Solitudeis Oneself: Three piano pieces:

1 NeverUnderestimate the Difficulties of Simple Things

2 Too MuchBut Still Not Enough

3 Waitingfor Perfection is Waiting Forever

Tranquil, relaxing, "chill",minimalist, expressive music for solo piano.

You can "use" this music formeditation, study, learning, sleeping, relax or praying.

The phrase wherethe title (Solitude is Oneself)comes from belongs to Javier Adúriz (1948-2011), Argentine poet, one ofmy best teachers and friends (the original Spanish reads "La soledad es uno mismo").

Don'tsee any negative aspects in Solitude. In Spanish there is only one word forSolitude and Loneliness (namely "Soledad"). Loneliness is a state ofisolation, without dialog, feeling abandoned and without external points ofreference. But I conceive Solitude as a highely creative state, in which one isfaced to what one actually wants to achieve, with one's thoughts, with one'sself.

NeverUnderestimate the Difficulties of Simple Things. Lots of times I have seenthis in several persons - and in myself: when something is simple, easy anduncomplicated, we tend to underestimate it too much and its hidden difficultiesend up tackling us. We leave to the last moment a text that seems easy tolearn, and we do not assimilate it as we could. Or a chess game that is(really) won, but we feel over-confident, we play with superficiality, we makeslight mistakes one after the other and loose control of the situation.

Thistitle can be understood as self-referent: this particular piano piece seems tobe simple... until you try to perform it really well and record it.

About the ArtWork / Cover Art of Solitudeis Oneself:

It shows a human face (concretely the composer's)faced simmetrically to its silhouette, in black. This illustration alludes tothe title: Solitude is Oneself. Is oneself (the person) facing his ownsolitude, his internal misterious being. A real human facing his own shadow. Itis not a negative shadow: is the shadow of which Shamanism speaks, the ownshadow from where one draws strength.

The music is dedicated to Mr. Cadmiel Pérez from República Dominicana.

Solitude isOneself was recorded by the composer and released as single on Friday 17August 2018 on Spotify, Deezer, Apple Music, Qobuz, Tidal, Amazon mp3 and nearly all streaming platforms you canimagine.

In Spotify is here:

https://open.spotify.com/album/6KffxzDSVYJqZuNEK3Bj0h

In Bandcamp is here:

https://juanmariasolare.bandcamp.com/album/solitude-is-oneself

If you readSpanish you can find more about this music here:

https://es.quora.com/blog/musica-neoclasica/La-soledad-es-uno-mismo-m%C3%BAsica-para-piano

Hello one of my favorite 90's Pop Music by Boyzone Love to make an arrangement of this song, hope you love it too . . GRAB THE SHEET MUSIC NOW !!

Chi Mai is a composition written in 1971 by Ennio Morricone (10 November 1928 ? 6 July 2020).
It was used in the films Maddalena and Le Professionnel , as well as in the television series An Englishman's Castle and The Life and Times of David Lloyd George.
For Piano solo. Intermediate.
Pages: Three (3) pages, 2:20' min.

Game of Thrones (By Ramin Djawadi) for Piano Solo. This version will be great for Early Intermediate pianists. Check out our other titles arranged by Valeriya Klimukhina for piano solo.

With this sheet music, you can play "The Ecstasy of Gold" by Ennio Morricone on piano!

It's an accurate, carefully created piano arrangement of the full song.

Ennio Morricone (1928 - 2020) composed "The Ecstasy of Gold" for Sergio Leone's 1966 spaghetti Western film "The Good, the Bad and the Ugly".

In the film, the piece is played when Tuco (played by Eli Wallach) is searching a cemetery for the grave where the gold coins are hidden.

Morricone's soundtrack for "The Good, the Bad and the Ugly" became one of the most iconic scores in film history.
Besides the legendary main theme, "The Ecstasy of Gold" stands out as one of his most famous compositions.

It's a wonderful piece to play on the piano!

Recorded by Nicolas Horvath on Grand Piano records (GP822)

Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwall and that ?Isolde of the White Hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.

The idea of a Tristan that restored its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.

Unfortunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bédier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!

Robert Orledge