Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Musica seria
Non classifié
10
Piano & claviers
Piano seul
6
Orgue
1
Guitares
Guitare
3
Ukulele
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
4
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Ensemble de Clarinettes
2
Quatuor de Saxophones: 4 saxophones
1
Clarinette Basse, Piano
1
Cor anglais, Piano
1
Saxophone Soprano et Piano
1
Saxophone Tenor et Piano
1
Hautbois, Piano (duo)
1
Saxophone Alto et Piano
1
Clarinette
1
Saxophone Baryton, Piano
1
Flûte traversière et Piano
1
+ 7 instrumentations
Retracter
Cuivres
Trompette
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Trompettes (duo)
1
Cor anglais, Piano
1
Cor et Piano
1
Trombone et Piano
1
Euphonium, Piano (duo)
1
2 Trombones (duo)
1
+ 3 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2
Alto, Piano
1
Violon et Piano
1
Orchestre & Percussions
Orchestre de chambre
3
Ensemble de cuivres
3
Orchestre à Cordes
2
Orchestre d'harmonie
2
Orchestre
1
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
6
Partitions Numériques
6
Librairie Musicale
11
Matériel de Musique
17
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Musica seria
Piano seul
Partitions à imprimer
6 partitions trouvées
<
1
Sonata #5 in B-flat minor
#
Piano seul
#
AVANCÉ
#
Contemporain
#
James Domine
#
Sonata #5 in B-flat minor
#
Earth Music, Ltd.
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.976507 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 31 pages. Earth Music, Ltd. #2081747. Publishe...
(+)
Piano Solo - Level 5 - SKU: A0.976507 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 31 pages. Earth Music, Ltd. #2081747. Published by Earth Music, Ltd. (A0.976507). This sonata is a solo transcription of the first movement of Domine’s Piano Concerto #1 in B-flat minor. The sonata begins with a slow introduction that juxtaposes two opposite harmonic realms represented by the interval of a diminished fifth. As the opening sequence drifts aimlessly through a cloud of amorphous sonorities, the principal theme is suddenly and aggressively thrust center stage by an angry theme marked Agitato. This theme wends its torturous way to the contrastingly quiet subordinate theme. An episode of melancholic discourse ensues, creating an air of confidential intimacy. The exposition ends with an elided dominant cadence which is left unresolved and that leads directly to the development section. Chord clusters built on hexachords provide a serialized variation on the principal theme. This tripartite antiphonal sequence works toward a culmination as the theme is expanded in rhythmic layers, finally reaching a cacophonic explosion. A retransition based on the slow introduction leads to the recapitulation, this time with alternating variations on the principal theme. After the lyrical restatement of the subordinate theme, the coda confronts us with a starkly bleak musical atmosphere that concludes with a fiery flourish. This transcription was made at the request of piano pedagogue Joanna Ezrin for Vera Weber, who has played it to great acclaim in numerous competitions and recitals.
$8.95
Colores de un otoño incipiente
#
Piano seul
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
clipboard-write
#
Colores de un otoño inc
#
Juan Maria Solare
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.742752 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Instructional. Score. 15 pag...
(+)
Piano Solo - Level 3 - SKU: A0.742752 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Instructional. Score. 15 pages. Juan Maria Solare #350886. Published by Juan Maria Solare (A0.742752). Colores de un otoño incipiente -- Colors of an incipient autumn seven somewhat abstract pieces for piano Recording of Colores de un otoño incipiente - piano in several platforms Colores de un otoño incipiente -- on Spotify In this work, an idea that has haunted me for a long time crystallizes: that the titles of the individual pieces are read like lines of a poem. Colores de un otoño incipiente Declina el dÃa. Cobriza de hojarasca, la tierra aguarda. Inocencia Apergaminada por las largas vigilias. Frugal ante la desmesura, Se resignó a lo inconcluso Y dejó un hueco de luz en esta nada. Colors of an incipient autumn The day declines. Coppery with old leaves, the earth awaits. Innocence Parched by the long vigils. Frugal in the face of excess, He resigned himself to the unfinished And he left a hole of light in this nothingness. Such a poem alludes without great subtlety to decadence and aging. The title Apergaminada por las largas vigilias is taken from a poem by Pedro Lastra. Y dejó un hueco de luz en esta nada comes from a micropoem attributed to Alejandro Güerri, written in memory of Javier Adúriz. This seventh piece, transparent and delicate, pictures a being definitively transformed into light. The idea of desmesura (excess) arises from the prologue by Javier Adúriz to his book Solos de conciencia (1985): Faced with the excess of death, consciousness perceives the weakness of its willful affirmation, the one for which it feels itself unique and safe from all decrepitude. Adúriz was one of the fundamental figures in my artistic training. And apparently he still is. Musically, this cycle of works abounds in harmony of chords by fourths in a minimalist