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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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VIBRAPHONE
VIOLON
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Non classifié
622
Piano & claviers
Piano seul
207
Piano, Voix
74
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40
Instruments en Do
25
Piano Facile
18
Orgue
12
Piano Trio: piano, violon, violoncelle
5
Accompagnement Piano
4
Piano (partie séparée)
3
Piano grosses notes
2
1 Piano, 4 mains
2
Orgue, Trompette (duo)
1
2 Pianos, 4 mains
1
Clavier
1
2 Pianos, 8 mains
1
+ 10 instrumentations
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Guitare
27
Guitare notes et tablatures
13
2 Guitares (duo)
11
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9
Ukulele
5
4 Guitares (Quatuor)
5
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3 Guitares (trio)
2
Basse electrique
2
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1
Mandoline
1
Mandoline, Guitare (duo)
1
Dulcimer
1
+ 8 instrumentations
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Chorale SATB
107
Chorale 3 parties
18
Chorale TTBB
16
Chorale 2 parties
15
Chorale SSAA
9
Chorale Unison
8
Pack Instrumental pour Chorale
3
Voix moyenne, Piano
3
Voix duo, Piano
3
Voix Soprano, Piano
3
Voix Baryton, Piano
2
Voix duo
1
Voix seule
1
Voix Alto, Piano
1
Voix haute
1
Voix Tenor
1
Voix Tenor, Piano
1
+ 12 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
71
Saxophone (partie séparée)
56
2 Saxophones (duo)
53
Flûte traversière et Piano
40
Quintette de Saxophone: 5 saxophones
37
2 Flûtes traversières (duo)
35
Clarinette et Piano
34
Saxophone Tenor et Piano
32
Saxophone Alto et Piano
30
Saxophone Soprano et Piano
26
Hautbois, Piano (duo)
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Saxophone Baryton, Piano
23
Clarinette
20
Cor anglais, Piano
20
Saxophone, Clarinette (duo)
18
2 Clarinettes (duo)
17
Quatuor de Clarinettes: 4 clarinettes
17
Ensemble de saxophones
15
Hautbois (partie séparée)
14
3 Saxophones (trio)
14
Clarinette Basse, Piano
13
Clarinette, Violon (duo)
13
Saxophone Alto
13
Flûte, Hautbois, Clarinette, Basson
12
Quatuor de Flûtes : 4 flûtes
11
Clarinette et Alto
11
Ensemble de Flûtes
11
Ensemble de Clarinettes
11
Flûte, Clarinette (duo)
10
Hautbois, Basson (duo)
9
Flûte, Alto (duo)
9
Saxophone Tenor
9
Flûte et Guitare
8
Clarinette, Trompette (duo)
7
Flûte, Violon
7
Flûte, Violoncelle
6
Hautbois, Flûte
6
Hautbois, Clarinette (duo)
6
Flûte, Saxophone (duo)
6
3 Clarinettes (trio)
5
Flute (partie séparée)
5
Quintette de Flûte : 5 flûtes
5
Quintette de Clarinettes: 5 clarinettes
5
Flûte, Trompette (duo)
5
2 Flûte à bec (duo)
5
Clarinette, Guitare (duo)
4
2 Hautbois (duo)
4
Clarinette (partie séparée)
3
Flûte à bec Soprano
3
Quatuor de Flûtes à bec
3
3 Flûtes à bec (trio)
3
Flûte traversière
3
Flûte, Hautbois, Clarinette (trio)
2
Flûte à bec Tenor
2
Flûte irlandaise
2
Hautbois, Guitare (duo)
2
Piccolo, Piano
2
Flute, harpe et violon
2
Clarinette, Violoncelle (duo)
2
Clarinette, Basson (duo)
2
Trio de Flûtes: 3 flûtes
1
Cor anglais, Guitare (duo)
1
Saxophone
1
Saxophone et Orgue
1
Flûte à Bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone et Guitare
1
Ensemble de Hautbois
1
5 Flûtes à bec
1
+ 65 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
86
Trombone (partie séparée)
53
Quatuor de Cuivres : 2 trompettes, trombone, tuba
49
Trombone et Piano
28
Euphonium, Piano (duo)
25
Ensemble de Trombones
23
Cor anglais, Piano
20
Trombone
19
Cor et Piano
19
Trompette (partie séparée)
18
Ensemble de Trompettes
17
Trompette
14
Quatuor de cuivres: 4 trombones
14
Trompette, Saxophone (duo)
12
Trompette, Piano
10
2 Trombones (duo)
9
Trompette, Trombone (duo)
9
Quatuor de Cuivres
6
2 Trompettes (duo)
5
Trio de Cuivres
5
Cor
4
Tuba
4
3 Trombones (trio)
4
Cor (partie séparée)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Ensemble de Cors
3
Tuba et Piano
3
Quatuor de cuivres: 4 cors
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Tuba (partie séparée)
3
4 Tubas
3
Quatuor de cuivres: 4 trompettes
2
2 Cors (duo)
1
3 Trompettes (trio)
1
Trombone, Orgue
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Cor anglais, Guitare (duo)
1
3 Tubas (trio)
1
Trompette, Cor (duo)
1
Trombone, Cor (duo)
1
Tuba et Orgue
1
3 Cors (trio)
1
+ 38 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
76
Violon et Piano
36
Harpe
31
Trio à Cordes: violon, alto, violoncelle
29
Violon, Violoncelle (duo)
27
Violoncelle, Piano
26
Alto, Piano
23
2 Violons (duo)
18
Violon
18
Violon, Alto (duo)
14
Violoncelle
12
Violoncelle, Contrebasse (duo)
6
2 Violoncelles (duo)
6
2 Altos (duo)
6
Flûte, Contrebasse (duo)
5
Contrebasse (partie séparée)
4
Harpe, Voix
4
4 Violoncelles
4
Alto seul
3
Violon (partie séparée)
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 2 violons, violoncelle
2
Quatuor à cordes: 4 violons
2
Contrebasse, Piano (duo)
2
Ensemble de Violons
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
Alto (partie séparée)
2
Trio à cordes: 3 altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble de Violoncelles
1
Ensemble d'Altos
1
Contre Basse
1
Piano Trio: Violon, Alto, Piano
1
4 Contrebasses
1
Quatuor à cordes : 4 altos
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
92
Orchestre à Cordes
57
Orchestre
51
Ensemble de cuivres
34
Ensemble Jazz
32
Orchestre de chambre
15
Cloches
12
Batterie (partie séparée)
4
Ensemble de Percussions
4
Jazz combo
4
Fanfare
2
Percussion (partie séparée)
2
Quintette de Cuivres: autres combinaisons
1
+ 8 instrumentations
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BUGLE
CHANT - CHORA…
CHARANGO
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CLARINETTE
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20eme siecle
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Sonata Hymnica No. 3
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
James Siddons
#
#
Sonata Hymnica No. 3
#
James Siddons Music and Writings
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual...
