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TRI ET FILTRES
TRI ET FILTRES
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63
PIANO & CLAVIERS
Piano seul
14
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Piano, Voix
1
Orgue
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GUITARES
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3
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4 Guitares (Quatuor)
1
VOIX
Chorale SATB
5
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2
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Chorale
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VENTS
Flûte traversière et Piano
14
Clarinette et Piano
12
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9
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8
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7
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2 Flûtes traversières (duo)
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Euphonium, Piano (duo)
11
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9
Cor et Piano
7
Cor anglais, Piano
7
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3
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CORDES
Violoncelle, Piano
7
Alto, Piano
6
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4
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3
Violon
3
Violoncelle (partie séparée)
2
Alto (partie séparée)
2
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Orchestre à Cordes
10
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2
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2
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1
Ensemble Jazz
1
Orchestre de chambre
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AUTRES
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The Five Elements
Piano seul
Partitions à imprimer
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The New York Quadrilles
Piano seul
Piano - Digital Download SKU: LV.9367 Line dancing, Ballroom dancing, Architectural…
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Piano - Digital Download SKU: LV.9367 Line dancing, Ballroom dancing, Architectural elements--Arches, Masked balls, Dance parties. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9367). The New York Quadrilles. (1) Ah, Do Not Forget Love; (2) Broadway Sights; (3) On Yonder Rock Reclining; (4) Light My the Boat Row; (5) Duke of Reichstadts Walts. Arranged for the Piano Forte or Harp [na]. Published 1836 by Atwills Music Saloon, 201 Broadway in New York. Composition of five da capo movements with piano instrumentation. Subject headings for this piece include Line dancing, Ballroom dancing, Architectural elements--Arches, Masked balls, Dance parties. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.6 €
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Piano seul
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(2) Broadway Sights
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The New York Quadrilles
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The New York Quadrilles
Piano seul
Piano - Digital Download SKU: LV.9536 Line dancing, Ballroom dancing, Architectural…
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Piano - Digital Download SKU: LV.9536 Line dancing, Ballroom dancing, Architectural elements--Arches, Masked balls, Dance parties. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9536). The New York Quadrilles. (1) Ah, Do Not Forget Love; (2) Broadway Sights; (3) On Yonder Rock Reclining; (4) Light My the Boat Row; (5) Duke of Reichstadts Walts. Arranged for the Piano Forte or Harp [na]. Published 1836 by Atwills Music Saloon, 201 Broadway in New York. Composition of five da capo movements with piano instrumentation. Subject headings for this piece include Line dancing, Ballroom dancing, Architectural elements--Arches, Masked balls, Dance parties. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.6 €
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Piano seul
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(2) Broadway Sights
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The New York Quadrilles
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Hommage an Ursula [piano solo]
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1335536 Composed by Juan MarÃa S…
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Piano Solo - Level 5 - Digital Download SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pages. Juan Maria Solare #921371. Published by Juan Maria Solare (A0.1335536). Hommage to Ursula is a piano piece in memory of Ursula Görsch (1932-2023). The piece is based on the six sounding letters of her last name (GERSCH, where the O is omitted, the R represents RE - the D note in Spanish, Italian, or Turkish - and the S represents the E flat, 'Es' in German), as well as on the remaining six notes of the total chromatic scale (C#, F, F#, Ab, A, B). Both Pitch Class Sets are identical from an intervallic perspective - transposed by a tritone. Such coincidences confirm to me that I am on the right path, at least musically.The reference to Turkey is not coincidental, as Ursula taught in Istanbul for many years.The initial texture of the piece - a kind of toccata with many repeated notes - is a purely musical homage to Ursula: she used this texture in some passages of her compositions. Besides that, this piece contains no direct quotation from Ursula's music.The work Hommage an Ursula is based on a series of 12 notes. The original version (Prime) and the inverted version (Inversed) alternate. From these 24 versions of the series, 24 sections result. I add a final section based on the original series ('Das Ende im Anfange'*); thus, there are 25 sections.To order the 5 motivic elements, I generate a Latin square. The 5 elements do not rotate, but, in each of the 5 main sections, the initial motive is always the same (A), and the order of the other four (BCDE) changes, permutating according to the following Latin square:A BCDEA CEBDA DBECA EDCBA BCDEThis work can then be considered as a derivation of the 'theme and variations' structure, with the peculiarity that there are five sub-themes that are rearranged in each of the variations.This piece lasts about 11 minutes. The premiere, performed by the composer (that is, by myself), took place on November 26, 2023, at the Konzertsaal of the Hochschule für Künste in Bremen, during the concert 'Gedenkkonzert Ursula Görsch und Harald Kruse', as part of the 73rd Hausmusikwoche, organized by the DTKV (German Association of Sound Artists) in cooperation with the ABK (Circle of Composers in Bremen).This is not an easy piece to listen to. It is absolutely consistent but perhaps monotonous. During the premiere, the yawns of someone in the audience prompted me to briefly interrupt the performance to inform them that the end was near. After the concert, one of the organizers suggested to me that the piece was too 'anstrengend' (demanding, exhausting). It is up to the gentle pianists to risk experiencing the same as me.* 'Das Ende im Anfange' reads the legend that can be read in the circle of tonalities reproduced by Johann Friedrich Michael Wiedeburg in his treatise Der sich selbst informirende Clavierspieler (Leipzig and Halle, 1765-1775, Verlag der Buchhandlung des Waisenhauses).Juan MarÃa SolareBremen, September & December 2023.
