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36
PIANO & CLAVIERS
Piano seul
63
Orgue
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Piano Quintette: piano, 2 violons, alto, violoncelle
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10
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Flûte, Hautbois, Clarinette, Basson
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1
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Clarinette et Piano
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Ensemble à vent
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Quintette de Saxophone: 5 saxophones
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Quatuor de Flûtes : 4 flûtes
1
Clarinette, Basson (duo)
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Ensemble de Flûtes
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Clarinette
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CUIVRES
Trombone et Piano
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4
Trompette, Saxophone (duo)
4
Ensemble de Trombones
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Trompette, Trombone (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
2 Trompettes (duo)
2
Trombone
2
2 Trombones (duo)
2
Tuba et Piano
2
Trombone basse et Piano
1
Quatuor de cuivres: 4 cors
1
Euphonium, Piano (duo)
1
Trompette, Piano
1
Cor
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
3 Trompettes (trio)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon
9
Violon et Piano
7
Alto seul
4
Violon, Alto (duo)
3
Violon, Violoncelle (duo)
3
Harpe
3
2 Altos (duo)
2
Quatuor à cordes : 4 altos
2
2 Violoncelles (duo)
2
Violoncelle
2
Violoncelle, Piano
1
Violon, Guitare (duo)
1
Contrebasse, Piano (duo)
1
Contre Basse
1
Harpe, Flûte (duo)
1
2 Violons (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
6
Orchestre d'harmonie
6
Orchestre
4
Ensemble de Percussions
1
Ensemble de cuivres
1
AUTRES
Vous avez sélectionné:
Ravel advanced
Piano seul
Partitions à imprimer
63 partitions trouvées
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51
Boléro - Ravel (Advanced Piano)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1400013 By Maurice Ravel. By Mauric…
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Piano Solo - Level 5 - Digital Download SKU: A0.1400013 By Maurice Ravel. By Maurice Ravel. Arranged by PianoForEveryone. 20th Century,Classical. Score. 7 pages. PianoForEveryone #983243. Published by PianoForEveryone (A0.1400013). An advanced piano arrangement of Ravel's 'Boléro.' The music has been shortened, however the performer is welcome to repeat if desired. About the arranger: I have been playing and teaching piano for over 20 years, and hold a degree in music from Oxford University. I'm on a mission to make piano accessible to everyone who wants to enjoy the beauty of playing.
$1.99
1.8 €
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Piano seul
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Maurice Ravel
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PianoForEveryone
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Boléro - Ravel
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PianoForEveryone
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SheetMusicPlus
Vignettes - 5 Late-Intermediate Impressionist Piano Pieces that Prepare for Maurice Ravel
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1490673 Composed by Nicole Elyse Di…
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Piano Solo - Level 4 - Digital Download SKU: A0.1490673 Composed by Nicole Elyse DiPaolo. 20th Century,Classical,Contest,Festival,Instructional. Score. 18 pages. Nicole Elyse DiPaolo #1067479. Published by Nicole Elyse DiPaolo (A0.1490673). Vignettes is a set of 5 short (2 or 3-page) late-intermediate piano pieces that introduce unique aspects of Maurice Ravel's piano writing that students tend to find challenging. Given that Ravel himself wrote very little at the intermediate level for solo piano (except the recently rediscovered Prelude in A minor), I saw a great need for appropriate Ravel-preparatory repertoire.Notes on the Pieces in Vignettes1. Réminiscences d’EspagneThis work is an homage to Maurice Ravel's Habañera-styled pieces. It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: numerous hand and arm crossings, 3-against-4 polyrhythms as evident in the habañera, very high registers, dissonances like German 7th chords and diminished thirds, and Spanish-flavored modal writing, to name a few. This piece also recalls my time as a cruise ship duo pianist aboard the ms Maasdam, which visited five ports in Spain.2. Le jardin des papillons (The Butterfly Garden)Le jardin des papillons is an homage to Maurice Ravel's piano writing as shown in pieces including the Sonatine, Le tombeau de Couperin, and others. It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), whole tone sonorities, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music.3. Le jardin englouti (The Sunken Garden)Le jardin englouti is an homage to Maurice Ravel's minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). This piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of solo and collaborative repertoire before moving away in 2019. The Biology Building greenhouse now sits on the former Sunken Garden site.4. Point PeléePoint Pelée is an homage to Maurice Ravel's toccata-style movements, like the finale of the Sonatine or the toccata from Le tombeau de Couperin. This piece can be programmed with Le jardin des papillons and Le jardin englouti to form a three-movement suite that roughly corresponds to the Sonatine. This movement was inspired by Point Pelée National Park, in Ontario, Canada, a frequent roosting spot for monarch butterflies making the long migration from Canada to southern Mexico. In this piece I tried to capture the flutters of the roosting monarchs' wings as they'd settle into the trees at night and venture out across Lake Erie after resting. You can find more information on the park here: https://www.pc.gc.ca/en/pn-np/on/pelee/nature/faune-wildlife/monarque-monarch5. À la manière d'une PavaneÀ la manière d'une Pavane is an homage to Maurice Ravel's piano writing as shown in his Pavane pour une infante défunte and the Pavane from the Mother Goose suite. It combines Baroque-reminiscent polyphony with the clarity and delicacy of articulation required more widely in the Ravel repertoire.
