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Robert Saint
Piano seul
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.64 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.64 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
"The Swan" / "Le Cygne" by Camille Saint-Saens (Transcribed For Piano)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.914982 Composed by Camille Saint-Sa…
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Piano Solo - Level 4 - Digital Download SKU: A0.914982 Composed by Camille Saint-Saens. Arranged by ROBERT VAN HORNE. 19th Century,Classical,Instructional,Multicultural,Romantic Period,World. Score. 5 pages. White Piano International Publishing #6707939. Published by White Piano International Publishing (A0.914982). The Swan / Le Cygne by Camille Saint-Saens From THE CARNIVAL OF THE ANIMALS Transcribed for Solo Piano by ROBERT VAN HORNEAdvanced Intermediate Piano5 PagesThis beautiful piece was composed by Camille Saint-Saens in February of 1886 as a cello solo with two piano accompaniment.In 2013, I transcribed this movement from THE CARNIVAL OF THE ANIMALS for solo piano.This arrangement is clearly notated with dynamic marks, phrasing, suggested fingerings, pedal indications, chord identifications and appropriate musical terms for playing.As a wonderful recital and encore selection, this piano transcription is excellent for professionals and students.A Youtube video of Robert's 2013 performance is available at: http://youtu.be/fPaqfV4K124Robert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$4.99
4.57 €
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Piano seul
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Camille Saint-Saens
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ROBERT VAN HORNE
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"The Swan" / "Le Cygne" by Camille Saint-Saens
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White Piano International Publishing
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SheetMusicPlus
Claude Debussy: La Passion: extraite du Martyre de Saint Sébastien for solo piano, completed by Robe
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.534659 Composed by Claude Debussy/R…
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Piano Solo - Level 4 - Digital Download SKU: A0.534659 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards. Score. 6 pages. Musik Fabrik Music Publishing #5732787. Published by Musik Fabrik Music Publishing (A0.534659). This piece is an unused movement, probably a first draft of La Passion, the third of the ‘Fragments symphoniques’ in Le Martyre de Saint Sébastien (1911). Nicolas Horvath’s 2020 Grand Piano recorindg of this anguished but beautiful piece, and knowing how pushed for time Debussy was when he composed Le Martyre it is surprising that he progressed so far with a piece that he subsequently replaced.
$10.35
9.47 €
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Piano seul
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Claude Debussy/Robert Orledge
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Claude Debussy: La Passion: extraite du Martyre de Saint Sébastien for solo piano, completed by Robe
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Musik Fabrik Music Publishing
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SheetMusicPlus
Theme From Havanaise - Piano
Piano seul
By Camille Saint-Saens (1835-1921). Arranged by Robert Longfield. Orchestra. Classical. Or…
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By Camille Saint-Saens (1835-1921). Arranged by Robert Longfield. Orchestra. Classical. Orchestra. 2 pages. Published by Hal Leonard - Digital Sheet Music
$7.00
6.4 €
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Piano seul
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Camille Saint-Saens
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Robert Longfield
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Theme From Havanaise - Piano
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Dvorak,Puccini,Schumann (Robert),Müller (August Eberhard),von Flotow : Les plus beaux morceaux classiques à jouer au piano pour la Saint-Valentin, Débutant, Vol. 2
Piano seul
Téléchargez la partition Piano Les plus beaux morceaux classiques à j…
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Téléchargez la partition Piano Les plus beaux morceaux classiques à jouer au piano pour la Saint-Valentin, Débutant, Vol. 2. Partition pour Piano seul -- Pop/rock
16.99 €
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Piano seul
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Dvorak,Puccini,Schumann (Rober
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Les plus beaux morceaux classi
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Tomplay
Chagall Reflection I (Original)
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.998792 Composed by Robert A. Howard…
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Piano Solo - Level 2 - Digital Download SKU: A0.998792 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 3 pages. Robert A. Howard #6037175. Published by Robert A. Howard (A0.998792). The church of All Saints Tudeley, outside Maidstone in Kent, has stained glass windows like few other churches. Fairly unusually, all of the current windows were designed by a single person; by the great Russian twentieth-century artist Marc Chagall. They make for a dazzling spectacle in that small church, as they are characterised by strong, bold colours. However, they belie a heart-wrenching true story behind their commissioning as they commemorate the tragic death of a young local girl in boating accident. This piano piece aims to reflect some of the poignancy of these images. The work is characterised by a constant ostinato pedal (a repeated pattern on a single note). Around this, various triadic harmonies are juxtaposed. The piece is highly accessible and is appropriate for most standards of pianist, including students and advanced players. An elaboration of this piece (Chagall Reflection II (Elaboration)) by the same composer is also available via Sheet Music Plus.
