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Vous avez sélectionné:
My First Schumann
Piano seul
Partitions à imprimer
5 partitions trouvées
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North of Schumann- piano solo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.844956 Composed by Phil Beaman. 20t…
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Piano Solo - Level 4 - Digital Download SKU: A0.844956 Composed by Phil Beaman. 20th Century,Baroque,Contemporary,Jazz,Romantic Period. Score. 5 pages. Phil Beaman #6024187. Published by Phil Beaman (A0.844956). North of Schumann is a Theme and Variations for Piano Solo, with the theme being an arrangement of Schumann's Northern Song, Op 68, No 41, which every piano student learns. I slightly modified Schumann's one page work in order to create my theme. The first variation is quasi-Baroque in an ornamented 2 part setting mostly following the 'Soprano and Bass' lines of the theme. The second variation is an expressive neo-Romantic version, still in 2 part, but with chromatic movement of the lines freely based on the predominant chord or melodic note of each measure. The third variation is a rhythmic Caribbean Jazz Groove loosely based on some of the theme's chord progressions. The Coda is yet another light re-arrangement of the Theme. Since each variation is in a different period style this piece is great for student learning as well as recitals to show your proficiency in many different genres.
$5.99
5.47 €
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Piano seul
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Phil Beaman
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North of Schumann- piano solo
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Phil Beaman
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SheetMusicPlus
Waltz-Fantasy
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1031550 Composed by Andrew Kierszen…
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Piano Solo - Level 4 - Digital Download SKU: A0.1031550 Composed by Andrew Kierszenbaum. 20th Century,Contemporary,Romantic Period. Score. 12 pages. Andrew Kierszenbaum #3447521. Published by Andrew Kierszenbaum (A0.1031550). My first score of 2018! It lasts about 6 minutes and is of about intermediate/advanced difficulty. It is the result of many hours, drafts, ideas, scribbles, and edits, BUT- above all, it is a labor of love and I hope THAT shines through the music the most... For this piece, I was inspired by dances and fantasies of the romantic period, especially those by Chopin and Schumann. However, I believe the piece doesn't feel trapped in an imitation of the music of a specific era. It uses the romantic and classical traditions as baselines and, in my opinion, transcends them. A major work I was inspired by is the Polonaise-Fantasy by Chopin. I wanted to create a dreamy, ballade-like, somewhat freeform/improvised landscape of texture and feeling that explores the waltz form but also infuses some elements of sonata form and theme and variations.I would put the piece at an intermediate/advanced level, but would definitely recommend this to teachers and students alike (I have already given it to a few in my own circle).The fee for this piece goes directly to me, so I can continue following my passion by composing and teaching students the wonderful gift that is piano playing!Please enjoy, and I would love to hear what you think of this one!Sincerely,Andrew
$4.99
4.55 €
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Piano seul
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Andrew Kierszenbaum
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Waltz-Fantasy
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Andrew Kierszenbaum
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SheetMusicPlus
Weep And Smile [piano solo]
Piano seul
Easy Piano - Level 2 - Digital Download SKU: A0.596592 Composed by Juan MarÃa So…
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Easy Piano - Level 2 - Digital Download SKU: A0.596592 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Sacred,Standards. Score. 8 pages. Juan Maria Solare #5799759. Published by Juan Maria Solare (A0.596592). About the music Both pieces of this diptych are miniatures with a structure quite similar to each of the pieces of the Album für die Jugend Opus 68 by Robert Schumann. The melodies are strongly rooted in Japanese music (particularly obvious in the second piece). Aesthetically, this is neoclassical music (a quite broad concept nowadays). Fans of Erik Satie, Ludovico Einaudi or Joep Beving will possibly feel at home. Both pieces were composed on 6 June 2020 (the first one with my daughter Laura sleeping on my breast). Find this music soon on Spotify, Apple Music, YouTube or any other streaming platform (either under my name or performed by other pianists, possibly Iannis Eralos). Total duration: ca. 5:15.https://open.spotify.com/album/27MbJnfPjcolbQZAmNs8tKWeep Because Its Over: https://www.youtube.com/watch?v=SWflYuEoLy8Smile Because It Happened: https://www.youtube.com/watch?v=7SQFUlb7lFgAbout the titlesIn a poem by the German Romantic poet Ludwig Jacobowski titled Leuchtende Tage (Radiant Days) and published in August 1899, he writes:Nicht weinen, weil sie vorüber!Lächeln, weil sie gewesen!Literally:Don't cry because they are over (they: the radiant days)Smile because they happened.Usually it is quoted this way:Don't cry because it’s overSmile because it happened. For my piece, I adapted this idea und -not quite humbly- think that is better now: Do weep because it’s overBut also smile because it happened Why is it better now? Because… where is the issue with weeping? The first step is to accept that pain exists. Nobody has the moral authority to deny you the possibility of crying. Weeping is not a shame or a disgrace. Besides, only he who weeps is credible when he laughs. By the way, these words are sometimes attributed to Confucius. I leave to you the task of determining whether Jacobowski borrowed this thought from him.
