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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Voice
Non classifié
18 394
Piano & claviers
Piano, Voix
55 896
Piano, Voix et Guitare
40 995
Piano Facile
3 519
Piano seul
1 481
Instruments en Do
1 226
Piano grosses notes
1 101
Accompagnement Piano
423
Ligne De Mélodie, Piano
172
Orgue
163
Accordéon, Voix
78
Accordéon
39
1 Piano, 4 mains
38
Piano Trio: piano, violon, violoncelle
29
Clavecin
21
Orgue, Voix
13
Orgue, Piano (duo)
10
2 Pianos, 4 mains
9
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
1
Piano (partie séparée)
1
Ensemble d'Accordéons
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 18 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
21 054
Guitare notes et tablatures
4 251
Ukulele
864
Basse electrique
311
Guitare
124
Paroles et Accords
59
2 Guitares (duo)
20
Banjo
17
4 Guitares (Quatuor)
9
Guitare Tab, Voix, Basse, Batterie
8
Dulcimer
6
Piano, Guitare (duo)
5
Mandoline
4
3 Guitares (trio)
2
Ensemble de guitares
2
Guitare (partie séparée)
1
Guitare, Orchestre
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
5 745
Voix duo, Piano
2 795
Chorale 2 parties
2 538
Chorale 3 parties
2 509
Chorale TTBB
1 432
Voix seule
1 267
Voix duo
1 130
Chorale SSAA
954
Voix Soprano, Piano
884
Chorale Unison
879
Voix haute
808
Voix Alto, Piano
614
Voix Tenor, Piano
572
Voix Baryton, Piano
367
Voix basse, Piano
259
Pack Instrumental pour Chorale
237
Voix moyenne, Piano
221
Voix Tenor
118
Chorale
92
Voix, Guitare
86
Voix Mezzo-Soprano, Piano
56
Voix Soprano
54
Voix basse
39
Chorale SSATB
32
Chorale SSAATTBB
29
Voix Baryton
18
Voix haute, Piano
17
Voix Moyenne
9
Chorale SSAB a cappella
9
Soli, choeur mixte et accompagnement
8
Chorale SSAB, Piano
6
Voix Soprano, Orchestre
6
Chorale SSATTB
5
Chorale SSAATB
5
Chorale SSATBB
5
Voix (avec Boîtes d'Accords)
3
Chorale SATTB
2
Chorale SATTBB A Cappella
1
Chorale SAATB A Cappella
1
Voix duo, Orgue
1
+ 35 instrumentations
Retracter
Vents
Clarinette et Piano
281
Instruments en Mib
275
Flûte traversière et Piano
261
Quatuor de Saxophones: 4 saxophones
173
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
144
Flûte, Hautbois, Clarinette, Basson
136
Hautbois, Piano (duo)
114
Quatuor de Clarinettes: 4 clarinettes
109
Clarinette, Harpe (duo)
97
2 Saxophones (duo)
95
Saxophone Alto et Piano
94
Quintette de Saxophone: 5 saxophones
92
Flûte traversière
83
Clarinette
65
Saxophone Tenor et Piano
60
2 Flûtes traversières (duo)
57
Ensemble de Clarinettes
56
2 Clarinettes (duo)
52
Quatuor de Flûtes : 4 flûtes
49
3 Saxophones (trio)
48
Saxophone Soprano et Piano
45
3 Clarinettes (trio)
42
Quintette de Clarinettes: 5 clarinettes
41
Saxophone (partie séparée)
36
Saxophone Baryton, Piano
35
Hautbois (partie séparée)
35
2 Flûtes traversières, Piano
35
Ensemble de Flûtes
34
Saxophone Alto
34
Harmonica
28
Trio de Flûtes: 3 flûtes
27
Flûte, Clarinette (duo)
27
Flûte et Guitare
26
Ensemble de saxophones
25
Ensemble De Flûte à bec
23
Hautbois
22
Saxophone Tenor
22
Quintette de Flûte : 5 flûtes
21
Cor anglais, Piano
20
Flûte à Bec
20
Clarinette, Guitare (duo)
18
2 Flûte à bec (duo)
18
2 Hautbois (duo)
16
Flute (partie séparée)
13
Flûte à bec Tenor
13
Flûte, Hautbois, Clarinette (trio)
12
Hautbois, Basson (duo)
12
Flûte, Violon, Piano
11
Clarinette Basse, Piano
10
Quatuor de Flûtes à bec
10
Flûte, Alto et Piano
9
Cor anglais, Guitare (duo)
8
Saxophone, Clarinette (duo)
8
Clarinette, Alto et Piano (trio)
8
3 Flûtes à bec (trio)
8
Flûte, Violon
8
Clarinette, Basson (duo)
8
Clarinette, Violon (duo)
7
Hautbois, Clarinette (duo)
7
Flûte, Violoncelle, Piano (trio)
7
Clarinette (partie séparée)
6
Flûte, Hautbois, Basson
6
Flûte, Clarinette et Basson
6
Flûte, Violoncelle
6
Flûte à bec Soprano
6
Flûte, Clarinette, Piano (trio)
6
Clarinette, Violoncelle (duo)
5
Hautbois, Violon, Piano
5
Flûte à bec Alto
5
Hautbois, Violoncelle
5
4 Hautbois
4
Hautbois, Violoncelle et Piano
4
Flûte, Saxophone (duo)
4
5 Flûtes à bec
4
Flûte, Hautbois (duo)
4
Clarinette, Trompette (duo)
4
Hautbois, Flûte
4
Hautbois, Guitare (duo)
4
Saxophone et Harpe
3
2 Clarinettes, Piano
3
Clarinette, Basson, Piano (trio)
3
Saxophone et Guitare
3
Hautbois et alto (duo)
3
Clarinette, Violoncelle, Piano (trio)
3
Cor Anglais
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Alto (duo)
3
Saxophone Soprano
3
Flûte, Basson et Piano
3
Hautbois, Harpe
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Hautbois, Clarinette et Piano (Trio)
2
Flûte à bec Alto, Piano
2
Clarinette et Alto
2
Saxophone Baryton
2
Flûte à bec, Guitare (duo)
2
Ensemble de Hautbois
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Flûte à bec Soprano, Piano
2
Flûte, Trompette (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Ensemble à vent
1
Hautbois, Basson et Piano
1
Flute, harpe et violon
1
Flûte à bec Alto, Basse continue
1
2 Saxophones, Piano
1
Piccolo
1
Clarinette, trompette et piano
1
Flûte irlandaise
1
Flûte à bec, Harpe
1
Flûte, Violon et Violoncelle
1
Piccolo, Piano
1
Clarinette, Trombone (duo)
1
Flûte traversière, Orgue (duo)
1
Flûte, Violoncelle, Guitare
1
Saxophone
1
2 Flûtes traversières, Harpe
