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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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LUTH
MANDOLINE
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ASIE
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Note4Piano
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2814
PIANO & CLAVIERS
Piano, Voix
2447
Piano seul
1071
Piano, Voix et Guitare
253
Piano Facile
235
Orgue
70
Instruments en Do
69
Piano Trio: piano, violon, violoncelle
50
Accompagnement Piano
36
Accordéon
31
1 Piano, 4 mains
27
2 Pianos, 4 mains
16
Piano grosses notes
11
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
5
Orgue, Trompette (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano (partie séparée)
3
Clavecin
1
2 Pianos, 8 mains
1
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GUITARES
Guitare
127
Guitare notes et tablatures
106
Ligne De Mélodie, (Paroles) et Accords
63
Ukulele
25
2 Guitares (duo)
18
Paroles et Accords
14
Basse electrique
12
Mandoline
8
4 Guitares (Quatuor)
8
Piano, Guitare (duo)
7
3 Guitares (trio)
5
Guitare (partie séparée)
5
Banjo
4
Mandoline, Guitare (duo)
4
Dulcimer
2
Ensemble de guitares
2
2 Ukuleles
1
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VOIX
Chorale SATB
605
Chorale 3 parties
125
Chorale 2 parties
85
Chorale Unison
47
Chorale TTBB
42
Chorale SSAA
41
Voix seule
18
Voix Soprano, Piano
17
Voix duo
10
Voix duo, Piano
10
Voix moyenne, Piano
8
Voix Baryton, Piano
4
Voix Tenor, Piano
3
Chorale
3
Voix haute
3
Voix Tenor
2
Voix basse, Piano
1
Voix Soprano, Orchestre
1
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
241
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
171
Flûte traversière et Piano
165
Quintette de Saxophone: 5 saxophones
124
Saxophone, Clarinette (duo)
118
2 Clarinettes (duo)
116
Quatuor de Saxophones: 4 saxophones
112
Clarinette et Piano
112
Hautbois, Piano (duo)
110
2 Flûtes traversières (duo)
107
Saxophone Alto et Piano
93
Flûte, Hautbois, Clarinette, Basson
88
Clarinette
85
Quatuor de Clarinettes: 4 clarinettes
81
Clarinette, Violon (duo)
80
Ensemble de saxophones
79
Clarinette, Trompette (duo)
68
Flûte traversière
66
Saxophone (partie séparée)
65
Saxophone Soprano et Piano
62
Saxophone Alto
62
Saxophone Tenor et Piano
60
Flûte, Clarinette (duo)
58
Ensemble de Clarinettes
51
2 Hautbois (duo)
49
Flûte, Violon
44
Clarinette et Alto
43
Hautbois, Basson (duo)
41
Hautbois, Clarinette (duo)
41
Flûte, Saxophone (duo)
40
Saxophone Baryton, Piano
39
Hautbois (partie séparée)
39
Quatuor de Flûtes : 4 flûtes
37
Ensemble de Flûtes
36
Hautbois, Flûte
35
Cor anglais, Piano
33
Flûte, Trompette (duo)
32
Flûte, Alto (duo)
28
Clarinette Basse, Piano
27
3 Saxophones (trio)
22
Quintette de Flûte : 5 flûtes
19
Quintette de Clarinettes: 5 clarinettes
17
2 Flûte à bec (duo)
15
Trio de Flûtes: 3 flûtes
15
Flûte à bec Soprano
14
3 Clarinettes (trio)
11
Clarinette (partie séparée)
10
Flûte et Guitare
9
Clarinette, Basson (duo)
9
Quatuor de Flûtes à bec
7
Saxophone Tenor
7
Flûte, Violon, Piano
7
Piccolo, Piano
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Hautbois, Clarinette (trio)
5
Flûte à Bec
5
Clarinette, Violoncelle (duo)
5
Flûte, Clarinette et Basson
5
3 Flûtes à bec (trio)
4
Cor Anglais
4
Flûte, Violoncelle
3
Flûte à Bec, Piano
3
Flûte, Hautbois, Basson
3
Flûte à bec Tenor
3
Hautbois, Violoncelle
3
Flute (partie séparée)
3
Flûte à bec Alto, Basse continue
3
Flûte à bec Alto
3
Ensemble De Flûte à bec
2
2 Clarinettes, Piano
2
Flûte irlandaise
2
Saxophone et Orgue
2
Hautbois et alto (duo)
2
Flûte à bec Soprano, Piano
2
2 Flûtes traversières, Piano
2
Ensemble à vent
2
Clarinette, Guitare (duo)
2
Hautbois, Guitare (duo)
2
Ocarina
2
Flûte traversière, Basse continue
2
Flûte, Violon et Violoncelle
2
Flûte, Basson et Piano
2
Flûte, Hautbois (duo)
2
Flûte traversière, Orgue (duo)
2
Hautbois, violon (duo)
2
Ensemble de Hautbois
1
Instruments en Mib
1
Clarinette, Harpe (duo)
1
Saxophone et Guitare
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Saxophones, Piano
1
Flûte à bec Alto, Piano
1
Clarinette, Contrebasse (duo)
1
5 Flûtes à bec
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Alto et Piano (trio)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
269
Quatuor de Cuivres : 2 trompettes, trombone, tuba
154
Ensemble de Trompettes
92
Trompette, Saxophone (duo)
82
Trombone et Piano
81
Trompette, Piano
70
Trompette
70
Cor et Piano
64
2 Trombones (duo)
58
2 Trompettes (duo)
54
Euphonium, Piano (duo)
50
Trompette, Trombone (duo)
45
Cor anglais, Piano
33
Ensemble de Trombones
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Trombone
30
Quatuor de Cuivres
26
Cor
25
