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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rip It Up
Non classifié
106
Piano & claviers
Piano seul
66
Piano, Voix
11
Piano, Voix et Guitare
10
Orgue
5
Piano Facile
4
Accompagnement Piano
2
1 Piano, 4 mains
2
Instruments en Do
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
12
Guitare
10
Basse electrique
10
Ligne De Mélodie, (Paroles) et Accords
5
Ukulele
2
Guitare, Violon, Violoncelle (trio)
1
Dulcimer
1
2 Guitares (duo)
1
Paroles et Accords
1
Banjo
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
21
Chorale TTBB
4
Chorale 3 parties
4
Chorale 2 parties
4
Chorale SSAA
4
Voix duo, Piano
2
Voix seule
1
+ 2 instrumentations
Retracter
Vents
Flûte traversière et Piano
8
Quatuor de Clarinettes: 4 clarinettes
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Flûte traversière
5
Hautbois (partie séparée)
5
Saxophone Soprano et Piano
4
Saxophone Alto
3
Hautbois, Piano (duo)
3
Clarinette
3
Flûte, Hautbois, Clarinette, Basson
2
3 Saxophones (trio)
2
2 Clarinettes (duo)
2
Clarinette et Piano
2
Flûte, Clarinette et Basson
2
Saxophone Tenor
2
Saxophone Tenor et Piano
2
Quatuor de Saxophones: 4 saxophones
2
Quatuor de Flûtes : 4 flûtes
1
Saxophone (partie séparée)
1
3 Clarinettes (trio)
1
Flûte à bec Soprano, Piano
1
Cor Anglais
1
Saxophone et Orgue
1
Saxophone Alto et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Cor anglais, Piano
1
2 Saxophones (duo)
1
2 Flûtes traversières (duo)
1
Clarinette Basse, Piano
1
Flute (partie séparée)
1
Ensemble de Flûtes
1
+ 26 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Cor
6
Trompette
5
Tuba
5
Cor et Piano
3
2 Tubas (duo)
2
Trompette (partie séparée)
2
Trombone
2
Trombone et Piano
2
Trompette, Euphonium (duo)
1
2 Trombones (duo)
1
Cor Anglais
1
4 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais, Piano
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trompette, Trombone (duo)
1
Trompette, Piano
1
+ 15 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violon
11
Violon et Piano
10
Violon, Violoncelle (duo)
7
Violoncelle
5
Alto, Piano
5
Trio à Cordes: violon, alto, violoncelle
4
Trio à Cordes: 2 violons, violoncelle
4
Alto seul
4
Harpe
3
Violoncelle, Piano
3
Violon (partie séparée)
2
Alto (partie séparée)
2
Violoncelle (partie séparée)
1
Contre Basse
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
4 Contrebasses
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
38
Orchestre
14
Orchestre à Cordes
14
Ensemble de cuivres
7
Batterie
7
Ensemble Jazz
6
Orchestre de chambre
4
Jazz combo
3
Ensemble de Percussions
2
Fanfare
1
Piano et Orchestre
1
Marimba, Piano (duo)
1
+ 7 instrumentations
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Note4Piano
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Vous avez sélectionné:
Rip It Up
Piano seul
Partitions à imprimer
66 partitions trouvées
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51
Trippity Trip to Ireland
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Piano seul
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Mel Stallwood
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Trippity Trip to Ireland
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Mel Stallwood
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SheetMusicPlus
Piano Solo - SKU: A0.903605 Composed by Mel Stallwood. Jazz,Ragtime. Score. 5 pages. Mel Stallwood #4848959. Published by Mel Stallwood (A0.903605). ...
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Piano Solo - SKU: A0.903605 Composed by Mel Stallwood. Jazz,Ragtime. Score. 5 pages. Mel Stallwood #4848959. Published by Mel Stallwood (A0.903605). I wanted to write this one in the Silent movie (novelty piano) style but tried to get away from my ostentacious classical cameo's in the development section. Unfortunately sanity did not prevail and I ended up inserting an Irish Jig instead. I am not sure that it works but I can only write as the inspiration (from a leprechaun in this case) dictates. The frantic pace and technical challenges would be great for piano recitals though.
$3.99
My Faith Looks Up to Thee
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Lowell Mason
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Paul Thurmond
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My Faith Looks Up to Thee
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.828255 Composed by Lowell Mason. Arranged by Paul Thurmond. Christian,Sacred. Score. 5 pages. Paul Thurmond #4969069. Pub...
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Piano Solo - Level 3 - SKU: A0.828255 Composed by Lowell Mason. Arranged by Paul Thurmond. Christian,Sacred. Score. 5 pages. Paul Thurmond #4969069. Published by Paul Thurmond (A0.828255). Tune: OLIVETUse: Prelude, Offertory, CommunionA polyrhythm is when two or more conflicting rhythms are performed simultaneously. The simplest example is three beats against two beats, as pictured above. When a composer uses this effect for an extended section of music, it’s called a cross-rhythm. In this piece, your right hand plays the solid duple rhythm of My Faith Looks Up to Thee, while your left hand plays an accompaniment pattern in a triple rhythm. It makes it interesting to play and, I hope, interesting to listen to.
