitare (duo)
1
Flûte et Trio à cordes
1
+ 124 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
471
Trompette, Saxophone (duo)
288
Trombone et Piano
243
2 Trompettes (duo)
176
Cor et Piano
174
2 Trombones (duo)
174
Trompette
165
Trompette, Piano
155
Trompette, Trombone (duo)
151
Quatuor de Cuivres : 2 trompettes, trombone, tuba
118
Tuba et Piano
113
Euphonium, Piano (duo)
105
Ensemble de Trombones
103
Quatuor de cuivres: 4 trombones
98
Trombone
83
Trompette (partie séparée)
68
Trombone (partie séparée)
67
Cor
58
Quatuor de cuivres: 4 cors
46
2 Cors (duo)
38
Quatuor de Cuivres
37
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
Cor Anglais
23
Cor anglais, Piano
22
Tuba
22
3 Trombones (trio)
18
4 Tubas
17
Trio de Cuivres
16
Euphonium
14
Trombone basse
14
2 Euphoniums (duo)
12
Trombone basse et Piano
12
Cornet et Piano
12
3 Trompettes (trio)
11
Euphonium, Tuba (duo)
10
Cor (partie séparée)
9
Ensemble de Trompettes
8
Ensemble de Cors
8
Quatuor de cuivres: 4 trompettes
8
2 Euphoniums et 2 Tubas
8
Trombone, Orgue
8
2 Cors Anglais Et Pianoforte
6
3 Tubas (trio)
6
Tuba (partie séparée)
5
Trombone et orchestre
5
Trompette, Cor (duo)
4
Cor et Orgue
4
Trompette, violon (duo)
3
3 Cors (trio)
3
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
3
Trombone, Tuba (duo)
3
2 Tubas (duo)
3
Cor, Orchestre
2
Clarinette, Cor (duo)
2
Trompette, Orchestre
2
3 Euphoniums
2
Cor, Tuba (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Cor et Harpe
2
Ensemble de Tubas
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Trombone, Piano
1
Cornet et orchestre
1
4 Euphoniums
1
Saxhorn basse ou Euphonium ou Tuba et Piano
1
Tuba ou Euphonium ou Saxhorn
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
891
Violon et Piano
537
Violoncelle, Piano
368
Violon, Violoncelle (duo)
326
Violon
321
Alto, Piano
259
Violon (partie séparée)
257
2 Violons (duo)
240
2 Violoncelles (duo)
231
Violon, Alto (duo)
220
Violoncelle
213
2 Altos (duo)
180
Trio à Cordes: violon, alto, violoncelle
133
Alto (partie séparée)
123
Alto seul
123
Alto, Violoncelle (duo)
99
Harpe
96
Trio à Cordes: 2 violons, violoncelle
40
Violoncelle (partie séparée)
39
Trio à cordes: 3 violins
25
4 Violoncelles
22
Harpe, Flûte (duo)
22
Contre Basse
22
Trio à cordes
19
Violoncelle, Orchestre
19
Violon, Orgue
19
Contrebasse, Piano (duo)
18
Trio à Cordes: 3 violoncelles
17
Alto et Harpe
17
Harpe, Violoncelle (duo)
16
Contrebasse (partie séparée)
16
Harpe, Violon (duo)
15
Violoncelle, Orgue
14
Violon, Guitare (duo)
13
Alto et orchestre
10
Piano Trio: Violon, Alto, Piano
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Trio à cordes: 3 altos
10
Quatuor à cordes : 4 altos
7
Ensemble de Violoncelles
7
Violoncelle, Contrebasse (duo)
6
Quatuor à cordes: 4 violons
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Alto, Orgue
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Voix
3
Violoncelle , Guitare (duo)
3
2 Altos, Piano
2
2 Violons et Basse continue
2
Flûte, Contrebasse (duo)
2
2 Violons, Piano
2
Harpe et Piano
2
2 Harpes (duo)
1
Harpe (partie séparée)
1
4 Contrebasses
1
Alto et Basson
1
Violon, Clarinette, Piano (trio)
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre
736
Orchestre d'harmonie
528
Orchestre à Cordes
455
Ensemble de cuivres
366
Orchestre de chambre
251
Cloches
153
Ensemble Jazz
63
Fanfare
62
Ensemble de Percussions
28
Piano et Orchestre
21
Orchestre, Violon
18
Percussion (partie séparée)
16
Jazz combo
15
Marimba
12
Percussion
7
Vibraphone
7
Quintette à Vent
5
Xylophone
3
Batterie (partie séparée)
2
Timbales (partie séparée)
2
2 Xylophones
1
3 Percussions
1
Xylophone, Piano
1
Voix Mezzo-Soprano, Orchestre
1
Marimba, Piano (duo)
1
Big band
1
Marimba et Orgue
1
Orchestre Symphonique
1
+ 23 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Minute By Minute - Drums
Piano seul
Partitions à imprimer
2 356 partitions trouvées
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2351
Tatu - 30 Minutes (for Piano Solo)
Piano seul
Piano Solo - Intermediate - Digital Download By T.A.T.U., Tatu. Arranged by Valeriya …
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Piano Solo - Intermediate - Digital Download By T.A.T.U., Tatu. Arranged by Valeriya Klimukhina. Solo Part. 4 pages. Published by Valeriya Klimukhina
30 Minutes (by Tatu) - version for Piano Solo. This version will be great for Intermediate pianists.<br> <br> Ноты композиции "Полчаса" группы ТАТУ - переложение для фортепиано-соло.30 Minutes (by Tatu) - version for Piano Solo. This version will be great for Intermediate pianists.<br> <br> Ноты композиции "Полчаса" группы ТАТУ - переложение для фортепиано-соло.
