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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.87 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.87 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
A pedra e o mar
Piano seul
Piano Solo - Digital Download SKU: A0.962317 Composed by Sergio Roberto de Oliveira…
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Piano Solo - Digital Download SKU: A0.962317 Composed by Sergio Roberto de Oliveira (1970 - 2017). Contemporary,Latin,World. Score. 12 pages. Sergio Roberto de Oliveira #3115357. Published by Sergio Roberto de Oliveira (A0.962317). Nominated for the 2011 Latin Grammy in the category of Best Contemporary Classical Composition and for the 2012 Latin Grammy for the CD Prelúdio 21 - String Quartets for which he participated as producer and composer, Sergio Roberto de Oliveira has been actively participating in the Brazilian and international music scenes over 17 years as a composer. His work has made an impact outside Brazil, particularly in the USA and England, with lectures, interviews, concerts and musical publications. He is one of the most active and most widely performed composers in Brazilian contemporary music. His work has been widely disseminated by groups such as Quarteto Radamés Gnattali, Duo Santoro, Música Nova, GNU, Quarteto Colonial, and many others.In England his performers included two of the leading British musicians: baroque flutist Stephen Preston and recorderist John Turner. His piece Expresso for solo alto recorder was published by the Peacock Press and was featured in concerts of The North West Composers' Association and The British Academy of Composers and Songwriters, and his CD Sem Espera was released in London (upon the invitation of the Brazilian Embassy) and in Manchester (at the University of Salford).In the United States the works of Oliveira have been part of the scene since 1999, with dozens of concerts and commissions by groups such as Mélomanie (who included Angico, by Oliveira, in their latest CD). Other American performers of his works include the Ciompi Quartet, Tracy Richardson, Susan Fancher, Tom Moore, and many others. Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording. He died from pancreatic cancer in 2017.
$4.27
3.93 €
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Piano seul
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Sergio Roberto de Oliveira
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A pedra e o mar
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Sergio Roberto de Oliveira
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SheetMusicPlus
O azul e o amarelo
Piano seul
Piano Solo - Digital Download SKU: A0.962320 Composed by Sergio Roberto de Oliveira…
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Piano Solo - Digital Download SKU: A0.962320 Composed by Sergio Roberto de Oliveira. 20th Century,Jazz,World. Score. 4 pages. Sergio Roberto de Oliveira #4324369. Published by Sergio Roberto de Oliveira (A0.962320). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$1.99
1.83 €
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Piano seul
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Sergio Roberto de Oliveira
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O azul e o amarelo
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Sergio Roberto de Oliveira
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SheetMusicPlus
Ae fond kiss - Robert Burns song for piano solo
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.984309 Arranged by Karen E McAulay.…
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Piano Solo - Level 3 - Digital Download SKU: A0.984309 Arranged by Karen E McAulay. Celtic,Contemporary,Folk,Patriotic. Score. 3 pages. Dr Karen E McAulay #6246695. Published by Dr Karen E McAulay (A0.984309). Medium difficulty piano arrangement of popular song by Robert Burns. No song lyrics in this publication, but I've also published another version with all the words included. Check my listings on Sheet Music Press.
$12.00
11.05 €
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Piano seul
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Karen E McAulay
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Ae fond kiss - Robert Burns song for piano solo
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Dr Karen E McAulay
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SheetMusicPlus
Prelude in E flat ('Neo-Rhapsody')
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.998721 Composed by Robert A. Howard…
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Piano Solo - Level 4 - Digital Download SKU: A0.998721 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 6 pages. Robert A. Howard #5204741. Published by Robert A. Howard (A0.998721). This highly energetic, ternary form Prelude in Eb features various twentieth-century musical traits. These include rhythmic interplay, parallel triads, minimalism, jazz, modality and even bitonality. The piece is highly accessible and is appropriate for more advanced players (due to the dexterity required). The work can even be used as an effective, virtuosic encore. The material from the slower middle section is shared with the Prelude in C minor, also by Robert A. Howard. These two works can be coupled together in performance. Other Preludes and piano pieces by the same composer are also available via SMP.