1
3 Hautbois
1
Ocarina
1
+ 114 instrumentations
Retracter
Cuivres
Bass Clef Instruments
290
Instruments en Sib
260
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
188
Trompette, Piano
147
Quatuor de Cuivres : 2 trompettes, trombone, tuba
113
Cor et Piano
111
Trombone et Piano
105
Trompette
81
Tuba
55
Tuba et Piano
53
Cor
50
Trombone
43
Trompette (partie séparée)
40
Quatuor de Cuivres: 2 trompettes, Cor, trombone
33
Quatuor de cuivres: 4 trombones
31
2 Trombones (duo)
29
2 Trompettes (duo)
28
Euphonium, Piano (duo)
23
Ensemble de Trombones
22
Trompette, Trombone (duo)
21
Cor anglais, Piano
20
Quatuor de Cuivres
19
Trombone (partie séparée)
18
2 Cors (duo)
18
Quatuor de cuivres: 4 cors
15
3 Trombones (trio)
10
Cor anglais, Guitare (duo)
8
Trompette, Cor (duo)
8
Ensemble de Cors
8
Trombone, Cor (duo)
6
2 Euphoniums et 2 Tubas
6
3 Tubas (trio)
6
Quatuor de cuivres: 4 trompettes
6
3 Cors (trio)
5
2 Tubas (duo)
5
Cor (partie séparée)
4
Trompette, Violoncelle et Piano
4
Trompette, Saxophone (duo)
4
G Instruments
4
4 Tubas
4
Ensemble de Trompettes
4
Trompette, Trombone, Piano
4
Euphonium
4
Tuba et Orgue
4
3 Trompettes (trio)
3
Cor Anglais
3
Euphonium, Tuba (duo)
3
Trompette, Violoncelle (duo)
3
Trombone, Violon (duo)
2
Trombone basse et Piano
2
Cor et Harpe
2
Trio de Cuivres
2
Clarinette, Cor (duo)
2
Tuba (partie séparée)
2
Trombone, Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Euphoniums (duo)
1
Trombone, violoncelle (duo)
1
Trompette, Harpe
1
Trombone, Tuba (duo)
1
Ensemble de Tubas
1
4 Euphoniums
1
Trompette, Tuba (duo)
1
Cor, Tuba (duo)
1
Cor, Violoncelle (duo)
1
Trombone basse
1
3 Euphoniums
1
+ 62 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
539
Violon et Piano
359
Violoncelle, Piano
243
Harpe, Flûte (duo)
193
Alto, Piano
189
Harpe
150
Violon
116
Trio à Cordes: violon, alto, violoncelle
100
Contrebasse, Piano (duo)
98
Harpe, Violon (duo)
86
Violoncelle
86
Violon, Violoncelle (duo)
78
Quintette à cordes: 2 violons, alto, violoncelle, basse
65
Harpe, Voix
58
2 Violons (duo)
56
Alto seul
55
Contre Basse
45
Violon, Alto (duo)
44
Trio à Cordes: 2 violons, violoncelle
30
2 Violoncelles (duo)
30
2 Altos (duo)
28
Violon (partie séparée)
23
Alto (partie séparée)
21
Violon, Guitare (duo)
19
4 Violoncelles
17
Piano Trio: Violon, Alto, Piano
17
Alto, Violoncelle (duo)
15
2 Harpes (duo)
14
Violoncelle , Guitare (duo)
10
Trio à Cordes: 3 violoncelles
10
Contrebasse (partie séparée)
8
Alto, Guitare (duo)
7
Violon, Clarinette, Piano (trio)
7
Quatuor à cordes : 4 altos
6
Trio à cordes: 3 violins
6
2 Violons, Piano
6
Violoncelle, Contrebasse (duo)
6
Violoncelle (partie séparée)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Trio à cordes: 3 altos
5
Quatuor à cordes: 4 violons
5
2 Altos, Piano
5
2 Violoncelles, Piano
4
Harpe, Trombone (duo)
4
Violon, Basson (duo)
4
Violon, Trompette et Piano
4
2 Contrebasses (duo)
4
Harpe, Violoncelle (duo)
3
3 Harpes
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Trio à Cordes: 2 violons, alto
3
Alto et Basson
3
Ensemble de Violoncelles
2
Harpe, Violon, Violoncelle
2
Ensemble de Violons
2
Alto et Harpe
2
4 Contrebasses
2
Ensemble d'Altos
2
Violoncelle, Orchestre
1
3 Contrebasses
1
Violon, Violoncelle, Clarinette
1
2 Violons et Basse continue
1
+ 57 instrumentations
Retracter
Orchestre & Percussions
Orchestre
683
Orchestre d'harmonie
569
Ensemble Jazz
351
Orchestre à Cordes
247
Orchestre de chambre
196
Ensemble de cuivres
110
Cloches
78
Jazz combo
73
Ensemble de Percussions
23
2 Xylophones
20
Batterie
17
Piano et Orchestre
17
Fanfare
16
Vibraphone
15
Marimba
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Percussion (partie séparée)
5
Voix et Orchestre
3
Xylophone
3
Xylophone, Piano
3
Quintette de Cuivres: autres combinaisons
1
Quintette à Vent
1
Big band
1
Voix Mezzo-Soprano, Orchestre
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
139
Théorie de la musique
3
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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ORGUE
OUD
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PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
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VIELLE A RO…
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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style (tous)
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METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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The Voice
Piano seul
Partitions à imprimer
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1476
The Promise Piano Minus Vocal
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Piano seul
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going on a mission I was put i
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Steven H
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Ashley Ivers
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The Promise Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Piano - SKU: A0.1069993 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 255. Boothe Publishing #47...
