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Vous avez sélectionné:
One Potato
Piano seul
Partitions à imprimer
3 partitions trouvées
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One Potato
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.954617 Composed by Dennis Anton Dez…
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Piano Solo - Level 4 - Digital Download SKU: A0.954617 Composed by Dennis Anton Dezort. Concert,Jazz. Score. 6 pages. Dennis Dezort #3603303. Published by Dennis Dezort (A0.954617). A driving boogie based on a 6 tone LH pattern, with many rhythmic modulations. The rhythm brings to mind the childhood choosing rhyme One Potato, Two Potato......all the way up to Twelve Potato More, hence the title. Fun to play.
$2.50
2.25 €
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Piano seul
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Dennis Anton Dezort
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One Potato
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Dennis Dezort
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SheetMusicPlus
Seven Pieces in Twentieth-Century Styles
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 2…
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Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
4.5 €
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Piano seul
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James Siddons
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Seven Pieces in Twentieth-Century Styles
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James Siddons Music and Writings
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SheetMusicPlus
Greensleeves
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1119505 By Liberace. By Folk Song. …
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Piano Solo - Level 5 - Digital Download SKU: A0.1119505 By Liberace. By Folk Song. Arranged by Timothy Stapay. Christmas,Film/TV,Folk,Historic,Standards. Score. 4 pages. Timothy Stapay #720916. Published by Timothy Stapay (A0.1119505). Traditional folk song Greensleeves arranged as performed by famous pianist, Liberace. Would you like to learn to play Traditional Christmas Carols as played by famous showman, Liberace? Well, now you can! First time ever in print; here is Greensleeves as played on his famous t.v. show from the fifties and in concerts around the world. Greensleeves is a traditional English folk song. A broadside ballad by the name A Newe Northen Dittye of ye Ladye Greene Sleves was registered by Richard Jones at the London Stationer's Company in September 1580. Shakespeare's The Merry Wives of Windsor (written c. 1597; first published in 1602), the character Mistress Ford refers twice to the tune of 'Greensleeves', and Falstaff later exclaims: Let the sky rain potatoes! Let it thunder to the tune of 'Greensleeves'! Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$6.99
6.29 €
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Piano seul
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Liberace
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Timothy Stapay
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Greensleeves
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Timothy Stapay
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SheetMusicPlus
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