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Vous avez sélectionné:
Sandra T
Piano seul
Partitions à imprimer
10 partitions trouvées
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Can't Help Falling In Love
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Piano seul
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INTERMÉDIAIRE
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Mariage/Ballade
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Rock
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Elvis Presley
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Sandra Zylstra
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Can't Help Falling In Love
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sandra dee zylstra
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.712583 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Sandra Zylstra. Contemporar...
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Piano Solo - Level 3 - SKU: A0.712583 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Sandra Zylstra. Contemporary,Rock,Standards,Wedding. Score. 4 pages. Sandra dee zylstra #6200361. Published by sandra dee zylstra (A0.712583). Can't Help Falling In Love is a classic love song first made popular by Elvis Presley. This classic love song is great for personal enjoyment of for a wedding. Can't Help Falling In Love is arranged as an intermediate piano solo in the key of F. (Aproximately 3 min., 3 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.
$4.99
When Thing Don't Work Out, waltz of disharmony
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sandra Taylor
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When Thing Don't Work Out, wal
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Sandra Taylor
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1173806 By Sandra Taylor. By Sandra Taylor. Classical,Contemporary. Score. 2 pages. Sandra Taylor #773955. Published by S...
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Piano Solo - Level 4 - SKU: A0.1173806 By Sandra Taylor. By Sandra Taylor. Classical,Contemporary. Score. 2 pages. Sandra Taylor #773955. Published by Sandra Taylor (A0.1173806). An improvisation transcribed to sheet music; short piece for piano in Bflat minor.
$2.00
We Don't Talk About Bruno (early intermediate piano solo)
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Piano seul
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FACILE
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Film Walt Disney
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Carolina Gaitan, Mauro Casti
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Sandra Zylstra
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We Don't Talk About Bruno
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Sandra Zylstra
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SheetMusicPlus
By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. Arranged by Sandra Zylstra. Sheet Music Single. 4 pages. Published by Sandra Zylstra...
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By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. Arranged by Sandra Zylstra. Sheet Music Single. 4 pages. Published by Sandra Zylstra
$5.50
Waltz no.3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Sandra Lynch
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Waltz no.3
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Sandra Lynch
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1486122 Composed by Sandra Lynch. 19th Century,Classical. Score. 2 pages. Sandra Lynch #1063180. Published by Sandra Lync...
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Piano Solo - Level 4 - SKU: A0.1486122 Composed by Sandra Lynch. 19th Century,Classical. Score. 2 pages. Sandra Lynch #1063180. Published by Sandra Lynch (A0.1486122). A walk back in time with this elegant waltz in E Major. Who doesn't love playing in this key! Included in ANZCA Classical Piano Exam Syllabus, Grade 3.
$5.99
Le Pierrot
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Sandra Lynch
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Le Pierrot
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Sandra Lynch
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.860478 Composed by Sandra Lynch. 20th Century,Children,Contemporary,Standards. Score. 3 pages. Sandra Lynch #2031251. Pub...
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Piano Solo - Level 4 - SKU: A0.860478 Composed by Sandra Lynch. 20th Century,Children,Contemporary,Standards. Score. 3 pages. Sandra Lynch #2031251. Published by Sandra Lynch (A0.860478). Le Pierrot, The Clown - after alot of thinking and wondering what to do, this clown breaks out into the most amazing dance - he just can't help himself! Little melodic melodies and large sweeping melodies. This clown does it all! From my Advanced Piano Solos collection.
$6.99
Blues
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Piano seul
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FACILE
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Sandra Lynch
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Blues
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Sandra Lynch
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.860517 Composed by Sandra Lynch. 20th Century,Children,Instructional,Standards. Score. 2 pages. Sandra Lynch #2031757. Pu...
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Piano Solo - Level 2 - SKU: A0.860517 Composed by Sandra Lynch. 20th Century,Children,Instructional,Standards. Score. 2 pages. Sandra Lynch #2031757. Published by Sandra Lynch (A0.860517). A slow and thoughtful bluesy number. The left hand plays 6th intervals with a couple of 7ths too, while the right hand takes the melody. Quite cool this one. Don't need to play fast, it sounds better slow. From my All Keyed Up Level Two book.