$4.99
It Is Well With My Soul and Blessed Assurance Medley for piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Spafford & Bliss, Crosby & Kna
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Lois Mountz
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It Is Well With My Soul and Bl
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mountzmusic
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.867624 Composed by Spafford & Bliss, Crosby & Knapp. Arranged by Lois Mountz. Christian,Concert,Praise & Worship,Sacred,S...
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Piano Solo - Level 4 - SKU: A0.867624 Composed by Spafford & Bliss, Crosby & Knapp. Arranged by Lois Mountz. Christian,Concert,Praise & Worship,Sacred,Standards. Score. 5 pages. Mountzmusic #5985427. Published by mountzmusic (A0.867624). Two old favorite hymns make up this medley for piano, each played through two times. Of Advanced Intermediate difficulty, this medley is perfect for a prelude for church, but would make a lovely recital or repertoire piece. Melodic changes are used rather than exact melody notes as in hymnals, and triplets are used through most of Blessed Assurance, but still could be used as accompaniment for singing. It Is Well With My Soul - Spafford (Words) & Bliss (Music); Blessed Assurance - Crosby (Words) & Knapp (Music).
$5.99
Etude in C, Le Couppey-Nolte
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Piano seul
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AVANCÉ
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. ...
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Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99
Open Up
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jim Paterson
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Open Up
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Music Files Ltd
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Jim Paterson. 20th Century, Contemporary Classical, Minimalism, Etudes and Exercise...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Jim Paterson. 20th Century, Contemporary Classical, Minimalism, Etudes and Exercises, Recital. Individual Part. 1 pages. Published by Music Files Ltd
Open Up is a minimalist piano piece whose structure was inspired by Opening from Glassworks by Philip Glass. It has continuous triplets in the right-hand and duplets in the left-hand, and is built out of 4-bar phrases of shifting chords with plenty of repetition. It requires concentration to play and is suitable for piano students at intermediate or advanced-intermediate level. See also the companion piece "Close Down".
$2.99
O Holy Night Intermediate Christmas Piano Solo
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Piano seul
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INTERMÉDIAIRE
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Noël
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Adolphe-Charles Adam
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Amanda Tero
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O Holy Night Intermediate Chri
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Amanda Tero
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1131824 Composed by Adolphe-Charles Adam. Arranged by Amanda Tero. Christian,Christmas,Holiday,Religious,Sacred. Score. 1...
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Piano Solo - Level 3 - SKU: A0.1131824 Composed by Adolphe-Charles Adam. Arranged by Amanda Tero. Christian,Christmas,Holiday,Religious,Sacred. Score. 10 pages. Amanda Tero #732056. Published by Amanda Tero (A0.1131824). This mid-intermediate Christmas piano sheet music for “O Holy Night†embodies the traditional favorite elements yet adds extra color and textures with inner voices and chords. A highlight of this intermediate arrangement of “O Holy Night†is the polyrhythms of 2 against 3. It adds an intentional new touch to the arrangement and provides piano students with an excellent opportunity to master polyrhythms. The friction of the polyrhythms in the first verse releases to the freedom of regular triplets in the second verse (with only a few subtle duplets sprinkled in the chorus). This “O Holy Night†intermediate Christmas piano sheet music contains two verses (8 pages total) in the keys of B-flat and C. This piano sheet music is similar in level to most Level 3 and Level 4 piano books and ABRSM Level 3. Fitting for Christmas services or Christmas recitals for both piano students and piano teachers. The basic format of this arrangement: introduction, verse 1, interlude with modulation, verse 2, modulation, ending. Musical Elements in O Holy Night Intermediate Christmas Piano Sheet Music Solo - Keys of B-flat and C - Inner voicing - Polyrhythms (2 against 3) - Ledger lines Practice tips for “O Holy Night†For students who struggle with the polyrhythm section, have them practice tapping out the rhythm separately (duplets and triplets) then together, mixing up which hand has the duplet and which hand has the triplet. It is important, especially in this arrangement, that the polyrhythm falls naturally and doesn’t feel forced. This arrangement is © 2022 by Amanda Tero, www.amandateromusic.com.
$4.99
All Weather Friends - Jazz Waltz - Solo Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Olly Wedgwood
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All Weather Friends - Jazz Wal
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OllysPianoSheets
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.961566 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5792833. Published by OllysPi...
