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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Nowadays
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37
Piano & claviers
Piano seul
9
Piano, Voix
8
Piano, Voix et Guitare
6
Piano Facile
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
1
Piano Trio: piano, violon, violoncelle
1
+ 2 instrumentations
Retracter
Guitares
Guitare
2
Guitare notes et tablatures
2
Paroles et Accords
1
Voix
Chorale 3 parties
1
Chorale SATB
1
Vents
2 Saxophones (duo)
15
Saxophone, Clarinette (duo)
10
Saxophone Alto et Piano
9
Flûte traversière et Piano
8
2 Clarinettes (duo)
8
Clarinette et Piano
7
Saxophone Tenor et Piano
7
Saxophone Soprano et Piano
6
2 Flûtes traversières (duo)
6
Clarinette, Trompette (duo)
5
Hautbois, Piano (duo)
5
Saxophone Baryton, Piano
4
Flûte, Saxophone (duo)
4
Flûte, Violon
4
Flûte, Alto (duo)
3
Hautbois, Clarinette (duo)
3
Clarinette, Violon (duo)
3
Flûte, Clarinette (duo)
3
Hautbois, Basson (duo)
3
Clarinette Basse, Piano
2
2 Hautbois (duo)
2
Hautbois, Flûte
2
Clarinette et Alto
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Clarinette
2
Cor anglais, Piano
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Trompette (duo)
1
Flûte à bec Soprano
1
Quatuor de Clarinettes: 4 clarinettes
1
Quatuor de Saxophones: 4 saxophones
1
3 Clarinettes (trio)
1
Cor anglais et Harpe (duo)
1
+ 28 instrumentations
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Cuivres
Trombone et Piano
7
Trompette, Saxophone (duo)
5
Trompette, Trombone (duo)
3
2 Trombones (duo)
3
Trompette, Piano
3
Cor et Piano
3
Euphonium, Piano (duo)
3
2 Trompettes (duo)
2
Trompette
2
Tuba et Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor anglais, Piano
1
Cor anglais et Harpe (duo)
1
+ 8 instrumentations
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Cordes
Alto, Piano
10
Violon et Piano
9
Quatuor à cordes: 2 violons, alto, violoncelle
7
2 Violons (duo)
4
Violoncelle, Piano
4
Violon, Alto (duo)
4
Violon, Violoncelle (duo)
3
2 Violoncelles (duo)
3
Harpe, Flûte (duo)
2
Trio à Cordes: 3 violoncelles
2
Violon
1
Alto (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
2 Altos (duo)
1
+ 9 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
5
Orchestre
2
Orchestre à Cordes
2
Ensemble de cuivres
1
Batterie
1
Jazz combo
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
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DIDGERIDOO
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Partitions à imprimer
9 partitions trouvées
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1
Chopin Etude #17 (B section)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Paul Taylor
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Chopin Etude #17
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Paul Taylor
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1472130 Composed by Frederic Chopin. Arranged by Paul Taylor. 19th Century,Romantic Period. Score. 3 pages. Paul Taylor #...
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Piano Solo - Level 3 - SKU: A0.1472130 Composed by Frederic Chopin. Arranged by Paul Taylor. 19th Century,Romantic Period. Score. 3 pages. Paul Taylor #1049829. Published by Paul Taylor (A0.1472130). Unfortunately, many of the greatest melodies are sometimes buried in the middle of a lengthy and technically challenging composition. Such is the case here: Chopin's outer sections of his 17th etude are technically beyond many of our intermediate pianists nowadays. Here, the basic ideas of the B section of this etude are presented as a completely independent character piece. Alterations in the texture, rhythm, harmony and so on, are relatively minor and do not detract from Chopin's original idiom and character.
$1.99
SEVILLANAS POPULARES (Arreglo para piano)
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Piano seul
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Contemporain
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Popular
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José Luis Sánchez Vega
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SEVILLANAS POPULARES
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José Luis Sánchez Vega
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SheetMusicPlus
Piano Solo - SKU: A0.946335 Composed by Popular. Arranged by José Luis Sánchez Vega. Contemporary. Score. 13 pages. José Luis Sánchez Vega #...