neoclassical aesthetic. The way of working texturally with the piano as an instrument - my instrument - highlights the pedal, the resonances, the third dimension of sound. These seven somewhat abstract pieces were composed at the end of 2019 in and around Bremen, in several cases with my new-born daughter Laura in my arms, trying to put her at to sleep and staying asleep. This explains the cautious nature of the music and its prudent dynamics that never reach a mezzoforte. There were several unsuccessful attempts to release this recording (initially planned for September 2020, at the beginning of autumn in the northern hemisphere). Finally, the album will be released (on Spotify and other streaming platforms) on 22 April 2022, coinciding with what would be my father's 103rd birthday. It is also autumn but in the southern hemisphere. Recorded on a Steinway B grand piano (serial number: 568208) at the Musikschule Bremen (Germany) with two Neumann KM-184 microphones. Recording and mastering technician: Alexander Derben. For the artwork, the impressive photographer and visual storyteller Leon Drago, from London, has kindly authorised the use of his photograph Pathway, The Garden House and Pergola, Hampstead Heath extension, London. The recording of Colores de un otoño incipiente (with the composer on piano) can be found here: Colores de un otoño incipiente - piano
$5.00
Three Piano Pieces
#
Piano seul
#
AVANCÉ
#
Classique
#
Mark Lungershausen
#
Three Piano Pieces
#
Mark Lungershausen
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.789079 Composed by Mark Lungershausen. Classical. Score. 16 pages. Mark Lungershausen #396403. Published by Mark Lungersh...
(+)
Piano Solo - Level 5 - SKU: A0.789079 Composed by Mark Lungershausen. Classical. Score. 16 pages. Mark Lungershausen #396403. Published by Mark Lungershausen (A0.789079). A varied set of three character pieces, quasi-preludes. They are technically advanced, suitable for study and enjoyment. Number one is murky, with a melody bordering on serialism. Fast rippling octave arpeggios present the main technical challenge, and musically the difficulty lies in creating a delicate tonal balance of melody and accompaniments. Number two presents much material using double thirds in duple meter against an accompaniment in compound meter. It is triumphant and mostly optimistic in character. Number three is inspired by the harmonies of Ravel and explores the technical problem of maintaining a melody line with accompaniment that frequently jumps registers in the same hand. The melody is found in the grace notes of the right hand, and they should be mostly played on the beat. I hope that these are enjoyed by anyone who stumbles upon them!
$8.00
Dies Irae Dodecaphonic
#
Piano seul
#
AVANCÉ
#
Contemporain
#
Peter Daniel Klein
#
Dies Irae Dodecaphonic
#
Peter Daniel Klein
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Publishe...
(+)
Piano Solo - Level 5 - SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD. A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
$5.99
Lorenda Variations
#
Piano seul
#
AVANCÉ
#
Panagiotis Theodossiou
#
Lorenda Variations
#
Panagiotis Theodossiou
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.886671 Composed by Panagiotis Theodossiou. Concert,Contemporary,Graduation,Standards. Score. 21 pages. Panagiotis Theodos...
(+)
Piano Solo - Level 5 - SKU: A0.886671 Composed by Panagiotis Theodossiou. Concert,Contemporary,Graduation,Standards. Score. 21 pages. Panagiotis Theodossiou #3073725. Published by Panagiotis Theodossiou (A0.886671). Lorenda Variations for piano solo (2009) A work of free serialism, based on the musical notes of the name of the distinguished greek pianist Lorenda Ramou to whom is dedicated and who gave the first performance at Hellenic Conservatory on a Composer’s Portrait by Greek Composers’ Union. The musical material is varied constantly up to the end of this one part composition. https://www.youtube.com/watch?v=3YEDmvnIJfM
$12.00
Etude 1.0 + 1.5 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Michael Bomier
#
Etude 1.0 + 1.5 for Piano Solo
#
Michael Butkus-Bomier
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862546 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 4 pages. Michael Butkus-Bomier #2034379. ...
(+)
Piano Solo - Level 4 - SKU: A0.862546 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 4 pages. Michael Butkus-Bomier #2034379. Published by Michael Butkus-Bomier (A0.862546). The figure of a whole-step and a minor third was the favorite tone-row motif for Anton Webern, a cell such as C-D-Eb, for instance. This piece does NOT have a serial sound, but uses this same configuration of tones, in its close form as the melody, and an with an open, inverted form as the accompaniment. Eventually both hands play both figures. The finale uses the same single tone anchoring device from the opening accompaniment, but in a majestic block chord sequence. The aim of this entire series has been to create as many varied kinds of music with as little variation in the musical materials as possible, all the while giving the pianist some specific technical and artistic demands to meet. Approx running time is 3 mins 30 secs. MBB.
$2.50
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Musica seria