$3.99
3.67 €
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Piano seul
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Robert A
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Prelude in E flat
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Robert A. Howard
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SheetMusicPlus
Piano Sonata No. 2 in E Minor
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1029169 Composed by Hayden Roberts.…
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Piano Solo - Level 4 - Digital Download SKU: A0.1029169 Composed by Hayden Roberts. 20th Century,Contemporary. Score. 15 pages. Hayblood Estate Label #4730177. Published by Hayblood Estate Label (A0.1029169). HRW. 8Piano Sonata No. 2 in E Minor, also titled The Vigilante was composed by Hayden Roberts in 2019. At this time, he was only 15 years old, making this piece even more impressive.From the fast-paced twisting of the sonata form in the first movement to the jovial second movement to the introspective third movement, this piece is sure to pose a challenge
$4.99
4.59 €
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Piano seul
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Hayden Roberts
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Piano Sonata No. 2 in E Minor
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Hayblood Estate Label
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SheetMusicPlus
Schumann - Concert Etude No.6 in E minor Op.10 for Piano after Paganini's Caprices
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.517449 Composed by Schumann Robert.…
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Piano Solo - Level 5 - Digital Download SKU: A0.517449 Composed by Schumann Robert. Arranged by Santino Cara. Romantic Period. Score. 5 pages. Santino Cara #5305681. Published by Santino Cara (A0.517449). Complete score of the Concert Studio No.6 in E minor Op.10 for Piano after Paganini's Caprice No.3.
$6.20
5.71 €
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Piano seul
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Schumann Robert
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Santino Cara
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Schumann - Concert Etude No.6 in E minor Op.10 for Piano after Paganini's Caprices
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Santino Cara
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SheetMusicPlus
Waltz In E-Flat Major
Piano seul
Digital Download SKU: HX.375679 Composed by Robert Schumann. Classical. Piano Solo.…
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Digital Download SKU: HX.375679 Composed by Robert Schumann. Classical. Piano Solo. 1 pages. Published by Hal Leonard - Digital (HX.375679).
$4.99
4.59 €
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Piano seul
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Robert Schumann
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Waltz In E-Flat Major
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Hal Leonard - Digital
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SheetMusicPlus
Piano Sonata No. 13 In E-flat Major, Op. 27, No. 1
Piano seul
Digital Download SKU: HX.389274 Composed by Ludwig van Beethoven. Edited by Robert …
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Digital Download SKU: HX.389274 Composed by Ludwig van Beethoven. Edited by Robert Taub. Classical. Piano Solo. 17 pages. Published by Hal Leonard - Digital (HX.389274).
$4.99
4.59 €
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Piano seul
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Ludwig van Beethoven
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Piano Sonata No. 13 In E-flat Major, Op. 27, No. 1
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Hal Leonard - Digital
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SheetMusicPlus
Piano Sonata No. 4 In E-flat Major, Op. 7
Piano seul
Digital Download SKU: HX.389272 Composed by Ludwig van Beethoven. Edited by Robert …
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Digital Download SKU: HX.389272 Composed by Ludwig van Beethoven. Edited by Robert Taub. Classical. Piano Solo. 26 pages. Published by Hal Leonard - Digital (HX.389272).
$4.99
4.59 €
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Piano seul
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Ludwig van Beethoven
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Piano Sonata No. 4 In E-flat Major, Op. 7
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Hal Leonard - Digital
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SheetMusicPlus
Piano Sonata No. 9 In E Major, Op. 14, No. 1
Piano seul
Digital Download SKU: HX.389266 Composed by Ludwig van Beethoven. Edited by Robert …
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Digital Download SKU: HX.389266 Composed by Ludwig van Beethoven. Edited by Robert Taub. Classical. Piano Solo. 13 pages. Published by Hal Leonard - Digital (HX.389266).
$4.99
4.59 €
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Piano seul
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Ludwig van Beethoven
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Piano Sonata No. 9 In E Major, Op. 14, No. 1
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Hal Leonard - Digital
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SheetMusicPlus
Piano Sonata No. 18 In E-flat Major, Op. 31, No. 3
Piano seul
Digital Download SKU: HX.389782 Composed by Ludwig van Beethoven. Edited by Robert …
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Digital Download SKU: HX.389782 Composed by Ludwig van Beethoven. Edited by Robert Taub. Classical. Piano Solo. 24 pages. Published by Hal Leonard - Digital (HX.389782).