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Piano - SKU: A0.1069993 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 255. Boothe Publishing #4737123. Published by Boothe Publishing (A0.1069993). Just one person doing what he knows is right will set off a chain reaction for the good that will go on and on. Before I arrived at mission age I had to make a lot of decisions about whether or not I wanted to go on a mission. There were so many voices calling out to me. The voices promised me scholarships and fame. The voices questioned my logic. The voices tried to make me doubt my motives and character. The voices ridiculed me and my desires to do good. The voices told me that they loved me, but wouldn't wait for me if I went on a mission. All of those voices were demeaning of me if I went on a mission. They also promised me joy, but only if I decided not to go on a mission. I ultimately decided to go on a mission. By going on a mission I was put in a situation where I could testify of God's gospel truths. Those people hearing the truths had the opportunity to pray to God to find out for themselves if what they had been taught was true. Those people that talked to God in prayer joined the church. Why? Because God answered their prayers. Some of those new members went on missions to other lands converting through the spirit of the Holy Ghost others, who in turn went on missions to other lands. The cycle continues. Just one person doing what he knows is right can set off a chain reaction for the good that will go on and on.
$1.99
The End Of The World
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Skeeter Davis
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Timothy Stapay
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The End Of The World
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Ro...
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Piano Solo - Level 4 - SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World, a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter. The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances. Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range. Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable. Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.  She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music. The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock. Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships. Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you
$6.99
Pitcairn Local Anthem (The Royal Telephone/We From Pitcairn Island”) for Voice & Piano
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Piano seul
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Pitcairn Local Anthem
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Keith Terrett
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SheetMusicPlus
Piano - Level 3 - SKU: A0.1207336 By Keith Terrett. By Frederick M. Lehman. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Praise & Worship...
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Piano - Level 3 - SKU: A0.1207336 By Keith Terrett. By Frederick M. Lehman. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Praise & Worship,Traditional,World. Score (Chords/Lyrics). 3 pages. Keith Terrett #805498. Published by Keith Terrett (A0.1207336). The Pitcairn Islands are a remote British colony in the South Pacific, famous for being the site where the mutineers from the HMS Bounty landed. The islands’ population have always been very small (currently numbering around 50), yet, aside from the official anthem of God Save the King (which is not heard often on the islands), there have been, and continue to be, many unofficial anthems in use in the colony.In Diana Jolliffe Belcher’s 1871 book “The Mutineers of the Bounty and their Decendants in Pitcairn and Norfolk Island†it is reported that a local poem by Rev. G. H. Nobbs was set to the tune “Rousseau’s Dream†(sheet music) and was considered by Pitcairners to be their anthem at the time. It is not known for how long this was considered as their anthem, however. Also, in 1856, several Pitcairners resettled on Norfolk Island as Pitcairn had become too small. The local anthem now in use on Norfolk Island, Come Ye Blessed, is also referred to as the “Pitcairn Anthemâ€, and more than likely was brought to the island by the Pitcairn settlers, suggesting that this anthem was in use on Pitcairn at that time, and is also heard on Pitcairn currently.Currently, the song “We From Pitcairn Island†(to the tune of the hymn “The Royal Telephoneâ€) is used as an unofficial anthem at gatherings and the like. The lyrics were written by Pitcairner Melva Evans with assistance from the local Seventh Day Adventist Pastor L. A. J. Webster in 1962 to be performed by the school children on board a visiting cruise ship, but the song became identified by residents as their unofficial anthem. Other songs, such as “The Goodbye Song†(written by Pitcairner Amelia Young), and the hymn “In The Sweet By and By†are considered unofficial “Pitcairn songs†at gatherings as well. (“Goodbye songsâ€, sung to ships as they leave the country, are a tradition in many Polynesian islands, and are part of the patriotic music of those countries.).
$4.99
Mother Wolf
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Piano seul
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Contemporain
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Yiling Huang
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Mother Wolf
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Yiling Huang
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SheetMusicPlus
Piano Solo - SKU: A0.887791 Composed by Yiling Huang. 20th Century. Score. 4 pages. Yiling Huang #3574671. Published by Yiling Huang (A0.887791).
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Piano Solo - SKU: A0.887791 Composed by Yiling Huang. 20th Century. Score. 4 pages. Yiling Huang #3574671. Published by Yiling Huang (A0.887791). Listen on You Tube https://youtu.be/VqQiZz9Q4g4Mother Wolf : In the Wilderness, the sound of Mother Wolf's howl is chilling , but listen carefully : it is the Voice of her Soul . Where is her mate? We don't know , but Mother Wolf walks along many dangerous paths within her territory . She hunts and kills so she can survive and keep her young with her . She devoted herself to her pups and protects them, being careful not to spoil them . They will need to learn to face danger, too. In all she does, Mother Wolf is loyal, intuitive and endures with great strength. I wonder if we can live at Peace with Mother Wolf and with each other? I pray we can and will ! Yiling Huang .
