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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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DEEJAY
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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PIANO
SAXOPHONE
SYNTHETISEUR
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ASIE
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Non classifié
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PIANO & CLAVIERS
Piano, Voix
1653
Piano seul
665
Piano Facile
376
Piano, Voix et Guitare
206
1 Piano, 4 mains
61
Accompagnement Piano
55
Instruments en Do
53
Orgue
44
Piano Trio: piano, violon, violoncelle
33
2 Pianos, 4 mains
13
Piano grosses notes
10
Accordéon
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
6
2 Pianos, 8 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano (partie séparée)
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Clavecin
1
1 Piano, 6 mains
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GUITARES
Guitare
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76
Ligne De Mélodie, (Paroles) et Accords
49
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17
Ukulele
16
Basse electrique
13
Piano, Guitare (duo)
8
4 Guitares (Quatuor)
6
3 Guitares (trio)
4
Guitare (partie séparée)
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Paroles et Accords
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3
Banjo
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1
Dulcimer
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Mandoline, Guitare (duo)
1
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VOIX
Chorale SATB
217
Voix Soprano, Piano
116
Chorale 3 parties
97
Voix Tenor, Piano
90
Voix Baryton, Piano
59
Chorale 2 parties
54
Voix Alto, Piano
53
Voix seule
44
Voix duo, Piano
38
Voix haute
26
Chorale TTBB
26
Voix duo
21
Chorale Unison
21
Voix Baryton
16
Voix moyenne, Piano
16
Chorale SSAA
14
Voix basse, Piano
14
Voix Mezzo-Soprano, Piano
12
Voix Tenor
9
Chorale
9
Voix Soprano
6
Pack Instrumental pour Chorale
5
Soli, choeur mixte et accompagnement
4
Voix haute, Piano
4
Voix, Guitare
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
271
Clarinette et Piano
240
Hautbois, Piano (duo)
147
Quatuor de Saxophones: 4 saxophones
146
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
144
Saxophone Alto et Piano
142
Flûte, Hautbois, Clarinette, Basson
104
2 Flûtes traversières (duo)
98
Saxophone Soprano et Piano
94
Quatuor de Clarinettes: 4 clarinettes
89
Clarinette
82
Flûte traversière
74
Saxophone Tenor et Piano
69
Quatuor de Flûtes : 4 flûtes
69
2 Saxophones (duo)
61
Quintette de Saxophone: 5 saxophones
52
Hautbois (partie séparée)
50
Harmonica
50
Ensemble de Clarinettes
48
Saxophone (partie séparée)
47
Saxophone Alto
46
Cor anglais, Piano
42
2 Clarinettes (duo)
40
Saxophone Baryton, Piano
31
Saxophone Tenor
28
Ensemble de saxophones
25
Clarinette Basse, Piano
25
Clarinette (partie séparée)
25
Quintette de Clarinettes: 5 clarinettes
24
3 Saxophones (trio)
23
Ensemble de Flûtes
23
Quatuor de Flûtes à bec
19
2 Flûte à bec (duo)
16
3 Clarinettes (trio)
15
Trio de Flûtes: 3 flûtes
14
Flûte à bec Soprano
12
Flûte et Guitare
12
Flûte, Clarinette (duo)
12
5 Flûtes à bec
11
2 Hautbois (duo)
11
Saxophone, Clarinette (duo)
11
Flûte, Violoncelle, Piano (trio)
11
Flute (partie séparée)
9
Hautbois
9
Clarinette, Violoncelle, Piano (trio)
8
Flûte, Violon, Piano
8
2 Flûtes traversières, Piano
8
Clarinette, Basson (duo)
7
Hautbois, Basson (duo)
7
Clarinette, Violon (duo)
7
Flûte, Clarinette, Piano (trio)
7
Flûte à bec Alto
7
Flûte à bec, Guitare (duo)
6
Flûte, Clarinette, Cor, Basson (Quartet)
6
3 Flûtes à bec (trio)
6
Clarinette, Guitare (duo)
6
Cor Anglais
5
Hautbois, Clarinette (duo)
5
Quintette de Flûte : 5 flûtes
5
Flûte, Violon
5
Flûte, Clarinette et Basson
5
2 Clarinettes, Piano
5
Flûte à Bec
4
Flûte, Saxophone (duo)
4
Clarinette, Trompette (duo)
4
Flûte, Alto (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte à bec Tenor
3
Hautbois, Flûte
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Hautbois, Piano (trio)
3
Clarinette, Violoncelle (duo)
3
Flûte, Trompette (duo)
3
Saxophone Baryton
2
Flûte traversière, Basse continue
2
Clarinette Basse
2
Saxophone Soprano
2
Clarinette et Alto
2
Piccolo
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, Hautbois, Basson
2
Flûte, Violoncelle
2
Flûte, trombone et piano
2
Clarinette, Trombone (duo)
1
Hautbois, Violoncelle et Piano