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Piano Solo - SKU: A0.946335 Composed by Popular. Arranged by José Luis Sánchez Vega. Contemporary. Score. 13 pages. José Luis Sánchez Vega #6212335. Published by José Luis Sánchez Vega (A0.946335). Descripción Este ejemplar contiene cuatro sevillanas en arreglo fácil para piano. Las sevillanas son una música y danza popular de AndalucÃa (España) que pertenecen a las seguidillas. De compás ternario y melodÃa tonal o modal, continúan hoy presente en distintos ámbitos de la música y el baile español (popular, flamenco...). Description This copy includes four sevillanas in an easy arrangement for piano. Sevillanas is a kind of music and dance which is popular in Andalusia (Spain) and belong to seguidillas. Their ternary time and their tonal or modal tune are still present nowadays in vairious Spanish music and dance scopes (popular, flamenco...).Link: https://www.ivoox.com/player_es_podcast_1146700_1.html
$4.50
Pachelbel: Canon in D for Solo Piano
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Solo
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jmsgu3
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1096204 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Scor...
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Piano Solo - Level 3 - SKU: A0.1096204 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score. 4 pages. Jmsgu3 #700167. Published by jmsgu3 (A0.1096204). Score: 4 pages. Duration: 2:27. The famous Pachelbel Canon arranged for Solo Piano. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95
Taiwanese Ballad - Longing for Spring Breeze (professional level) 望春風（演å¥ç‰ˆï¼‰
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Piano seul
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AVANCÉ
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Yu-Hsian Teng 鄧雨è
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Taiwanese Ballad - Longing for
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Chorphilia
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.896565 Composed by Yu-Hsian Teng 鄧雨賢. Arranged by Yi-Chih Lu 盧易之. 20th Century,Concert...
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Piano Solo - Level 5 - SKU: A0.896565 Composed by Yu-Hsian Teng 鄧雨賢. Arranged by Yi-Chih Lu 盧易之. 20th Century,Concert,Standards. Score. 7 pages. Chorphilia #4629747. Published by Chorphilia (A0.896565). A Taiwanese Ballad composed by Yu-Hsien Teng (1906-1944). Longing for Spring Breeze is the best-known Taiwanese tune in 1930s and is still very popular nowadays. Taiwanese pianist Yi-Chih Lu rearranged it into a very popular piano solo piece and and this is a very beautiful piece for any occasion.
$4.99
Favorite American Folk Songs, Hymns, and Spirituals of the 1880's Vol. II
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Piano seul
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Clay Boland, Jr
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Favorite American Folk Songs,
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BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623
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SheetMusicPlus
Small Ensemble Harpsichord,Organ,Piano - Level 3 - SKU: A0.913678 Arranged by Clay Boland, Jr. Folk,Traditional. Score and parts. 56 pages. BOLAND MUSIC...
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Small Ensemble Harpsichord,Organ,Piano - Level 3 - SKU: A0.913678 Arranged by Clay Boland, Jr. Folk,Traditional. Score and parts. 56 pages. BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 #6880017. Published by BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 (A0.913678). The piano scores used for the original sheet music of these folk songs, hymns, and spirituals of the 1800’s were purposely made simple in order to sell as many copies as possible. The idea being that if someone in every family could read the most basic piano score, then the rest of the family could gather around the piano (usually an inexpensive upright) and sing along in the days before records, cassette tapes, CD’s, Radio, Television, iPods, YouTube etc. Nowadays, the few people who can sight-read at the piano are more musically literate, often being able to read and play classical compositions by Bach, Handel, Scarlatti, Mozart, Haydn, and Beethoven. They, therefore, deserve more interesting and rewarding arrangements of these wonderful musical treasures of the 1800’s. Furthermore, since these arrangements for piano and voice can also be played as piano solos, the piano scores are designed to be of enjoyable musical interest on their own; that is, orchestrated for the piano as if they were sketches for an ensemble of instruments. These arrangements can also be considered theatrical improvisations on the original sheet music. Following the best improvisational guidelines, they are based on 1) the implications of the title; 2) the meaning and words of the lyrics; 3) the melody; & 4) the harmonic pattern. For example: Oh, Susanna! is obviously a humorous nonsense song and is therefore arranged to sound carefree, jaunty, and joyful. Also, since the singer refers to my banjo on my knee, the piano arrangement imitates the sound of a banjo as it is played for singing and dancing, strumming its rhythmic way through the simple harmonic changes. You can see and hear the music for most of these contemporary arrangements on Sheet Music Plus and some also on YouTube. And if you wish to play and/or sing along alone or with your friends or family, please do so. Happy time travel!!!