$6.00
The Bare Necessities
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Piano seul
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FACILE
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Film Walt Disney
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the way, there are a few bars
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Terry Gilkyson
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Thomas Gunther
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The Bare Necessities
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music...
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Piano Solo - Level 2 - SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music Productions #869433. Published by Thomas Gunther Music Productions (A0.1277927). About the arrangement(See also (PopJazzKeys.com/The-Bare-Necessities)This is a relatively easy to play solo piano jazz arrangement of THE BAR NECESSITIES. The song is a traditional jazz tune made famous in the Walt Disney movie THE JUNGLE BOOK. The video and audio recording I posted here features me playing the short version of my arrangement. When played as written (with all the repeats) it is almost 4 minutes long.What's cool about this arrangement is that you can easily add a bass player and even an entire rhythm section while playing it the same way as you would in a solo performance!Who this arrangement is best suited forI think everyone who likes the song except perhaps advanced jazz pianists will have fun learning and playing this arrangement. I arranged this piece originally with my younger piano students in mind, who have smaller hands than most adults. That’s why there are no large intervals or big jumps in the left hand. Something generally found in ragtime and early jazz piano styles. This means that my arrangement is perfectly suited for pianists with smaller hands. Of course pianists with large hands (like myself) can play it too (ha-ha!).I think it is also a great piece for pianists who want to familiarize themselves with playing jazz piano. And since I wrote out every note and articulation, they can play along with the recording and hopefully pick up the traditional jazz feel along the way.Although the arrangement is not very difficult, it poses several challenges for the inexperienced pianist, as explained later.How I arranged itAs I already explained above, there are no large intervals or big jumps in the left hand to be found. Instead, I focused more on polyphonic arranging techniques, in both hands. I also used guide tones and inversions.The left hand imitates the accompaniment style of a traditional jazz guitar or banjo player with added half time bass figures that are typically played by a tuba or upright bass an octave lower. Tips for how to learn this arrangementWhen I teach this song to my students I strongly recommend to them to listen to the original version and my recording a lot, rather than explaining to them how swinging eighth notes and jazz articulation work. By the way, there are a few bars where you hear me playing straight eighths on the recording (as indicated in the sheet music). I decided to add articulations so that pianists who have not a lot of experience with playing jazz will find it easier to play it with the appropriate “touchâ€. It's a good idea to check those out.Should you not be familiar with playing polyphonic passages with one hand, you might want to practice very slowly at first and attempt to balance the different voices appropriately. Listening to the recording will also help with discovering dynamic possibilities. I didn’t want to clutter up the sheet music with dynamic markings, so listening to the recording is really the only way to figure out what dynamics I had in mind.
$4.99
Favorite American Folk Songs, Hymns, and Spirituals of the 1880's Vol. II
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Piano seul
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Clay Boland, Jr
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Favorite American Folk Songs,
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BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623
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SheetMusicPlus
Small Ensemble Harpsichord,Organ,Piano - Level 3 - SKU: A0.913678 Arranged by Clay Boland, Jr. Folk,Traditional. Score and parts. 56 pages. BOLAND MUSIC...
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Small Ensemble Harpsichord,Organ,Piano - Level 3 - SKU: A0.913678 Arranged by Clay Boland, Jr. Folk,Traditional. Score and parts. 56 pages. BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 #6880017. Published by BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 (A0.913678). The piano scores used for the original sheet music of these folk songs, hymns, and spirituals of the 1800’s were purposely made simple in order to sell as many copies as possible. The idea being that if someone in every family could read the most basic piano score, then the rest of the family could gather around the piano (usually an inexpensive upright) and sing along in the days before records, cassette tapes, CD’s, Radio, Television, iPods, YouTube etc. Nowadays, the few people who can sight-read at the piano are more musically literate, often being able to read and play classical compositions by Bach, Handel, Scarlatti, Mozart, Haydn, and Beethoven. They, therefore, deserve more interesting and rewarding arrangements of these wonderful musical treasures of the 1800’s. Furthermore, since these arrangements for piano and voice can also be played as piano solos, the piano scores are designed to be of enjoyable musical interest on their own; that is, orchestrated for the piano as if they were sketches for an ensemble of instruments. These arrangements can also be considered theatrical improvisations on the original sheet music. Following the best improvisational guidelines, they are based on 1) the implications of the title; 2) the meaning and words of the lyrics; 3) the melody; & 4) the harmonic pattern. For example: Oh, Susanna! is obviously a humorous nonsense song and is therefore arranged to sound carefree, jaunty, and joyful. Also, since the singer refers to my banjo on my knee, the piano arrangement imitates the sound of a banjo as it is played for singing and dancing, strumming its rhythmic way through the simple harmonic changes. You can see and hear the music for most of these contemporary arrangements on Sheet Music Plus and some also on YouTube. And if you wish to play and/or sing along alone or with your friends or family, please do so. Happy time travel!!!
$26.00
Mothers of Music: Elementary Piano Works by Historical Female Composers
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Piano seul
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DÉBUTANT
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Amy Marcy Beach, Elena Gnesina
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Camille Weber
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Mothers of Music: Elementary P
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Camille Jensen Weber
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SheetMusicPlus
Instrumental Solo,Keyboard - Level 1 - SKU: A0.1098397 Composed by Amy Marcy Beach, Elena Gnesina, Elisabetta de Gambarini, Florence Newell Barbour, Ger...