1
Flûte de Pan
1
Flûte, Basson et Piano
1
Flûte à bec Soprano, Piano
1
2 Saxophones, Piano
1
Saxophone et violoncelle
1
Hautbois, Clarinette, Basson et Piano
1
Flûte, Violon et Violoncelle
1
Flûte traversière, Orgue (duo)
1
2 Flûtes à bec, Guitare
1
Flûte à Bec, Piano
1
Piccolo, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Piano
156
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
132
Cor et Piano
127
Trombone et Piano
112
Cor
82
Trompette
78
Quatuor de Cuivres : 2 trompettes, trombone, tuba
77
Tuba et Piano
71
Trombone
56
2 Trombones (duo)
44
Cor anglais, Piano
42
Tuba
41
Quatuor de cuivres: 4 cors
35
Euphonium, Piano (duo)
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
Trombone (partie séparée)
27
Trompette (partie séparée)
26
Quatuor de cuivres: 4 trombones
26
Ensemble de Trombones
19
Ensemble de Cors
18
2 Trompettes (duo)
18
Quatuor de Cuivres
14
Cor (partie séparée)
11
Quatuor de cuivres: 4 trompettes
11
2 Euphoniums (duo)
11
Trompette, Trombone (duo)
9
2 Cors (duo)
9
Tuba et Orgue
9
Ensemble de Trompettes
7
Tuba (partie séparée)
7
Trompette, Violoncelle et Piano
6
Trompette, Saxophone (duo)
6
Cor Anglais
5
2 Tubas (duo)
4
Euphonium
4
3 Trombones (trio)
4
Euphonium, Tuba (duo)
4
4 Tubas
4
Trio de Cuivres
3
3 Tubas (trio)
3
2 Euphoniums et 2 Tubas
3
3 Cors (trio)
2
Trompette, Cor (duo)
2
Trompette, Trombone, Piano
2
Trombone, Cor (duo)
2
Trombone basse et Piano
2
3 Trompettes (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
335
Violon et Piano
315
Violoncelle, Piano
262
Alto, Piano
230
Violon
113
Harpe
96
Violoncelle
84
Contrebasse, Piano (duo)
63
Alto seul
60
Trio à Cordes: violon, alto, violoncelle
56
Violon, Violoncelle (duo)
44
Contre Basse
36
Violon (partie séparée)
35
2 Harpes (duo)
32
2 Violons (duo)
25
2 Altos (duo)
23
2 Violoncelles (duo)
23
4 Violoncelles
22
Violon, Alto (duo)
20
Alto (partie séparée)
20
Trio à Cordes: 2 violons, violoncelle
17
Contrebasse (partie séparée)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Alto, Violoncelle (duo)
11
Trio à cordes: 3 violins
10
Quatuor à cordes: 4 violons
10
Harpe, Flûte (duo)
10
Quatuor à cordes : 4 altos
10
Violoncelle (partie séparée)
10
Trio à Cordes: 3 violoncelles
7
Piano Trio: Violon, Alto, Piano
7
Alto, Guitare (duo)
7
Trio à cordes: 3 altos
6
Violon, Guitare (duo)
6
2 Contrebasses (duo)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Trio à cordes
3
Violoncelle , Guitare (duo)
3
Harpe, Violon, Violoncelle
2
Harpe, Violon (duo)
2
Flûte, Contrebasse (duo)
2
Harpe et Piano
1
2 Violons et Basse continue
1
Trio à Cordes: 2 violons, alto
1
2 Altos, Piano
1
Violoncelle, Orchestre
1
Alto et Basson
1
Violon, Basson (duo)
1
2 Violons, Piano
1
Harpe et mandoline
1
Violon, Orgue
1
Harpe, Orchestre
1
Ensemble de Violoncelles
1
Violon, Basse continue
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
535
Orchestre
265
Orchestre à Cordes
145
Ensemble de cuivres
137
Orchestre de chambre
80
Jazz combo
38
Ensemble Jazz
27
Percussion (partie séparée)
14
Cloches
11
Xylophone, Piano
10
Big band
8
Ensemble de Percussions
7
Fanfare
6
Marimba
6
Timbales (partie séparée)
3
Quatuor à Vent : 4 instruments à vents
3
Batterie
3
Xylophone
2
Batterie (partie séparée)
2
Caisse Claire
1
Percussion
1
Piano et Orchestre
1
Voix et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Théorie de la musique
1
Vous avez sélectionné:
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Partitions à imprimer
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651
The Birdcatcher Aria from Mozart's opera The Magic Flute for Solo Piano
Piano seul
Piano Solo - Digital Download SKU: A0.930489 Composed by Wolfgang Amadeus Mozart. A…
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Piano Solo - Digital Download SKU: A0.930489 Composed by Wolfgang Amadeus Mozart. Arranged by Lisa Ruping Cheng. Contemporary. Score. 3 pages. Lisa Ruping Cheng #4747393. Published by Lisa Ruping Cheng (A0.930489). Intermediate level piano solo arrangement of the Aria Der Vogelfänger bin ich ja (The birdcatcher; that's me), from Wolfgang A Mozart's opera The Magic Flute. Suitable for piano teachers to use as supplemental teaching materials for intermediate level. Key signature set in C major to make easier for sight read. A light hearted, classic Mozart operatic aria that is wonderful for piano students to approach a different genre of music - operas. ISMN 979-0-706118-00-0Arrangement by Lisa Ruping Cheng, copy righted 2019.