$5.90
5.44 €
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Piano seul
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T
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Tatu - 30 Minutes
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Valeriya Klimukhina
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SheetMusicPlus
Minute Waltz - Frédéric Chopin
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.835028 By Frederic Chopin. By Frede…
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Piano Solo - Level 3 - Digital Download SKU: A0.835028 By Frederic Chopin. By Frederic Chopin. Arranged by Ygor Nunes. Classical. Score. 7 pages. Ygor Nunes #441770. Published by Ygor Nunes (A0.835028). Minute Waltz,Minute Waltz piano, Minute Waltz chopin, Minute Waltz Frédéric Chopin, Frédéric Chopin, Frédéric Chopin waltz, Frédéric Chopin minute waltz, Chopin minute waltz.
$3.99
3.68 €
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Piano seul
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Frederic Chopin
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Ygor Nunes
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Minute Waltz - Frédéric Chopin
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Ygor Nunes
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SheetMusicPlus
Chopin : Valse n° 6 en ré bémol majeur 'Valse minute', Opus 64 n° 1
Piano seul
Téléchargez la partition Piano Valse n° 6 en ré bémol maje…
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Téléchargez la partition Piano Valse n° 6 en ré bémol majeur 'Valse minute', Opus 64 n° 1 de Chopin. Partition pour Piano seul -- Classique
3.99 €
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Piano seul
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Chopin
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Valse n° 6 en ré bémol maje
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Tomplay
Chopin : Valse n° 6 en ré bémol majeur 'Valse minute', Opus 64 n° 1 (Quatre mains)
Piano seul
Téléchargez la partition Piano Valse n° 6 en ré bémol maje…
(+)
Téléchargez la partition Piano Valse n° 6 en ré bémol majeur 'Valse minute', Opus 64 n° 1 de Chopin. Partition pour Piano à quatre mains -- Classique
4.99 €
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Piano seul
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Chopin
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Valse n° 6 en ré bémol maje
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Tomplay
Chopin : Valse n° 6 en ré bémol majeur 'Valse minute', Opus 64 n° 1 (piano d'accompagnement)
Piano seul
Téléchargez la partition Piano Valse n° 6 en ré bémol maje…
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Téléchargez la partition Piano Valse n° 6 en ré bémol majeur 'Valse minute', Opus 64 n° 1 (piano d'accompagnement) de Chopin. Partition pour Duo -- Classique
4.99 €
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Piano seul
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Chopin
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Valse n° 6 en ré bémol maje
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Tomplay
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.91 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.91 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Six Variations on a Ländler by Schubert
Piano seul
Piano - difficult - Digital Download SKU: S9.Q11149 Composed by Stefan Heucke. This…
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Piano - difficult - Digital Download SKU: S9.Q11149 Composed by Stefan Heucke. This edition: single sheet. Downloadable, Separate edition. Op. 65. Duration 4 minutes. Schott Music - Digital #Q11149. Published by Schott Music - Digital (S9.Q11149). Der im Herbst 2011 entstandene kleine Variationszyklus über einen Ländler von Schubert entstand zwar aus Anlass des Petrushka-Projekts von Schott. Da mir aber kleine Aufträge grundsätzlich zu groß geraten, beschloss ich, aus der Not eine Tugend zu machen und einfach ein richtiges großes Stück en miniature zu schreiben. Der Witz des Zyklus besteht darin, dass er trotz seiner nur 5minütigen Spieldauer (ohne Widerholungen sind es sogar nur dreieinhalb Minuten) ein ausgewachsener Variationszyklus mit den wichtigsten Merkmalen dieser Form ist. Das tänzerische Element des a-Moll-Themas verschwindet immer mehr bis zu einem dramatischen Trauermarsch in der vierten Variation, um dann in der letzten Variation wieder zu dem Schubert’schen Original zurück zu finden, allerdings in A-Dur und in langsamerem Tempo, so dass sich in seiner bitteren Süße sogar noch ein Überbieten des typischen Schubert-Tons ereignet. Das kleine Opus ist das Schwester-Werk des etwas umfangreicheren Variationszyklus op.64 Variationen über einen Ländler von Schubert für Klavier zu vier Händen, mit dem es in mancherlei inhaltlichem und musikalisch-formalem Zusammenhang steht. - Stefan Heucke.