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Instrumental Solo,Keyboard - Level 1 - SKU: A0.1098397 Composed by Amy Marcy Beach, Elena Gnesina, Elisabetta de Gambarini, Florence Newell Barbour, Germaine Tailleferre, Magdalena d'Arrest, and Mel (Mélanie) Bonis. Arranged by Camille Weber. 19th Century,20th Century,Baroque,Classical,Instructional. Individual part. 29 pages. Camille Jensen Weber #702258. Published by Camille Jensen Weber (A0.1098397). Volume One of Mothers of Music showcases elementary-level piano pieces written by female composers before the 21st century. The thirteen pieces in this volume span a variety of nationalities, styles, and time periods, but all are accessible to early piano students and allow them to hear and experience the voices of women from a young age. Contents: 1. Skipping Song - Elena Gnesina 2. Summer Day - Elena Gnesina 3. Falling Leaves - Elena Gnesina 4. Among the Fairies - Florence Newell Barbour 5. Gigaa - Magdalena d'Arrest 6. Minuet in C - Magdalena d'Arrest 7. La Machine a Coudre - Mel Bonis 8. Andantino - Germaine Tailleferre 9. Little March - Elena Gnesina 10. La Toupie - Mel Bonis 11. Minuet - Elisabetta de Gambarini 12. Gouettes de Pluie - Mel Bonis 13. Pierrot and Pierette - Amy Beach.
$7.99
The House Of The Rising Sun
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Piano seul
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FACILE
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The Animals
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Robert Blond
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The House Of The Rising Sun
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robert blond
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1444769 By The Animals. By Alan Price. Arranged by Robert Blond. Folk,Rock. Score. 3 pages. Robert blond #1024639. Publis...
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Piano Solo - Level 2 - SKU: A0.1444769 By The Animals. By Alan Price. Arranged by Robert Blond. Folk,Rock. Score. 3 pages. Robert blond #1024639. Published by robert blond (A0.1444769). Piano accompaniment only.Traditional Southern folk song popularized by the folk-rock version of The Animals.Features The Animals' arpeggiated chord sequences, which are played with both hands instead of the left hand alone, thus reducing technical difficulty significantly. The melody is therefore omitted, but in any case the piano can't capture the angst of the melody like the voice can.Includes a key change and Southern-style rock quartals (perfect 4ths).
$4.99
Invention No. 2 in D minor for three voices
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Piano seul
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INTERMÉDIAIRE
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Robert W
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Invention No. 2 in D minor for
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Padgett Music Llc
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1141383 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Padg...
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Piano Solo - Level 3 - SKU: A0.1141383 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Padgett Music Llc #741707. Published by Padgett Music Llc (A0.1141383). This three-part Invention No. 2 in D minor was composed in the summer of 1991. I shared it with my modal and tonal counterpoint instructor, Professor Richard Wilson, and he responded favorably to my venturesome modulations and use of the Neapolitan chord. Similar to my first invention in A minor, the motive is announced by the upper voice before it is restated an octave lower by the lower voice in bar 2 to form a stretto. In bar 3, the middle voice states the motive in the dominant key of A minor with the lower and upper voices playing the first and second countermotives respectively. An episode ensues and arrives at a half cadence in bar 8. The opening fragment of the motive is exploited in conjunction with a pedal tone and a variant of the second countermotive to navigate through a series of contrasting keys. At bar 14, the motive is reasserted in F-sharp minor layered over itself in stretto with a C-sharp pedal tone in bar 15. The voices from the episode in bars 5-8 are reshuffled in bars 18-21 as another exercise in invertible counterpoint. In measure 16, the motive and two countermotives are reprised in C-sharp minor, a half step below the tonic key. Starting in bar 18, the episode from bars 6-8 is reprised in F-sharp minor with the first and second countermotives exchanging positions. This is followed in bars 16-27 by a varied restatement of the episodic sequence from bars 8-17 that cadences in bar 27 before a restatement of the subject in bar 28 in G minor with slightly embellished countermotives. Bars 32-35 present a restatement of the episode from bars 5-8 with the motive relocated to the lower voice and the two countermotives in intimate proximity in the two upper voices. An unexpected descending scale in a series of compound harmonic 10ths forms an inversion of the second half of the motive and sets the stage for a perfect cadence to a Picardy Third in D major. After so many years, I remain especially pleased with the effect of that ending.
$3.99
Invention No. 3 in C minor for two voices
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Piano seul
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INTERMÉDIAIRE
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Robert W
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Invention No. 3 in C minor for
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Padgett Music Llc
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1141386 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional. Score. 2 pages. Padgett Music Ll...
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Piano Solo - Level 3 - SKU: A0.1141386 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional. Score. 2 pages. Padgett Music Llc #741710. Published by Padgett Music Llc (A0.1141386). I composed my Invention No. 3 in C minor for two voices during the Spring of 2012. The motive is intriguing as the first twelve notes are immediately followed by their inversion after a drop of a seventh to form a contrapuntal palindrome. This inversion is followed by an octave leap upwards to D that circles back to the starting note C. In bar 3, the lower voice introduces the motive a fourth lower at the dominant as the upper voice states the countermotive which concludes in bar 4 with an augmented tonal version of the descending scale run from the original motive. The ensuing episode in bars 5-8 is constructed from fragments of the motive in the upper voice accompanied by an embellished form of the countermotive in the lower voice. A series of ascending broken thirds accompanied by a rising scale run cadences in the tonic key of C minor in bar 10 before abruptly redirecting to G minor in bar 11. At this juncture, the motive and countermotive are restated in their inversions. The episodic sequence from bars 5-9 is also stated in an inverted form in bars 13-17. In bar 18, the motive is stated by the upper voice in G minor with the countermotive now in the lower voice. This formula is repeated a whole step lower in F minor in bars 20-21 followed by the modulation sequence from bars 5-8 reprised with the voices exchanging places. In bar 27, a cadence in F minor redirects back to C major in bar 28 followed by a modulation sequence culminating in C minor in bar 30 that cadences to a final Picardy Third in bar 32.