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Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Sonata Hymnica No. 5
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Sonata Hymnica No. 5
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972672 Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons Music and Writing...
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Piano Solo - Level 3 - SKU: A0.972672 Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons Music and Writings #6671707. Published by James Siddons Music and Writings (A0.972672). Sonata Hymnica No. 5 has the subtitle Scenes of Calvary. Landscape paintings and printed illustrations of the Cross of Calvary were ubiquitous in Christian literature in the late 19th century, so it not surprising that allusions to such art are found in the texts of hymns. The three hymns heard in Sonata Hymnica No. 5 all evoke some sense of seeing, in a spiritual way, the scene of the Crucifixion. Sonata Hymnica No. 5 opens with a sturdy and rugged statement of When I Survey the Wond’rous Cross, written by Isaac Watts in 1707. This poem continues: On which the Prince of Glory dy’d, . . . See from His Head, his Hands, his Feet, Sorrow and Love flow mingled down! In the United States, music educator Lowell Mason (1792-1872) composed a tune in 1824 for singing Watts’ hymn. Named HAMBURG tune, it was an adapted form of some Gregorian chant in Church Mode I. This combination of poem and tune became very popular; so much so, that by the 1880s, elaborations of it appeared in print. The most enduring is the pairing of Watts’ poem and Mason’s tune with a simple camp meeting song, At the Cross, to be a refrain. It has the phrases, At the cross, where I first saw the light . . . It was there by faith I received my sight. The centerpiece of Sonata Hymnica No. 5 is the tune TOPLADY, the usual tune for singing Rock of Ages. This tune was composed in 1830 by Thomas Hastings (1784-1872), an associate of Lowell Mason in New York. He wrote hymns and hymn tunes, published hymnals, and worked tirelessly to elevate choral singing in churches. Hastings indicated that he intended his tune for singing Rock of Ages by naming it after the author of the hymn-poem, the English pastor Augustus Toplady (1740-1778). The Rev. A. B. Grosart wrote in a memorial that Toplady was no poet or inspired singer, but an impulsive, rash-spoken, reckless preacher who could nonetheless picture vanishing gleams of imaginative light in his hymnic verses. A better impression was gained by poet A. C. Benson (1862-1925), who, upon hearing Rock of Ages sung at William Gladstone’s funeral at Westminster Abbey in 1898 --- a rare State funeral attended by several members of the British Royal family --- wrote, To have written such words which should come home to people in moments of high, deep, and passionate emotion . . . there can hardly be anything worth doing better than that. This high compliment came from the poet who, a few years later, would write the words of Elgar’s Coronation Ode for King Edward VII and Queen Alexandra. A camp meeting song, a rash-spoken English pastor, two American music educators, a State funeral at Westminster Abbey --- such is the wide world of influence and inspiration of these three Scenes of Calvary.
$9.50
Kemp's Jig for piano solo (Bb Major)
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Piano seul
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INTERMÉDIAIRE
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Traditional
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Klas Krantz
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Kemp's Jig for piano solo
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Amadeus Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.532376 Composed by Traditional. Arranged by Klas Krantz. Concert,Folk,Renaissance. Score. 1 pages. Amadeus Music #6055543...
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Piano Solo - Level 3 - SKU: A0.532376 Composed by Traditional. Arranged by Klas Krantz. Concert,Folk,Renaissance. Score. 1 pages. Amadeus Music #6055543. Published by Amadeus Music (A0.532376). The Elizabethan actor William Kemp danced from London to Norwich, in nine days, in 1599 to this tune (depicted above!). Possibly it was composed by John Dowland, but no one knows for sure. There are many versions of this tune.
$2.95
Kemp's Jig for piano solo (C Major)
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Piano seul
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FACILE
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Traditional
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Klas Krantz
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Kemp's Jig for piano solo
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Amadeus Music
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.532377 Composed by Traditional. Arranged by Klas Krantz. Classical,Concert,Renaissance. Score. 1 pages. Amadeus Music #60...
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Easy Piano - Level 2 - SKU: A0.532377 Composed by Traditional. Arranged by Klas Krantz. Classical,Concert,Renaissance. Score. 1 pages. Amadeus Music #6055545. Published by Amadeus Music (A0.532377). The Elizabethan actor William Kemp danced from London to Norwich, in nine days, in 1599 to this tune (depicted above!). Possibly it was composed by John Dowland, but no one knows for sure. There are many versions of this tune.