$3.99
3.68 €
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Piano seul
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Stefan Heucke
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Six Variations on a Ländler by Schubert
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Schott Music - Digital
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SheetMusicPlus
Minutenwalzer
Piano seul
Piano - Digital Download SKU: S9.Q13033 Populäre Klassik. Composed by Fre…
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Piano - Digital Download SKU: S9.Q13033 Populäre Klassik. Composed by Frederic Chopin. Arranged by Hans-Guenter Heumann. Downloadable. Op. 64/1. Schott Music - Digital #Q13033. Published by Schott Music - Digital (S9.Q13033). German • English.
$2.99
2.76 €
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Piano seul
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Frederic Chopin
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Hans-Guenter Heumann
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Minutenwalzer
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Schott Music - Digital
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SheetMusicPlus
Minutemen: A Failure To Launch (Comedic Pun)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1014273 Composed by Mark Hillegass …
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Piano Solo - Level 3 - Digital Download SKU: A0.1014273 Composed by Mark Hillegass Jr. Contemporary. Score. 2 pages. Mark Hillegass Jr. #3474129. Published by Mark Hillegass Jr. (A0.1014273). Piano Solo with PercussionGrade 1.5-2.
$10.00
9.22 €
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Piano seul
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Mark Hillegass Jr
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Minutemen: A Failure To Launch
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Mark Hillegass Jr.
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SheetMusicPlus
Get me a rag! Just a minute...
Piano seul
Piano Solo - Digital Download SKU: A0.924864 Composed by Stanley M. Hoffman. Concer…
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Piano Solo - Digital Download SKU: A0.924864 Composed by Stanley M. Hoffman. Concert,Contemporary,Folk,Ragtime. Score. 4 pages. Stanleymhoffman.com #3913767. Published by stanleymhoffman.com (A0.924864). Composed for a call for scores for Vox Novus' 15 Minutes of Fame series, this piece is dedicated to and was chosen for performance by world-renowned pianist Shiau-uen Ding. It is and homage to Scott Joplin, and bears the tongue-in-cheek words, If the world is going to end in 2012, it is going to create quite a mess. Get me a rag! Just a minute... Get it? This piece ought to be quite popular.
$2.00
1.84 €
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Piano seul
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Stanley M
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Get me a rag! Just a minute...
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stanleymhoffman.com
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SheetMusicPlus
J. S. Bach, Schafe können sicher weiden BWV 208, arrangment / transcription for piano by Jaap Eilander
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Johann Sebastian …
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Piano Solo - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Jaap Eilander. 21st Century, Romantic Period, Baroque Period, World, European. 5 pages. Published by Jaap Eilander
Johann Sebastian Bach, Aria 'Schafe können sicher weiden' / 'Sheep may safely graze' from cantate BWV 208, arrangment / transcription for piano by Jaap Eilander<br> <br> Duration: 5 minutes.Johann Sebastian Bach, Aria 'Schafe können sicher weiden' / 'Sheep may safely graze' from cantate BWV 208, arrangment / transcription for piano by Jaap Eilander<br> <br> Duration: 5 minutes.