$3.99
Hymns from Childhood - Set 10 (solo)
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Piano seul
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DÉBUTANT
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 10
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curti...
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Vocal Solo,Voice - Level 1 - SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$5.99
The Holly and the Ivy, piano solo
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Piano seul
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INTERMÉDIAIRE
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Christine Brown
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Christine Brown
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The Holly and the Ivy, piano s
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Christine Brown
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.843980 Composed by Christine Brown. Arranged by Christine Brown. Christmas,Concert,Holiday,New Age. Score. 6 pages. Chris...
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Piano Solo - Level 3 - SKU: A0.843980 Composed by Christine Brown. Arranged by Christine Brown. Christmas,Concert,Holiday,New Age. Score. 6 pages. Christine Brown #6601327. Published by Christine Brown (A0.843980). A gorgeous solo piano arrangement of the classic Christmas carol, arranged in a modern classical, new age style by Christine Brown.Christine Brown is a Kawai Piano Artist and award-winning composer of the new age, modern classical solo piano genre. Christine has released many albums that include original music, Christmas arrangements, as well as cover songs and children's music. Her unique cover song arrangements are popular with many generations, often blending pop/rock with classical. Awarded Best Solo Piano Album 2014 for her original compositions on the CD Souvenirs, two other albums were also nominated for the prestigious award by Solo Piano Radio.com, for Promise and The Wishing Well. A unique collection of mashup cover songs, Seamless was awarded Best Pop/Rock Solo Piano Album 2016 by SoloPiano.com, blending classical pieces into a pop/rock seamless arrangements of timeless classics, followed by Timeless, the second cover collection. Christine's holiday CD, A Classic Christmas was named 2012 Favorites List by MainlyPiano.com.You can find Christine Brown on Spotify, Pandora, iTunes and Amazon, as well as visit her website at https://www.christinebrownpiano.com/Since the young age of three, Christine has been fascinated by the piano. Receiving the highest honors given by the Guild National Piano Auditions, Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While earning a business degree at the University of Colorado Boulder, Christine was inspired by George Winston's new age genre of solo piano, yet the piano remained only a hobby for many years. In 1990, my mother requested a cassette tape of my piano music for her birthday, so I went to a local recording studio. It was then that I rediscovered my passion for playing the piano, and I realized my gift to her was really her gift to me. Sadly, her mother passed away just months later. Christine immersed herself into the piano to comfort her grief and voice her emotions, releasing heartfelt compositions that captured listeners. Christine's fans have written, There is a richness to your sound, a refined elegance and passionate intelligence that could only come from working hard at your craft, and ...her music is vibrant, colorful and full of life. Skilled at the art of blending chords and note progressions into beautiful aural tapestries, her music is at once a welcome retreat from the mundane and ordinary. Her emotions come through her music...and through her music, she is able to reach out and touch the hearts of millions of appreciative piano music fans.COMPOSER.
$5.99
J.S. Bach - "Erbarme dich" from "Matthäus-Passion" (St. Matthew Passion) BWV 244 (for Piano Solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Flavio Regis Cunha
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J.S. Bach - "Erbarme dich
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1136271 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Easter,Instructional,...
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Piano Solo - Level 4 - SKU: A0.1136271 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Easter,Instructional,Sacred,Wedding. Score. 12 pages. Flavio Regis Cunha #736279. Published by Flavio Regis Cunha (A0.1136271). Bach: Erbarme dich mein Gott - Matthäuspassion - (for Piano Solo).This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Piano Solo. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra. Advanced Intermediate.Format: Concert 9 x 12 inches.12 Pages.
$4.99
A Storm is Gathering Piano Minus Vocal
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Piano seul
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Steven H
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Ashley Ivers
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A Storm is Gathering Piano Min
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Boothe Publishing
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SheetMusicPlus
Piano - SKU: A0.1069947 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 236. Boothe Publishing #46...
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Piano - SKU: A0.1069947 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 236. Boothe Publishing #4632021. Published by Boothe Publishing (A0.1069947). 1st Kings 19: Verses 11 & 12 When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
$1.99
Twenty One Pilots : Heathens (voix Twenty One Pilots, acc. piano et orchestre)
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Piano seul
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FACILE
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Rock
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Twenty One Pilots
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Heathens
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Tomplay
Telechargez la partition Piano Heathens (voix Twenty One Pilots, acc. piano et orchestre) de Twenty One Pilot. Partition pour Piano avec accomp. orchestre -- Po...
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Telechargez la partition Piano Heathens (voix Twenty One Pilots, acc. piano et orchestre) de Twenty One Pilot. Partition pour Piano avec accomp. orchestre -- Pop/rock
5.99€
Down By the Old Mill Stream
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Piano seul
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Tell Taylor
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Performer - Pat Holmberg
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Down By the Old Mill Stream
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Patricia Tanttila Holmberg
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SheetMusicPlus
Piano - SKU: A0.1090271 Composed by Tell Taylor. Arranged by Performer - Pat Holmberg. 20th Century,Pop. Full Performance. Duration 112. Patricia Tantti...