$3.99
3.64 €
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Piano seul
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Wolfgang Amadeus Mozart
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Lisa Ruping Cheng
#
that's me),
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The Birdcatcher Aria from Mozart's opera The Magic Flute for Solo Piano
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Lisa Ruping Cheng
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SheetMusicPlus
Elements of Indian Music
Piano seul
Piano and keyboard - Intermediate-Advanced - Digital Download SKU: M0.30603MEB T…
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Piano and keyboard - Intermediate-Advanced - Digital Download SKU: M0.30603MEB The Melakarta System. Composed by Radhika Iyer. Theory and Reference. E-book and online audio. 101 pages. Mel Bay Publications - Digital Sheet Music #30603MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30603MEB). ISBN 9781619118232. 8.75x11.75 inches.Elements of Indian Music introduces the Indian melodic system in an accessible manner within the realm of Western music theory. It demonstrates a new archetype in music composition for composers of any genre, as well as composition teachers and anyone interested in ethnomusicology. This book contains a set of 12 etudes for piano and transcriptions for classical guitar. Each etude is about one minute in length and utilizes notes from a particular Indian scale. An intermediate to advanced skill level is required to perform each etude. Practicing and performing these studies is an excellent way to expand one’s musical perspective beyond traditional diatonic scales. Indian music has intrigued the West for a long time, but hasn’t always been accessible because of the absence of a systematic approach to theory and repertoire. Just as the Western harmonic system is well developed, the Indian melodic system is very advanced and equally established. The intermingling of these two worlds can inspire new, exceptional sonic landscapes. Useful literature on the evolution of the Indian melodic system is also included, with notes on how it can be used as a modus operandi by Western musicians who wish to apply Indian scales in Western compositions and improvisations. Includes access to online audio
$19.99
18.24 €
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Piano seul
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Radhika Iyer
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Elements of Indian Music
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Mastering Melodies: Favorite Operas
Piano seul
Piano - Level 2 - Digital Download SKU: LX.70-1281H Simplified Keyboard Selectio…
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Piano - Level 2 - Digital Download SKU: LX.70-1281H Simplified Keyboard Selections Late Beg/Early Int. Arranged by Janet Vogt Zeitler. Piano Collection. Mastering Melodies Series. 16 pages. Heritage Music Press #e70/1281H. Published by Heritage Music Press (LX.70-1281H). UPC: 000308045161.The moment a familiar classical melody falls into the fingers of a beginning pianist is a moment of musical joy for both performer and listener. Mastering Melodies offers such moments of discovery and accomplishment with a collection of repertoire, which is both accessible and delightfully arranged for the late beginner/early intermediate piano student. These melodies set the stage for beginning musicianship - playing with expression, building increasing technical skills and inspiring a nearly love and appreciation of the classics of musical literature adopted from symphonic, chamber, operatic and keyboard repertoire. The fingers and ears alike will begin to know Beethoven, Bach, Mozart and other great composers, who each had their own unique and extraordinary way of shaping the melodies of their masterworks. These carefully edited and arranged selections will provide a lasting foundation for building repertoire and inspire a natural enthusiasm in each student.
$3.95
3.61 €
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Piano seul
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Janet Vogt Zeitler
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Mastering Melodies: Favorite Operas
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Heritage Music Press
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SheetMusicPlus
Moment Musical No.3, Op.94 - Piano Solo (Full Score)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1379946 Composed by Franz Schubert.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1379946 Composed by Franz Schubert. Arranged by César Madeira. Children,Classical,Early Music,Multicultural,Romantic Period,World. Score. 5 pages. Sheet Music To Play Editions #964655. Published by Sheet Music To Play Editions (A0.1379946). Moment Musical No.3, Op.94 (D 780) by Schubert. Arrangement for Piano Solo. With Full Score. Enjoy it!Franz Peter Schubert (1797 - 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99
5.47 €
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Piano seul
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Franz Schubert
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César Madeira
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Moment Musical No.3, Op.94 - Piano Solo
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Sheet Music To Play Editions
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SheetMusicPlus
Hansel und Gretel - New Urtext Edition
Piano seul
Fairy-tale Opera in three acts. Composed by Engelbert Humperdinck (1854-1921). This …
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Fairy-tale Opera in three acts. Composed by Engelbert Humperdinck (1854-1921). This edition: vocal/piano score. Klavierauszug, Marchen, Oper. Downloadable. Duration 120 minutes. Schott Music - Digital #Q16445. Published by Schott Music - Digital
German - English.<br> <br> For the first time, all available sources of Engelbert Humperdinck's fairy-tale opera, Hansel und Gretel, have been consulted in the preparation of the present new edition. In evaluating them it became clear that a great number of corrections needed to be taken into account, for which the composer was indebted to the experiences of conductors known to him - Richard Strauss (Weimar), Hermann Levi (Munich) and Ludwig Rottenberg (Frankfurt) - as well as hiw own insight. In this way, a critical edition has been produced which not only offers an Urtext entirely faithful to the sources, but also provides important new improvements, tested on the stage an approved by the composer. Where, previously, slight alterations have unquestionably been necessary in order to prevent the vocal lines from being covered by the large-scale orchestration, convincing and authentic solutions are now available. Also, for the first time, the work's 'Desau-Finale' has been published, which Humperdinck composed for the production by Cosima Wagner.<br> <br> The edition is part of the ABRSM syllabus (grades 6,8).German - English.<br> <br> For the first time, all available sources of Engelbert Humperdinck's fairy-tale opera, Hansel und Gretel, have been consulted in the preparation of the present new edition. In evaluating them it became clear that a great number of corrections needed to be taken into account, for which the composer was indebted to the experiences of conductors known to him - Richard Strauss (Weimar), Hermann Levi (Munich) and Ludwig Rottenberg (Frankfurt) - as well as hiw own insight. In this way, a critical edition has been produced which not only offers an Urtext entirely faithful to the sources, but also provides important new improvements, tested on the stage an approved by the composer. Where, previously, slight alterations have unquestionably been necessary in order to prevent the vocal lines from being covered by the large-scale orchestration, convincing and authentic solutions are now available. Also, for the first time, the work's 'Desau-Finale' has been published, which Humperdinck composed for the production by Cosima Wagner.<br> <br> The edition is part of the ABRSM syllabus (grades 6,8).