$2.49
2.28 €
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Piano seul
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Robert A
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Chagall Reflection I
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Robert A. Howard
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SheetMusicPlus
Chagall Reflection II (Elaboration)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.998788 Composed by Robert A. Howard…
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Piano Solo - Level 3 - Digital Download SKU: A0.998788 Composed by Robert A. Howard. 20th Century,Contemporary,Standards. Score. 4 pages. Robert A. Howard #6009611. Published by Robert A. Howard (A0.998788). The church of All Saints Tudeley, outside Maidstone in Kent (England) has stained glass windows like few other churches. Fairly unusually, all of the current windows were designed by a single person, the great Russian twentieth-century artist Marc Chagall. They make for a dazzling spectacle in that small church, as they are characterised by strong, bold colours. However, behind their commissioning lies a heart-wrenching true story as they commemorate the tragic death of a young local girl in a boating accident. This piano piece aims to reflect some of the poignancy of these images. The work is characterised by a constant ostinato pedal (a repeated pattern on a single note). Around this, various triadic harmonies are juxtaposed, as the piece gradually makes what may be interpreted as a 'heavenly' ascent in pitch to the piano's highest register. The piece is highly accessible and is appropriate for most standards of pianist, including students and advanced players.
$2.99
2.74 €
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Piano seul
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Robert A
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Chagall Reflection II
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Robert A. Howard
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SheetMusicPlus
Come Thou Fount
Piano seul
Composed by Robert Robinson. Arranged by Jordan D Clement. Modern, Christian, Latter-Day S…
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Composed by Robert Robinson. Arranged by Jordan D Clement. Modern, Christian, Latter-Day Saints, General Worship. Solo Part. 4 pages. Published by Jordan Clement (S0.147883). - Solo Part - Modern,Christian,Latter-Day Saints,General Worship - Jordan Clement
$3.99
3.65 €
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Piano seul
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Robert Robinson
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Jordan D Clement
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Come Thou Fount
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Jordan Clement
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SheetMusicPlus
(No.1) Lord of all Power and Might; (No.2) The City of Perfection; (No.3) The Dying Christian to his Soul
Piano seul
Piano - Digital Download SKU: LV.15801 Composed by William Hutchins Callcott. Angel…
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Piano - Digital Download SKU: LV.15801 Composed by William Hutchins Callcott. Angels, Virgin birth, Jesus Christ--nativity, Shepherds, Mary, Blessed Virgin, Saints. Lester S. Levy Collection. 18 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15801). (No.1) Lord of all Power and Might; Collect for 7th Sunday after Trinity; Composed by The Revd. W. Mason; (No.2) The City of Perfection; poetry by Newton; composed by Naumann (contains tune Glorious Things); (No.3) The Dying Christian to his Soul; poetry by Pope; composed by Harwood (contains tun. Arranged by William Hutchins Callcot. Published [n.d.] by Robert Cocks & Co., New Burlington Street in London. Composition of six arrangements of various sacred melodies; section forms with piano instrumentation. Subject headings for this piece include Angels, Virgin birth, Jesus Christ--nativity, Shepherds, Mary, Blessed Virgin, Saints. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano seul
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William Hutchins Callcott
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William Hutchins Callcot
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(No.1) Lord of all Power and Might;
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
20 Easy Christian Classics, BOOK 1 (Two Octave, Early-Intermediate Piano Solos)
Piano seul