$7.99
7.37 €
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Piano seul
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Johann Sebastian Bach
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Jaap Eilander
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J. S. Bach, Schafe können sicher weiden BWV 208, arrangment / transcription for piano by Jaap Eilander
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Jaap Eilander
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SheetMusicPlus
Stella By Starlight (solo piano)
Piano seul
Piano Solo - Advanced Intermediate - Digital Download By Victor Young and Ned Washingto…
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Piano Solo - Advanced Intermediate - Digital Download By Victor Young and Ned Washington. Arranged by Rupert Austin. 5 pages. Published by Rupert Austin
An arrangement of the classic Victor Young melody for solo piano in a moody jazz ballad style. Performance duration is about 4 minutes 15 seconds, and a performance can be viewed at youtube.com/c/rupertaustin.and#65279; The main melodic material of the original song is presented during the first 32 bars, with some use of harmonic substitutions. From bar 33 to 77 the song is explored in an extensive improvisatory section where much use of rubato would suit the style. Some significant tempo changes are marked during this section. The arrangement then provides a restatement of the first 28 bars before closing with a brief coda. An arrangement of the classic Victor Young melody for solo piano in a moody jazz ballad style. Performance duration is about 4 minutes 15 seconds, and a performance can be viewed at youtube.com/c/rupertaustin.and#65279;
The main melodic material of the original song is presented during the first 32 bars, with some use of harmonic substitutions. From bar 33 to 77 the song is explored in an extensive improvisatory section where much use of rubato would suit the style. Some significant tempo changes are marked during this section. The arrangement then provides a restatement of the first 28 bars before closing with a brief coda.
$6.00
5.53 €
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Piano seul
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Victor Young and Ned Washington
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Rupert Austin
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Stella By Starlight
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Rupert Austin
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SheetMusicPlus
Music from the film "Brief Encounter" by Rachmaninoff- Arranged for Solo Piano (simplified)
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by S Rachmaninoff. A…
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Piano Solo - Advanced Intermediate - Digital Download Composed by S Rachmaninoff. Arranged by Grant Horsley. Movies, Repertoire, Valentine's Day, Wedding, Recital. Sheet Music Single. 15 pages. Published by Grant Horsley Music
Originally for piano and orchestra, I have carefully arranged the beautiful romantic themes of this piece for solo piano. I have combined the orchestral textures with the piano solo to bring them together as a cohesive piece. There is no stretches greater than an octave, and the part is heavily reduced from the original-but the piece still falls into advanced intermediate as I have kept the passion (just less notes!) Each section could easily be used as a separate piece.<br> The full score is 11 pages and it is nearly10 minutes long- for full suitability on level of difficulty, the youtube link provide the full score- I wanted to give opportunities for pianists to play an easier version of this fabulous piece. I made the recording live on a digital piano, with technology to enhance.<br> Great for valentine's day, weddings, anniversaries, romantic events, it's a firm favourite with lots of people as the themes are so memorable- just fantastic to play.Originally for piano and orchestra, I have carefully arranged the beautiful romantic themes of this piece for solo piano. I have combined the orchestral textures with the piano solo to bring them together as a cohesive piece. There is no stretches greater than an octave, and the part is heavily reduced from the original-but the piece still falls into advanced intermediate as I have kept the passion (just less notes!) Each section could easily be used as a separate piece.<br> The full score is 11 pages and it is nearly10 minutes long- for full suitability on level of difficulty, the youtube link provide the full score- I wanted to give opportunities for pianists to play an easier version of this fabulous piece. I made the recording live on a digital piano, with technology to enhance.<br> Great for valentine's day, weddings, anniversaries, romantic events, it's a firm favourite with lots of people as the themes are so memorable- just fantastic to play.
$6.50
5.99 €
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Piano seul
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S Rachmaninoff
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Grant Horsley
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Music from the film "Brief Encounter" by Rachmaninoff- Arranged for Solo Piano
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Grant Horsley Music
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SheetMusicPlus
15-Minute Composition Challenges (First Edition)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1508715 Composed by Ryan Brechmache…
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Piano Solo - Level 4 - Digital Download SKU: A0.1508715 Composed by Ryan Brechmacher. 21st Century,Classical,Instructional,New Age. Score. 31 pages. Ryan Brechmacher #1083982. Published by Ryan Brechmacher (A0.1508715). These pieces were originally written as TikTok challenges—the idea was I was supposed to compose a theme based on a motive from either the Classical or sometimes even pop/rock music realm in just fifteen minutes. After a few of these videos, I started writing at an incredible speed, sometimes writing more than two or three pieces per day. These pieces have often ended up vastly different than their original material, which makes them even more fun—it might be a challenge to figure out on which pieces these compositions are based. I’ve decided to publish these pieces so you could enjoy playing them. Each of them is in their “urtext” edition (no dynamics or editorial markings, aside from tempi), so feel free to add your own flair.
