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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Their First Time
Non classifié
390
Piano & claviers
Piano seul
114
Piano, Voix
69
Piano Facile
61
Piano, Voix et Guitare
28
Instruments en Do
17
Orgue
8
2 Pianos, 4 mains
6
Accompagnement Piano
5
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
21
Guitare
19
Piano, Guitare (duo)
6
Ligne De Mélodie, (Paroles) et Accords
5
2 Guitares (duo)
4
Basse electrique
4
3 Guitares (trio)
3
Paroles et Accords
2
Mandoline
2
Dulcimer
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
Banjo
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
72
Chorale 3 parties
12
Chorale TTBB
10
Chorale SSAA
8
Chorale Unison
6
Chorale 2 parties
6
Voix Soprano, Piano
6
Voix duo, Piano
3
Voix haute
1
Voix duo
1
+ 5 instrumentations
Retracter
Vents
2 Saxophones (duo)
47
Flûte traversière et Piano
41
Clarinette et Piano
36
Quatuor de Saxophones: 4 saxophones
32
Hautbois, Piano (duo)
29
2 Flûtes traversières (duo)
28
Clarinette
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Saxophone Alto et Piano
24
Saxophone, Clarinette (duo)
23
Quintette de Saxophone: 5 saxophones
21
2 Clarinettes (duo)
20
Saxophone Alto
20
Quatuor de Clarinettes: 4 clarinettes
18
Clarinette, Violon (duo)
16
Hautbois (partie séparée)
15
Flûte, Hautbois, Clarinette, Basson
15
Clarinette, Trompette (duo)
14
Ensemble de Clarinettes
12
2 Hautbois (duo)
11
Saxophone Soprano et Piano
11
Flûte, Clarinette (duo)
10
Saxophone Baryton, Piano
10
Saxophone Tenor et Piano
10
Flûte, Saxophone (duo)
9
Flûte, Violon
9
Clarinette et Alto
8
Hautbois, Basson (duo)
8
Cor anglais, Piano
8
Flûte traversière
8
Hautbois, Clarinette (duo)
8
Ensemble de saxophones
8
Flûte, Alto (duo)
7
Hautbois, Flûte
7
Ensemble de Flûtes
7
Quintette de Flûte : 5 flûtes
6
Quatuor de Flûtes : 4 flûtes
6
Quintette de Clarinettes: 5 clarinettes
6
3 Saxophones (trio)
5
Flûte, Trompette (duo)
5
Clarinette Basse, Piano
5
Saxophone Tenor
4
Flûte à bec Soprano
4
Saxophone (partie séparée)
3
Cor Anglais
2
3 Flûtes à bec (trio)
2
Ensemble à vent
2
Piccolo, Piano
2
2 Flûte à bec (duo)
2
Clarinette, Violoncelle (duo)
2
Flute (partie séparée)
2
Clarinette, Basson (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violoncelle
2
Hautbois, Violoncelle
2
Flûte irlandaise
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Alto, Basse continue
1
Flûte et Guitare
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte à bec Alto
1
Hautbois, Guitare (duo)
1
Hautbois, violon (duo)
1
Hautbois et alto (duo)
1
Ensemble De Flûte à bec
1
Quatuor de Flûtes à bec
1
Flûte à Bec, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 64 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Trompette, Piano
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Cor et Piano
25
Trompette, Saxophone (duo)
16
Trombone et Piano
15
Euphonium, Piano (duo)
11
Trompette, Trombone (duo)
11
2 Trompettes (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
2 Trombones (duo)
9
Trompette
9
Cor anglais, Piano
8
Ensemble de Trombones
7
Ensemble de Trompettes
7
Cor
7
Tuba
6
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres
4
Quatuor de cuivres: 4 cors
3
3 Trombones (trio)
3
Trombone
3
Cor Anglais
2
Trompette (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
Tuba et Piano
2
4 Tubas
1
Tuba et Orgue
1
2 Tubas (duo)
1
Ensemble de Cors
1
2 Euphoniums et 2 Tubas
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
54
Alto, Piano
44
Violon et Piano
40
Violoncelle, Piano
30
Violon, Violoncelle (duo)
27
Harpe
19
Violon
17
2 Violoncelles (duo)
12
Violoncelle
10
Violon, Alto (duo)
10
2 Violons (duo)
10
2 Altos (duo)
10
Trio à Cordes: 2 violons, violoncelle
7
Trio à Cordes: violon, alto, violoncelle
6
Alto seul
5
4 Violoncelles
5
Ensemble de Violons
5
Ensemble d'Altos
3
Harpe, Trombone (duo)
2
Violon (partie séparée)
2
Alto, Violoncelle (duo)
2
Alto (partie séparée)
2
Contrebasse, Piano (duo)
2
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
Violon, Clarinette, Piano (trio)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orchestre
1
Violon, Basson (duo)
1
Trio à Cordes: 3 violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Contre Basse