$4.99
4.59 €
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Piano seul
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Ludwig van Beethoven
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Piano Sonata No. 18 In E-flat Major, Op. 31, No. 3
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Hal Leonard - Digital
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SheetMusicPlus
Piano Sonata No. 30 In E Major, Op. 109
Piano seul
Digital Download SKU: HX.409975 Composed by Ludwig van Beethoven. Edited by Robert …
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Digital Download SKU: HX.409975 Composed by Ludwig van Beethoven. Edited by Robert Taub. Classical. Piano Solo. 21 pages. Published by Hal Leonard - Digital (HX.409975).
$4.99
4.59 €
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Piano seul
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Ludwig van Beethoven
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Piano Sonata No. 30 In E Major, Op. 109
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Hal Leonard - Digital
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SheetMusicPlus
Piano Sonata No. 27 In E Minor, Op. 90
Piano seul
Digital Download SKU: HX.409982 Composed by Ludwig van Beethoven. Edited by Robert …
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Digital Download SKU: HX.409982 Composed by Ludwig van Beethoven. Edited by Robert Taub. Classical. Piano Solo. 17 pages. Published by Hal Leonard - Digital (HX.409982).
$4.99
4.59 €
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Piano seul
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Ludwig van Beethoven
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Piano Sonata No. 27 In E Minor, Op. 90
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Hal Leonard - Digital
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SheetMusicPlus
Piano Sonata No. 26 In E-Flat Major, Op. 81a
Piano seul
Digital Download SKU: HX.409973 Composed by Ludwig van Beethoven. Edited by Robert …
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Digital Download SKU: HX.409973 Composed by Ludwig van Beethoven. Edited by Robert Taub. Classical. Piano Solo. 17 pages. Published by Hal Leonard - Digital (HX.409973).
$4.99
4.59 €
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Piano seul
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Ludwig van Beethoven
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Piano Sonata No. 26 In E-Flat Major, Op. 81a
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Hal Leonard - Digital
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SheetMusicPlus
Sinfonia No. 1 in E minor for three voices
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1141390 Composed by Robert W. Padge…
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Piano Solo - Level 4 - Digital Download SKU: A0.1141390 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional. Score. 3 pages. Padgett Music Llc #741712. Published by Padgett Music Llc (A0.1141390). In April 1989, I sketched a simpler and shorter version of this three-voice Sinfonia as my final exam for my tonal counterpoint class with Professor Richard Wilson at Vassar College. Although granted two weeks to complete this assignment, I delayed starting my sketch until the evening before it was due. I finalized it by 1 AM the following morning in the Victorian-style Rose Parlor in the Main Building. In November 2020, I extensively revised and lengthened this three-voice Sinfonia with the goal of experimenting more extensively with various contrapuntal devices such as augmentation, diminution, stretto, inversion, and retrograde motion.
$4.99
4.59 €
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Piano seul
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Robert W
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Sinfonia No. 1 in E minor for three voices
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Padgett Music Llc
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SheetMusicPlus
The Robert E. Lee (Monarch of the Mississippi) - piano solo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.700740 Composed by Kevin G. Pace (A…
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Piano Solo - Level 4 - Digital Download SKU: A0.700740 Composed by Kevin G. Pace (ASCAP). Blues,Jazz,Standards. Score. 4 pages. Kevin G. Pace #553331. Published by Kevin G. Pace (A0.700740). This is a fun piano solo for intermediate pianists.