$4.00
3.74 €
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Piano seul
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Juan MarÃa Solare
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thus, there are 25 sections
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Hommage an Ursula [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Five Nights At Freddy's
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1296073 By The Living Tombstone. By…
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Piano Solo - Level 3 - Digital Download SKU: A0.1296073 By The Living Tombstone. By Yoav Landau. Arranged by Marco D. Contemporary,Film/TV,Multicultural,Pop,Video Game,World. Score. 4 pages. Marco D #886344. Published by Marco D (A0.1296073). 🎵🎹 Immerse in the captivating melody of Five Nights at Freddy's 1 Song! Now available in sheet music, transcribed expertly by Marco D., it's tailored for piano soloists longing for an electrifying performance. From its intriguing game origins, it beautifully combines elements of pop, rock, and electronic genres. This choice piece, designed for standard 88-keys piano, offers 'Normal' difficulty and comes in a comprehensive 2-pentagram setup. Get your fingers ready for an immersive, thrill-filled piano journey. Grab your copy today and let the music speak! 🎹🎵.
$4.99
4.66 €
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Piano seul
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The Living Tombstone
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Marco D
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Five Nights At Freddy's
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Marco D
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SheetMusicPlus
Bagatelle (vol. 1)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.808952 Composed by Mario Totaro. 20…
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Piano Solo - Level 4 - Digital Download SKU: A0.808952 Composed by Mario Totaro. 20th Century,Contemporary. Score. 44 pages. Preludio s.r.l. #6140709. Published by Preludio s.r.l. (A0.808952). Six Bagatelles for piano written by italian composer Mario Totaro.In the summer of 2016 Preludio asks the composer Mario Totaro to write some pieces for piano intended for sync advertising, movies and television. However, in the publisher’s intention, these pieces would have to possess a number of specific features: simplicity, neutral expressivity, positivity, in order to be functional to the objective. Mario Totaro accepted the challenge, and the five bagatelles published in this volume are his personal «answer».Maintaining a balance between individuality and business needs can be very difficult, as it can be hard to reach a certain level of «acceptability» in this field. Difficult, but not impossible. Yet such a challenge can also be as stimulating as amusing experience. Moreover, these bagatelles prove it: despite being quite simple, they reveal a care for detail and a significant daintiness; they are indeed expressive, but they refer to the imagination of their author; finally, they are functional to their purpose without showing it, as too often happens to a certain type of «musical wallpaper» to which we are accustomed. In short, Totaro can measure out all the elements without sacrificing his compositive personality or artistic integrity, and this is definitely a goal that not all composers (sometimes even the biggest) can achieve.
$19.99
18.67 €
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Piano seul
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Mario Totaro
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Bagatelle
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Preludio s.r.l.
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) - D MAJOR VERSION
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Trancribed by Flavio Regis Cunha. Baroque Period, Early Music, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas. 'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Boréades?, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, Ólafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$6.99
6.53 €
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Piano seul
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.<br> <br> <br> <br> https://youtu.be/qTwqBVt2Clw
$6.99
6.53 €
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Piano seul
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Renaissance, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$6.99
6.53 €
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Piano seul
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 9 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$6.99
6.53 €
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Piano seul
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Carson Cooman: Biblicals: Concerto for Solo Piano
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.533692 Composed by Carson Cooman. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.533692 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Sacred,Standards. Score. 17 pages. Musik Fabrik Music Publishing #3038635. Published by Musik Fabrik Music Publishing (A0.533692). Biblicals: Concerto for Solo Piano in Five Movements (1998) was commissioned from thecomposer by an anonymous benefactor for pianist Kathleen Supové in tribute of her tirelesssupport of new music.The work is in five movements, each inspired by a different biblical quotation which isquoted in the score before each movement. If possible, these passages should be printed inthe program or read aloud before the performance of the work. Each movement isprogrammatic only in an internal sense. While the movements do not attempt to directlyportray the action of the passage in a storybook sense, they do attempt to capture the overallaffect of the verse. The form of the work is as a concerto for solo piano drawing on a titlethat has been used in the past by numerous composers. Likewise, although the work does notinvolve an orchestra, I have titled it concerto because it contains elements of a concerto solopart and because of the virtuosity required to perform the work. The work explores a widerangeof styles from quasi-lyrical to highly chromatic. Throughout, the work has a rhythmicintensity which should be observed by the performer.The first movement, Hovering