Trompette (partie séparée)
20
Trombone (partie séparée)
17
Quatuor de cuivres: 4 trombones
16
Tuba et Piano
15
Quatuor de cuivres: 4 cors
13
Tuba
12
2 Cors (duo)
8
Quatuor de cuivres: 4 trompettes
7
Cor (partie séparée)
6
Ensemble de Cors
6
3 Trombones (trio)
5
2 Tubas (duo)
4
Tuba (partie séparée)
4
Cor Anglais
4
2 Euphoniums et 2 Tubas
3
Trompette, Cor (duo)
3
Tuba et Orgue
3
2 Trompettes, Clavier (piano ou orgue)
2
4 Tubas
2
Trombone, Cor (duo)
1
3 Trompettes (trio)
1
3 Cors (trio)
1
Trombone basse
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Tubas (trio)
1
Trio de Cuivres
1
Instruments en Sib
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Bass Clef Instruments
1
Ensemble de Tubas
1
2 Trombones, Piano
1
Trombone basse et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
320
Violon et Piano
198
Alto, Piano
122
Violoncelle, Piano
122
Violon
111
Violon, Violoncelle (duo)
88
2 Violons (duo)
79
Trio à Cordes: violon, alto, violoncelle
61
Harpe
59
Violon, Alto (duo)
59
2 Violoncelles (duo)
58
Violoncelle (partie séparée)
52
2 Altos (duo)
50
Trio à Cordes: 2 violons, violoncelle
31
Alto seul
27
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Violoncelle
23
Violon (partie séparée)
19
Alto (partie séparée)
17
Ensemble de Violons
16
Ensemble d'Altos
14
4 Violoncelles
12
Contre Basse
10
2 Harpes (duo)
10
Contrebasse (partie séparée)
9
Trio à Cordes: 3 violoncelles
7
Violon, Guitare (duo)
6
Contrebasse, Piano (duo)
5
Quatuor à cordes: 4 violons
5
Alto, Violoncelle (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Piano Trio: Violon, Alto, Piano
3
Trio à cordes: 3 altos
3
Trio à cordes: 3 violins
3
Quatuor à cordes : 4 altos
3
Trio à Cordes: 2 violons, alto
2
Violoncelle, Contrebasse (duo)
2
Harpe, Trombone (duo)
2
Alto, Guitare (duo)
2
Harpe, Voix
2
Harpe, Flûte (duo)
2
Violon, Basson (duo)
2
Violoncelle, Orchestre
2
Harpe, Violon (duo)
1
Flûte, Contrebasse (duo)
1
4 Contrebasses
1
4 Harpes
1
Alto et Basson
1
Trio à cordes
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Violon, Violoncelle, Clarinette
1
Autoharp
1
3 Harpes
1
2 Violons, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
582
Orchestre à Cordes
249
Orchestre
150
Ensemble de cuivres
113
Ensemble Jazz
52
Orchestre de chambre
51
Cloches
44
Jazz combo
23
Ensemble de Percussions
12
Percussion (partie séparée)
6
Fanfare
5
Batterie (partie séparée)
5
Marimba
4
Batterie
3
Percussion
2
2 Xylophones
2
Vibraphone
1
Orchestre, Violon
1
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Xylophone
1
Instrumentations suivantes
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AUTRES
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The First Time
Piano seul
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The First Vision Piano Minus Vocal
Piano seul
Piano - Digital Download SKU: A0.1069995 Composed by Steven H. Boothe. Arranged by …
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Piano - Digital Download SKU: A0.1069995 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Sacred. Accompaniment. Duration 231. Boothe Publishing #5984125. Published by Boothe Publishing (A0.1069995). Fourteen year old Joseph Smith went into a grove of trees to pray and ask God for help to know which church was true, and which one he should join. God and His son Jesus Christ appeared to him and spoke to him face to face. With the appearance of God and His son to the boy Joseph Smith, there was once again a prophet on the earth. This event came to be called the first vision. This vision proved to Joseph Smith that God is not dead. God and His son Jesus Christ are alive and love us today. They have not left us alone here in the world to work out our own salvation. The greatest teachers and preachers of our times cannot save us for they are subject to death. Only Jesus Christ could and did break the bands of death. God talks to us today through His prophets. He does not speak to us through those who say He is gone and has left them in charge. The only way to find truth about God is to study His doctrine and then talk with Him. Ask Him if what you are learning is true. With 4,300 Christian religions on the earth today, we can know through revelation from God which is His true church. There can be only one. God told Joseph that He had a great work for him to do. God sent an angel who revealed to Joseph plates of gold. These plates of Gold were records kept by Israelite prophets in ancient America. God brought them to this land of promise before the Jews were carried away captive into Babylon. I know this is true. You can read the Book of Mormon. You can ask God for yourself if it is true. Then you too can know, for God will answer your prayer.