$16.99
15.38 €
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Piano seul
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Nicole Elyse DiPaolo
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Vignettes - 5 Late-Intermediate Impressionist Piano Pieces that Prepare for Maurice Ravel
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Nicole Elyse DiPaolo
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SheetMusicPlus
Come and Rest All Ye Weary Travellers
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.571577 Composed by James Michael St…
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Piano Solo - Level 4 - Digital Download SKU: A0.571577 Composed by James Michael Stevens. Arranged by James Michael Stevens. Contemporary,Jewish,Sacred,Spiritual,World. Score. 4 pages. James M Stevens Music ASCAP #16527. Published by James M Stevens Music ASCAP (A0.571577). Come and Rest All Ye Weary Travellers is an original piano composition included in the 2013 piano book/CD, Romanza of the Heart. The music is described as romantic piano compositions for relaxation and contemplation. This sheet music is an exact arrangement as heard on the CD and featured on Pandora Radio. The difficulty of the songs fall within an advanced intermediate to early advanced level. James Michael Stevens is a prolific composer residing in Nashville, TN where he serves as the Music Department Chairman at Welch College. He is known internationally for his choral anthems, piano arrangements/compositions, and piano improvisation workshops.
$4.99
4.52 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Come and Rest All Ye Weary Travellers
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James M Stevens Music ASCAP
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SheetMusicPlus
Le jardin des papillons - Intermediate Impressionist Piano Piece for Ravel Preparation
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.799620 Composed by Nicole Elyse DiP…
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Piano Solo - Level 3 - Digital Download SKU: A0.799620 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791445. Published by Nicole Elyse DiPaolo (A0.799620). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in pieces including the Sonatine, Le tombeau de Couperin, and others.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), whole tone sonorities, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was also inspired by my main non-music hobby: raising and releasing butterflies. An upcoming relocation will allow me to build my own butterfly garden in my new home, and I can't wait to create my own butterfly-friendly outdoor paradise filled with native plants and wildflowers. I hope my garden will have as many butterflies flitting through it as are depicted in the 32nd-note passages in this piece!
$2.49
2.25 €
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Piano seul
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Nicole Elyse DiPaolo
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Le jardin des papillons - Intermediate Impressionist Piano Piece for Ravel Preparation
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Nicole Elyse DiPaolo
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SheetMusicPlus
Le jardin englouti (The Sunken Garden/Minuet) - Intermediate Impressionist Piano Piece for Ravel Pre
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiP…
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Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791453. Published by Nicole Elyse DiPaolo (A0.799621). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in his minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). It means The Sunken Garden, and I'll explain why below.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), large rolled chords, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of repertoire before moving away last year. The Jordan Hall greenhouse now sits on the former Sunken Garden site.Because the Wells Quad dorms are right next door, I hear this piece as a recollection of a social dance night that the dorms probably held frequently back when the Sunken Garden existed. Wells Quad served as a classroom/academic office complex for years after Jordan Hall was built in the 50s, but they are now back-converting the buildings into dorms again. (As of this writing, two of the buildings now serve as dorms, while the other two are still academic buildings. While I was pursuing my doctoral minor in composition, the composition professors' studios were almost all in Wells Quad's Sycamore Hall. They upgraded to the East Studio Building as soon as they could, though!).