$33.99
31.02 €
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Piano seul
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Engelbert Humperdinck
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Hansel und Gretel - New Urtext Edition
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Schott Music - Digital
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SheetMusicPlus
Joy of Music – Discoveries from the Schott Archives
Piano seul
Virtuoso and Entertaining Pieces for Piano. Composed by Various. Edited by Robert Sc…
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Virtuoso and Entertaining Pieces for Piano. Composed by Various. Edited by Robert Schafer and Wilhelm Ohmen. This edition: Sheet music. Virtuoso instrumental music - Piano - Anthology. Joy of Music. Virtuose und unterhaltsame Stücke für Klavier. Classical. Downloadable. 152 pages. Schott Music - Digital #Q53306. Published by Schott Music - Digital
English • German.<br> <br> To mark its 250th anniversary, the Schott publishing house has dug up and reedited treasures from its historical publishing archives. This anthology is aimed at professional musicians and advanced amateurs interested in interesting new discoveries off the standard repertoire. It mainly contains works from the Romantic era: virtuoso pièces de résistance and encores, expressive character pieces, gems of salon music or elaborate arrangements of well-known (opera) melodies. Many of the original compositions and arrangements were written by major piano virtuosos of the 19th century. "The book has been excellently produced…the clarity of the notation is exceptional…Schott’s Joy of Music will surely appeal to any advanced player looking for less familiar gems, delivering rarified treasures aplenty!" – Andrew Eales, Pianodao.English • German.<br> <br> To mark its 250th anniversary, the Schott publishing house has dug up and reedited treasures from its historical publishing archives. This anthology is aimed at professional musicians and advanced amateurs interested in interesting new discoveries off the standard repertoire. It mainly contains works from the Romantic era: virtuoso pièces de résistance and encores, expressive character pieces, gems of salon music or elaborate arrangements of well-known (opera) melodies. Many of the original compositions and arrangements were written by major piano virtuosos of the 19th century. "The book has been excellently produced…the clarity of the notation is exceptional…Schott’s Joy of Music will surely appeal to any advanced player looking for less familiar gems, delivering rarified treasures aplenty!" – Andrew Eales, Pianodao.
$23.99
21.89 €
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Piano seul
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Various
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Joy of Music – Discoveries from the Schott Archives
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Schott Music - Digital
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SheetMusicPlus
Best of Piano Classics 2
Piano seul
Piano - intermediate - Digital Download 40 Classical Arrangements of Famous Classical…
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Piano - intermediate - Digital Download 40 Classical Arrangements of Famous Classical Masterpieces. Arranged by Hans-Guenter Heumann. This edition: Sheet music. Klavier, Piano, Sammlung, Bearbeitungen, Arrangement. Best of Classics. Downloadable. Schott Music - Digital #Q47699. Published by Schott Music - Digital
Following the success of the first volume of Best of Piano Classics (ED 9060), Schott now presents another collection with a selection of 40 arrangements of popular classical masterpieces for the discerning amateur pianist to use over the years.<br> <br> The contents include great works from Bach to Gershwin, ranging from chamber music, symphonies and concertos through to opera. This selection of musical favourites presents the best known and loveliest pieces of classical music from the Baroque era through to the 20th Century, from 'Air' to 'Rhapsody in Blue'. With fingerings, tempo and pedal suggestions added, these appealing arrangements for advanced players are in easy to read modern printed scores.<br> <br> Recommended not only for tuition purposes, but for all those who enjoy playing the piano in their leisure time.Following the success of the first volume of Best of Piano Classics (ED 9060), Schott now presents another collection with a selection of 40 arrangements of popular classical masterpieces for the discerning amateur pianist to use over the years.<br> <br> The contents include great works from Bach to Gershwin, ranging from chamber music, symphonies and concertos through to opera. This selection of musical favourites presents the best known and loveliest pieces of classical music from the Baroque era through to the 20th Century, from 'Air' to 'Rhapsody in Blue'. With fingerings, tempo and pedal suggestions added, these appealing arrangements for advanced players are in easy to read modern printed scores.<br> <br> Recommended not only for tuition purposes, but for all those who enjoy playing the piano in their leisure time.