$2.95
2.72 €
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Piano seul
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Kevin G
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The Robert E. Lee
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Kevin G. Pace
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SheetMusicPlus
Prelude No. 8 for Piano
Piano seul
Composed by Robert E. Proctor. 20th Century, Romantic Period, Secular. Individual Part. 4 …
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Composed by Robert E. Proctor. 20th Century, Romantic Period, Secular. Individual Part. 4 pages. Published by R. E. Proctor (S0.54547). - Individual Part - 20th Century,Romantic Period,Secular - R. E. Proctor
$3.95
3.64 €
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Piano seul
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Robert E
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Prelude No. 8 for Piano
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R. E. Proctor
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SheetMusicPlus
Prelude No. 6 for Piano
Piano seul
Composed by Robert E. Proctor. 20th Century, Romantic Period. Individual Part. 2 pages. Pu…
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Composed by Robert E. Proctor. 20th Century, Romantic Period. Individual Part. 2 pages. Published by R. E. Proctor (S0.54543). - Individual Part - 20th Century,Romantic Period - R. E. Proctor
$3.95
3.64 €
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Piano seul
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Robert E
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Prelude No. 6 for Piano
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R. E. Proctor
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SheetMusicPlus
Prelude No. 5 for Piano
Piano seul
Composed by Robert E. Proctor. 20th Century, Secular. Individual Part. 2 pages. Published …
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Composed by Robert E. Proctor. 20th Century, Secular. Individual Part. 2 pages. Published by R. E. Proctor (S0.54541). - Individual Part - 20th Century,Secular - R. E. Proctor
$3.95
3.64 €
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Piano seul
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Robert E
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Prelude No. 5 for Piano
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R. E. Proctor
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SheetMusicPlus
Prelude No. 3 for Piano
Piano seul
Composed by Robert E. Proctor. 20th Century, Romantic Period, Secular. Individual Part. 2 …
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Composed by Robert E. Proctor. 20th Century, Romantic Period, Secular. Individual Part. 2 pages. Published by R. E. Proctor (S0.54537). - Individual Part - 20th Century,Romantic Period,Secular - R. E. Proctor
$3.95
3.64 €
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Piano seul
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Robert E
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Prelude No. 3 for Piano
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R. E. Proctor
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SheetMusicPlus
Prelude No. 2 for Piano
Piano seul
Composed by Robert E. Proctor. 20th Century, Romantic Period, Secular. Individual Part. 2 …
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Composed by Robert E. Proctor. 20th Century, Romantic Period, Secular. Individual Part. 2 pages. Published by R. E. Proctor (S0.54535). - Individual Part - 20th Century,Romantic Period,Secular - R. E. Proctor
$3.95
3.64 €
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Piano seul
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Robert E
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Prelude No. 2 for Piano
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R. E. Proctor
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SheetMusicPlus
Prelude No. 1 for Piano
Piano seul
Composed by Robert E. Proctor. 20th Century, Romantic Period, Secular. Individual Part. 1 …
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Composed by Robert E. Proctor. 20th Century, Romantic Period, Secular. Individual Part. 1 pages. Published by R. E. Proctor (S0.54533). - Individual Part - 20th Century,Romantic Period,Secular - R. E. Proctor
$3.95
3.64 €
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Piano seul
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Robert E
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Prelude No. 1 for Piano
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R. E. Proctor
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SheetMusicPlus
Piano Sonata No. 1
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1074058 By Robert Cunningham. By Ro…
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Piano Solo - Level 5 - Digital Download SKU: A0.1074058 By Robert Cunningham. By Robert Cunningham. 20th Century,Classical,Contemporary. Score. 53 pages. Robert E Cunningham #678329. Published by Robert E Cunningham (A0.1074058). Robert Cunningham's Piano Sonata No. 1 is a four-movement Romantic sonata in E-flat minor composed in 1982. This modern score was transcribed in 2021 from the original handwritten manuscript. The work is classical in form but Romantic in content and sophisticated in its craftsmanship. Total duration: 39:30. I. Allegro moderato II. Tempo di scherzo III. Tranquillo IV. Allegro See also: Robert Cunningham on YouTube: https://www.youtube.com/c/RobertCunninghamsMusic Robert Cunningham on SoundCloud: https://soundcloud.com/lateromantic Robert Cunningham's Fan Page: https://www.facebook.com/RobertCunninghamsMusic Robert Cunningham's Web Page: http://www.RobertCunninghamsMusic.com.
$14.99
13.8 €
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Piano seul
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Robert Cunningham
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Piano Sonata No. 1
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Robert E Cunningham
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SheetMusicPlus
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