Over the Waters, makes use of an irregular rhythmic patternintroduced in the opening measure and used throughout the work. Irregular and nervousrhythms using chromatic intervals pervade the entire movement.The second movement, Baldhead, is a forceful and loud movement making use of the clashbetween diatonic and pentatonic clusters. It is relentless in its pounding energy, irregularrhythms, and volume. This movement is dedicated to American composer Daniel Pinkhamon the occasion his 75th birthday in 1998. The connection of this movement to Pinkhamcomes in the superimposition of pentatonic and diatonic clusters, a technique used so well inone of my favorite Pinkham works, Blessings for Organ (1978).The third movement, Forgiven and Free, presents a tranquil scene involving the building ofchords, standard and otherwise, through the adding of tones one at a time. Brief chromaticmelodies appear and then disappear quickly.The fourth movement, Under the Sun, makes use of a motive involving four chords over a lefthand bass consisting of a major-tenth chord. This motive appears throughout the movement,constantly breaking in and interrupting the action. A variety of irregular rhythmic motivesappear throughout as a contrast to the main motive with its strict rhythm. Quotes of nurseryrhyme tunes are hidden throughout the movement as well in various forms.The fifth movement, The Seventh Angel, is a fast and furious tarantella. As the movementflies by a variety of musical ideas emerge and then disappear into the main motive again.The music continues to get faster and faster and finally the movement ends with a furiousprogression from the bottom to top of the piano and then a thunderous unison chord in thelower register.
$16.95
15.83 €
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Piano seul
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Carson Cooman
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Carson Cooman: Biblicals: Concerto for Solo Piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Homage to Beethoven
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1023436 Composed by Theresa Koon. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1023436 Composed by Theresa Koon. 20th Century,Contemporary. Score. 8 pages. Theresa Koon #5730993. Published by Theresa Koon (A0.1023436). Homage to Beethoven includes five main themes which overlap fugally to some degree, however this music is not intended to directly reflect the tantot recherchée elements of Beethoven’s composition. It is more specifically inspired by the tantot libre angularity, the exquisitely controlled chaos, and the agonized outrage apparent in Beethoven’s controversial Fugue. The final Lento section is intended to express uneasy grief over the price of Beethoven’s newfound independence: the death of innocence. (Detailed program notes available.)
$4.99
4.66 €
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Piano seul
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Theresa Koon
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Homage to Beethoven
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Theresa Koon
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SheetMusicPlus
Quadrille on Popular Airs
Piano seul
Piano - Digital Download SKU: LV.10331 Composed by Charles Coote, Jr. Theaters, Cou…
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Piano - Digital Download SKU: LV.10331 Composed by Charles Coote, Jr. Theaters, Couples, City & town life, Architectural elements--columns. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10331). Songs of the Day. Quadrille on Popular Airs. by Charles Coote, Junr. Published [n.d.] by Hopwood & Crew] in London. Composition of five da capo movements (quotes tunes such as Captain Cuff, and If I was Only Long Enough) with piano instrumentation. Subject headings for this piece include Theaters, Couples, City & town life, Architectural elements--columns. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.6 €
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Piano seul
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Charles Coote, Jr
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Quadrille on Popular Airs
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Seascapes for Piano Solo
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1352099 Composed by Christos Tsitsa…
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Piano Solo - Level 5 - Digital Download SKU: A0.1352099 Composed by Christos Tsitsaros. 20th Century,Classical,Romantic Period. Score. 61 pages. Christos Tsitsaros #936924. Published by Christos Tsitsaros (A0.1352099). This set of five piano solos was inspired by the deep poetry and transcending beauty of the seascape of my native country, Cyprus. Â Composed between 2015-2018, it represents a blend of traditional Western classical idiomatic and textural elements with Mediterranean and Middle Eastern musical influences.
$14.99
14 €
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Piano seul
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Christos Tsitsaros
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Seascapes for Piano Solo
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Christos Tsitsaros
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SheetMusicPlus
Meandering
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1000924 Composed by Aaron Corley. C…
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Piano Solo - Level 3 - Digital Download SKU: A0.1000924 Composed by Aaron Corley. Contemporary,New Age,Pop,Rock. Score. 8 pages. Transdimensional Music #5969925. Published by Transdimensional Music (A0.1000924). This intermediate-level piano solo features both jazz and contemporary harmonic elements. In places it drifts across the keyboard in both major and minor modes, employing cluster chords, lots of sixteenth notes and tuplets of various lengths. Approximate performance time is just over five minutes.
$3.00
2.8 €
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Piano seul
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Aaron Corley
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Meandering
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Transdimensional Music
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SheetMusicPlus
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