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Voix
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
122
Orchestre à Cordes
33
Orchestre
27
Ensemble Jazz
19
Jazz combo
14
Ensemble de cuivres
14
Orchestre de chambre
12
Ensemble de Percussions
3
2 Xylophones
2
Fanfare
2
Marimba
1
Orchestre, Violon
1
Batterie
1
Piano et Orchestre
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
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avec audio
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Vous avez sélectionné:
Their First Time
Piano seul
Partitions à imprimer
114 partitions trouvées
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101
The Last Time I Saw Paris
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Piano seul
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AVANCÉ
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Classique
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,...
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Piano Solo - Level 5 - SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
$8.99
"Valse Sentimentale" Original for Solo Piano
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Piano seul
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INTERMÉDIAIRE
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Grant Horsley
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"Valse Sentimentale"
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Grant Horsley
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.785853 Composed by Grant Horsley. Contemporary,Contest,Festival,Romantic Period,Wedding. Score. 8 pages. Grant Horsley #6...
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Piano Solo - Level 3 - SKU: A0.785853 Composed by Grant Horsley. Contemporary,Contest,Festival,Romantic Period,Wedding. Score. 8 pages. Grant Horsley #6718921. Published by Grant Horsley (A0.785853). Valse Sentimentale is in ternary form, in 3/4 time and romantic in natureThe first section is a gentle waltz in A minor and the second section by contrast is in F major and takes on a barcarolle like quality but remaining in 3/4 not the traditional 6/8. It returns to section one again and the coda brings back a short reminder of the barcarolle theme in A major to finish.I have set it to Intermediate level, but the full score score is on the youtube link for you to assess. It would work well for a variety of occasions.The score is 7 pages and it is around 5 mins 50 in length.Clarinet duet, Flute Duet and Violin duets are also available- as is their piano accompaniments.
$5.00
The First Noel - For Solo Piano
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Piano seul
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INTERMÉDIAIRE
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Noël
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Traditional
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Martin Hay
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The First Noel - For Solo Pian
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Martin Hay
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1454442 By Traditional. By Traditional. Arranged by Martin Hay. Christian,Christmas,Classical,Early Music,Traditional. Sc...
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Piano Solo - Level 3 - SKU: A0.1454442 By Traditional. By Traditional. Arranged by Martin Hay. Christian,Christmas,Classical,Early Music,Traditional. Score. 1 pages. Martin Hay #1033545. Published by Martin Hay (A0.1454442). The First Noel is a traditional English Christmas carol that celebrates the birth of Jesus Christ. Its origins date back to at least the 16th century, with its melody and lyrics evolving over time. The word Noel is derived from the French word for Christmas, and the carol tells the story of the shepherds' encounter with the angel who announces the birth of the Savior, followed by their journey to Bethlehem to witness the nativity. The song's repetitive chorus and simple, heartfelt verses evoke a sense of timeless wonder and joy, making it a cherished piece in the canon of Christmas music, often sung by choirs and congregations around the world during the holiday season.