$3.33
3.04 €
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Piano seul
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the way, these words are sometimes attributed to
Confucius
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Juan MarÃa Solare
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Weep And Smile [piano solo]
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Juan Maria Solare
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SheetMusicPlus
25 Piano Preludes, Volume 2 (Preludes 13–25)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1487260 Composed by Cesar Antonovic…
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Piano Solo - Level 3 - Digital Download SKU: A0.1487260 Composed by Cesar Antonovich Cui. Arranged by Jeffrey Biegel. Classical. Score. 48 pages. Artaria Editions #1064234. Published by Artaria Editions (A0.1487260). The Preludes by Cesar Cui are a fascinating set of pieces, with a distinctive character for each tonality. The pianistic challenges are equal to any other set composed before, during and after its time, and the musical attributes bring out the tender, passionate and soulful emotions of the human spirit. Beginning and ending in C Major, the structure of the set goes from minor to Major for each tonality, for example, after C major, e minor, then G Major, followed by b minor then D Major, etc. After reaching the most accidentals ('sharp's), the composer uses their enharmonic key signatures with most 'flat' minor and Major key signatures until he is back to one 'flat' and, then 'a minor' and finally, 'C Major' to conclude the set. The Preludes were brought to my attention in the 1980s from Charles Ervin, who frequented international piano competitions, and asked if I had ever encountered the opus.. From microfilm, I printed the Jurgenson edition, edited them, and recorded the first integral set of the 25 Preludes for the Marco Polo label, which was further re-printed for Naxos (8.555557). A military engineer, Cesar Cui was also a General, and composed under the tutelage of Mily Balakirev. Having French and Lithuanian parentage, he was not Russian, yet, because of his relationship with Balakirev, became known as one of the Russian Five (Balakirev, Borodin, Cui, Mussorgsky and Rimsky-Korsakov). His music is often attributed to Robert Schumann, and more French in style than Russian. It is my hope that this set of compositions will become as well known as those by Chopin, Rachmaninov, Scriabin and the like, and performed more frequently by pianists of today and the future.Jeffrey Biegel.
$46.00
41.98 €
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Piano seul
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Cesar Antonovich Cui
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Jeffrey Biegel
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25 Piano Preludes, Volume 2
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Artaria Editions
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SheetMusicPlus
25 Piano Preludes, Volume 1 (Preludes 1–12)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1487259 Composed by Cesar Antonovic…
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Piano Solo - Level 3 - Digital Download SKU: A0.1487259 Composed by Cesar Antonovich Cui. Arranged by Jeffrey Biegel. Classical. Score. 43 pages. Artaria Editions #1064233. Published by Artaria Editions (A0.1487259). The Preludes by Cesar Cui are a fascinating set of pieces, with a distinctive character for each tonality. The pianistic challenges are equal to any other set composed before, during and after its time, and the musical attributes bring out the tender, passionate and soulful emotions of the human spirit. Beginning and ending in C Major, the structure of the set goes from minor to Major for each tonality, for example, after C major, e minor, then G Major, followed by b minor then D Major, etc. After reaching the most accidentals ('sharp's), the composer uses their enharmonic key signatures with most 'flat' minor and Major key signatures until he is back to one 'flat' and, then 'a minor' and finally, 'C Major' to conclude the set. The Preludes were brought to my attention in the 1980s from Charles Ervin, who frequented international piano competitions, and asked if I had ever encountered the opus.. From microfilm, I printed the Jurgenson edition, edited them, and recorded the first integral set of the 25 Preludes for the Marco Polo label, which was further re-printed for Naxos (8.555557). A military engineer, Cesar Cui was also a General, and composed under the tutelage of Mily Balakirev. Having French and Lithuanian parentage, he was not Russian, yet, because of his relationship with Balakirev, became known as one of the Russian Five (Balakirev, Borodin, Cui, Mussorgsky and Rimsky-Korsakov). His music is often attributed to Robert Schumann, and more French in style than Russian. It is my hope that this set of compositions will become as well known as those by Chopin, Rachmaninov, Scriabin and the like, and performed more frequently by pianists of today and the future.Jeffrey Biegel.
$46.00
41.98 €
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Piano seul
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Cesar Antonovich Cui
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Jeffrey Biegel
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25 Piano Preludes, Volume 1
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Artaria Editions
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SheetMusicPlus
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