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Piano Solo - Level 4 - SKU: A0.961566 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5792833. Published by OllysPianoSheets (A0.961566). Friends shouldn't just hang out in fair weather, so here is All Weather Friends, a gentle swing waltz ideal for established intermediate players at about the Grade 4-5 standard (ABRSM).The melody and accompaniment is based upon a classic jazz waltz rhythm, so to get into the feel of this piece, you may find it useful to first practice clapping this rhythm:Remember that the quaver eighth notes are swung.The trick with this piece is to let the melody sing out above the jazz waltz accompaniment, so keep an ear on the melody at all times.In bar 21, the semiquaver 16th notes can be played a little faster than written, which will create more of a 'turn' ornament. Have a listen to the performance recording clip (above) at about halfway through to get the idea.This jazz waltz piano sheet music provides excellent practice for working on phrasing and sustain pedal technique. Occasionally, you may find a couple of hand position changes that risk disrupting the flow of the melodic phrase. In these instances, try a touch of sustain pedal to smooth out the transition. An example of this can be found in bar 31.After the repeated opening melody, the middle section moves into the key of G minor, featuring a rising arpeggio-based accompaniment with sustain pedal. There is a lot of quaver eighth-note movement in this section, so be sure to keep this rhythm smoothly swinging in the usual triplet manner:This middle section reaches a crescendo at bar 37 with a rippling chord effect between both hands. Try experimenting with different ways of splitting up these chords - you could ripple up from the left hand to the right hand, or try rippling both hands at the same time. Stick with whatever sounds good to you!After a poco rall the original melody returns via a D.C. al Coda. As is the convention for first and second time repeat bars, take the second time bar on the D.C. and then to the Coda.I hope you enjoy All Weather Friends, whatever the weather!Explore more fun piano sheet music by Olly Wedgwood at https://ollyspianosheets.com
$3.95
All Weather Friends - Jazz Waltz - Solo Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Olly Wedgwood
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All Weather Friends - Jazz Wal
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OllysPianoSheets
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.961560 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5335091. Published by OllysPi...
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Piano Solo - Level 4 - SKU: A0.961560 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5335091. Published by OllysPianoSheets (A0.961560). Friends shouldn't just hang out in fair weather, so here is All Weather Friends, a gentle swing waltz ideal for established intermediate players at about the Grade 4-5 standard (ABRSM).The melody and accompaniment is based upon a classic jazz waltz rhythm, so to get into the feel of this piece, you may find it useful to first practice clapping this rhythm:Remember that the quaver eighth notes are swung.The trick with this piece is to let the melody sing out above the jazz waltz accompaniment, so keep an ear on the melody at all times.In bar 21, the semiquaver 16th notes can be played a little faster than written, which will create more of a 'turn' ornament. Have a listen to the performance recording clip (above) at about halfway through to get the idea.This jazz waltz piano sheet music provides excellent practice for working on phrasing and sustain pedal technique. Occasionally, you may find a couple of hand position changes that risk disrupting the flow of the melodic phrase. In these instances, try a touch of sustain pedal to smooth out the transition. An example of this can be found in bar 31.After the repeated opening melody, the middle section moves into the key of G minor, featuring a rising arpeggio-based accompaniment with sustain pedal. There is a lot of quaver eighth-note movement in this section, so be sure to keep this rhythm smoothly swinging in the usual triplet manner:This middle section reaches a crescendo at bar 37 with a rippling chord effect between both hands. Try experimenting with different ways of splitting up these chords - you could ripple up from the left hand to the right hand, or try rippling both hands at the same time. Stick with whatever sounds good to you!After a poco rall the original melody returns via a D.C. al Coda. As is the convention for first and second time repeat bars, take the second time bar on the D.C. and then to the Coda.The play-along MP3 backing track for this sheet music is also available to download at Sheet Music Plus.Explore more fun piano sheet music by Olly Wedgwood at https://OllysPianoSheets.com I hope you enjoy All Weather Friends, whatever the weather!
$3.95
All Creatures of our God and King Late Intermediate Piano Solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Lasst Uns Erfreuen
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Amanda Tero
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eighth notes vs
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All Creatures of our God and K
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Amanda Tero
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1417376 Composed by Lasst Uns Erfreuen. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero...