$14.99
13.82 €
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Piano seul
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Ryan Brechmacher
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15-Minute Composition Challenges
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Ryan Brechmacher
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SheetMusicPlus
New York Minute: Riverside Park
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.940256 Composed by Kenneth LaFave. …
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Piano Solo - Level 4 - Digital Download SKU: A0.940256 Composed by Kenneth LaFave. 20th Century,Contemporary. Score. 2 pages. Exploding Dreams Music (ASCAP) #3378013. Published by Exploding Dreams Music (ASCAP) (A0.940256). One in a series of piece under the umbrella title New York Minutes, this piece captures the feeling of indolence and carefreeness on a Sunday afternoon in Manhattan's Riverside Park.
$1.99
1.83 €
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Piano seul
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Kenneth LaFave
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New York Minute: Riverside Park
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Exploding Dreams Music
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SheetMusicPlus
New York Minute: The Cloisters
Piano seul
Piano Solo - Digital Download SKU: A0.940259 Composed by Kenneth LaFave. 20th Centu…
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Piano Solo - Digital Download SKU: A0.940259 Composed by Kenneth LaFave. 20th Century,Contemporary. Score. 2 pages. Exploding Dreams Music (ASCAP) #3378033. Published by Exploding Dreams Music (ASCAP) (A0.940259). One in a series of pieces under the umbrella title, New York Minutes, this work suggests the quiet and calm amid the bustle of New York, to be found at the famous Medieval museum at Manhattan's northern tip.
$1.99
1.83 €
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Piano seul
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Kenneth LaFave
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New York Minute: The Cloisters
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Exploding Dreams Music
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SheetMusicPlus
New York Minute: The Harbor at Dawn
Piano seul
Piano Solo - Digital Download SKU: A0.940257 Composed by Kenneth LaFave. 20th Centu…
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Piano Solo - Digital Download SKU: A0.940257 Composed by Kenneth LaFave. 20th Century,Contemporary. Score. 2 pages. Exploding Dreams Music (ASCAP) #3378025. Published by Exploding Dreams Music (ASCAP) (A0.940257). One in a series of pieces under the umbrella title, New York Minutes, this piece evokes the awakening of energies on a morning at New York Harbor.
$1.99
1.83 €
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Piano seul
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Kenneth LaFave
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New York Minute: The Harbor at Dawn
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Exploding Dreams Music
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SheetMusicPlus
New York Minute: 52nd Street
Piano seul
Piano Solo - Digital Download SKU: A0.940258 Composed by Kenneth LaFave. 20th Centu…
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Piano Solo - Digital Download SKU: A0.940258 Composed by Kenneth LaFave. 20th Century,Contemporary. Score. 3 pages. Exploding Dreams Music (ASCAP) #3378027. Published by Exploding Dreams Music (ASCAP) (A0.940258). One in a series of pieces under the umbrella title, New York Minutes, this piece pays tribute to the Manhattan street where once the great jazz clubs flourished.
$1.99
1.83 €
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Piano seul
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Kenneth LaFave
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New York Minute: 52nd Street
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Exploding Dreams Music
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SheetMusicPlus
New York Minute: Midtown Reality
Piano seul
Piano Solo - Digital Download SKU: A0.940260 Composed by Kenneth LaFave. 20th Centu…
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Piano Solo - Digital Download SKU: A0.940260 Composed by Kenneth LaFave. 20th Century,Contemporary. Score. 2 pages. Exploding Dreams Music (ASCAP) #3378037. Published by Exploding Dreams Music (ASCAP) (A0.940260). One in a series of pieces under the umbrella title, New York Minutes, this short work conveys the harsh but compelling energies of Manhattan's commercial center at midday.
$1.99
1.83 €
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Piano seul
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Kenneth LaFave
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New York Minute: Midtown Reality
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Exploding Dreams Music
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SheetMusicPlus
24 Regards sur les Tonalites en 24 Minutes
Piano seul
Solo Piano - Grade 3 - Digital Download SKU: FX.FX073658 Composed by Gilles Mayzaud…
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Solo Piano - Grade 3 - Digital Download SKU: FX.FX073658 Composed by Gilles Mayzaud. Original Composition, Republished Master Piece. Classical, Educational. Solo Part. 51 pages. Duration 24 minutes. FLEX Editions - Digital Sheet Music #FX073658. Published by FLEX Editions - Digital Sheet Music (FX.FX073658). Je propose, dans ce recueil de parcourir toutes les tonalites en 24 minutes (ou presque). Je voulais des pieces courtes d'une minute, sans modulation, tenant sur la page de droite, et les explications sur l'autre, permettant a l'eleve (avec peut-etre l'aide de son professeur) de commencer le travail sans trop de difficultes. En complement des exercices a travailler dans toutes les tonalites que nous trouvons dans la plupart des methodes (Cortot, Long, Beringer, pour ne citer qu'eux), je propose ces courtes pieces. Si une tonalite est totalement inconnue d'un eleve, il pourra ainsi rencontrer cette nouvelle armure, sans pour autant s'engager dans un trop long travail. L'objectif est d'etre simple, rapide et efficace. - Gilles MAYZAUD ; Instruments: 1 Solo Piano.