$1.99
1.82 €
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Piano seul
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Steven H
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Ashley Ivers
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The First Vision Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Fairytales for Mathilde. The piano suite
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1076950 Composed by Sergey Beltiuko…
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Piano Solo - Level 3 - Digital Download SKU: A0.1076950 Composed by Sergey Beltiukov. Classical,Contemporary. Score. 26 pages. BFG Publishing LLP #681075. Published by BFG Publishing LLP (A0.1076950). The piano suite «Fairytales for Mathilde» was written in 2004 and is based on the themes of the fairytales by the Danish writer Hans Christian Andersen (1805-1875). The suite is dedicated to Mathilde Hoogland on her birthday. It was presented for the first time on November 2004 in the Concert Hall «Mosterdzaadje» (The Netherlands) by Olga Beltiukova. It was also performed at the «E. Alterman International Competition for Young Pianists» (October 2005, Minsk, Belarus). Each of the 5 pieces refers to the original title and its unique character. Melodic freshness, lightness and elegance sparkle through. Technically speaking they are rather comfortable to play; the musical material is transparent in most cases, sometimes calling for a prevailing “glassy†resonance in the high register, which is very typical for the composer. Elizabeth Mikhadyuk decorates the music scores beautifully, with an artistry based on uncommon musical and emotional intelligence.
$12.00
10.97 €
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Piano seul
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Sergey Beltiukov
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Fairytales for Mathilde. The piano suite
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BFG Publishing LLP
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SheetMusicPlus
The Last Time I Saw Paris
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By…
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Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
$7.99
7.31 €
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Piano seul
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
Pocket Piano Proficiency: the quickest way to understand and learn the skills you need
Piano seul
Piano Solo - Digital Download SKU: A0.1296630 Composed by Dr. Deborah Rambo Sinn, A…
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Piano Solo - Digital Download SKU: A0.1296630 Composed by Dr. Deborah Rambo Sinn, Author. Traditional. Score. 276 pages. Deborah Rambo Sinn at The Underground Conservatory #886807. Published by Deborah Rambo Sinn at The Underground Conservatory (A0.1296630). Finally, a piano skills book that you don't have to lug around! This 260+ page book fits on your phone or tablet and can be opened in any PDF reader, like Adobe Acrobat or forScore. Pocket Piano Proficiency: a revolutionary way to learn the skills you need offers basic piano skills in a new way. Author and veteran piano instructor Deborah Rambo Sinn wanted to find a solution for getting students to learn these solidly and efficiently–along with finding a way to combine this with developing excellent aural skills. Ultimately, she sought a way to quickly make these skills relevant to understanding larger concepts of music theory. Traditionally, it takes a long time of learning individual skills before a student can grasp how they all work together. Pocket Piano Proficiency flips this model, introducing tasks in chunks of like material. The circle of fifths appears from the first pages, demonstrating connections between keys from the start. The book’s pedagogical organization moves students from the easiest to more complex skills, allowing them to scaffold successfully from one chapter to the next. The eBook format allows for a new way of learning these skills that a black and white printed book does not afford. Each page contains several layers of helpful material that can be accessed by zooming in and out. Because only one level of information can be accessed at a time, students need to assimilate information from around the page to successfully complete each task (see video.) Additionally, the use of color cues for tasks further organizes each chapter. As an example, red is used for the simplest keys or most common concepts. Additionally, the use of color cues for tasks further organizes each chapter. As an example, red is used for the simplest keys or most common concepts.
$21.99
20.11 €
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Piano seul
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Dr
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Pocket Piano Proficiency: the quickest way to understand and learn the skills you need
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Deborah Rambo Sinn at The Underground Conservatory
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SheetMusicPlus
All Weather Friends - Jazz Waltz - Solo Piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.961560 Composed by Olly Wedgwood. C…
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Piano Solo - Level 4 - Digital Download SKU: A0.961560 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5335091. Published by OllysPianoSheets (A0.961560). Friends shouldn't just hang out in fair weather, so here is All Weather Friends, a gentle swing waltz ideal for established intermediate players at about the Grade 4-5 standard (ABRSM).The melody and accompaniment is based upon a classic jazz waltz rhythm, so to get into the feel of this piece, you may find it useful to first practice clapping this rhythm:Remember that the quaver eighth notes are swung.The trick with this piece is to let the melody sing out above the jazz waltz accompaniment, so keep an ear on the melody at all times.In bar 21, the semiquaver 16th notes can be played a little faster than written, which will create more of a 'turn' ornament. Have a listen to the performance recording clip (above) at about halfway through to get the idea.This jazz waltz piano sheet music provides excellent practice for working on phrasing and sustain pedal technique. Occasionally, you may find a couple of hand position changes that risk disrupting the flow of the melodic phrase. In these instances, try a touch of sustain pedal to smooth out the transition. An example of this can be found in bar 31.After the repeated opening melody, the middle section moves into the key of G minor, featuring a rising arpeggio-based accompaniment with sustain pedal. There is a lot of quaver eighth-note movement in this section, so be sure to keep this rhythm smoothly swinging in the usual triplet manner:This middle section reaches a crescendo at bar 37 with a rippling chord effect between both hands. Try experimenting with different ways of splitting up these chords - you could ripple up from the left hand to the right hand, or try rippling both hands at the same time. Stick with whatever sounds good to you!After a poco rall the original melody returns via a D.C. al Coda. As is the convention for first and second time repeat bars, take the second time bar on the D.C. and then to the Coda.The play-along MP3 backing track for this sheet music is also available to download at Sheet Music Plus.Explore more fun piano sheet music by Olly Wedgwood at https://OllysPianoSheets.com I hope you enjoy All Weather Friends, whatever the weather!