$2.49
2.25 €
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Piano seul
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Nicole Elyse DiPaolo
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Le jardin englouti
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Nicole Elyse DiPaolo
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SheetMusicPlus
Ravel - "Mother Goose" (Ma Mère l’Oye), - Piano solo
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.739953 Composed by Maurice Ravel. A…
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Piano Solo - Level 5 - Digital Download SKU: A0.739953 Composed by Maurice Ravel. Arranged by Len Rhodes. 20th Century,Concert,Holiday,Wedding. Score. 8 pages. Len Rhodes Music #3570051. Published by Len Rhodes Music (A0.739953). Len Rhodes has transcribed Ravel's orchestral suite for piano solo. In his book Impressionism, author Pierre Courthion writes how Ravel's Mother Goose Suite seems like a musical commentary to Monet's Waterlilies. Len has titled his transcription - Reflections - containing the main movements from Mother Goose (Ma Mère l’Oye), with beautifully crafted segue's that create uninterrupted flow from movement to movement. Ravel originally wrote this ballet as a charming, delicate and imaginative suite of fairytale pieces. This transcription is a continuous work featuring - (i) the Prelude, (ii) Pavane de la Belle au Bois dormant (Pavane of the Sleeping Beauty), (iii) Les entretiens de la Belle et de la Bête (Conversation of Beauty and the Beast), (iv) Petit Poucet (Little Tom Thumb), and Le jardin féerique (The Fairy Garden). It is suitable for the more advanced (ABRSM grade 6/7) pianist, but will be appreciated by all lovers of Ravel, and Ma Mère l’Oye in particular. The music contains some larger chords so not entirely suitable for small hands. This is an extended work - 8 pages of music.
$5.99
5.42 €
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Piano seul
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Maurice Ravel
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Len Rhodes
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Ravel - "Mother Goose"
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Len Rhodes Music
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SheetMusicPlus
Réminiscences d'Espagne (Habañera) - Intermediate Impressionist Piano Piece for Ravel Preparation
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.799622 Composed by Nicole Elyse DiP…
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Piano Solo - Level 3 - Digital Download SKU: A0.799622 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791457. Published by Nicole Elyse DiPaolo (A0.799622). From my in-progress collection of intermediate and late-intermediate piano pieces in Impressionist styles, this is an homage to Maurice Ravel's Habañera-styled pieces (including the Vocalise-étude, the Habañera from the Rapsodie Espagnole, and others).It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: numerous hand and arm crossings, 3-against-4 polyrhythms as evident in the habañera, very high registers, dissonances like German 7th chords and diminished thirds, and Spanish-flavored modal writing, to name a few.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's work.
$2.49
2.25 €
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Piano seul
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Nicole Elyse DiPaolo
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Réminiscences d'Espagne
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Nicole Elyse DiPaolo
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SheetMusicPlus
Ravel "Minuet" (2nd mvt) from Sonatine. Solo Piano Simplified version.
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.785746 Composed by M Ravel. Arrange…
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Piano Solo - Level 4 - Digital Download SKU: A0.785746 Composed by M Ravel. Arranged by Grant Horsley. 20th Century,Contemporary,Romantic Period,Wedding. Score. 6 pages. Grant Horsley #6066877. Published by Grant Horsley (A0.785746). This minuet from the fabulous sonatine by Ravel, has been carefully arranged for pianist who would like a slightly easier version to play.It has been arranged in D major from the original D flat for ease of reading. Some large chords have been compromised but all essential harmony is present. Finally, I have re-voiced a few areas where hands collide in the original to make it easier to negotiate.It is advanced Intermediate is level although a competent Intermediate pianist may be ok with it. Best to look at the youtube to judge which has the whole score. It is 5 pages and roughly 3 mins 15 in length.It really is a wonderful piece- especially used for concert's weddings, recitals, encore, incidental, recitals etc.