$3.99
15-Minute Composition Challenges (First Edition)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ryan Brechmacher
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15-Minute Composition Challeng
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Ryan Brechmacher
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1508715 Composed by Ryan Brechmacher. 21st Century,Classical,Instructional,New Age. Score. 31 pages. Ryan Brechmacher #10...
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Piano Solo - Level 4 - SKU: A0.1508715 Composed by Ryan Brechmacher. 21st Century,Classical,Instructional,New Age. Score. 31 pages. Ryan Brechmacher #1083982. Published by Ryan Brechmacher (A0.1508715). These pieces were originally written as TikTok challenges—the idea was I was supposed to compose a theme based on a motive from either the Classical or sometimes even pop/rock music realm in just fifteen minutes. After a few of these videos, I started writing at an incredible speed, sometimes writing more than two or three pieces per day. These pieces have often ended up vastly different than their original material, which makes them even more fun—it might be a challenge to figure out on which pieces these compositions are based. I’ve decided to publish these pieces so you could enjoy playing them. Each of them is in their “urtext” edition (no dynamics or editorial markings, aside from tempi), so feel free to add your own flair.
$14.99
First Light
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Gareth Jones
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First Light
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Gareth Jones
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1369590 Composed by Gareth Jones. 21st Century,Contemporary,New Age. Score. 7 pages. Gareth Jones #953956. Published by G...
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Piano Solo - Level 4 - SKU: A0.1369590 Composed by Gareth Jones. 21st Century,Contemporary,New Age. Score. 7 pages. Gareth Jones #953956. Published by Gareth Jones (A0.1369590). The opening key of A Natural Minor depicts a cold and eerie morning before the dawn has broken. The key change to A Major warms the listener as the day approaches, and creatures from the earth and sky begin to wake. Notice the sounds of the day including bird calls (bar 35), the sun rising (bar 45), and church bells pealing in the distance (bar 58). As the texture in the music intensifies, it symbolises all forms of life engaging in their daily activities (bar 63). As the climax unfurls (bar 73), the focus returns to the majestic sun, as it continues its journey into the sky.This piece is to be played with the sustain pedal throughout. Specific pedal suggestions have been marked in various bars. Touches of rubato are required at times to allow the piece space. The melodic line must always be emphasized over the accompaniment, regardless of the clef.
$2.99
Consciousness 2.0
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Piano seul
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INTERMÉDIAIRE
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Jasmine LAI
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Consciousness 2.0
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Jasmine LAI
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.933947 Composed by Jasmine LAI. Concert,Contemporary. Score. 7 pages. Jasmine LAI #6565277. Published by Jasmine LAI (A0....
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Piano Solo - Level 3 - SKU: A0.933947 Composed by Jasmine LAI. Concert,Contemporary. Score. 7 pages. Jasmine LAI #6565277. Published by Jasmine LAI (A0.933947). This is my first time I have written a piece that doesnot have a standard structure. It is also the first time that I have expressed my feelings about Australia through music, inspired by Lawson’s moving poem. The reason why I name my piece ‘Consciousness2.0’ is because it depicts a picture of how people rise and fall in life. An example of this is what happened during the Australian bushfires, which was a time when people were very aware of what was happening. Consciousness means to be aware and responsive to the surroundings, and it can also mean a person’s perspective of events. My piece begins with a soft introduction, which describes the life of Australia and its unique environment. From the bustling cities to the open country, there is always some life around Australia. Sometimes there is also some wild weather, which is represented in the arpeggiated left hand (bars 10-14). The story then shifts its focus to the animals, through short 2-part phrase in bars 23-26. The animals areenjoying their time in nature. The phrase is in Aeolian mode, so there is a bit of mystery instead of having an obvious key. Then, the parallel fifths depict the openness and vastness of the land. The transition is shown in bars 32-34 by a smooth 4-part phrase going downwards. The next fast section (bars 35-47) describes the rise of panic, just like a howling heat of the bushfire. The chromatic 7th chords (bars 36,38) make a sense of tension, and after 3 times, the chromaticism makes its way to a recent memory of the rushing semiquavers (bars 43-44) After the bushfires came closer, animals panicked as they rushed and left their precious homes. It was devastating to see how many people were affected, with houses destroyed, people and animals burning into the ashes (bars 48-54). Then there is another new section (bars 55-68) which describes the uncertainty, for example, the right-handquavers describe a flashback of nature planning itself to create a bushfire, or the times when people were planning a solution to this incident. The uncertainty was unfolded when the fast right hand semiquavers come back, (bars 69-82) creating a whoosh of destruction disappointment and adjustment. The last part is the ending of story (bars 84 to end). Though the fire has made a lot of destruction, with Aussie spirit, there is always hope that everyone can rebuild a new and better community in the future
$3.49
Chasing Fireflies
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Casey Crosby
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Chasing Fireflies
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Casey Crosby
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.958601 Composed by Casey Crosby. 20th Century,Celtic,Contemporary,New Age. Score. 5 pages. Casey Crosby #4320309. Publish...