$3.95
3.61 €
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Piano seul
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Olly Wedgwood
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All Weather Friends - Jazz Waltz - Solo Piano
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OllysPianoSheets
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SheetMusicPlus
All Weather Friends - Jazz Waltz - Solo Piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.961566 Composed by Olly Wedgwood. C…
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Piano Solo - Level 4 - Digital Download SKU: A0.961566 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5792833. Published by OllysPianoSheets (A0.961566). Friends shouldn't just hang out in fair weather, so here is All Weather Friends, a gentle swing waltz ideal for established intermediate players at about the Grade 4-5 standard (ABRSM).The melody and accompaniment is based upon a classic jazz waltz rhythm, so to get into the feel of this piece, you may find it useful to first practice clapping this rhythm:Remember that the quaver eighth notes are swung.The trick with this piece is to let the melody sing out above the jazz waltz accompaniment, so keep an ear on the melody at all times.In bar 21, the semiquaver 16th notes can be played a little faster than written, which will create more of a 'turn' ornament. Have a listen to the performance recording clip (above) at about halfway through to get the idea.This jazz waltz piano sheet music provides excellent practice for working on phrasing and sustain pedal technique. Occasionally, you may find a couple of hand position changes that risk disrupting the flow of the melodic phrase. In these instances, try a touch of sustain pedal to smooth out the transition. An example of this can be found in bar 31.After the repeated opening melody, the middle section moves into the key of G minor, featuring a rising arpeggio-based accompaniment with sustain pedal. There is a lot of quaver eighth-note movement in this section, so be sure to keep this rhythm smoothly swinging in the usual triplet manner:This middle section reaches a crescendo at bar 37 with a rippling chord effect between both hands. Try experimenting with different ways of splitting up these chords - you could ripple up from the left hand to the right hand, or try rippling both hands at the same time. Stick with whatever sounds good to you!After a poco rall the original melody returns via a D.C. al Coda. As is the convention for first and second time repeat bars, take the second time bar on the D.C. and then to the Coda.I hope you enjoy All Weather Friends, whatever the weather!Explore more fun piano sheet music by Olly Wedgwood at https://ollyspianosheets.com
$3.95
3.61 €
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Piano seul
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Olly Wedgwood
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All Weather Friends - Jazz Waltz - Solo Piano
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OllysPianoSheets
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SheetMusicPlus
A Walk Through Time Suite
Piano seul
Piano Solo - Intermediate - Digital Download SKU: F0.W9337 Composed by Kevin Costle…
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Piano Solo - Intermediate - Digital Download SKU: F0.W9337 Composed by Kevin Costley. Sheet Music. Written For You. This energetic, easy-to-play rag is great for small hands. Solo Sheet. 10 pages. The FJH Music Company - Digital #W9337. Published by The FJH Music Company - Digital (F0.W9337). UPC: 674398225026.This intermediate level solo offers much variety with its three-movement structure. It can be performed either as a suite or as individual recital pieces. Each movement focuses on the thoughts concerning the different parts of time-the first being the expressive Thoughts of Yesterday, the second a reflective mood in Thoughts of Today, and the third with a quick forward motion in Thoughts of Tomorrow. Students will enjoy playing these movements while instilling their personal thoughts and feelings into the music. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$3.50
3.2 €
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Piano seul
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Kevin Costley
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A Walk Through Time Suite
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The FJH Music Company - Digital
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SheetMusicPlus
Strangers In The Night
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1342176 By Frank Sinatra. By Bert K…
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Piano Solo - Level 5 - Digital Download SKU: A0.1342176 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #927698. Published by Timothy Stapay (A0.1342176). Strangers In The Night is here arranged as performed by famous piano artist, Liberace. He played this in concerts around the world and on his piano albums. This piano solo arrangement has all of the sparkle and fiery improvisations that made Liberace famous. Now for the first time, here is the sheet music as played by Liberace.On a personal note: I saw Liberace perform this live at a concert in Chicago, when I was a very, very young piano student. My parents were both Liberace fans and took me to one of his concerts. The memory stayed with me for a lifetime!Lyrics:[Verse 1]Strangers in the night exchanging glancesWondering in the night, what were the chances?We'd be sharing love before the night was through[Verse 2]Something in your eyes was so invitingSomething in your smile was so excitingSomething in my heart told me I must have you[Chorus]Strangers in the nightTwo lonely people, we were strangers in the nightUp to the moment when we said our first hello, little did we knowLove was just a glance away, a warm embracing dance away and[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night[Bridge]Love was just a glance away, a warm embracing dance away[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night [Outro]Dooby-doooby-dooDoob-dooob-doob-dee-daaDaaa-daaa-daaa-daaa-daaa.