$1.99
Chat-a-box
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Piano seul
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INTERMÉDIAIRE
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Sandra Lynch
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Chat-a-box
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Sandra Lynch
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.860481 Composed by Sandra Lynch. 20th Century,Children,Contemporary,Standards. Score. 2 pages. Sandra Lynch #2031271. Pub...
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Piano Solo - Level 3 - SKU: A0.860481 Composed by Sandra Lynch. 20th Century,Children,Contemporary,Standards. Score. 2 pages. Sandra Lynch #2031271. Published by Sandra Lynch (A0.860481). This chat-a-box just doesn't know when to stop talking!! a very busy right hand and in the key of A major presents a few challenges along the way! From my All Keyed Up Level 3 book.
$1.99
The Great Sack Race
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Piano seul
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DÉBUTANT
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Sandra Lynch
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The Great Sack Race
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Sandra Lynch
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.860513 Composed by Sandra Lynch. 20th Century,Children,Instructional,Standards. Score. 2 pages. Sandra Lynch #2031725. Pu...
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Piano Solo - Level 1 - SKU: A0.860513 Composed by Sandra Lynch. 20th Century,Children,Instructional,Standards. Score. 2 pages. Sandra Lynch #2031725. Published by Sandra Lynch (A0.860513). Who has climbed into a sack (or pillow case!) and had a jumping sack race against their friends? I have and it's wonderful fun! This piece shows how exciting it can be. Whoops, somebody nearly didn't make it to the finish line! From my All Keyed Up Level One book.
$1.99
A Week in November - Sally Whitwell
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Piano seul
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AVANCÉ
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Contemporain
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Sally Whitwell
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A Week in November - Sally Whi
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Sally Whitwell
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A...
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Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A0.873046). A Week in November… and what a week it was! It was the week of the US Presidential Election 2020. As I write these words, the absurdist tantrums of the Trump-Pence campaign versus the reasoned compassion of team Biden-Harris continues even well after the results have been called in the Democrats’ favour. There will not be the usual respectful concession speech and transition of power. I worry every day about how these next few months will be so very difficult, maybe even dangerous, for my American friends. Those convoys of flag waving Trumpists gleefully, openly, encouraged by their ‘leader’, attempting to block the democratic process was horrifying to witness. Was America on the brink of civil war? It still doesn’t seem far fetched to think that as I sit in my studio on the other side of the world, feeling helpless. The only thing I felt that I could do for my friends over there was to offer them a way to feel safe and loved in the moment, a bit of musical mindfulness. It was in this spirit that I wrote the second movement of this work, subtitled A Pocket Full of Calm. My excellent pianist friends Erica Sipes (USA) and Sandra Mogensen (Canada) adopted my little tune, recorded it on their social media to share said moment in the moment as it were. I hope it helped. I mean, if I can bring to even just one person some sense of calm solidarity, I’m happy with that. The fifth movement in the set, Victorious, resolute, but gracious, was a stream-of-consciousness creative response to the Biden Harris victory and the way they handled it so eloquently, so humbly, how they gave the world a sense of optimism once more. For a long while, I’d felt that I probably wouldn’t be welcome in America. As a mixed race, queer woman I was the antithesis of everything they valued. But now, people like me over there can feel human again. The relief! As for the other days of that week in November, they are part of a continuing series of daily composition exercises I started back in October in an effort to end a lengthy period of pandemic-induced creative block. Using a combination of exercises from Music Composition Toolbox (Barbeler/Blom/Hindson) and Brian Eno’s Oblique Strategies I’ve been able to find my creativity again. Starting a composition ‘habit’ is the best thing I’ve done for my writing all year and is how I mean to continue for a long time. Sally Whitwell12 November 2020
$15.00
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Sandra T