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Piano Solo - Level 4 - SKU: A0.1417376 Composed by Lasst Uns Erfreuen. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero #998921. Published by Amanda Tero (A0.1417376). Delight your audience with the All Creatures of our God and King piano solo, designed for late intermediate players. Ideal for church performances or recitals, this piece includes lively triplets in both hands, making it an exciting show-stopper.The late intermediate piano solo of All Creatures of our God and King includes popular elements like fast triplets, octaves, polyrhythms (2 against 3), and a dramatic ending.I arranged All Creatures of our God and King as a traditional hymn with a contemporary flair. The driving triplets give it a “rock†feel while low left hand octaves add depth of sound. There are a lot of patterns which makes this late intermediate solo easier to learn–the challenge is getting it up to speed fluently!For church services, recitals, and spring/summer music events, All Creatures of our God and King late intermediate piano sheet music solo will capture the listeners with delight and excitement.Similar in level to most Level 4-5 piano curricula and ABRSM Level 4.The basic format of All Creatures of our God and King late intermediate piano solo is: introduction, verse, interlude, verse, ending.6 pages. Key of C major.Approx. 2:00 performance time. Musical Elements In All Creatures of our God and King late intermediate piano solo Sheet Music Key of C major Time signature: 4/4 Tempo: fast, exuberant Note values: whole notes, dotted half notes, half notes, dotted quarter notes, quarter notes, eighth notes, eighth note triplets Note reading: right hand treble clef C4 to C7, left hand bass clef C1 to G4 Ledger lines (up to 5 lines) Harmonic octaves in left hand and right hand Triplets Polyrhythms (2 against 3; eighth notes vs. eighth note triplets) Fermata Practice Tips for All Creatures of our God and King late intermediate piano solo This is an exciting arrangement that the student may be tempted to play faster than possible. Encourage the student to breathe while they play to keep the tempo steady and manageable (I like recommending breathing in for one measure, out for one measure).There may be the temptation to have a heavy pulse for each beat, but focus on phrasing an entire measure or two.If the student struggles to bring out the measure for the first verse, experiment with “shadow playing,†where the student only plays the actual melody notes and “shadow plays†(puts their finger on the key, but doesn’t press down) all other notes.
$5.99
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven, Cees Nie
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Fantasia Sonata in D Major for
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Upstream Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Publishe...
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Piano Solo - Level 4 - SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00
Il teatro
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Monica Bergo
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more lives
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Il teatro
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Monica Bergo
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.976874 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3244129. Published by Monica Bergo (A0.97687...
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Piano Solo - Level 3 - SKU: A0.976874 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3244129. Published by Monica Bergo (A0.976874). 2017 Holiday Contest EntryTHEATER If you want to transform your reality If you want another life The theater is here Choose the character What will you interpret Follow your script and you will not be wrong A blue curtain The lights are down And music begins An ox eye That will turn on The scene lights up Offstage, me Look out for my turn my legs tremble Increase the beat People in the audience Silent is And thet expects to live The story you will tell theyr And everything is possible I grab the moment I commit myself to the utmost There is rhythm, there is energy There is grief, there is joy Here everything is fake but there is truth And fate here, nothing can Because history already has its plot and its ending We will incarnate here Vices and virtues In the comedy you will lose You will breathe with us The magic that's here tonight Live in this atmosphere Trash and a bit surreal It will involve you With its cardboard trees, canvas palaces Paper skies, foam lakes Tears drawn on blood red cheeks Imperfect moons and sunshine that does not shine It's all a theater this my life I play more roles In prose or poetry We are all actors In this reality Browse your script It will surprise you Finished the show I bow for you Applause and music A moment and I already find my self The usual Monica I feel a bit Pierrot Between joy and tears But it went well and then tomorrow replies Live more lives for never die Sweet illusion that will cull me And it will accompany me Even out of this scene If I recite good ,you will know Unsuspecting sides of me I'll be nice O arrogant and bad A witch or a diva Heroes of a time gone Who will I ever be? and how Pirandello wrote I’m none and one hundred thousand I interpret myself And it's never good the first I'm not convincing in my dirty clothes And I change the script bugs Of my days a little shaken Absurd Theater It turns into a silent film And crying out loud In this desolate stage If you are looking for an identity An interruption of reality Write your script or improver Get on that stage and you'll be what you want .... Monica Bergo
$3.99
Good King Wenceslas
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Piano seul
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FACILE
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Noël
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Sandra Lynch
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Good King Wenceslas
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Sandra Lynch
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.860532 Arranged by Sandra Lynch. Christmas,Standards. Score. 2 pages. Sandra Lynch #2032459. Published by Sandra Lynch (A...
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Piano Solo - Level 2 - SKU: A0.860532 Arranged by Sandra Lynch. Christmas,Standards. Score. 2 pages. Sandra Lynch #2032459. Published by Sandra Lynch (A0.860532). Another great Christmas melody! It looks easy but when you play it fast there are areas that may trip you up! So learn it well before you play it up to speed. Thumbs on C position and F position. From my Christmas Crackers! for piano book. Backing track CD available from www.music-creations.co.nz.
$1.99
The Forget-Me-Not - piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carrie Jacobs-Bond
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Phil Beaman
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The Forget-Me-Not - piano solo
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Phil Beaman
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1170206 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,Romantic Period. Score. 3 pages. Phil Beaman #...
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Piano Solo - Level 4 - SKU: A0.1170206 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,Romantic Period. Score. 3 pages. Phil Beaman #770574. Published by Phil Beaman (A0.1170206). The Forget-Me-Not is a piano solo arrangement of the 1925 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano. Â I have retained her original melody and embellished it with a flowing Left Hand in triplets, setting up 2 against 3 rhythms. Â For the second verse I increase it to 4 interwoven voices (parts) with the flowing triplets now in the inner voice of the Right Hand with chords and countermelody in the Left. Â A piece of pure emotional beauty. Â 3 page score; 2:10 minutesThis piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.