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Piano Solo - Level 4 - SKU: A0.958601 Composed by Casey Crosby. 20th Century,Celtic,Contemporary,New Age. Score. 5 pages. Casey Crosby #4320309. Published by Casey Crosby (A0.958601). This solo piano song is from Casey Crosby's album November. The album is a personal collection of memories and landscapes of Casey growing up in the Blue Ridge Mountain region of Northern Virginia and a small farming community in rural Upstate New York. The songs are images and observations of Casey's personal experiences of autumn, particularly November. It was a common event between Casey and his older brother to try to capture fireflies in glass jars as the sun set. Being only 4 or 5 years old, you can imagine how magical it must have been for a young boy to see his brother catch these flying creatures in a jar and stare in wonder at how they lit up the night. Sometimes his brother let Casey carry the jar through the forrest before letting them go free. Sometimes Casey got lucky and caught his own and his brother then would exaggerate his level of skill and stealth and hunting technique to their parents on arriving home. It’s the first time Casey remembers feeling a sense of accomplishment. The magical wonder of creation and nature and the eternal bond between brothers – both so easily taken for granted and yet both so easily lost. Surely on Smith Mountain road, Lynchburg, Virginia, even now, those fireflies are putting on their show for free to an enraptured child. The song Chasing Fireflies is about this memory of Casey. Reviewers say that the nostalgic yet hopeful song perfectly captures the flying fireflies and the innocence of a time long since passed.
$3.99
A Taste Of Honey
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Piano seul
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AVANCÉ
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Rock
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The Beatles
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Timothy Stapay/Liberace
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A Taste Of Honey
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1129326 By The Beatles. By Bobby Scott and Ric Marlow. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,Musical...
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Piano Solo - Level 5 - SKU: A0.1129326 By The Beatles. By Bobby Scott and Ric Marlow. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,Musical/Show,Pop,Rock. Score. 4 pages. Timothy Stapay #729825. Published by Timothy Stapay (A0.1129326). A Taste Of Honey is arranged as performed by piano artist, Liberace. For the first time; here is the Liberace version of this famous sixties classic song; arranged for piano solo! A Taste of Honey is a pop standard written by Bobby Scott and Ric Marlow. It was originally an instrumental track (or recurring theme) written for the 1960 Broadway version of the 1958 British play A Taste of Honey (which was also made into the film of the same name in 1961). Both the original and a later recording by Herb Alpert in 1965 earned the song four Grammy Awards. Barbra Streisand performed the song as part of her cabaret act during 1962, and recorded it in January 1963 for her debut album The Barbra Streisand Album, on Columbia, which won a Grammy for Album of the Year (1963). The Beatles performed Lenny Welch's adaptation as part of their repertoire in 1962, slightly changing the lyrics in the chorus. Because the instrumental version by Acker Bilk was popular in the United Kingdom at the time, the song was chosen to be recorded for their 1963 debut album, Please Please Me. A version from that time was released in 1977 on the album Live! at the Star-Club in Hamburg, Germany; 1962. In the US, this song first appeared on the Vee-Jay Records album Introducing... The Beatles. They also performed A Taste of Honey seven times for BBC radio shows.<.p> Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world
$7.99
I'll Be Home For Christmas
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Piano seul
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INTERMÉDIAIRE
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Noël
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Brian McKnight
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Thomas Gunther
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I'll Be Home For Christmas
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1317916 By Brian McKnight. By Kim Gannon and Walter Kent. Arranged by Thomas Gunther. Christmas,Jazz,Latin. Score. 3 page...