$2.95
Point of No Return Piano Solo
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Deborah Johnson
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Point of No Return Piano Solo
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Deborah Johnson
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SheetMusicPlus
Guitar,Piano - Level 3 - SKU: A0.877816 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. Score and part. 5 pages. Deborah Johnson #331...
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Guitar,Piano - Level 3 - SKU: A0.877816 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. Score and part. 5 pages. Deborah Johnson #33167. Published by Deborah Johnson (A0.877816). Point of No Return piano solo presents a captivating and melodious piano solo skillfully arranged at a medium intermediate level. Featured in the Wayfarer’s Journey album, this composition introduces new classically-inspired piano and instrumental solos by Deborah Johnson. Tailored for special occasions such as weddings and events, Point of No Return encompasses 5 pages, including the piano solo, guitar chords, and a cover. The term Point of No Return holds dual meanings. It refers to a critical moment in the flight of an aircraft beyond which there's inadequate fuel for a return to the starting point, necessitating the craft to proceed forward. Metaphorically, it signifies a decision-making juncture where one commits oneself irrevocably to a course of action or policy, where turning back or reversal becomes impossible. Point of No Return evokes a sense of critical decision-making and determination, capturing the essence of commitment and irreversible choices. Its emotive qualities make it a powerful choice for special occasions, infusing a sense of significance and resolve into memorable events. Spotify link for MP3 download: https://open.spotify.com/track/1y9DVf5H2t3P0zIS6Sip82 Also available is the instrumental solo score version with parts, the piano solo score version with parts and full book of piano solos from Wayfarer’s Journey. Signed CD copies available at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Vocal Backgrounds: Deborah & David Johnson; Violin: Sandy Mackinga; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
$4.99
Air on the G String (HARD PIANO) from Suite No. 3 (BWV 1068) [Johann Sebastian Bach]
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Darek
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Air on the G String
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Darek
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1257386 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music,Wedding. Score. 4 pages. Dare...
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Piano Solo - Level 4 - SKU: A0.1257386 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music,Wedding. Score. 4 pages. Darek #850720. Published by Darek (A0.1257386). Embark on an exhilarating musical expedition with the Air on the G String, an awe-inspiring composition from Suite No. 3 (BWV 1068) by the legendary Johann Sebastian Bach. Prepare to be spellbound as you immerse yourself in the intricate melodies and technical challenges of this hard difficulty piano arrangement, crafted for pianists who crave a formidable musical adventure.Designed for seasoned pianists seeking to push their boundaries, this hard difficulty piano sheet music unlocks the full potential of Bach's masterwork. Explore the complexities of this iconic composition, from the lightning-fast passages to the demanding fingerings, as you showcase your virtuosity and command over the instrument.The Air on the G String stands alone in its ability to evoke a profound range of emotions, from gentle introspection to triumphant grandeur. Its timeless beauty and ethereal charm mesmerize listeners, drawing them into a captivating story told through every resounding note and nuanced phrase.Unleash your passion and dive into the captivating narrative as you breathe life into this formidable masterpiece. Let your fingers dance across the keys, interpreting the cascading melodies and expressive harmonies with the utmost precision and artistry, capturing the hearts and imaginations of your audience.Whether you're preparing for a demanding performance or simply seeking to conquer a musical Everest, this hard difficulty piano sheet music will challenge and inspire you. Embrace the exhilarating journey that awaits, and revel in the satisfaction of conquering Bach's magnificent creation.Keywords: Air on the G String, hard difficulty piano sheet music, Suite No. 3, BWV 1068, Johann Sebastian Bach, exhilarating, musical expedition, intricate melodies, technical challenges, formidable musical adventure, seasoned pianists, push boundaries, full potential, lightning-fast passages, demanding fingerings, virtuosity, command over the instrument, timeless beauty, ethereal charm, profound range of emotions, gentle introspection, triumphant grandeur, captivating story, resounding note, nuanced phrase, passion, formidable masterpiece, breathe life, precision, artistry, hearts and imaginations, demanding performance, musical Everest, challenge, inspire, exhilarating journey.
$5.00
Vocalise of S. Rachmaninoff Op.34, No.14 for Piano Solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Sergei Rachmaninoff
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Michael Bomier
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Vocalise of S. Rachmaninoff Op
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862647 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. 20th Century,Contemporary,Romantic Period,Standards. ...
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Piano Solo - Level 4 - SKU: A0.862647 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. 20th Century,Contemporary,Romantic Period,Standards. Score. 6 pages. Michael Butkus-Bomier #3584637. Published by Michael Butkus-Bomier (A0.862647). The Vocalise is a time-honored recital program item. Yet, there are only a handful, no pun intended, I guess! of reasonable arrangements for piano solo. The Kocsis setting has a TON of extra arpeggios, mostly derived from the orchestral treatment by the composer. My setting here takes the most economical and stylistically precise approach to integrating the original melody and accompaniment into a single musical expression. There are NO notes that are not directly on the page of the accomp or the tune. Notwithstanding,the piece is by no means a simple one, given its key, and the composer's penchant for borrowed chords. So, we have done our best to make the altered spellings both clear and still voice and key-relevant. A nice four-pages-facing layout for a single-sided printer. A modest tempo is presented, and the piece can go faster if you have the time to practice it enough! New edition has some changes to R-L hand distribution, and three editorial fixes. MBB .
$3.95
J.S. Bach: Das Orgelbüchlein, BWV 599-644: Christe, du Lamm Gottes - As played by Víkingur Ólafsson
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach and VÃ
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Flavio Regis Cunha
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J.S. Bach: Das Orgelbüchl
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1121730 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. ...