$2.99
Fantasia in G
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Piano seul
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AVANCÉ
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Contemporain
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Nino Rota
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Fantasia in G
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - Digital Download For piano. Composed by Nino Rota (1911-1979). This edition: Sheet music. Melodik, Manuskript, Piano. Downloadabl...
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Piano - difficult - Digital Download For piano. Composed by Nino Rota (1911-1979). This edition: Sheet music. Melodik, Manuskript, Piano. Downloadable. Duration 14 minutes. Schott Music - Digital #Q5977. Published by Schott Music - Digital
This "Fantasia in G" was only recently discovered among the last manuscripts to be examined in the Nino Rota archive in Venice. Together with the "15 Preludes" (ED 9386), it is one of the few works by this Italian composer for piano solo. It was composed in the oppressive atmosphere of the last years of the war.
The first and closing sections conjure up a feeling of late Romanticism from the distant past, while the middle section is characterised by melancholy melodies typical of Rota.
$12.99
A Monumental Moon
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Piano seul
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INTERMÉDIAIRE
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Martyn Clive Johnson aka Marty
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A Monumental Moon
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Martyn Johnson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1357202 By Martyn Clive Johnson aka Martycli Piano Guy. By Martyn Clive Johnson aka Martycli Piano Guy. Arranged by Marty...
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Piano Solo - Level 3 - SKU: A0.1357202 By Martyn Clive Johnson aka Martycli Piano Guy. By Martyn Clive Johnson aka Martycli Piano Guy. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th Century,Jazz,Multicultural,Ragtime,Singer/Songwriter,World. Score. 6 pages. Martyn Johnson #941831. Published by Martyn Johnson (A0.1357202). This composition of mine is a slightly up tempo waltz with a bit of a swing to it ie tied triplets. It is a cheerful waltz but quite schmaltzy and nostalgic too. I take it through the 2 keys of F major and Gb major. I do use 10ths quite a bit in my playing but they can easily be replaced with single bass notes or octaves as required.I don't indicate pedaling, fingering or dynamics as no two piano teachers ever agree on such things and I prefer to entrust the tunes interpretation to the individual pianist. Likewise the suggested tempo is not written in stone.I enjoyed writing this waltz and hope it brings a similar pleasure to anyone who learns to play it.
$3.99
The Evening Tide
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Piano seul
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DÉBUTANT
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Amy J
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The Evening Tide
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Amy J. Snyder
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.733516 Composed by Amy J. Snyder. Concert,Standards. Score. 3 pages. Amy J. Snyder #2922929. Published by Amy J. Snyder (...
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Piano Solo - Level 1 - SKU: A0.733516 Composed by Amy J. Snyder. Concert,Standards. Score. 3 pages. Amy J. Snyder #2922929. Published by Amy J. Snyder (A0.733516). The Evening Tide is a peaceful, free-flowing piano solo in Elementary level 2-3. It contains left hand cross-overs, 8th note triplets, fingering and pedal markings. For a lovely effect, play a recording of ocean sounds during performance. If you are playing on a keyboard with sound effects, you can record your own ocean sounds. You can almost see those waves gently coming to shore as the triplets roll up the keyboard. Nice recital piece! Copyright 2012 by Amy J. Snyder.
$3.50
Restless Moonbeams
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Piano seul
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INTERMÉDIAIRE
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Marlowe Haws
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Marlowe Haws
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Restless Moonbeams
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Marlowe Music Productions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1318477 By Marlowe Haws. By Marlowe Haws. Arranged by Marlowe Haws. 21st Century,Classical,Contemporary,Film/TV,Halloween...
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Piano Solo - Level 3 - SKU: A0.1318477 By Marlowe Haws. By Marlowe Haws. Arranged by Marlowe Haws. 21st Century,Classical,Contemporary,Film/TV,Halloween. Score. 3 pages. Marlowe Music Productions #907145. Published by Marlowe Music Productions (A0.1318477). A short, eerie song fitting for Halloween or a horror movie theme, intended as a piano solo. Not too difficult, probably intermediate level, though there's a mini run of sixteenth triplets in left hand at one point that might be difficult. This is an original composition I made when I was younger and I've polished it up a little. I recommend playing with a pedal and using dynamic phrasing as you go up and down the runs. Hope you enjoy.
$9.99
Finding Hope
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Piano seul
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Musique Sacrée
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Faith Angelina
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Finding Hope
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Faith Angelina Music
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SheetMusicPlus
Piano Solo - SKU: A0.1003947 Composed by Faith Angelina. Contemporary,Praise & Worship,Sacred,Spiritual. Score. 3 pages. Faith Angelina Music #3141419. ...