$8.99
8.22 €
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Piano seul
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Frank Sinatra
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Timothy Stapay/Liberace
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Strangers In The Night
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Timothy Stapay
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SheetMusicPlus
Down By the Old Mill Stream
Piano seul
Piano - Digital Download SKU: A0.1090271 Composed by Tell Taylor. Arranged by Perfo…
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Piano - Digital Download SKU: A0.1090271 Composed by Tell Taylor. Arranged by Performer - Pat Holmberg. 20th Century,Pop. Full Performance. Duration 112. Patricia Tanttila Holmberg #26209. Published by Patricia Tanttila Holmberg (A0.1090271). This is one of those songs that every senior citizen over the age of 75 in the USA and Canada will know and probably be able to supply all the words. These songs are from a different era - a time before computers and even before tv's, when people would ofter have get-togethers of one kind or another - picnics sometimes - and sing for entertainment. Good voices and not-so-good voices all joined happily together for fun. People often harmonized with these songs. A bygone time. Words: Where I first met you, With your eyes of blue, Dressed in gingham too, It was there I knew, That you loved me true. You were sixteen, my village queen, Down by the old mill stream! : :.
$1.99
1.82 €
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Piano seul
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Tell Taylor
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Performer - Pat Holmberg
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Down By the Old Mill Stream
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Patricia Tanttila Holmberg
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SheetMusicPlus
This is my Father's World Intermediate piano sheet music
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1416950 Composed by Franklin L. She…
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Piano Solo - Level 3 - Digital Download SKU: A0.1416950 Composed by Franklin L. Sheppard. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero #998539. Published by Amanda Tero (A0.1416950). Experience the heartwarming rendition of the beloved intermediate piano solo This is My Father’s World at your church service or recital. Beginning with a delicate sound and colorful chords, this arrangement smoothly evolves into a hymn infused with modern nuances, featuring lightly syncopated rhythms.This is My Father’s World intermediate piano solo encompasses several specific elements for intermediate pianists: syncopated rhythms, lush chords, fluid left-hand patterns, and a contemporary twist on a timeless hymn.My goal in creating this arrangement of This is My Father’s World was to have a reflective piano solo for worship with a modern flair. There are colorful chord choices as well as light syncopation which gives this hymn an easy-listening feel.For church services, recitals, and spring/summer music events, This is My Father’s World intermediate piano sheet music solo will capture the listeners and cause them to ponder.Similar in level to most Level 4 piano curricula and ABRSM Level 4.The basic format of This is My Father’s World intermediate piano solo is: introduction, verse, interlude, verse/â€chorus,†interlude/modulation, verse/â€chorus,†ending.6 pages. Keys of C major and D major.Approx. 3:15 performance time. Musical Elements In This is My Father’s World Intermediate Piano Solo Sheet Music Keys of C major, D major Time signature: 4/4 Tempo: begins faster then shifts slower Note values: whole notes, dotted half notes, half notes, dotted quarter notes, quarter notes, eighth notes, sixteenth notes Note reading: right hand treble clef F3 to D6, left hand bass clef C2 to G4 and treble clef F3 to B4 Ledger lines (up to 3 lines) Grace notes Ties for syncopation Left hand in treble clef Left hand features similar patterns No harmonic octaves Fermata 8va Practice Tips for This is My Father’s World Piano Solo It is a good idea to treat this arrangement artistically. While the first page is a faster tempo, be sure to take your time on any held notes (you can add fermatas where there are none and it sounds great).Once the left hand arpeggios/broken chords come into play, think about playing with depth and not rushing the tempo.One trick I particularly like to do is hold the first note in a chord briefly longer than the rest. This is important for measure 36 where the right hand has a jump of 2 octaves.
$5.99
5.48 €
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Piano seul
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Franklin L
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Amanda Tero
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This is my Father's World Intermediate piano sheet music
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Amanda Tero
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SheetMusicPlus
Le jardin englouti (The Sunken Garden/Minuet) - Intermediate Impressionist Piano Piece for Ravel Pre
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiP…
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Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791453. Published by Nicole Elyse DiPaolo (A0.799621). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in his minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). It means The Sunken Garden, and I'll explain why below.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), large rolled chords, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of repertoire before moving away last year. The Jordan Hall greenhouse now sits on the former Sunken Garden site.Because the Wells Quad dorms are right next door, I hear this piece as a recollection of a social dance night that the dorms probably held frequently back when the Sunken Garden existed. Wells Quad served as a classroom/academic office complex for years after Jordan Hall was built in the 50s, but they are now back-converting the buildings into dorms again. (As of this writing, two of the buildings now serve as dorms, while the other two are still academic buildings. While I was pursuing my doctoral minor in composition, the composition professors' studios were almost all in Wells Quad's Sycamore Hall. They upgraded to the East Studio Building as soon as they could, though!).