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1386606 By Sharon Wilson. By…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1386606 By Sharon Wilson. By African-American Spiritual, Charles H. Gabriel, Daniel B. Towner, Fanny J. Crosby, Folk Song, Frederick M. Lehman, Henri F. Hemy, James M. Black, John Bacchus Dykes, Robert Lowry, Traditional Spiritual, William B. Bradbury, and William J. Kirkpatrick. Arranged by Sharon Wilson. Christian,Easter,Folk,Holiday,Spiritual. Score. 45 pages. Sharon Wilson #970488. Published by Sharon Wilson (A0.1386606). This is a collection of 20 hymns and spirituals arranged for early-intermediate piano players.  These artistically crafted arrangements provide unique harmonies and accompaniment that creatively enhance the melody line. From elegant and peaceful to bright and spirited, these arrangements will provide plenty of satisfaction whether used during practice sessions or for personal entertainment and leisure. Lyrics are included for sing-along enjoyment.All notes in all 20 songs are within the two-octaves adjoining Middle C. The LEFT HAND plays from low C to Middle C. The RIGHT HAND plays from Middle C to high C. Keys Signatures: C, F, and G (and a few scattered accidentals)Time Signatures: 3/4, 4/4, and 6/8Ledger Line Notes: only Middle CNote and Rest durations: whole, half, quarter, and eighth, plus dotted notes of the same durationsThese arrangements are ideal for introducing classic Christian songs to piano students. They can be used as supplementary repertoire for students after they have mastered the basics of music notation and note reading. These arrangements are also great for sight-reading practice, especially if some of the songs are unfamiliar. These arrangements are perfect for small keyboards.  They provide the opportunity for additional practice and enjoyment even when a full-sized keyboard is not available. Most of these songs are also available separately with accompanying preview pages and audio samples. Song titles included in this collection:   All Creatures of Our God and KingDown by the RiversideEvery Time I Feel the SpiritFaith of Our FathersHaven of RestHere Is LoveHigher GroundHoly, Holy, HolyJesus, What a Friend for Sinners (HOLY MANNA)Lead Me to CalvaryMarvelous GraceOld Time ReligionPower in the Blood Redeemed, How I Love to Proclaim ItSatisfiedSweet Hour of PrayerThe Love of GodThere Is a Balm in GileadWhen the Roll Is Called Up YonderWhen the Saints Go Marching In Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
13.72 €
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Piano seul
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Sharon Wilson
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Sharon Wilson
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20 Easy Christian Classics, BOOK 1
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Sharon Wilson
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SheetMusicPlus
20 Easy Christian Classics, BOOK 1 (Two Octave, Early-Intermediate Piano Solos)
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1377502 By Sharon Wilson. By Africa…
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Piano Solo - Level 2 - Digital Download SKU: A0.1377502 By Sharon Wilson. By African-American Spiritual, Charles H. Gabriel, Daniel B. Towner, Fanny J. Crosby, Folk Song, Frederick M. Lehman, Henri F. Hemy, James M.Black, John Bacchus Dykes, Robert Lowry, Traditional Spiritual, William B. Bradbury, and William J. Kirkpatrick. Arranged by Sharon Wilson. Christian,Easter,Folk,Holiday,Spiritual. Score. 45 pages. Sharon Wilson #962094. Published by Sharon Wilson (A0.1377502). This is a collection of 20 hymns and spirituals arranged for early-intermediate piano players.  These artistically crafted arrangements provide unique harmonies and accompaniment that creatively enhance the melody line. From elegant and peaceful to bright and spirited, these arrangements will provide plenty of satisfaction whether used during practice sessions or for personal entertainment and leisure. Lyrics are included for sing-along enjoyment.All notes in all 20 songs are within the two-octaves adjoining Middle C. The LEFT HAND plays from low C to Middle C. The RIGHT HAND plays from Middle C to high C. Keys Signatures: C, F, and G (and a few scattered accidentals)Time Signatures: 3/4, 4/4, and 6/8Ledger Line Notes: only Middle CNote and Rest durations: whole, half, quarter, and eighth, plus dotted notes of the same durationsThese arrangements are ideal for introducing classic Christian songs to piano students. They can be used as supplementary repertoire for students after they have mastered the basics of music notation and note reading. These arrangements are also great for sight-reading practice, especially if some of the songs are unfamiliar. These arrangements are perfect for small keyboards.  They provide the opportunity for additional practice and enjoyment even when a full-sized keyboard is not available. Most of these songs are also available separately with accompanying preview pages and audio samples. Song titles included in this collection:   All Creatures of Our God and KingDown by the RiversideEvery Time I Feel the SpiritFaith of Our FathersHaven of RestHere Is LoveHigher GroundHoly, Holy, HolyJesus, What a Friend for Sinners (HOLY MANNA)Lead Me to CalvaryMarvelous GraceOld Time ReligionPower in the Blood Redeemed, How I Love to Proclaim ItSatisfiedSweet Hour of PrayerThe Love of GodThere Is a Balm in GileadWhen the Roll Is Called Up YonderWhen the Saints Go Marching InVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
13.72 €
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Piano seul
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Sharon Wilson
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Sharon Wilson
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20 Easy Christian Classics, BOOK 1
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Sharon Wilson
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