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Piano Solo - SKU: A0.1003947 Composed by Faith Angelina. Contemporary,Praise & Worship,Sacred,Spiritual. Score. 3 pages. Faith Angelina Music #3141419. Published by Faith Angelina Music (A0.1003947). From twelve year old composer Faith Angelina off her debut album Reaching 12 (available at FaithAngelina.com). This song was a turning point for me as I looked for help from my destructive feelings and found the love and support that was always within my reach. - Faith Angelina It was August 8th, 2016, when Faith’s mother found the suicide note left on her minivan. It was a heart stopping moment. The type that slows down time and changes all priorities and perspectives. On the front side of the paper it said, PLEASE READ in big letters. On the back was the following… Dear Mom, I am writing this to inform you about something I didn’t have the strength to tell you in person. I have depression. I know you think that we all go through a stage where we are sad it’s true, but this is not the case. I thought that I just had a sad time too until I realized I had been thinking about killing myself many times. I know that this is hard to hear but I felt it was important to tell you something I had been holding back for 5 years. I hope you can think of me the same after this note, and know that me thinking about killing myself is NOT your fault. Love, Faith After an immediate trip to the doctor, it was discovered that Faith didn’t have clinical depression but that she suffered from a hormonal imbalance in her body. She had been waking up in the middle of the night over half of her young life and wandering around while the rest of the family slept. With a small prescription, and lots of love, Faith headed off to start middle school and a magical year that would follow. Shortly after this experience, Faith composed a new song called Finding Hope and finished up on three others she had been working on.
$3.50
Mahler Symphony n.1 for Piano, mov. 3
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Piano seul
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Classique
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Gustav Mahler
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Tiziano de Felice
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Mahler Symphony n.1 for Piano,
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Tiziano de Felice
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SheetMusicPlus
Piano Solo - SKU: A0.898025 Composed by Gustav Mahler. Arranged by Tiziano de Felice. 20th Century. Score. 11 pages. Tiziano de Felice #3411679. Publish...
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Piano Solo - SKU: A0.898025 Composed by Gustav Mahler. Arranged by Tiziano de Felice. 20th Century. Score. 11 pages. Tiziano de Felice #3411679. Published by Tiziano de Felice (A0.898025). Piano transcription of the 3rd movement from Mahler's 1st SymphonyMahler’s 1st Symphony represents a gigantic narration of nature’s power, starting from its birth out of the inorganic up towards a grueling struggle between the good and the evil of all living beings. The 1st movement brings in fact the famous indication Wie ein Naturlaut (like a natural sound) which is rendered melodically with the interval of descending 4th (the interval symbol of man); the course of nature passes from brighter areas to darker ones but manages to flow into the 2nd movement, which is a decisive and sure triumph of life, a feeling ripe with flourishing and fruitfulness. The 3rd movement is the moment in which the destructive and deadly aspect of nature appears more clear than ever, a movement showing what Freud called the Das Unheimlich which Mahler represents by inserting the melody of the song Frère Jacques (Brother John), repurposed in a minor key like a macabre and grotesque funeral march. This existential laceration will recompose itself in the 4h and last movement, in which the final struggle between the negative and the positive force of nature will take place.The transcription is of medium/advanced level, and it includes as much music as possible from Mahler's original score. It is also useful for study purposes at the piano if paired with the orchestral score.
$18.99
Remembering Zayne - Piano Solo
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Piano seul
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FACILE
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Contemporain
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Arthur Breur
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Remembering Zayne - Piano Solo
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Floating Home Music
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.913945 Composed by Arthur Breur. 20th Century,Contemporary. Score. 4 pages. Floating Home Music #3454291. Published by Fl...
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Piano Solo - Level 2 - SKU: A0.913945 Composed by Arthur Breur. 20th Century,Contemporary. Score. 4 pages. Floating Home Music #3454291. Published by Floating Home Music (A0.913945). Here is the piece Arthur Breur composed for the family and friends of Zayne Shomler, December 14, 1998 - February 8, 2016. Prior to performing the piece, he spoke to the assembled mourners with the following prepared text:It does no disservice to laugh or smile - or, yes, to cry - when remembering Zayne. He is a part of your life and always will remain so. You carry him into your future with you.Likewise, it does him no service to unjustly obsess over things that are now unchangeable. Things said that cannot be unsaid. Things done that cannot be undone. Things not done that you feel you should have done. It does not serve Zayne or anyone to beat yourself up over such things, because then you just carry pain and sadness into your future with you, when you could be carrying -and sharing-the joy, the love, and the lessons you learned from having Zayne in your life for the time that you did.All that you can do is what you can do now. Let those who are here now know that you love them and you are here for them. Be here for them now, and be here with them every moment you can into the future.There is a very powerful and meaningful quote by the late author, Terry Pratchett: No one is actually dead until the ripples they cause in the world die away... I personally find great hope and comfort in that saying. Do your best to make as many ripples in the world as possible-heck, make a splash! Touch as many lives as possible. Remember those who created ripples that touched your life, and to keep those ripples going for as long as it is in your power to do so.You carry Zayne into your future with you. In you. You carry him into the future by Remembering Zayne and sharing the good that he brought into your life, so that the ripples he made continue to go out and touch others through you.***As performed by the composer: https://soundcloud.com/arthurbreur/remembering-zayneApprox. 3m20sArthur Breur (BMI)https://arthurbreur.comhttps://twitter.com/arthurbreur
$5.00
Six Preludes
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Piano seul
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INTERMÉDIAIRE
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Ho Jie Rong
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Six Preludes
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Ho Jie Rong
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1011289 Composed by Ho Jie Rong. Contemporary,Standards. Score. 13 pages. Ho Jie Rong #5794097. Published by Ho Jie Rong ...