$2.49
2.28 €
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Piano seul
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Nicole Elyse DiPaolo
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Le jardin englouti
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Nicole Elyse DiPaolo
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SheetMusicPlus
The Sons Of Katie Elder
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1313847 Composed by Elmer Bernstein…
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Piano Solo - Level 4 - Digital Download SKU: A0.1313847 Composed by Elmer Bernstein. Arranged by Timothy Stapay. Film/TV,Historic,Pop,Singer/Songwriter. Score. 4 pages. Timothy Stapay #902567. Published by Timothy Stapay (A0.1313847). The Sons of Katie Elder is a 1965 American Western film in Panavision, directed by Henry Hathaway and starring John Wayne and Dean Martin. It was filmed principally in Mexico. The score was composed by Elmer Bernstein, who would also score True Grit by the same director and starring John Wayne. Johnny Cash sang a song in 1965 also called The Sons of Katie Elder, written by Elmer Bernstein and Ernie Sheldon but, despite the title and composer, did not feature in this movie. Elmer Bernstein (April 4, 1922 – August 18, 2004) was an American composer and conductor. In a career that spanned over five decades, he composed some of the most recognizable and memorable themes in Hollywood history, including over 150 original film scores, as well as scores for nearly 80 television productions. For his work he received an Academy Award for Thoroughly Modern Millie (1967) and Primetime Emmy Award. He also received seven Golden Globe Awards, five Grammy Awards, and two Tony Award nominations. Now for the first time, you can play this soaring music from the famous movie starring John Wayne. This piano solo arrangement recreates all the drama from the movie.  Â
$6.99
6.39 €
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Piano seul
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Elmer Bernstein
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Timothy Stapay
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The Sons Of Katie Elder
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Timothy Stapay
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SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1325497 By Nat Cole With N. Riddle …
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Piano Solo - Level 3 - Digital Download SKU: A0.1325497 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Thomas Gunther. Christmas,Holiday,Jazz. Score. 4 pages. Thomas Gunther Music Productions #913724. Published by Thomas Gunther Music Productions (A0.1325497). Solo Piano Arrangement By Thomas GuntherThe Christmas Song is maybe the most popular Christmas Song in the USA. Some know it as Chestnuts Roasted On An Open Fire or Merry Christmas to You. The melody is absolutely beautiful, and the chord changes super interesting. I especially like Nat King Cole's version, which is in Db major. To make it easier for intermediate piano players I wrote my piano solo arrangement in C major instead. It is still challenging  enough.The sheet music will be available for purchase at 2pm Chicago time on Nov 27.About The ArrangementThe arrangement is written in jazz ballade style. It doesn't swing. I includes a fun double time improvisation section though which I made up on the spot during the second B section when I recorded the song. It is in latin style. The arrangement can be performed with or without improvisation. Should you be a jazz pianist you could use the included chord symbols to make up your own improvisation.About The Sheet MusicThe sheet music is the exact transcription of my recording, including the improvisation part. (You can listen to it and see me perform in the video below.)The sheet music contains jazz chord symbols and plentiful of articulations as well as some dynamic markings. How This Arrangement Came AboutMay arrangement is heavily based on the Nat King Cole version. I love the ballade feel and the beautiful chord substitutions he uses in the orchestration. First I simply played along with his version in Db major. This helped me to figure out the harmony. Next I start thinking about the accompaniment. Now it is time to practice it. Once I have the arrangement figured out I start recording it a few times, listen to each version, iron out the edges. Now it is time to record the entire thing. Recommendations For Learning The SongI recommend that you first listen to my performance while reading along in the sheet music. I always think about fingering and sustain pedal use at the same time when learning a song. Smart use of the sustain pedal can really make it much easier to play.Is This Arrangement For You?This solo piano arrangement is for every pianist who loves The Christmas Song. It doesn't matter would kind of pianist you are. The arrangement is certainly for intermediate pianists and up. It is also beneficial when you don't have very small hands. Some chords in the left hand require a hand span of a 10th. However, there are ways to get around that by simply rolling the notes with the help of the sustain pedal.
$5.99
5.48 €
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Piano seul
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Nat Cole With N
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Thomas Gunther
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The Christmas Song
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Thomas Gunther Music Productions
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SheetMusicPlus
Hymns from Childhood - Set 10 (solo)
Piano seul
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. A…
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$5.99
5.48 €
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Piano seul
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Various
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Curtis Hanson
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Hymns from Childhood - Set 10
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Curtis Hanson
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SheetMusicPlus
Eric To The Rescue
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1464125 Composed by Alan Menken. Ar…
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Piano Solo - Level 3 - Digital Download SKU: A0.1464125 Composed by Alan Menken. Arranged by Eric. R. Broadway,Contemporary,Film/TV,Musical/Show. Score. 10 pages. Overture & Storybook Musical Arrangements #1042839. Published by Overture & Storybook Musical Arrangements (A0.1464125). 'Eric to the Rescue' is the score for the climax scene from The Little Mermaid (1989), in which Eric battles Ursula. This is the first villain battle score from Alan Menken's extensive repertoire of Disney animated film scores. 'Eric to the Rescue' includes musical motifs from Poor Unfortunate Souls, Part of Your World, Flotsam and Jetsam, as well as The Storm, and weaves them all together in Menken's signature thematic style. The Little Mermaid (1989) score garnered Alan Menken his first 2 Academy Awards (best original score and best original song), with many more Oscar winnings to follow. This arrangement for solo piano is a reduction of the full orchestra, and is suited for intermediate pianists. It has some extended versions of certain themes, and fewer time signature changes than the final recording - making it more natural to play as a solo on the piano.