$16.99
15.51 €
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Piano seul
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Hans-Guenter Heumann
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Best of Piano Classics 2
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Schott Music - Digital
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SheetMusicPlus
Operas and Operettas
Piano seul
Piano - easy - Digital Download SKU: S9.Q23331 Die schönsten Melodien in leic…
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Piano - easy - Digital Download SKU: S9.Q23331 Die schönsten Melodien in leichter Spielbarkeit. This edition: Sheet music. Downloadable. Op. 1. Schott Music - Digital #Q23331. Published by Schott Music - Digital (S9.Q23331). 68 der beliebtesten Melodien aus den bekanntesten Opern und Operetten.
$15.99
14.59 €
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Piano seul
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Operas and Operettas
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Schott Music - Digital
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SheetMusicPlus
Melodie de Gluck
Piano seul
Piano - intermediate to difficult - Digital Download Composed by Giovanni Sgambati (1…
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Piano - intermediate to difficult - Digital Download Composed by Giovanni Sgambati (1841-1914). Edited by Robert Schafer and Wilhelm Ohmen. Arranged by Giovanni Sgambati. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 5 pages. Schott Music - Digital #Q53319. Published by Schott Music - Digital
The Italian Giovanni Sgambati received music tuition from an early age and gave his first public concert performances as a child. When Liszt came to Rome in 1861, Sgambati became his student. At the opening of the Sala Dante in 1966 he conducted Liszt's Dante Symphony and later travelled with him to Munich, where he also became acquainted with Richard Wagner's music. Sgambati's first song album was published by Schott in 1870, followed by many piano works, chamber works, symphonies and church music compositions. The transcription 'Melodie de Gluck', published in 1881 (plate number 23209), is dedicated to the 'Dance of the Blessed Spirits', a ballet in the second act of the opera 'Orfeo ed Euridice', and is still a popular encore piece by pianists including Evgeny Kissin and Yuja Wang.The Italian Giovanni Sgambati received music tuition from an early age and gave his first public concert performances as a child. When Liszt came to Rome in 1861, Sgambati became his student. At the opening of the Sala Dante in 1966 he conducted Liszt's Dante Symphony and later travelled with him to Munich, where he also became acquainted with Richard Wagner's music. Sgambati's first song album was published by Schott in 1870, followed by many piano works, chamber works, symphonies and church music compositions. The transcription 'Melodie de Gluck', published in 1881 (plate number 23209), is dedicated to the 'Dance of the Blessed Spirits', a ballet in the second act of the opera 'Orfeo ed Euridice', and is still a popular encore piece by pianists including Evgeny Kissin and Yuja Wang.
$3.99
3.64 €
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Piano seul
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Giovanni Sgambati (1841-1914)
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Giovanni Sgambati
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Co
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Melodie de Gluck
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Schott Music - Digital
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SheetMusicPlus
Best of Mozart
Piano seul
Piano - intermediate - Digital Download 30 Famous Pieces for Piano. Composed by Wolfg…
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Piano - intermediate - Digital Download 30 Famous Pieces for Piano. Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Hans-Guenter Heumann. This edition: Sheet music. Piano, Collection. Best of Classics. Downloadable. Schott Music - Digital #Q53858. Published by Schott Music - Digital
This collection of 30 popular original compositions and arrangements for piano presents a selection of pieces by Wolfgang Amadeus Mozart that will delight any pianist. Besides the 'Sonata facile' and other popular educational pieces, this volume also contains many arrangements, such as the first movement from 'Eine kleine Nachtmusik' or various opera arias. All pieces are of an easy or intermediate level of difficulty, with fingerings and metronome suggestions added. The collection appears in a modern and user-friendly print format. it is recommended not only for teaching purposes, but to anyone who enjoys playing the piano as a hobby.This collection of 30 popular original compositions and arrangements for piano presents a selection of pieces by Wolfgang Amadeus Mozart that will delight any pianist. Besides the 'Sonata facile' and other popular educational pieces, this volume also contains many arrangements, such as the first movement from 'Eine kleine Nachtmusik' or various opera arias. All pieces are of an easy or intermediate level of difficulty, with fingerings and metronome suggestions added. The collection appears in a modern and user-friendly print format. it is recommended not only for teaching purposes, but to anyone who enjoys playing the piano as a hobby.