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Piano Solo - Level 3 - SKU: A0.1121730 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Festival,Instructional,Sacred. Score. 4 pages. Flavio Regis Cunha #722917. Published by Flavio Regis Cunha (A0.1121730). Do you want to learn the fascinating Prelude in E major of 'Das Orgelbüchlein, BWV 599-644: Christe, du Lamm Gottes, BWV 619' composed by the legendary Johann Sebastian Bach?  Well, now you can! With the sheet music of 'Das Orgelbüchlein, BWV 599-644: Christe, du Lamm Gottes, BWV 619', you can learn how to play this magnificent piece as performed by VÃkingur Ólafsson.  This is the first time this version of the prelude has been available. Get your hands on it now and unlock the mysterious beauty of Bach's prelude! You don't want to miss out on this chance! Get the sheet music of 'Das Orgelbüchlein, BWV 599-644: Christe, du Lamm Gottes, BWV 619', as played by VÃkingur Ólafsson, today!J.S. Bach: Das Orgelbüchlein, BWV 599-644 - Christe, du Lamm Gottes, BWV 619 As played by VÃkingur Ólafsson in his new album From afar Intermediate level Format: Concert 9 x 12 inches 3 pagesProgram notesThe Orgelbüchlein, BWV 599-644 is a collection of chorale preludes composed for organ by Johann Sebastian Bach. Central to the collection is the chorale prelude Christe, du Lamm Gottes, BWV 619 composed by Bach in 1714.  Christe, du Lamm Gottes, BWV 619 is a unique and melodious composition that combines complex rhythmic elements with a beautiful harmonic progressions. The structure of the composition is highly advanced and Bach uses counterpoint masterfully.  Bach uses the chorale melody to provide a vocal line over rich harmonic progressions. The vocal line is layered over a series of organ chords, which serve as an accompaniment. The combination of both melodic and harmonic elements gives the piece great depth and complexity.  By providing a powerful vocal component to the composition Bach also creates an emotional connection with the listener. The beauty of Bach's composition lies in its ability to transport the listener to a spiritual realm that is only achieved through contemplation and devotion.  Bach also incorporates more traditional elements of musical composition such as tempo and dynamic contrast. This adds a great amount of variety and creates a variety that holds the listener's interest throughout the piece.  There is no doubt that Christe, du Lamm Gottes, BWV 619 is one of Bach's greatest masterpieces and it is a timeless musical tribute to God.
$5.99
This is my Father's World Intermediate piano sheet music
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Piano seul
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INTERMÉDIAIRE
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Franklin L
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Amanda Tero
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This is my Father's World Inte
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Amanda Tero
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1416950 Composed by Franklin L. Sheppard. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Te...
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Piano Solo - Level 3 - SKU: A0.1416950 Composed by Franklin L. Sheppard. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero #998539. Published by Amanda Tero (A0.1416950). Experience the heartwarming rendition of the beloved intermediate piano solo This is My Father’s World at your church service or recital. Beginning with a delicate sound and colorful chords, this arrangement smoothly evolves into a hymn infused with modern nuances, featuring lightly syncopated rhythms.This is My Father’s World intermediate piano solo encompasses several specific elements for intermediate pianists: syncopated rhythms, lush chords, fluid left-hand patterns, and a contemporary twist on a timeless hymn.My goal in creating this arrangement of This is My Father’s World was to have a reflective piano solo for worship with a modern flair. There are colorful chord choices as well as light syncopation which gives this hymn an easy-listening feel.For church services, recitals, and spring/summer music events, This is My Father’s World intermediate piano sheet music solo will capture the listeners and cause them to ponder.Similar in level to most Level 4 piano curricula and ABRSM Level 4.The basic format of This is My Father’s World intermediate piano solo is: introduction, verse, interlude, verse/â€chorus,†interlude/modulation, verse/â€chorus,†ending.6 pages. Keys of C major and D major.Approx. 3:15 performance time. Musical Elements In This is My Father’s World Intermediate Piano Solo Sheet Music Keys of C major, D major Time signature: 4/4 Tempo: begins faster then shifts slower Note values: whole notes, dotted half notes, half notes, dotted quarter notes, quarter notes, eighth notes, sixteenth notes Note reading: right hand treble clef F3 to D6, left hand bass clef C2 to G4 and treble clef F3 to B4 Ledger lines (up to 3 lines) Grace notes Ties for syncopation Left hand in treble clef Left hand features similar patterns No harmonic octaves Fermata 8va Practice Tips for This is My Father’s World Piano Solo It is a good idea to treat this arrangement artistically. While the first page is a faster tempo, be sure to take your time on any held notes (you can add fermatas where there are none and it sounds great).Once the left hand arpeggios/broken chords come into play, think about playing with depth and not rushing the tempo.One trick I particularly like to do is hold the first note in a chord briefly longer than the rest. This is important for measure 36 where the right hand has a jump of 2 octaves.
$5.99
Consolation No. 3 in D Flat Major, S. 172
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Liszt
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Arte Nova Music Lab
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Consolation No. 3 in D Flat Ma
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Arte Nova Music Lab
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.742468 Composed by Franz Liszt. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards. Score. 7 pages. Arte ...
