ISBN 9781513455716. 8.75 x 11.75 inches.

This book presents seven piano solos that represent the wonderful variety of compositions by Clara Schumann. The brilliant Polonaise was composed and performed by Clara as a child prodigy. The enchanting Prelude, Op. 16, No. 2, and Romance, Op. 21. No.2 are both beautiful and suitable for many occasions. The joyful Mazurka makes a great recital piece as well as Scherzo in C minor. Nocturne in F, Op. 6, No. 2 is one of the most beautifully written nocturnes. Chopin once told Clara that she was the only woman in Germany that could play his music. She may have been inspired to compose this piece after performing many of Chopin's works in her concerts. The final piece in this collection of Clara Schumanns Piano Notebook is her Theme and Variations, which she dedicated to Robert Schumann. Robert composed and published many variations of his own on Clara's theme. Her own variations remained unknown until recently. These variations are very interesting, and the theme is easily recognizable throughout. Theme and Variations truly showcases Claras unique sense of creativity. These piano selections are presented as examples of Clara Schumann's legacya great composer of the 19th century. Her music is timeless and must be preserved for future generations of pianists. This collection will be valuable for recitals, programs and your own enjoyment.

Here's how to play "We Are The Champions" by Queen on piano!

With these piano sheets, you can play "We Are The Champions" by the British band Queen.

It's an accurate piano arrangement of this legendary song including all parts of the song.

It's a "We Are The Champions" piano version which is not too hard to play, and sounds fantastic!

You can also get a version of this arrangement which includes the song's full lyrics:
https://www.sheetmusicplus.com/title/21186075

If you want to play more Queen songs on piano, here are more of my arrangements:

"Love Of My Life": https://www.sheetmusicplus.com/title/21145110
"Love Of My Life" (Easy Piano): https://www.sheetmusicplus.com/title/21145489
"Bohemian Rhapsody": https://www.sheetmusicplus.com/title/21155920
"Bohemian Rhapsody" (Piano Solo): https://www.sheetmusicplus.com/title/21156151


"We Are The Champions" is a song from Queen's 1977 album "News of the World", and served as the album's first single.
Of course, it was written by the one and only Freddie Mercury.

The song became a world wide hit, a popular anthem for sports events, the official theme song for the 1994 FIFA World Cup, and stayed one of Queen's most recognizable and popular songs.

Now you can play it, too!


Here are the full lyrics to "We Are The Champions":

[Verse 1]
I've paid my dues
Time after time
I've done my sentence
But committed no crime
And bad mistakes
I've made a few
I've had my share of sand kicked in my face
But I've come through
(And I need to go on and on, and on, and on)

[Chorus]
We are the champions, my friends
And we'll keep on fighting till the end
We are the champions
We are the champions
No time for losers
'Cause we are the champions
Of the world

[Verse 2]
I've taken my bows
And my curtain calls
You brought me fame and fortune and everything that goes with it
I thank you all
But it's been no bed of roses
No pleasure cruise
I consider it a challenge before the whole human race
And I ain't gonna lose
(And I need just go on and on, and on, and on)

[Chorus]
We are the champions, my friends
And we'll keep on fighting till the end
We are the champions
We are the champions
No time for losers
'Cause we are the champions
Of the world

Peteris Vasks occupies a special position in the circle of Baltic composers. He is not only the most significant and popular composer ever to come out of Latvia. he always speaks to his listeners with a fervent intensity that seems to point to something higher. This higher aspect is without a doubt something that stands above the world of humanity but is also present within each person: divine nature.

"I am deeply rooted in nature, in the nature of the North. It influences all of my music. The nature we know is also quite various. we have four very distinct seasons. The winter is very long, the summer very short and therefore all the more beautiful and longed for. The seasons in between are quite dramatic."

The first of Peteris Vasks's Seasons pieces was not written with the intention of forming a complete cycle. For his friend, Talivaldis Deksnis, he composed in 1980 Balta ainava - White Landscape (Winter), in 1981 Rudens muzika - Autumn Music, and in 1995 the Pavasara muzika - Spring Music. In 2008, Zala ainava - Green Landscape (Summer) came into being, the piece which completed the cycle.

In 2009, as a kind of "encore", Vasks wrote Vasaras vakara muzika - Music for a Summer Evening based on old sketches. this, of all the pieces, is the one most anchored in tradition. Only the two newest pieces - both of which have to do with summer - have a fixed metrical structure. The three earlier works are metrically free, notated without bar lines, which gives them an improvisatory character.

Vasks says of the individual pieces in the cycle: "In Balta ainava everything is white. A new year begins. It is a quiet meditation, a new beginning, with only two themes.

Pavasara muzika. Quasi una Sonata - the most demanding piece in this cycle - is intense, an impressive development. Spring comes slowly, with much drama. It is like a battle, until it is simply there. This multi-faceted piece, with its bird songs, lives from conflicts and dramatic intensification and ends in ecstatic rapture. Zala ainava is based on two themes. Our summer is very brief and offers a respite after the battles. And it is so beautiful! The music reflects joy and contentment. The first theme brings a kind of pure energy. the second is more devoted to tone painting. At the end, a five-note quotation from a well-known Latvian folksong about a drunkard is heard.

Rudens muzika begins pianissimo on a quiet September day, in a peaceful, sunny atmosphere. Now the autumn storms sweep over the land. a gentle sadness settles on the people and on nature, which surrenders its splendor. After a last great storm, the snow comes again as a symbol of purified conclusion and a new beginning. Vasaras vakara muzika takes place at the quiet end of a summer day. The sun sets. Slowness. Memories of previous experiences surface. With the memories' appearance comes an increase in intensity. Towards the end, a kind of folksong is heard: 'We have survived the time of tyranny and retained our identity'. The ending is quiet, everything is asleep."

Christoph Schluren

Translation: John Patrick Thomas and W. Richard Rieves