$5.50
4.98 €
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Piano seul
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M Ravel
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Grant Horsley
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Ravel "Minuet"
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Grant Horsley
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SheetMusicPlus
Ravel : Boléro - Version longue (niveau difficile, avec orchestre)
Piano seul
Téléchargez la partition Piano Boléro - Version longue (niveau diffic…
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Téléchargez la partition Piano Boléro - Version longue (niveau difficile, avec orchestre) de Ravel. Partition pour Piano avec accomp. orchestre -- Classique
7.99 €
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Piano seul
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Ravel
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Boléro
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Tomplay
Ravel : Boléro - Version courte (niveau difficile, piano solo)
Piano seul
Téléchargez la partition Piano Boléro - Version courte (niveau diffic…
(+)
Téléchargez la partition Piano Boléro - Version courte (niveau difficile, piano solo) de Ravel. Partition pour Piano seul -- Classique
5.99 €
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Piano seul
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Ravel
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Boléro
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Tomplay
Ravel : Boléro - Version longue (niveau difficile, piano solo)
Piano seul
Téléchargez la partition Piano Boléro - Version longue (niveau diffic…
(+)
Téléchargez la partition Piano Boléro - Version longue (niveau difficile, piano solo) de Ravel. Partition pour Piano seul -- Classique
7.99 €
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Piano seul
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Ravel
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Boléro
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Tomplay
Ravel : Boléro - Version courte (niveau difficile, avec orchestre)
Piano seul
Téléchargez la partition Piano Boléro - Version courte (niveau diffic…
(+)
Téléchargez la partition Piano Boléro - Version courte (niveau difficile, avec orchestre) de Ravel. Partition pour Piano avec accomp. orchestre -- Classique
5.99 €
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Piano seul
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Ravel
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Boléro
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Tomplay
Ravel : Boléro - Version longue (niveau intermédiaire/difficile, avec orchestre)
Piano seul
Téléchargez la partition Piano Boléro - Version longue (niveau interm…
(+)
Téléchargez la partition Piano Boléro - Version longue (niveau intermédiaire/difficile, avec orchestre) de Ravel. Partition pour Piano avec accomp. orchestre -- Classique
7.99 €
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Piano seul
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Ravel
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Boléro
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Tomplay
Ravel : Boléro - Version longue (niveau intermédiaire/difficile, piano solo)
Piano seul
Téléchargez la partition Piano Boléro - Version longue (niveau interm…
(+)
Téléchargez la partition Piano Boléro - Version longue (niveau intermédiaire/difficile, piano solo) de Ravel. Partition pour Piano seul -- Classique
7.99 €
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Piano seul
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Ravel
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Boléro
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Tomplay
Ravel : Boléro - Version courte (niveau intermédiaire/difficile, piano solo)
Piano seul
Téléchargez la partition Piano Boléro - Version courte (niveau interm…
(+)
Téléchargez la partition Piano Boléro - Version courte (niveau intermédiaire/difficile, piano solo) de Ravel. Partition pour Piano seul -- Classique
5.99 €
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Piano seul
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Ravel
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Boléro
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Tomplay
Ravel : Boléro - Version courte (niveau intermédiaire/difficile, avec orchestre)
Piano seul
Téléchargez la partition Piano Boléro - Version courte (niveau interm…
(+)
Téléchargez la partition Piano Boléro - Version courte (niveau intermédiaire/difficile, avec orchestre) de Ravel. Partition pour Piano avec accomp. orchestre -- Classique
5.99 €
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Piano seul
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Ravel
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Boléro
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Tomplay
Valsa Carioca (Cariocan Waltz), advanced piano solo
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1046267 Composed by Kevin G. Pace (…
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Piano Solo - Level 5 - Digital Download SKU: A0.1046267 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. 20th Century,Classical,Contemporary,Multicultural,World. Score. 7 pages. Kevin G. Pace #650773. Published by Kevin G. Pace (A0.1046267). After finishing my service as a young missionary for the Church of Jesus Christ of Latter-day Saints, a small group of us traveled from São Paulo to Rio de Janeiro, Brasil. I fell in love with this beautiful city. This piano solo is a reminiscence of my thoughts of Rio. It is not traditional Brazilian music, but music by a North American describing his feeling about this Brazilian city. Note: the term Carioca is used to describe people from Rio de Janeiro.