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Piano - SKU: A0.1090271 Composed by Tell Taylor. Arranged by Performer - Pat Holmberg. 20th Century,Pop. Full Performance. Duration 112. Patricia Tanttila Holmberg #26209. Published by Patricia Tanttila Holmberg (A0.1090271). This is one of those songs that every senior citizen over the age of 75 in the USA and Canada will know and probably be able to supply all the words. These songs are from a different era - a time before computers and even before tv's, when people would ofter have get-togethers of one kind or another - picnics sometimes - and sing for entertainment. Good voices and not-so-good voices all joined happily together for fun. People often harmonized with these songs. A bygone time. Words: Where I first met you, With your eyes of blue, Dressed in gingham too, It was there I knew, That you loved me true. You were sixteen, my village queen, Down by the old mill stream! : :.
$1.99
At the Edge of the Body's Night
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Piano seul
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Contemporain
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William Grosvenor Neil
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At the Edge of the Body's Nigh
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Piano Solo - SKU: A0.982538 Composed by William Grosvenor Neil. Contemporary. Score. 50 pages. TheComposerStudio.Com, LLC #6709495. Published by TheComp...
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Piano Solo - SKU: A0.982538 Composed by William Grosvenor Neil. Contemporary. Score. 50 pages. TheComposerStudio.Com, LLC #6709495. Published by TheComposerStudio.Com, LLC (A0.982538). Program Notes: At the Edge of the Body’s Night (2008) for piano and digital acoustics is a setting of Seven Poems by the late poet, Mark Strand. These poems intrigued me with their potent brevity and mysterious symbolism. I found in their riddle-like form a concise emotional message, ideal for creating short melodic themes and inspiring fantastic piano music. When I recorded Mark’s voice reading the poems, I knew that his recitation would be part of the compositional resources for the piece. His resonant voice, enhanced by the audio editing process, provided a powerful context for the musical interpretation of his words. The addition of a soprano voice (Ashley Parker) in the digital landscape alludes to the traditional art song setting of poems. and her siren-call voice recalls the female muse that I imagined inspired the poet in writing his words. The piano music guides the listener throughout this fantastic journey of sound and music reflecting on the meaning and character of the poems and driving the dream-like narrative forward. Performance of the digital acoustic: Each of the six movements (I & II are combined) for piano are accompanied by a digital audio landscape as part of the performance. At the beginning of each section, a cue is notated in the score to start the audio wave file. It is recommended that a high fidelity audio play back system be employed in the recital hall or performance space. The sound system could be interfaced with a laptop computer or iPad operated by the pianist using a foot pedal similarly used with iPads supporting a digital part or it could be executed during the performance by a technician. The rental of the digital acoustic files includes a Key File license from Qlab that TheComposerStudio will email to be uploaded to a PC or Mac laptop computer for the duration of the rental. The uploaded software will ensure that the files are executed during a performance with ease and accuracy. The rental agreement also includes support from TheComposerStudio.Com, LLC from the time of rental through the performance of the piece. Duration: ca. 24 mins. www.williamneil.net www.thecomposerstudio.com for more info: thecomposerstudio@gmail.com
$25.00
'The Seventh Seal'
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Piano seul
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INTERMÉDIAIRE
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Amy Louise Lewis
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'The Seventh Seal'
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Amy Lewis
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1216480 By Amy Louise Lewis. By Amy Louise Lewis. Christian,Classical,Contemporary,Religious,Spiritual. Score. 1 pages. A...
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Piano Solo - Level 3 - SKU: A0.1216480 By Amy Louise Lewis. By Amy Louise Lewis. Christian,Classical,Contemporary,Religious,Spiritual. Score. 1 pages. Amy Lewis #813057. Published by Amy Lewis (A0.1216480). This is an enigmatic and rhapsodic piece for solo piano that is composed in Whole Tone C mode and is based on the Book of Revelation Chapter 8 Verses 1-5 in the New Testament Bible. Bar 1-18 is based on verses 1-3 and is sharp, spacey and minimal - the sound of silence and of the angels. The emphasis is the sound between the notes.Verse 4 states: 'And the smoke of the incense, which came with the prayers of the Saints, ascended up before God out of the angel's hand.' This section changes tone and phrase. There is a beautiful ascending up the keyboard, which is delecate but with hesitance. It is the light before the darkness; the potential energy before the explosion; the calm before the storm. There must be tension.Verse 5 states: 'And the angel took the censer, and filled it with fire of the altar and cast it into the Earth, and there were voices, and thunderings, and lightnings, and an earthquake.'This section therefore is rather more dramatic, with a contrast of high and low pitched notes and chords. The final bars of the piece are suspension - sharp and repetative chords and ending on one sharp note - what happens next?The pianist should pedal freely throughout the piece and add their own dramatic touch to this very illistrative score.
$7.95
The Beatles : Now and Then (Voix, acc. piano et orchestre)
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Piano seul
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INTERMÉDIAIRE
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Rock
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Pop musique
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The Beatles
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Now and Then
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Tomplay
Téléchargez la partition Piano Now and Then (Voix, acc. piano et orchestre) de The Beatles. Partition pour Piano d‘accompagnement -- Pop/rock...
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Téléchargez la partition Piano Now and Then (Voix, acc. piano et orchestre) de The Beatles. Partition pour Piano d‘accompagnement -- Pop/rock
5.99€
I Heard the Voice of Jesus Say / O Sing a Song of Bethlehem (new age piano)
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Piano seul
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FACILE
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Ian Good
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Ian Good
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I Heard the Voice of Jesus Say
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Eighth Constant Music
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1503595 By Ian Good. By Traditional. Arranged by Ian Good. Christian,Contemporary,New Age,Religious,Spiritual. Score. 4 p...