$15.99
14.59 €
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Piano seul
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Wolfgang Amadeus Mozart
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Best of Mozart
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Schott Music - Digital
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SheetMusicPlus
Selected Piano Works
Piano seul
Piano - intermediate to advanced - Digital Download Composed by George Frideric Hande…
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Piano - intermediate to advanced - Digital Download Composed by George Frideric Handel (1685-1759). This edition: Sheet music. Schott Piano Collection. Downloadable. Schott Music - Digital #Q18580. Published by Schott Music - Digital
The Hä.ndel volume of the 'Schott Piano Collection' series has been among the standard works of piano lessons for a long time, containing a careful selection of 26 known and easy-to-play piano works by Hä.ndel, including the easy Minuets in G major, G minor, Bouré.e in G major, Sonatina in Bb major, Chaconne in D minor, Sonata in C major, Passacaille in G minor, Grobschmied Variations, and many more. Two important and popular works have been added to this expanded new edition: the Suite in D minor, mostly known for the famous Sarabande, and the Largo from the opera 'Xerxes'. As a result, the new edition is even better suited to the wishes of students and piano lovers.The Hä.ndel volume of the 'Schott Piano Collection' series has been among the standard works of piano lessons for a long time, containing a careful selection of 26 known and easy-to-play piano works by Hä.ndel, including the easy Minuets in G major, G minor, Bouré.e in G major, Sonatina in Bb major, Chaconne in D minor, Sonata in C major, Passacaille in G minor, Grobschmied Variations, and many more. Two important and popular works have been added to this expanded new edition: the Suite in D minor, mostly known for the famous Sarabande, and the Largo from the opera 'Xerxes'. As a result, the new edition is even better suited to the wishes of students and piano lovers.
$15.99
14.59 €
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Piano seul
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George Frideric Handel
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Selected Piano Works
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Schott Music - Digital
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SheetMusicPlus
8 Etudes in Jazz Style
Piano seul
Piano - intermediate - Digital Download For young virtuosos with small hands. Compose…
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Piano - intermediate - Digital Download For young virtuosos with small hands. Composed by Alexander Rosenblatt. This edition: Sheet music. Downloadable. Schott Music - Digital #Q48982. Published by Schott Music - Digital
Piano teachers (as well as pupils) know about the problem of the adult concert repertoire: there is a lack of literature for young, talented and virtuoso pianists, when the hands are in the process of growth but still small. This moment creates serious difficulties in the process of teaching gifted children who want to prove themselves in a full-scale concert repertoire, as most of the classical and romantic pieces contain octaves, wide chords and interval sequences that require an adult hand.<br> Rosenblatt's 8 Etudes in Jazz Style are the result of his cooperation with the pianist Michael Bischoffberger. All pieces are devoted to the development of the pianist's basic technical skills: with scales, arpeggios, double notes, chord technique, cantilena and sustain pedaling skill. However, the pieces only use intervals smaller than the octave, the septima is the largest interval. The pieces are excellent for teaching and they sound absolutely adult, bright and "fresh" because of the Jazz based style of the music.<br> Excellent pieces for concert, teaching and competition.Piano teachers (as well as pupils) know about the problem of the adult concert repertoire: there is a lack of literature for young, talented and virtuoso pianists, when the hands are in the process of growth but still small. This moment creates serious difficulties in the process of teaching gifted children who want to prove themselves in a full-scale concert repertoire, as most of the classical and romantic pieces contain octaves, wide chords and interval sequences that require an adult hand.<br> Rosenblatt's 8 Etudes in Jazz Style are the result of his cooperation with the pianist Michael Bischoffberger. All pieces are devoted to the development of the pianist's basic technical skills: with scales, arpeggios, double notes, chord technique, cantilena and sustain pedaling skill. However, the pieces only use intervals smaller than the octave, the septima is the largest interval. The pieces are excellent for teaching and they sound absolutely adult, bright and "fresh" because of the Jazz based style of the music.<br> Excellent pieces for concert, teaching and competition.
$21.99
20.07 €
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Piano seul
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Alexander Rosenblatt
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8 Etudes in Jazz Style
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Schott Music - Digital
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SheetMusicPlus
Toreador Song / March of the Toreadors (MEDIUM PIANO) Opera "Carmen" [Georges Bizet]
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1276425 By Georges Bizet. By George…
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Piano Solo - Level 3 - Digital Download SKU: A0.1276425 By Georges Bizet. By Georges Bizet. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 1 pages. Darek #868155. Published by Darek (A0.1276425). Toreador Song / March of the Toreadors (MEDIUM PIANO) Opera Carmen [Georges Bizet]Intermediate arrangement for pianists of Toreador Song / March of the Toreadors, Opera Carmen by Georges Bizet. Intermediate version for pianists | Intermediate piano arrangement | Intermediate Version | Intermediate Piano Sheet Music Classical Music | Romantic Music | Intermediate arrangement | Piano | Keyboard | For Intermediate Pianists. Included: Fingering, Articulation, Dynamics and video YouTube tutorial. Step into the world of musical sophistication with the meticulously curated sheet music offering: Toreador Song / March of the Toreadors from Georges Bizet's iconic opera Carmen. Immerse yourself in the grandeur of this celebrated composition, elegantly arranged for intermediate pianists who seek a captivating challenge. Embark on a journey through time, as the haunting melodies of the 19th century resonate through every note. With meticulously added fingering, articulation, and dynamics, each phrase comes alive, allowing you to infuse your interpretation with depth and nuance. This arrangement ensures a seamless transition from proficiency to mastery, enabling you to capture the essence of the era and make the composition uniquely your own. Enhance your practice sessions with the accompanying YouTube tutorial, where every intricacy is unveiled, enriching your learning experience. Whether seated at a piano or a guitar, this arrangement resonates with both passion and precision, appealing to a wide array of musicians. Elevate your musical journey with this captivating piece, an homage to Georges Bizet's genius. With each stroke of the keys, you'll embrace the beauty of musical expression, honoring a legacy that continues to inspire generations of artists. Keywords: Toreador Song, March of the Toreadors, Carmen opera, Georges Bizet, intermediate pianists, fingering, articulation, dynamics, YouTube tutorial, piano, guitar, musical expression, sophistication, iconic composition, era, interpretation, challenge.