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Piano Solo - Level 3 - SKU: A0.1011289 Composed by Ho Jie Rong. Contemporary,Standards. Score. 13 pages. Ho Jie Rong #5794097. Published by Ho Jie Rong (A0.1011289). I am a Singaporean pianist and composer. I have studied the piano since 5 years old under Mr Joseph Toh and I graduated from LASALLE College of the Arts with a Diploma in Music in 2013, majoring in Music Composition under Malaysian composer Mr Chong Kee Yong and Singaporean composer Mrs Joyce Koh Bee Tuan. About Six Preludes I started composing this set of Six Preludes for piano in 2014 and revised in 2020. The first piece of this set is Walking. There are different types of walks one can imagine. Octaves in the left hand at the opening represents walking sluggishly, whilst the middle section’s running right hand and jokingly bass notes representing a quick stroll. The Adagio recititavo part represents tip-toeing and finally the quasi cadenza part represents a trip on the floor, ouch! The second piece, which is nicknamed Joke, is a parody of Chopin’s Scherzo no. 1 in B minor, Op. 20. Take this piece as a lame unfunny joke, as in the slow coda, which is a sigh after listening to this joke. Night Song, as the name says, means a piece to be played at night, most commonly associate with pieces like Nocturnes, Barcarolles etc. The fourth piece, Chopin, is a homage to Chopin. I chose his Prelude in G and B flat minor, Op. 28 no. 3 and no. 16 respectively as sources of inspirations. Vision is a poly-tonality piece. Sometimes what we think or see, may not always end up the way it is. Hence, I hope to create this double effect by using the keys at the same time. The final piece of this set is a Fughetta. A fughetta is a small fugue. This piece is actually a piano transcription of the 3rd movement of my Three Colours (for Clarinet in B flat, Violin and Cello) which is composed and premiered in 2012. I revised and edited some sections. This is a 12-tone work. The P0 and R0 makes up the subject of this piece, while R11 makes up the countersubject. Six Preludes is dedicated to my friend Ng Yu Fei.
$6.00
Madeleines
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Piano seul
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John Carbon
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Madeleines
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John Carbon
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SheetMusicPlus
Piano Solo - SKU: A0.966218 Composed by John Carbon. 20th Century,Contemporary. Score. 25 pages. John Carbon #3586217. Published by John Carbon (A0.9662...
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Piano Solo - SKU: A0.966218 Composed by John Carbon. 20th Century,Contemporary. Score. 25 pages. John Carbon #3586217. Published by John Carbon (A0.966218). Composed in 2016, Madeleines is similar to my two sets of Spanish Lessons (1988 and 2001) which are both suites of character pieces for piano inspired by my admittedly limited travel in Spain. Madeleines is inspired by a much earlier hairbrained trip I took to France (and the rest of the Grand Tour) with my sister when I was in college. The title refers to Proust's episode of the madeleine, in which involuntary memory overwhelms the protagonist when he bites into one of these small cakes. I also sometimes experience poignant memories from our fondly remembered trip triggered by various catalysts. The five episodes in this set of pieces attempt to capture the essence of some of these memories. The first piece, MeÌmoire triste dans un cafeÌ (sad memory in a cafeÌ), serves the purpose of a preÌlude. One might conclude that the madeleine is sampled in this location. Il pleut aÌ Brest (It is raining in Brest) evokes memories of the wet weather in Brest, a city in Brittany near the coast. I was curious about this area because, during our travels, we met a boy in Paris with dark and dangerous eyes named François (François et ses yeux dangereux) who was from that area. In Il pleut the sound of rain alternates with church bells and fog horns (one of the poetic sensations I remember vividly about Brest). The third piece (François) is a blend of a barcarolle and a funeral march. I continued to send one-way letters to François after we returned and one day the French police called to tell me that he was dead and that they had found one of my letters on his body, which had been tossed into the Seine. They wanted more information, and they revealed that he had been smuggling drugs out of Turkey. I think the next piece, Promenade dans la meÌnagerie de Versailles (Walk in the zoo at Versailles), is tempered by later memories of a trip I took to the zoo at Schönbrunn palace near Vienna, the oldest Baroque zoo, which was in a terrible state of decay when I saw it, hence the wistful air. The finale of the set, Madeleine deÌteste les devoirs (Madeleine hates homework) is a bow to the French primer I grew up with, which had as one of its main characters a little girl who I think may have been named Madeleine. I know her father was named François. My memories are mixed up, the actual François Thibaud is remembered as the inventor of the fast-track method of learning French, which was in vogue when I first studied it in 6th grade. The idea here is that Madeleine, the daughter of François, is having a tantrum and playing with her hoops or a bike rather than doing her English homework.John Carbon
$6.99
Good Night - piano solo
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Piano seul
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INTERMÉDIAIRE
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Classique
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Carrie Jacobs-Bond
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Phil Beaman
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Good Night - piano solo
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Phil Beaman
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1171512 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Romantic Period. Score. 2 pages. Phil Beaman #771833. Pu...