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Piano Solo - Level 2 - SKU: A0.1503595 By Ian Good. By Traditional. Arranged by Ian Good. Christian,Contemporary,New Age,Religious,Spiritual. Score. 4 pages. Eighth Constant Music #1079057. Published by Eighth Constant Music (A0.1503595). A cinematic, new age piano arrangement of the English folk tune 'KINGSFOLD' found in the hymns 'I Heard the Voice of Jesus Say' and 'O Sing a Song of Bethlehem.' Either title may be used in programming.
$5.99
Heinrich Schenker - Four Two Voice Inventions, op. 5
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Piano seul
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Contemporain
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Heinrich Schenker
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Benjamin Ayotte
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Heinrich Schenker - Four Two V
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Piano Solo - SKU: A0.733166 Composed by Heinrich Schenker (1868-1935). Arranged by Benjamin Ayotte. 20th Century. Score. 10 pages. Ayotte Custom Musical...
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Piano Solo - SKU: A0.733166 Composed by Heinrich Schenker (1868-1935). Arranged by Benjamin Ayotte. 20th Century. Score. 10 pages. Ayotte Custom Musical Engravings #3424921. Published by Ayotte Custom Musical Engravings (A0.733166). Schenker is known to have sent Julius Röntgen a copy of his Zweistimmige Inventionen. He seems to have been particularly fond on no. 2 of the set of four. He wrote to Röntgen on 13 April 1901, I hope that Invention No. 2, of which I am very proud, interests you. It is indeed rather quick-I mean passionate, deliberate, very expressive! It is here, primarily, where I’ve breached modernism. It would make me very happy if this invention pleased you. Patrick Miller offers this assessment of these works vis-à -vis Scheker’s other published output:The four pieces in this set seemingly mark a departure from the dense harmonic and rhythmic textures of Schenker’s previously published piano compositions. The intricate melodic lines of these pieces, however, imply a texture rich with harmonic and rhythmic details. … The first invention is a delicate chromatic study, while the second invention is an intense chromatic piece based on the B–A–C–H motive, Bb–A–C–B. With regard to thematic material and texture, the third invention is the most transparent of the set and is an exacting study in finger articulation. The fourth invention is a canon and, according to a printed footnote, is ‘a study after JS Bach’s Invention no. 2 (C minor) .
$29.99
They heard the voice
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Piano seul
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INTERMÉDIAIRE
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Edigles Guedes
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They heard the voice
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Edigles Guedes
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1093648 Composed by Edigles Guedes. Classical,Contemporary,Instructional,Praise & Worship,Spiritual. Score. 3 pages. Edig...
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Piano Solo - Level 3 - SKU: A0.1093648 Composed by Edigles Guedes. Classical,Contemporary,Instructional,Praise & Worship,Spiritual. Score. 3 pages. Edigles Guedes #697722. Published by Edigles Guedes (A0.1093648). This song is a study in classical music. It is ideal for intermediate level piano students. Inspired by the Bible verse: “And they heard the voice of the LORD God walking in the garden in the cool of the day: and Adam and his wife hid themselves from the presence of the LORD God amongst the trees of the garden.†(Genesis 3:8 – KJV) Duration of work: 2:53 min.
$3.99
Piano Piece The Dance of The Gnomes
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Piano seul
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AVANCÉ
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Friedrich Stern
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Piano Piece The Dance of The G
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Vicente Trompieri
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1015783 Composed by Friedrich Stern. Concert,Contemporary,Romantic Period,Standards. Score. 5 pages. Vicente Trompieri #5...
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Piano Solo - Level 5 - SKU: A0.1015783 Composed by Friedrich Stern. Concert,Contemporary,Romantic Period,Standards. Score. 5 pages. Vicente Trompieri #5955307. Published by Vicente Trompieri (A0.1015783). An original piano piece.Listen to the mp3 to become familiar with the piece,then practice with the metronome. First at a low speed then you gradually increase the speed to the indicated speed. If you want more natural practice use the foot beat as a metronome. It’s important you become aware of the beats during the whole learning process of the piece until it becomes automatic. Also follow the voice leading for each hand. I tried to do the voice leading when I compose this piece the most natural and anatomical for both hands. The piece is very piano-like and has a full sound.
$3.00
Dance of the Baroness
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Piano seul
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AVANCÉ
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Frano Parać
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Zellev
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Dance of the Baroness
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1496830 Composed by Frano Parać. Arranged by Zellev. 20th Century,Classical,Comedy,Contemporary,Folk. Score. 9 pages. Ze...
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Piano Solo - Level 5 - SKU: A0.1496830 Composed by Frano Parać. Arranged by Zellev. 20th Century,Classical,Comedy,Contemporary,Folk. Score. 9 pages. Zellev Music #1073315. Published by Zellev Music (A0.1496830). Key Signature: NaturalTime Signature: 3/4Tempo: Presto agitato (about 290bpm)Difficulty: Advanced (very)Frano Parać (Split, 11 May 1948), graduated in composition at the Music Academy of Zagreb in the class of Stanko Horvat, and continued his education under Marino Zuccheri in Milan at the Studio fonologia musicale della RAI. Since 1978 he has taught at the Music Academy of Zagreb, first as professor of theoretical courses, then of composition.In 1992 he was appointed the position of full professor and he was elected dean on two occasions (1985 – 1987 and 2002 – 2006). Since as early as 1975 he has received numerous and most prominent professional awards as well as national medals.In 1992 he was accepted as associate member of the Croatian Academy of Sciences and Arts, becoming its full member in 2008. In the aesthetic, composing-technical and other versatile brittleness of music from the last quarter of the 20th century the Croatian composer Frano Parać succeeded in finding his distinguished place owing to his infallible musical instinct, skilful notation technique and clearly expressed belief that “the artists must raise his voice, because the noise around him has become too great”.(https://www.info.hazu.hr/en/clanovi/parac-frano/).
$5.99
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