$2.00
1.83 €
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Piano seul
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Georges Bizet
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Darek
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Toreador Song / March of the Toreadors
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Darek
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SheetMusicPlus
Toreador Song / March of the Toreadors (HARD PIANO) Opera "Carmen" [Georges Bizet]
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1276427 By Georges Bizet. By George…
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Piano Solo - Level 4 - Digital Download SKU: A0.1276427 By Georges Bizet. By Georges Bizet. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 2 pages. Darek #868161. Published by Darek (A0.1276427). Toreador Song / March of the Toreadors (HARD PIANO) Opera Carmen [Georges Bizet]Advanced arrangement for pianists of Toreador Song / March of the Toreadors, Opera Carmen by Georges Bizet. Advanced version for pianists | Advanced piano arrangement | Advanced Version | Advanced Piano Sheet Music Classical Music | Romantic Music | Advanced arrangement | Piano | Keyboard | For Advanced Pianists. Included: Fingering, Articulations, Dynamics and video YouTube tutorial. Embark on an exhilarating musical journey with the meticulously curated sheet music offering: Toreador Song / March of the Toreadors from Georges Bizet's timeless opera Carmen. Immerse yourself in the grandeur of this iconic composition, meticulously arranged for advanced pianists seeking a captivating and rewarding challenge. Step back in time and embrace the opulent melodies of the 19th century as they come to life under your fingertips. With intricate fingering, articulation, and dynamics markings, every note becomes a canvas for your artistic expression. This arrangement transcends mere proficiency, allowing you to delve deep into the heart of the composition and channel the essence of the era. Elevate your practice sessions with the accompanying YouTube tutorial, meticulously crafted to unveil the subtleties and intricacies of this masterpiece. Whether you're seated at a piano or a guitar, this arrangement resonates with both passion and precision, making it a captivating choice for accomplished musicians. Indulge in the magic of this composition, a testament to Georges Bizet's genius, and witness the profound impact of your musical interpretation on the soul of the piece. With each note you master, you pay homage to a legacy that has shaped the course of musical history. Keywords: Toreador Song, March of the Toreadors, Carmen opera, Georges Bizet, advanced pianists, fingering, articulation, dynamics, YouTube tutorial, piano, guitar, musical interpretation, exhilarating journey, iconic composition, era, challenge, artistic expression, masterpiece.
$4.00
3.65 €
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Piano seul
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Georges Bizet
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Darek
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Toreador Song / March of the Toreadors
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Darek
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SheetMusicPlus
Duo dans l'Opera il Tancredi
Piano seul
Piano - Digital Download SKU: LV.7909 Composed by de Rossini. Lester S. Levy Collec…
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Piano - Digital Download SKU: LV.7909 Composed by de Rossini. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7909). Los Encantos de la Habana. O Sea Una Segunda. Coleccion de Piezas escogidas de las Operas. No. 1. Duo dans l'Opera il Tancredi. de Rossini. Published [n.d.] by Juan Siegling in Charleston, S.C. Composition of sectional with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
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Piano seul
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de Rossini
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Duo dans l'Opera il Tancredi
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.55 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.55 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Selections From Comic Opera and Musical Comedy Productions. Selections from "Naughty Marietta"
Piano seul
Piano - Digital Download SKU: LV.20971 Composed by Victor Herbert. Lester S. Levy C…
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Piano - Digital Download SKU: LV.20971 Composed by Victor Herbert. Lester S. Levy Collection. 9 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20971). Piano Selections From Comic Opera and Musical Comedy Productions. Selections from Naughty Marietta. Music by Victor Herbert. Published 1910 by M. Witmark & Sons in New York. Composition of sectional with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
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Piano seul
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Victor Herbert
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Piano Selections From Comic Opera and Musical Comedy Productions. Selections from "Naughty Marietta"
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Meditation (from the opera Thaïs) - Intermediate Piano with Guitar Chords
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1230328 Composed by Jules Massenet.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1230328 Composed by Jules Massenet. Arranged by Gaili Schoen for TheMusicRemedy.com. Classical,Film/TV,New Age,Romantic Period. Score. 1 pages. UpperHandsPiano.com #826047. Published by UpperHandsPiano.com (A0.1230328). Massenet's Meditation is a dramatically beautiful sweeping piece often played as an encore piece by soloists. We have simplified it and arranged it for Intermediate Piano but it retains the beautiful melody, chords and rhythms of the original.We create clear, clean arrangements that are easier to read with rich, gorgeous chords. This is an intermediate piano arrangement with guitar chords that we originally arranged for the book The Music Remedy, No. 2: 12 Passionate Pieces to Move You from Anxiety to Calm, available on Amazon.com. Â hThe Music Remedy, No. 2: 12 Passionate Pieces to Move You from Anxiety to CalmWatch our Youtube video of this arrangement:.