$6.00
5.49 €
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Piano seul
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Alan Menken
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Eric
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Eric To The Rescue
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Overture & Storybook Musical Arrangements
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SheetMusicPlus
The Bare Necessities
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1277927 Composed by Terry Gilkyson.…
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Piano Solo - Level 2 - Digital Download SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music Productions #869433. Published by Thomas Gunther Music Productions (A0.1277927). About the arrangement(See also (PopJazzKeys.com/The-Bare-Necessities)This is a relatively easy to play solo piano jazz arrangement of THE BAR NECESSITIES. The song is a traditional jazz tune made famous in the Walt Disney movie THE JUNGLE BOOK. The video and audio recording I posted here features me playing the short version of my arrangement. When played as written (with all the repeats) it is almost 4 minutes long.What's cool about this arrangement is that you can easily add a bass player and even an entire rhythm section while playing it the same way as you would in a solo performance!Who this arrangement is best suited forI think everyone who likes the song except perhaps advanced jazz pianists will have fun learning and playing this arrangement. I arranged this piece originally with my younger piano students in mind, who have smaller hands than most adults. That’s why there are no large intervals or big jumps in the left hand. Something generally found in ragtime and early jazz piano styles. This means that my arrangement is perfectly suited for pianists with smaller hands. Of course pianists with large hands (like myself) can play it too (ha-ha!).I think it is also a great piece for pianists who want to familiarize themselves with playing jazz piano. And since I wrote out every note and articulation, they can play along with the recording and hopefully pick up the traditional jazz feel along the way.Although the arrangement is not very difficult, it poses several challenges for the inexperienced pianist, as explained later.How I arranged itAs I already explained above, there are no large intervals or big jumps in the left hand to be found. Instead, I focused more on polyphonic arranging techniques, in both hands. I also used guide tones and inversions.The left hand imitates the accompaniment style of a traditional jazz guitar or banjo player with added half time bass figures that are typically played by a tuba or upright bass an octave lower. Tips for how to learn this arrangementWhen I teach this song to my students I strongly recommend to them to listen to the original version and my recording a lot, rather than explaining to them how swinging eighth notes and jazz articulation work. By the way, there are a few bars where you hear me playing straight eighths on the recording (as indicated in the sheet music). I decided to add articulations so that pianists who have not a lot of experience with playing jazz will find it easier to play it with the appropriate “touchâ€. It's a good idea to check those out.Should you not be familiar with playing polyphonic passages with one hand, you might want to practice very slowly at first and attempt to balance the different voices appropriately. Listening to the recording will also help with discovering dynamic possibilities. I didn’t want to clutter up the sheet music with dynamic markings, so listening to the recording is really the only way to figure out what dynamics I had in mind.
$4.99
4.56 €
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Piano seul
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the way, there are a few bars where you hear me playing straight eighths on the recording
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Terry Gilkyson
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Thomas Gunther
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The Bare Necessities
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Thomas Gunther Music Productions
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SheetMusicPlus
The First Time That I Saw You
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.898284 Composed by Laura Poblete. C…
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Piano Solo - Level 3 - Digital Download SKU: A0.898284 Composed by Laura Poblete. Contemporary. Score. 9 pages. Laura Poblete #5747443. Published by Laura Poblete (A0.898284). This is an 8-page sheet music arrangement for my original composition The First Time That I Saw You. My album Broken Song is available on Apple Music, iTunes, Amazon and Spotify. Visit http://thebrokenpiano.com for more information.
$4.99
4.56 €
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Piano seul
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Laura Poblete
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The First Time That I Saw You
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Laura Poblete
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SheetMusicPlus
The Etherea Suite, Volume 1 for Solo Piano (Complete)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1135733 Composed by JohnWillard Utu…
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Piano Solo - Level 3 - Digital Download SKU: A0.1135733 Composed by JohnWillard Utuk. Contemporary,Contest,Festival,Film/TV,Instructional,Video Game. Score. 18 pages. JohnWillard Utuk #735794. Published by JohnWillard Utuk (A0.1135733). The Etherea Suite, Volume 1 is for intermediate to advanced players who enjoy lyrical, exciting, and showy repertoire, while expressing their imagination through their playing. Players get to musically explore the mountains, the desert, volcanoes, time travel to ancient times, and fight in battle! Volume I of the suite represents three main characters from the sci-fi, fantasy book Trials of the Innermost (release date May 26, 2023). Each movement has a distinct feel and reflects each character's personality. This edition features performance notes written by the composer, including musical elements unique to each movement, fun facts, and personal influences JohnWillard had in mind when creating the work. A graphic of the musical cryptogram system used to make the melodies for each character is featured at the end of the notes. The three movements imitate a sonata, with the overall order of the suite is slow, slow, fast. Some teaching elements in the first movement I. Vayriel: Protector of the Mountains, include: scalar passages (A natural minor scale), shifting hands position, rolled chords, repeated left hand patterns, ornaments, and pedaling. II. Zinvar: Peacemaker of the Volcanic Rifts is more challenging, but has more room for musicality, expression, exploring different touches on the piano, and ethereal use of pedaling, like the sostenuto pedal (if you have one!) The movement opens with a mysterious, wave-like arpeggiated left hand pattern, similar to pieces of Chopin or Rachmaninoff. The B section is practice in using the sostenuto (middle) pedal while playing softly, imitating Gregorian Chant. Best of all the ending sounds harder than it actually is and you get to play as loud as possible! III. Idrilia: Warrior of the Desert is fast paced, rhythmic, and inspired by video games. This piece is a nice supplement for students learning techniques found in toccatas, nocturnes, and pieces that require a big, full sound. The longest and most advanced movement, players can enjoy using all the things: pedaling, accents, quick changes in dynamic contrast, and a lyrical B section. Technique requires comfort with arpeggios, chord inversions, octaves, and sensitivity to voicing. Once mastered, this movement can be both fun to play as a stand-alone recital piece or an exciting treat to play for friends and family. You'll find yourself humming the simple melody as it transforms throughout the work, and the ending is a chance to play big chords by using the full range of the keyboard.