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Piano Solo - Level 3 - SKU: A0.1171512 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Romantic Period. Score. 2 pages. Phil Beaman #771833. Published by Phil Beaman (A0.1171512). Good Night is a piano solo arrangement of the 1905 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano. Â I took the first 8 bars of melody and set it to an oscillating broken chord triplet pattern setting up a 2 against 3 rhythm. Â I then repeated this 8 bar melody with a reharmonized triplet pattern an octave lower. Â For the final 8 bars I slow down the tempo and rhythm and put it back into simple time. Â It ends with a mesmerizing coda of just the oscillating broken chord triplet pattern. Â 2 page score; 1:30 minutesThis piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.
$2.25
In the Bleak Midwinter
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Piano seul
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AVANCÉ
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Noël
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Michael Swedberg
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Terrence Niska
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In the Bleak Midwinter
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1125813 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages....
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Piano Solo - Level 5 - SKU: A0.1125813 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726553. Published by Niska Music Publishing (A0.1125813). Another arrangement that had its genesis as a vocal chart for Five By Design. However, this piece went on to be performed in our holiday show, “A Winter’s Evening.†I have always loved the Gustav Holst melody to Christina Rossetti’s poem, subsequently it was that setting that I chose to arrange for our group. When I was selecting pieces for my second collection of Christmas Preludes, I knew this would be among them. The piece starts out quite gently, and in my mind’s ear I hear a cello and oboe establishing a mood of utter serenity and calm as the snow gently falls outside the frost-covered window. Soon the oboe is joined by a clarinet as they play a duet while the cello continues the gentle sway of eighth notes. For the pianist, there must be great control of the left hand to keep it as calm as possible while the melody floats above, just as the snow falls to the earth. As the second verse begins, the right hand now plays a triplet pattern beneath the melody. It is a gentle breeze, stirred by the wings of angels and cherubim, upon which the crystalline flakes swirl and dance in the cold night air. All the while the left hand continues its steady motion of eighth notes. Halfway through the triplet pattern moves to the left hand and the right hand takes up the eighth notes while still keeping the melody above all. The verse comes to a close with a slowing of the tempo to emphasize the importance of what the poet states in the last lines of the poem: “Yet what I can I give Him, — Give my heart.†It is all that any of us can do, and all that we are asked to do.
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I Heard the Bells on Christmas Day
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Piano seul
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AVANCÉ
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Noël
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Michael Swedberg
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Terrence Niska
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I Heard the Bells on Christmas
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1125799 By Michael Swedberg. By Jean Baptiste Calkin. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. ...
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Piano Solo - Level 5 - SKU: A0.1125799 By Michael Swedberg. By Jean Baptiste Calkin. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726539. Published by Niska Music Publishing (A0.1125799). I must admit that I was far more familiar with the 1956 setting of this poem as sung by Bing Crosby to music by Johnny Marks than I was to the one found in many hymnals. It was on several of the Christmas albums that would be played on the phonograph in our house during the holiday season. However, I chose to arrange the carol setting for this collection as it resonated more deeply with me and seemed to better capture the essence of the poem by Longfellow. He wrote it during the Civil War, on Christmas Day of 1863, and several of the verses make reference to the war. While I did not set any of the Civil War verses, there is an almost martial quality to the opening music and one can almost hear the brass choir ringing out in the first verse. With each subsequent verse, the rhythm of the right hand becomes quicker, moving from half notes to quarter note triplets to eighth notes and finally to eighth note triplets in the final verse. For the most part, the left hand maintains the steady beat of quarter notes, with the exception of the final verse where it begins to move in eighth notes setting up a two-against-three pattern between the hands. It is the most jubilant of the verses and feels like an explosion of sound as the bells ring out across all the land proclaiming God is not dead, nor doth He sleep; The Wrong shall fail, The Right prevail, With peace on earth, good-will to men..
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