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Piano Solo - Level 4 - SKU: A0.742468 Composed by Franz Liszt. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards. Score. 7 pages. Arte Nova Music Lab #4412089. Published by Arte Nova Music Lab (A0.742468). The Consolations are a set of six solo piano works by Franz Liszt. The compositions take the musical style of Nocturnes with each having its own distinctive style. Each Consolation is composed in either the key of E major or D-flat major. E major is a key regularly used by Liszt for religious themes. There exist two versions of the Consolations. The first (S.171a) was composed by Liszt between 1844 and 1849 and published in 1992 by G. Henle Verlag. The second (S.172) was composed between 1849 and 1850 and published in 1850 by Breitkopf & Härtel, containing the familiar Consolation No. 3, Lento placido, in D-flat Major. The third Consolation is in D-flat major and initially marked as Lento placido. It is the most popular of the Consolations and also a favorite encore piece. Its style is similar to the Chopin Nocturnes, in particular, it seems to have been inspired by Chopin’s Nocturne Op. 27 No. 2. The similarity between the two works has been interpreted as a tribute to Chopin who died in 1849, a year before the Consolations were published. This third Consolation is however one of several of Liszt's works that take a style reminiscent of Chopin; some examples include Liszt's Polonaises, Berceuse, Mazurka brillante, and his Ballades. In 1883, years after composing the Consolation, Liszt received a Grand piano from the Steinway Company with a design that included a sostenuto pedal. Liszt began transcribing this Consolation for the new sostenuto pedal and in a letter to Steinway he wrote: In relation to the use of your welcome tone-sustaining pedal I inclose two examples: Danse des Sylphes, by Berlioz, and No. 3 of my Consolations. I have today noted down only the introductory bars of both pieces, with this proviso, that, if you desire it, I shall gladly complete the whole transcription, with exact adaptation of your tone-sustaining pedal. Liszt recommended sparing usage of the sostenuto pedal in the interpretation of this Consolation and opined on the positive effect it would have on the more tranquil passages. Notes taken from https://en.wikipedia.org/wiki/Consolations_(Liszt)#cite_note-
$5.00
Romance from Chopin's Piano Concerto No. 1 Op 11 Second movement for Solo Piano
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Piano seul
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AVANCÉ
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Philip Kim
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Philip Kim
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Romance from Chopin's Piano Co
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Philip Kim
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1512679 By Philip Kim. By Frederic Chopin. Arranged by Philip Kim. 19th Century,Chamber,Classical,Romantic Period. Score....
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Piano Solo - Level 5 - SKU: A0.1512679 By Philip Kim. By Frederic Chopin. Arranged by Philip Kim. 19th Century,Chamber,Classical,Romantic Period. Score. 11 pages. Philip Kim #1087624. Published by Philip Kim (A0.1512679). This is the beautiful second movement from Chopin's Piano Concerto in E minor Op. 11 that I transcribed for solo piano. This is one of my favorite concerto movements of all time. There are already a few transcriptions of this movement, particularly done by Balakirev, which is wonderful. The complete concerto is also available. Thanks for your purchase and enjoy. My other concert transcriptions of piano concertos:Chopin's Piano Concerto in E minor Op. 11 Complete MovementsBeethoven Piano Concerto No. 5 Op. 73 Emperor Concert Transcription For Solo Piano Complete movements Rachmaninoff Piano Concerto No. 2 Op. 18 Concert Transcription for Solo Piano (Complete Movements)Rhapsody on a Theme of Paganini Op. 43 18th Variation for solo piano
$13.00
Nocturne No.1 in Bb major
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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John Field
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Michael Bomier
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Nocturne No.1 in Bb major
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862666 Composed by John Field. Arranged by Michael Bomier. Concert,Instructional,Romantic Period,Standards. Score. 5 page...
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Piano Solo - Level 4 - SKU: A0.862666 Composed by John Field. Arranged by Michael Bomier. Concert,Instructional,Romantic Period,Standards. Score. 5 pages. Michael Butkus-Bomier #3626721. Published by Michael Butkus-Bomier (A0.862666). NOCTURNE is a genre we associate with Chopin, of course, as well we should. Yet, this whole idea of music of the night did not originate with him, but with John Field. Clementi's sorely-tried apprentice and protege', and a confirmed alcoholic, moved from London and Clementi's captivity to spend his adulthood, short as it was, in Moscow, of all places. It was there he began to write his long series of romantic, ( small R? ) pieces, with simple vocalistic melodies, over an arpeggiated left-hand bass. This piece marks the beginning of the genre, and, as such, warrants the attention of everyone who admires Chopin's works. Our setting here uses chord symbols for every LH arpeggio, so that the player can get used to harmonic identification as the primary means of seeing and hearing the LH. All the ornamentation is written out, for stylistic clarity. As with so much classical music, a slow pace brings out lingering subtleties, while a faster one can create movement and excitement, if one has the technique! MBB .
$2.50
Sonata, Op 27, No 2 Sonata Quasi una Fantasia (Moonlight Sonata)
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Piano seul
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Classique
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Ludwig van Beethoven
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Arte Nova Music Lab
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Sonata, Op 27, No 2 Sonata Qua
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Arte Nova Music Lab
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SheetMusicPlus
Piano Solo - SKU: A0.742469 Composed by Ludwig van Beethoven. Arranged by Arte Nova Music Lab. Classical,Concert,Standards,World. Score. 6 pages. Arte N...