$15.00
13.72 €
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Piano seul
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JohnWillard Utuk
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The Etherea Suite, Volume 1 for Solo Piano
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JohnWillard Utuk
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.62 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.62 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Liliacia Park: A Ragtime Waltz
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.967736 Composed by Lawrence H. Unde…
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Piano Solo - Level 3 - Digital Download SKU: A0.967736 Composed by Lawrence H. Underwood. Patriotic,Ragtime,Traditional. Score. 11 pages. Lawrence H Underwood #6195847. Published by Lawrence H Underwood (A0.967736). LILACIA PARK is named for a beautiful park in Lombard, Illinois - The Lilac Village. When the lilacs are in full bloom, it really is an intoxicating mix of colors and scents. . .and this ragtime waltz evokes the wonder one feels at walking among the blooms for the first time. Lilting and full of joy, this waltz is approachable by ambitious intermediate players and easily managed by advanced intermediate musicians. Suitable for concert and recital or simply as a resource for learning to master ragtime piano style.
$3.99
3.65 €
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Piano seul
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Lawrence H
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Liliacia Park: A Ragtime Waltz
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Lawrence H Underwood
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SheetMusicPlus
God of Our Fathers/Faith of Our Fathers Medley
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.697693 Composed by George W. Warren…
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Piano Solo - Level 3 - Digital Download SKU: A0.697693 Composed by George W. Warren/Henri F. Hemi. Arranged by Sandy McIntire. Holiday,Instructional,Patriotic,Sacred,Traditional. Score. 7 pages. Sandy McIntire #6431627. Published by Sandy McIntire (A0.697693). God of Our Fathers/Faith of Our Fathers is a medley of two popular American Christian hymns often associated with patriotic occasions. The first was published in 1876 Independence Day, and the second, first published in 1849 has become a popular hymn sung on Father's Day and Mother's Day.This arrangement as an Intermediate Piano Solo provides a stirring combination of both well-loved hymns for any time in the Christian calendar particularly appropriate for processionals, preludes and postludes in worship services.
$5.99
5.48 €
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Piano seul
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George W
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Sandy McIntire
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God of Our Fathers/Faith of Our Fathers Medley
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Sandy McIntire
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SheetMusicPlus
Romance at the Piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.573706 Composed by James Michael St…
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Piano Solo - Level 4 - Digital Download SKU: A0.573706 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Love,New Age,Sacred,Wedding. Score. 88 pages. James M Stevens Music ASCAP #5955401. Published by James M Stevens Music ASCAP (A0.573706). Romance at the Piano is a collection of 28 original piano solos in romantic styles written 2019 - 2020. With the exception of Italian Prelude No. 7, this is the first time any of these have been placed in a book making this a great non-duplicating resource for weddings, recitals, background music, and sacred settings. The YT video is of the second song, Magic in the Moonlight, while the MP3 is of the first song, Every Song I Play... I Play For You. Every song in the book is available as a single as well as the recording for each song. Most of these songs can also be heard on Dr. Stevens' Spotify, Pandora, and iTunes channels.
$18.99
17.37 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Romance at the Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
The Third Man (the Harry Lime Theme)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.785571 By Anton Karas. By Anton Kar…
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Piano Solo - Level 5 - Digital Download SKU: A0.785571 By Anton Karas. By Anton Karas. Arranged by Timothy Stapay. Contemporary. Score. 7 pages. Timothy Stapay #4808295. Published by Timothy Stapay (A0.785571). This is a piano solo arrangement of The Third Man Theme. Here for the first time in print anywhere; it is arranged as played by the legendary piano showman, Liberace! Now you can learn to play this classic song, exactly as played by one of the most famous popular pianists of all time!
$7.99
7.31 €
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Piano seul
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Anton Karas
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Timothy Stapay
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The Third Man
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Timothy Stapay
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SheetMusicPlus
Harvest Time Minuet
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.961664 Composed by Kim S. Bean. Con…
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Piano Solo - Level 1 - Digital Download SKU: A0.961664 Composed by Kim S. Bean. Contemporary,Instructional,Standards. Score. 1 pages. Kim S. Bean #6027701. Published by Kim S. Bean (A0.961664). Harvest Time Minuet, a 1 page piece in the key of C minor at the mid to late elementary level, is the 7th piece from a set of 12 pieces entitled Something For Every Season. There are 3 pieces for each of the four seasons. The first piece in each season is at the mid to late elementary level, the second piece is at the early intermediate level and the third piece is at the intermediate level. Harvest Time Minuet in 3/4 time, uses the tonic and dominant in the bass clef and has a melody that stays within the 5 finger position of C minor. This is a great piece to use in conjunction with Spring Time Minuet to teach students transposition. (Teachers can also introduce other major and minor five finger transpositions with these pieces.)Other titles available in this set entitled Something for Every Season are: Spring Time Minuet, Fishing in the Brook, April Showers and May Flowers, Trampoline Tango, Reflection on the Water, Lazy Days, Family Gathering, Crunchy Leaves, Winter Fun Suite, The Glistening Woodland Waltz and The Blizzard.
$3.99
3.65 €
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Piano seul
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Kim S
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Harvest Time Minuet
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Kim S. Bean
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SheetMusicPlus
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