$10.95
10.09 €
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Piano seul
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Gilles Mayzaud
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Instruments: 1 Solo Piano
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24 Regards sur les Tonalites en 24 Minutes
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Minute Bagatelle
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1398806 Composed by Robert A. Howar…
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Piano Solo - Level 3 - Digital Download SKU: A0.1398806 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 3 pages. Robert A. Howard #982079. Published by Robert A. Howard (A0.1398806). 'Minute Bagatelle' is a light, skittish, solo piano miniature. It features simple textural variations on a jaunty jig-like theme that is stated an octave lower on each statement. Harmonies almost exclusively feature added fourth chords. The piece is exactly one minute long in duration, as a response to Chopin's famous Minute Waltz. It was designed as an educational piece, but can be performed by most standards of pianists, from mid-grade students through to professionals. The work is composed in a highly accessible idiom. The piece could even be used as a carefree encore in recital or concert.Duration: 1 minute.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.99
2.76 €
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Piano seul
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Robert A
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Minute Bagatelle
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Robert A. Howard
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SheetMusicPlus
Mirrored Minutes
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.882143 Composed by Frederic Chopin.…
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Piano Solo - Level 5 - Digital Download SKU: A0.882143 Composed by Frederic Chopin. Arranged by Samuel Wellman. Contemporary. Score. 2 pages. Samuel Wellman #6055749. Published by Samuel Wellman (A0.882143). This piece is an exact mirror of Chopin's 'Minute' Waltz. The left hand now plays what the right hand originally had, and vice versa. It's not simply an inversion but the same relationship of black and white keys so that the 'feel' of the left hand duplicates the right hand original. One may inspect Vincent Persichetti's 'Seven Mirror Etudes' to see how this works; in his pieces the LH is a mirror of the RH. But in mine there are two mirrors, so to speak: each hand is a mirror of what the opposite hand has in the Chopin original. The result is somewhat odd, since major triads become minor and tonal relationships are altered.
$4.00
3.69 €
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Piano seul
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Frederic Chopin
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Samuel Wellman
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Mirrored Minutes
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Samuel Wellman
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SheetMusicPlus
Chopin-Minute Waltz op 64 no 1- Simplified version- Intermediate
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.785665 Composed by F Chopin. Arrang…
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Piano Solo - Level 3 - Digital Download SKU: A0.785665 Composed by F Chopin. Arranged by Grant Horsley. Instructional,Romantic Period,Standards. Score. 7 pages. Grant Horsley #5040861. Published by Grant Horsley (A0.785665). Chopin-Minute Waltz- Easier version- Top end Intermediate The famous Minute waltz of Chopin here has been modified firstly, a change of key from D flat to E flat. Also the chords have been placed at an inversion closer to the bass note to limit the jumping. It has been kept quite close to the original in terms of texture but the left hand has be consolidated to enable pianist to have a version to play if they don't feel confident with the original.It is a real show-piece and one that lots of people know.
$5.25
4.84 €
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Piano seul
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F Chopin
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Grant Horsley
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Chopin-Minute Waltz op 64 no 1- Simplified version- Intermediate
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Grant Horsley
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SheetMusicPlus
Majestic Minute
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.700632 Composed by SidaroFigaro. Cl…
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Piano Solo - Level 2 - Digital Download SKU: A0.700632 Composed by SidaroFigaro. Classical,Film/TV,Multicultural,New Age,Wedding,World. Score. 1 pages. SidaroFigaro #309204. Published by SidaroFigaro (A0.700632). Majestic Minute was created to be played with and listened to in beauty, with beauty. It is a 1 minute experience that takes you to a majestic chateau where elegance is key.
$5.00
4.61 €
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Piano seul
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SidaroFigaro
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Majestic Minute
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SidaroFigaro
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SheetMusicPlus
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