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Piano Solo - SKU: A0.742469 Composed by Ludwig van Beethoven. Arranged by Arte Nova Music Lab. Classical,Concert,Standards,World. Score. 6 pages. Arte Nova Music Lab #4412113. Published by Arte Nova Music Lab (A0.742469). The Piano Sonata No. 14 in C♯ minor Quasi una fantasia, Op. 27, No. 2, popularly known as the Moonlight Sonata, is a piano sonata by Ludwig van Beethoven. It was completed in 1801 and dedicated in 1802 to his pupil, Countess Giulietta Guicciardi. The piece is one of Beethoven's most popular compositions for the piano, and it was a popular favorite even in his own day. Beethoven wrote the Moonlight Sonata in his early thirties, after he had finished with some commissioned work; there is no evidence that he was commissioned to write this sonata. The first edition of the score is headed Sonata quasi una fantasia, a title this work shares with its companion piece,Op. 27, No. 1. Grove Music Online translates the Italian title as sonata in the manner of a fantasy.The title could also be interpreted to imply ...as though improvised. The name Moonlight Sonata comes from remarks made by the German music critic and poet Ludwig Rellstab. In 1832, five years after Beethoven's death, Rellstab likened the effect of the first movement to that of moonlight shining upon Lake Lucerne. Within ten years, the name Moonlight Sonata (Mondscheinsonate in German) was being used in German and English publications. Later in the nineteenth century, the sonata was universally known by that name. Many critics have objected to the subjective, romantic nature of the title Moonlight, which has at times been called a misleading approach to a movement with almost the character of a funeral march and absurd. Other critics have approved of the sobriquet, finding it evocative or in line with their own interpretation of the work. Gramophone founder Compton Mackenzie found the title harmless, remarking that it is silly for austere critics to work themselves up into a state of almost hysterical rage with poor Rellstab, and adding, what these austere critics fail to grasp is that unless the general public had responded to the suggestion of moonlight in this music Rellstab's remark would long ago have been forgotten. Notes taken from https://en.wikipedia.org/wiki/Piano_Sonata_No._14_(Beethoven)#cite_note-8
$5.00
Hélène de Montgeroult : Piano Sonata in F major, opus 1 no. 1
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Piano seul
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Classique
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Nicolas Horvath
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Paul Wehage (editor)
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Hélène de Montge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - SKU: A0.507108 By Nicolas Horvath. By Hélènede Monteroult. Arranged by Paul Wehage (editor). Classical. Score. 17 pages. Published by...
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Piano Solo - SKU: A0.507108 By Nicolas Horvath. By Hélènede Monteroult. Arranged by Paul Wehage (editor). Classical. Score. 17 pages. Published by Musik Fabrik Music Publishing (A0.507108). Hélène de Montgeroult was born into an aristocratic family in Lyon and studied piano with Nicolas Joseph Hüllmandel and Jan Ladislav Dussek. She married the Marquis de Montgeroult who died as an Austrian prisoner in 1793. Reportedly it was respect for her compositions that allowed her to survive the French Reign of Terror. A set of improvisations on La Marseillaise, performed for the Committee of Public Safety, earned her her freedom after she was imprisoned in the Revolution due to her aristocratic background. After her husband's death, Montgeroult took a position at the new Paris Conservatoire in 1795, the first female professor ever to be appointed there and taught for two years. She is considered to be an important bridge between the Classical and Romatnic styles. She died in 1836 in Florence, Italy. Recorded for Grand Piano by Nicolas Horvath.
$11.95
Hélène de Montgeroult : Piano Sonata in Eb major, opus 1 no. 2
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Piano seul
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Nicolas Horvath
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Paul Wehage (editor)
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Hélène de Montge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - SKU: A0.507111 By Nicolas Horvath. By Hélènede Monteroult. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score. 18 pa...
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Piano Solo - SKU: A0.507111 By Nicolas Horvath. By Hélènede Monteroult. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score. 18 pages. Published by Musik Fabrik Music Publishing (A0.507111). Hélène de Montgeroult was born into an aristocratic family in Lyon and studied piano with Nicolas Joseph Hüllmandel and Jan Ladislav Dussek. She married the Marquis de Montgeroult who died as an Austrian prisoner in 1793. Reportedly it was respect for her compositions that allowed her to survive the French Reign of Terror. A set of improvisations on La Marseillaise, performed for the Committee of Public Safety, earned her her freedom after she was imprisoned in the Revolution due to her aristocratic background. After her husband's death, Montgeroult took a position at the new Paris Conservatoire in 1795, the first female professor ever to be appointed there and taught for two years. She is considered to be an important bridge between the Classical and Romantic styles. She died in 1836 in Florence, Italy. Recorded for Grand Piano by Nicolas Horvath.
$11.95
Hélène de Montgeroult : Piano Sonata in F minor, opus 1 no. 3
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Piano seul
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Nicolas Horvath
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Paul Wehage (editor)
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Hélène de Montge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - SKU: A0.507112 By Nicolas Horvath. By Hélènede Monteroult. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score. 22 pa...
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Piano Solo - SKU: A0.507112 By Nicolas Horvath. By Hélènede Monteroult. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score. 22 pages. Published by Musik Fabrik Music Publishing (A0.507112). Hélène de Montgeroult was born into an aristocratic family in Lyon and studied piano with Nicolas Joseph Hüllmandel and Jan Ladislav Dussek. She married the Marquis de Montgeroult who died as an Austrian prisoner in 1793. Reportedly it was respect for her compositions that allowed her to survive the French Reign of Terror. A set of improvisations on La Marseillaise, performed for the Committee of Public Safety, earned her her freedom after she was imprisoned in the Revolution due to her aristocratic background. After her husband's death, Montgeroult took a position at the new Paris Conservatoire in 1795, the first female professor ever to be appointed there and taught for two years. She is considered to be an important bridge between the Classicaland Romantic styles. She died in 1836 in Florence, Italy. Recorded for Grand Piano by Nicolas Horvath.
$12.95
Haydn - Divertimento (Sonata No. 1) in G Major - Intermediate
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Piano seul
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INTERMÉDIAIRE
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Classique
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Franz Joseph Haydn
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Piacere Music Sheets
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Haydn - Divertimento
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.847837 Composed by Franz Joseph Haydn. Arranged by Piacere Music Sheets. Classical,Instructional,Standards. Score. 5 page...