$2.99
2.73 €
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Piano seul
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Jules Massenet
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Meditation
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UpperHandsPiano.com
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SheetMusicPlus
H.M.S. Pinafore (Selection From Arthur Sullivan's Comic Opera)
Piano seul
Piano - Digital Download SKU: LV.10902 Composed by Sir Arthur Seymour Sullivan. Arr…
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Piano - Digital Download SKU: LV.10902 Composed by Sir Arthur Seymour Sullivan. Arranged by John Philip Sousa. Lester S. Levy Collection. 12 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10902). Stoddart's Musical Library. Instrumental & Vocal for Piano & Organ. Opera Series. H.M.S. Pinafore (Selection From Arthur Sullivan's Comic Opera). Selected by Sep. Winner. Arr. by J.P. Sousa. Published 1879 by J.M. Stoddart & Co., 727 Chestnut Street in Philadelphia. Composition of sectional [quotes tunes from operetta] with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
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Piano seul
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Sir Arthur Seymour Sullivan
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John Philip Sousa
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H.M.S. Pinafore
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Thema from Donizetti's Opera, L'Elisire d'amore
Piano seul
Piano - Digital Download SKU: LV.10122 Composed by F. Burgmuller. Flowers, Fairies,…
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Piano - Digital Download SKU: LV.10122 Composed by F. Burgmuller. Flowers, Fairies, Infants, Supernatural beings, Baskets, Musicians, Fools & jesters. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10122). Fleurs Melodiques. 4 Rondos. No. 3. Thema from Donizetti's Opera, L'Elisire d'amore. Composed for the Piano Forte by F. Burgmuller. Published 1843 by A. Fiot, NO. 196 Chesnut Street in Philadelphia. Composition of rondo with piano instrumentation. Subject headings for this piece include Flowers, Fairies, Infants, Supernatural beings, Baskets, Musicians, Fools & jesters. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
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Piano seul
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F
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Thema from Donizetti's Opera, L'Elisire d'amore
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Stone Soup - 9.Cooperation - Mp3
Piano seul
Keyboard,Piano - Digital Download SKU: A0.1064929 Composed by Betsy Lee Bailey. Bro…
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Keyboard,Piano - Digital Download SKU: A0.1064929 Composed by Betsy Lee Bailey. Broadway,Children,Musical/Show. Accompaniment. Duration 76. Betsy Lee Bailey #2853549. Published by Betsy Lee Bailey (A0.1064929). Cooperation Music 09. Stone Soup is a lively musical for elementary grades 2nd-6th. Great for an Elementary School play, Drama Club or Workshop, Summer Theater Camp, or Home School Co-op. For more information, go to BaileyKidsMusicals.com.
$2.99
2.73 €
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Piano seul
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Betsy Lee Bailey
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Stone Soup - 9.Cooperation - Mp3
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Betsy Lee Bailey
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SheetMusicPlus
Medley From The Opera "CARMEN" Arranged for Solo Piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.914970 Composed by Georges Bizet. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.914970 Composed by Georges Bizet. Arranged by ROBERT VAN HORNE. Classical,Film/TV,Instructional,Opera,Romantic Period. Score. 10 pages. White Piano International Publishing #6403327. Published by White Piano International Publishing (A0.914970). MEDLEY FROM THE OPERA CARMEN Arranged for Piano by Robert Van Horne Advanced Intermediate Level 10 Pages This is Robert's imaginative and alluring advanced intermediate piano arrangement of four colorful and memorable melodies from the Opera CARMEN - a story that takes place in Spain in the 1800's. The piano medley begins with the haunting melody Habanera and concludes with the famous Toreador Song. The score is clearly and carefully notated with dynamic marks, phrasing, pedal indications, suggested fingerings, chord identifications, and appropriate musical terms for playing. This is a wonderful recital and encore piano piece that will delight audiences...ideal for both students and professionals. Duration time is a little over 4 minutes (with repeats). An original Youtube video from 2009: http://www.youtube.com/watch?v=xjZCRbtvGVs
$6.99
6.38 €
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Piano seul
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Georges Bizet
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ROBERT VAN HORNE
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Medley From The Opera "CARMEN" Arranged for Solo Piano
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White Piano International Publishing
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SheetMusicPlus
Philadelphia Gray's Quick Step From Bellini's Opera I Puritani
Piano seul
Piano - Digital Download SKU: LV.21173 Arranged by Francis Johnson. Military camps,…
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Piano - Digital Download SKU: LV.21173 Arranged by Francis Johnson. Military camps, Soldiers, Portraits, Military officers, Tents, Flags. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21173). Philadelphia Gray's Quick Step From Bellini's Opera I Puritani. Arranged for the Piano Forte by Francis Johnson. Published [n.d.] by Fiot, Meignen & Co. Publishers & Importers of Music & Musical Instrument, No.217 Chesnut St. in Philadelphia. Composition of sectional with piano instrumentation. Subject headings for this piece include Military camps, Soldiers, Portraits, Military officers, Tents, Flags.
$5.99
5.47 €
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Piano seul
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Francis Johnson
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Philadelphia Gray's Quick Step From Bellini's Opera I Puritani
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
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