$3.99
3.61 €
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Piano seul
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Kevin G
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Valsa Carioca
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Kevin G. Pace
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SheetMusicPlus
Solitary Traveller
Piano seul
Piano - intermediate to advanced - Digital Download SKU: S9.Q51920 From: Lyrics …
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Piano - intermediate to advanced - Digital Download SKU: S9.Q51920 From: Lyrics Pices, Op. 43 No. 2. Composed by Edvard Grieg. Edited by Monika Twelsiek. This edition: Sheet music. (c) 2019 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 43/2. 3 pages. Schott Music - Digital #Q51920. Published by Schott Music - Digital (S9.Q51920). Key: G major.Digital publication of the piece found in the following print music collection: Portraits - 45 Easy Piano Pieces from 4 Centuries.
$2.99
2.71 €
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Piano seul
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Edvard Grieg
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Solitary Traveller
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Schott Music - Digital
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SheetMusicPlus
Bach,Beethoven,Mozart,Ravel : Les plus beaux concertos pour piano, Intermédiaire/Difficile, Vol. 1
Piano seul
Téléchargez la partition Piano Les plus beaux concertos pour piano, Interm&e…
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Téléchargez la partition Piano Les plus beaux concertos pour piano, Intermédiaire-Difficile, Vol. 1 de Bach. Partition pour Piano avec accomp. orchestre -- Classique
23.99 €
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Piano seul
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Bach,Beethoven,Mozart,Ravel
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Les plus beaux concertos pour
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Tomplay
Bach,Beethoven,Mozart,Rachmaninoff,Ravel : Les plus beaux concertos pour piano, Intermédiaire/Difficile, Vol. 3
Piano seul
Téléchargez la partition Piano Les plus beaux concertos pour piano, Interm&e…
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Téléchargez la partition Piano Les plus beaux concertos pour piano, Intermédiaire-Difficile, Vol. 3. Partition pour Piano avec accomp. orchestre -- Classique
31.99 €
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Piano seul
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Bach,Beethoven,Mozart,Rachmani
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Les plus beaux concertos pour
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Tomplay
Bach,Beethoven,Brahms,Chopin,Grieg,Ravel,Webber : Les meilleurs morceaux à jouer au piano pour Halloween, Difficile, Vol. 1
Piano seul
Téléchargez la partition Piano Les meilleurs morceaux à jouer au pian…
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Téléchargez la partition Piano Les meilleurs morceaux à jouer au piano pour Halloween, Difficile, Vol. 1. Partition pour Piano avec accomp. orchestre -- Classique
19.99 €
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Piano seul
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Bach,Beethoven,Brahms,Chopin,G
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Les meilleurs morceaux à joue
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Tomplay
Bach,Grieg,Liszt,Ravel,Satie,Wagner : Les meilleurs morceaux à jouer au piano pour Halloween, Difficile, Vol. 2
Piano seul
Téléchargez la partition Piano Les meilleurs morceaux à jouer au pian…
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Téléchargez la partition Piano Les meilleurs morceaux à jouer au piano pour Halloween, Difficile, Vol. 2. Partition pour Piano avec accomp. orchestre -- Divers
19.99 €
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Piano seul
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Bach,Grieg,Liszt,Ravel,Satie,W
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Les meilleurs morceaux à joue
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Tomplay
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.25 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.25 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Schubert : Voyage d'hiver, D. 911 - n° 1 Bonne nuit (niveau difficile)
Piano seul
Téléchargez la partition Piano Voyage d'hiver, D. 911 - n° 1 Bonne nuit (niveau diffici…
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Téléchargez la partition Piano Voyage d'hiver, D. 911 - n° 1 Bonne nuit (niveau difficile) de Schubert. Partition pour Piano seul -- Classique
5.99 €
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Piano seul
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Schubert
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Voyage d'hiver, D. 911
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Tomplay
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