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Piano Solo - Level 3 - SKU: A0.847837 Composed by Franz Joseph Haydn. Arranged by Piacere Music Sheets. Classical,Instructional,Standards. Score. 5 pages. Piacere Music Sheets #6623947. Published by Piacere Music Sheets (A0.847837). Opus/Catalog Number: Hob. XVI:8 Key/Tone: G Major Movements/Sections: Allegro - Minuet - Andante - Allegro Year/Date of Composition: 1766 or before Difficulty: Grade 5/12 (Intermediate) Obs.: In Piano Trio in F major, Hob.XV:39, the first Allegro is used as Movement 1 transposed to F major. As each one of Haydn's first keyboard sonatas, this particular Sonata Hob. XVI:8 is written in the light, galant style which was very popular in the mid-18th century. As the Classical sonata takes its origin in the Baroque suite, Haydn named his first sonatas Divertimenti or Partitas. It is believed that this Sonata Hob. XVI:8 was intended as a teaching piece for Haydn's students. There exists no autograph version of this sonata, rather, this sonata has survived in the form of manuscript copies made by pupils of Haydn or by his copyists.
$8.95
Beethoven - Bagatelle No. 1 in G Minor - Intermediate
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Piano seul
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Piacere Music Sheets
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Beethoven - Bagatelle No. 1 in
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1128722 Composed by Ludwig van Beethoven. Arranged by Piacere Music Sheets. Classical,Instructional,Standards. Score. 5 p...
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Piano Solo - Level 3 - SKU: A0.1128722 Composed by Ludwig van Beethoven. Arranged by Piacere Music Sheets. Classical,Instructional,Standards. Score. 5 pages. Piacere Music Sheets #726288. Published by Piacere Music Sheets (A0.1128722). Opus/Catalog Number: Op. 119, No. 1 Key/Tone: G Minor Movements/Sections: Allegretto Year/Date of Composition: 1822 Difficulty: Grade 7/12 (Intermediate) Obs.: This piece is one of Beethoven's shortest bagatelles. It was composed during Beethoven's mature period, when he was about 53 years old. It has the following musical form : Measures 1-16: Theme in the main key of G minor Measures 17-32: Contrasting section in the key of E flat Major Measures 33-36: Transition modulating back to G minor Measures 37-52: Theme returns, in G minor, with its second phrase slightly varied Measures 53-65: Codetta in G minor Measures 66-end: Conclusion in C minor, based on the first fragment of the theme, with an unusual ending on the dominant chord (G) of the key of C minor Obs.: There are some modifications to be noted: Measure 20: the autograph as well as the Clementi & Co. edition (London, 1823) have parallel Ab4-G4 on the first two beats of the right hand. In this arrangement you'll see F4-Eb4 as in the Sauer & Liedersdorf (Vienna, 1824) edition Measure 65: the autograph has a quarter rest on the first beat of the right hand, and the G5 on the second beat. The Vienna 1824 edition has G5 on the first beat and the rest on the second beat Measure 72: the Vienna 1824 edition and the Schlesinger edition show arpeggiations in both hands here, which do not appear in the autograph.
$5.95
Variation No.18 from Variations on a Theme of Paganini For Easier Piano Solo
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Piano seul
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INTERMÉDIAIRE
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Michael Bomier
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Variation No.18 from Variation
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.862686 Arranged by Michael Bomier. 20th Century,Concert,Holiday,Love,Romantic Period,Standards. Score. 4 pages. Michael B...
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Piano Solo - Level 3 - SKU: A0.862686 Arranged by Michael Bomier. 20th Century,Concert,Holiday,Love,Romantic Period,Standards. Score. 4 pages. Michael Butkus-Bomier #3692927. Published by Michael Butkus-Bomier (A0.862686). Gateway Editions has many popular but still difficult resettings of the Classical and Romantic literature for piano. We also have many genuinely simplified settings. Here is one such item. IF you know augmented and diminished chords, if you know duplets in a triple meter, and if you know how to play dissonances, you will not find this setting at all intimidating. If NOT, there is no finer music to learn them from, as SR used these backwards common-tone chord progressions throughout his music. Spellings have been used to make the identification of these elements as clear as possible. The dynamics indicate the Point of the piece, a key element in both SR's playing and his compositional approach. All here is Very accessible music. original key, not full-length. LH greatly reduced. Melody intact but limited in range. Harmony from the original, but in reduced voicings. MBB
$2.99
J.S. Bach - Prelude in C Major (BWV 846) - Intermediate
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Piacere Music Sheets
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J.S. Bach - Prelude in C Major
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1142466 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards. Sco...
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Piano Solo - Level 3 - SKU: A0.1142466 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards. Score. 4 pages. Piacere Music Sheets #742833. Published by Piacere Music Sheets (A0.1142466). Opus/Catalog Number: BWV 846Key/Tone: C MajorMovements/Sections: 1/2 (Prelude)Year/Date of Composition: 1722 in Das wohltemperierte Klavier I (No.1)Difficulty: Grade 7/12 (Intermediate)Obs.: This piece is probably the easiest composition in Bach's Well-Tempered Klavier.The Prelude appears also in the Notebook for Anna Magdalena Bach (1725). This notebook was filled with favorite selections of the members of the Bach family.There is also a slightly different version of this prelude, known as Prelude BWV 846A, in the Klavierbüchlein für Wilhelm Friedemann Bach. Bach's Prelude BWV 846 consists of a simple progression of arpeggiated chords. It is one of Johann Sebastian Bach's most famous compositions for the keyboard.Some sources show a trill of the last E of measure 34. If playing this trill, be sure to start it on the upper auxiliary note.This piece served as the inspiration for Gounod's Ave Maria.