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Piano Solo - Level 3 - SKU: A0.1317916 By Brian McKnight. By Kim Gannon and Walter Kent. Arranged by Thomas Gunther. Christmas,Jazz,Latin. Score. 3 pages. Thomas Gunther Music Productions #906608. Published by Thomas Gunther Music Productions (A0.1317916). About my solo piano arrangement of I'll Be Home For ChristmasMy Solo Piano Arrangement of I'll Be Home For Christmas is written in a jazz-latin type style. I wrote it out note for note, and even included fingering and sustain pedal suggestions. I also included jazz chord symbols for those of you that either like to know what harmonies I was thinking, or want to add their own ideas based on those chords. The chords I used are pretty much based on the original harmony. When I started out arranging for solo piano I was especially curious about how to create a latin groove underneath a melody. I studied bossa and samba music as well as cuban music for that. The rumba is a great style to start with. That's also the bases for this arrangement. About the song I'll Be Home For ChristmasI have a very special relationship to this song. I first heard it after moving to the United States from Germany and spending my first Christmas in Chicago. On that Christmas Eve I was all alone for the first time, and when I turned on the radio this song came on. I don't easily cry, bad that was one of those moments when the floodgates just open up. It is such a sentimental song. And the closing lyrics I'll be home for Christmas, if only in my dreams are just so emotional in this context.Enjoy!
$6.99
Le jardin des papillons - Intermediate Impressionist Piano Piece for Ravel Preparation
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Piano seul
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INTERMÉDIAIRE
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Nicole Elyse DiPaolo
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Le jardin des papillons - Inte
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.799620 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #57914...
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Piano Solo - Level 3 - SKU: A0.799620 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791445. Published by Nicole Elyse DiPaolo (A0.799620). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in pieces including the Sonatine, Le tombeau de Couperin, and others.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), whole tone sonorities, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was also inspired by my main non-music hobby: raising and releasing butterflies. An upcoming relocation will allow me to build my own butterfly garden in my new home, and I can't wait to create my own butterfly-friendly outdoor paradise filled with native plants and wildflowers. I hope my garden will have as many butterflies flitting through it as are depicted in the 32nd-note passages in this piece!
$2.49
Le jardin englouti (The Sunken Garden/Minuet) - Intermediate Impressionist Piano Piece for Ravel Pre
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Nicole Elyse DiPaolo
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Le jardin englouti
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #57914...
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Piano Solo - Level 4 - SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791453. Published by Nicole Elyse DiPaolo (A0.799621). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in his minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). It means The Sunken Garden, and I'll explain why below.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), large rolled chords, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of repertoire before moving away last year. The Jordan Hall greenhouse now sits on the former Sunken Garden site.Because the Wells Quad dorms are right next door, I hear this piece as a recollection of a social dance night that the dorms probably held frequently back when the Sunken Garden existed. Wells Quad served as a classroom/academic office complex for years after Jordan Hall was built in the 50s, but they are now back-converting the buildings into dorms again. (As of this writing, two of the buildings now serve as dorms, while the other two are still academic buildings. While I was pursuing my doctoral minor in composition, the composition professors' studios were almost all in Wells Quad's Sycamore Hall. They upgraded to the East Studio Building as soon as they could, though!).
$2.49
Deb and Ben's Theme: Ground Rules
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Marion Abbott
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Deb and Ben's Theme: Ground Ru
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Marion Abbott
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1486553 By Marion Abbott. By Marion Abbott. Contemporary,Film/TV. Score. 6 pages. Marion Abbott #1063616. Published by Ma...