$26.00
The Hearth
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Christopher Alexander
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The Hearth
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Christopher Alexander
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1199263 By Christopher Alexander. By Christopher Alexander. Contemporary,New Age. Score. 12 pages. Christopher Alexander ...
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Piano Solo - Level 3 - SKU: A0.1199263 By Christopher Alexander. By Christopher Alexander. Contemporary,New Age. Score. 12 pages. Christopher Alexander #798326. Published by Christopher Alexander (A0.1199263). Back in ancient times, the hearth was usually a warming spot (like a fireplace nowadays) where members of a house or township (or even passersby travelling through) would gather. Â Besides staying warm from the freezing weather, people would share stories about their travels and families to the delight and entertainment of their listeners. Â That idea of kinship and warmth is the basis for this musical work. Â This ballad features the melody interwoven among the persistent sixteenth notes traded between both hands, creating an airy harmonic atmosphere that mimics the heat of the fire.
$2.50
The Wearing of the Green
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Piano seul
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INTERMÉDIAIRE
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Behren
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Paul Taylor
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The Wearing of the Green
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Paul Taylor
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1296241 Composed by Behren. Arranged by Paul Taylor. Holiday,Multicultural,Patriotic,Traditional,World. Score. 2 pages. P...
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Piano Solo - Level 3 - SKU: A0.1296241 Composed by Behren. Arranged by Paul Taylor. Holiday,Multicultural,Patriotic,Traditional,World. Score. 2 pages. Paul Taylor #886486. Published by Paul Taylor (A0.1296241). This tune, although light-hearted in spirit was banned by the British for creating fervor for Irish Nationalism. Wearing green indicated that a citizen was in support of the Irish rebellion. Many people did so and were hanged by the British authorities. Nowadays on St. Patrick's day, the wearing of the green seems to have lost its notoriety and is described as a safeguard to prevent leprechauns from seeing you, thereby making you immune to their pranks:).
$1.99
Weep And Smile [piano solo]
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Piano seul
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FACILE
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the way, these words are somet
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Juan MarÃa Solare
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Weep And Smile [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.596592 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Sacred,Standards. Score. 8 pages. Juan Maria Solare #5...
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Easy Piano - Level 2 - SKU: A0.596592 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Sacred,Standards. Score. 8 pages. Juan Maria Solare #5799759. Published by Juan Maria Solare (A0.596592). About the music Both pieces of this diptych are miniatures with a structure quite similar to each of the pieces of the Album für die Jugend Opus 68 by Robert Schumann. The melodies are strongly rooted in Japanese music (particularly obvious in the second piece). Aesthetically, this is neoclassical music (a quite broad concept nowadays). Fans of Erik Satie, Ludovico Einaudi or Joep Beving will possibly feel at home. Both pieces were composed on 6 June 2020 (the first one with my daughter Laura sleeping on my breast). Find this music soon on Spotify, Apple Music, YouTube or any other streaming platform (either under my name or performed by other pianists, possibly Iannis Eralos). Total duration: ca. 5:15.https://open.spotify.com/album/27MbJnfPjcolbQZAmNs8tKWeep Because Its Over: https://www.youtube.com/watch?v=SWflYuEoLy8Smile Because It Happened: https://www.youtube.com/watch?v=7SQFUlb7lFgAbout the titlesIn a poem by the German Romantic poet Ludwig Jacobowski titled Leuchtende Tage (Radiant Days) and published in August 1899, he writes:Nicht weinen, weil sie vorüber!Lächeln, weil sie gewesen!Literally:Don't cry because they are over (they: the radiant days)Smile because they happened.Usually it is quoted this way:Don't cry because it’s overSmile because it happened. For my piece, I adapted this idea und -not quite humbly- think that is better now: Do weep because it’s overBut also smile because it happened Why is it better now? Because… where is the issue with weeping? The first step is to accept that pain exists. Nobody has the moral authority to deny you the possibility of crying. Weeping is not a shame or a disgrace. Besides, only he who weeps is credible when he laughs. By the way, these words are sometimes attributed to Confucius. I leave to you the task of determining whether Jacobowski borrowed this thought from him.
$3.33
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