$5.95
Air on the G String (MEDIUM) from Suite No. 3 (BWV 1068) [Johann Sebastian Bach]
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Darek
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Air on the G String
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Darek
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1257384 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music,Wedding. Score. 2 pages. Dare...
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Piano Solo - Level 3 - SKU: A0.1257384 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music,Wedding. Score. 2 pages. Darek #850717. Published by Darek (A0.1257384). Indulge in the sublime beauty of Air on the G String, an extraordinary composition from Suite No. 3 (BWV 1068) by the revered Johann Sebastian Bach. Immerse yourself in the enchanting melody and let your fingers navigate the intricacies of this medium difficulty piano arrangement, capturing the essence of this timeless classic.Designed for pianists seeking a captivating challenge, this medium difficulty piano sheet music unveils the true depth and complexity of Bach's masterpiece. As you embark on this musical journey, you'll discover the harmonious balance between technical brilliance and expressive nuances, allowing you to showcase your artistry and command over the keyboard.Experience the unique blend of elegance and emotional depth as each note resonates with sheer brilliance. The Air on the G String stands out for its ability to evoke a profound sense of tranquility and introspection, captivating listeners with its ethereal charm.Unleash your musical expression and let your fingertips breathe life into this magnificent piece. Delve into the rich tapestry of emotions woven within the composition, from gentle whispers to soaring melodies, each phrase telling a captivating story that transcends time and space.Whether you're a seasoned performer or an aspiring pianist looking to expand your repertoire, this medium difficulty piano sheet music is a treasure trove of artistic possibilities. Elevate your playing to new heights and delight audiences with a truly captivating rendition of Bach's timeless masterpiece.Keywords: Air on the G String, medium difficulty piano sheet music, Suite No. 3, BWV 1068, Johann Sebastian Bach, sublime beauty, captivating challenge, technical brilliance, expressive nuances, artistry, command over the keyboard, elegance, emotional depth, profound sense of tranquility, introspection, ethereal charm, musical expression, captivating story, seasoned performer, aspiring pianist, expand your repertoire, artistic possibilities, timeless masterpiece.
$3.00
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 4)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart, Mozar
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Rob Bushnell
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Andante
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RBMusic
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7 pages. RBMusic ...
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Piano Solo - Level 4 - SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7 pages. RBMusic #6014617. Published by RBMusic (A0.752422). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$9.50
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 2)
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Piano seul
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FACILE
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Classique
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Wolfgang Amadeus Mozart, Mozar
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Rob Bushnell
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Andante
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RBMusic
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.752421 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 6 pages. RBMusic ...
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Piano Solo - Level 2 - SKU: A0.752421 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 6 pages. RBMusic #6014595. Published by RBMusic (A0.752421). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$5.75
Waltz Like There's No Tomorrow
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Piano seul
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INTERMÉDIAIRE
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Louis Landon
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Waltz Like There's No Tomorrow
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Landon Creative, Inc.
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.761941 Composed by Louis Landon. Concert,Contemporary,Instructional,Standards. Score. 12 pages. Landon Creative, Inc. #63...
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Piano Solo - Level 3 - SKU: A0.761941 Composed by Louis Landon. Concert,Contemporary,Instructional,Standards. Score. 12 pages. Landon Creative, Inc. #6341205. Published by Landon Creative, Inc. (A0.761941). Waltz Like There's No Tomorrow is a classically oriented piece of music in three quarter or waltz time. The song is about letting go and dancing with wild abandon. This is not your grandma's waltz. This is a powerful piece that inspires intentional movement with a like minded partner. It's also about not caring what anyone thinks. It's going for it. This is the sheet music for Waltz Like There's No Tomorrow, from the Solo Piano Space Traveler album, and was released on August 5, 2019.Recorded at the Peace Palace from February - April, 2019.You can listen to the song by streaming on Spotify, Apple Music, and Pandora RadioYou can also download the recording iTunes, Amazon, and Bandcamp..Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZCover photo: NASACover art: DanLevin.comAll music published by Landon Creative, Inc. BMIAll music produced, arranged, composed & performed by Louis Landon.
$5.25
There'll Be Peace In The Valley For Me (tra.arr.)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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John R Cash
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Timothy Stapay
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There'll Be Peace In The Valle
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1240614 Composed by John R Cash. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 4 pa...
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Piano Solo - Level 4 - SKU: A0.1240614 Composed by John R Cash. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #835999. Published by Timothy Stapay (A0.1240614). This arrangement of There'll Be Peace In The Valley For Me is arranged in a traditional country-style. Sung by many famous country artists, including Johnny Cash. Also known on the song credits as John R Cash.Johnny Cash on his 1969 At San Quentin live album (he recorded the studio version in 1962 and released it as a single).Lyrics:Oh well, I'm tired and so wearyBut I must go aloneTill the lord comes and calls, calls me away, oh yesWell the morning's so brightAnd the lamp is alightAnd the night, night is as black as the sea, oh yesThere will be peace in the valley for me, some dayThere will be peace in the valley for me, oh Lord I prayThere'll be no sadness, no sorrowNo trouble, trouble I seeThere will be peace in the valley for me, for meWell the bear will be gentleAnd the wolves will be tameAnd the lion shall lay down with the lamb, oh yesAnd the beasts from the wildShall be lit by a childAnd I'll be changed, changed from this creature that I am, oh yesThere will be peace in the valley for me, some dayThere will be peace in the valley for me, oh Lord I prayThere'll be no sadness, no sorrowNo trouble, trouble I seeThere will be peace in the valley for me, for me
$5.99
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