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Piano Solo - Level 4 - SKU: A0.1486553 By Marion Abbott. By Marion Abbott. Contemporary,Film/TV. Score. 6 pages. Marion Abbott #1063616. Published by Marion Abbott (A0.1486553). This is the theme song for Silver Shores Book One, Ground Rules, the second chance love story of Deb and Ben, written by Marion AbbottFind out more about the book, including where to purchase it, here: www.marionabbott.com/booksA broken leg leads to a second chance at love in this sweet romance set in the colourful world of summer theatre.Ground Rules: Deb & Ben's StoryArtistic Director Deborah Monassen has planned the perfect summer season for the Silver Shores Theatre Company, and she has a three-day weekend to celebrate her success before rehearsals begin.Actor Benjamin Chase Greer has just finished shooting another season of his hit TV show, but for the first time in years, he doesn’t have a theatre contract lined up for the summer. To heighten his gloom, he can’t stop thinking about Deborah Monassen, the woman who made his heart happiest but who told him never to contact her.Then Deb discovers that the actor she had cast in her seasons' biggest shows has broken his femur bone, and everyone capable of taking over his contract is already working elsewhere. Except for Benjamin Chase Greer -the man she had vowed never to speak to again. To deal with working together, Ben and Deb create some Ground Rules. But instead of keeping things on an even keel, romantic sparks fly higher and hotter as the two spend more and more time together. Are their Ground Rules the key to securing their second chance at love?
$9.99
Heart Of Gold
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Neil Young
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Timothy Stapay
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Heart Of Gold
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1189123 By Neil Young. By Neil Young. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 4 ...
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Piano Solo - Level 4 - SKU: A0.1189123 By Neil Young. By Neil Young. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #788743. Published by Timothy Stapay (A0.1189123). This is an arrangement of Heart Of Gold by Neil Young. Heart of Gold is a song by Canadian singer-songwriter Neil Young. From his fourth album Harvest, it is Young's only U.S. No. 1 single. In Canada, it reached No. 1 on the RPM national singles chart for the first time on April 8, 1972, on which date Young held the top spot on both the singles and albums charts. Billboard ranked it as the No. 17 song for 1972.  In 2004, Rolling Stone ranked it No. 297 on their list of the 500 greatest songs of all time, No. 303 in an updated 2010 list, and No. 259 in 2021.Young has stated that this song, as well as Harvest and Out on the Weekend from the same album, were inspired by his then blossoming love for actress Carrie Snodgress.Neil Percival Young (born November 12, 1945) is a Canadian-American singer, songwriter, and musician.  Young has received several Grammy and Juno Awards. The Rock and Roll Hall of Fame inducted him twice: in 1995 as a solo artist and in 1997 as a member of Buffalo Springfield.[10] In 2000, Rolling Stone named Young No. 34 on their list of the 100 greatest musical artists. (Lyrics Below)I want to live, I want to giveI've been a miner for a heart of goldIt's these expressions I never giveThat keep me searchin' for a heart of goldAnd I'm getting oldKeep me searchin' for a heart of goldAnd I'm getting oldI've been to Hollywood, I've been to RedwoodI crossed the ocean for a heart of goldI've been in my mind, it's such a fine lineThat keeps me searchin' for a heart of goldAnd I'm getting oldKeeps me searchin' for a heart of goldAnd I'm getting oldKeep me searchin' for a heart of goldYou keep me searchin' and I'm growing oldKeep me searchin' for a heart of goldI've been a miner for a heart of gold Â
$6.99
And They Were Friends From That Day On
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Classique
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Damien Gauci
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And They Were Friends From Tha
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1495488 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 7 pages. Damien Gauci #1072005. Published by Dam...
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Piano Solo - Level 4 - SKU: A0.1495488 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 7 pages. Damien Gauci #1072005. Published by Damien Gauci (A0.1495488). Whiskers and Pippin had left the abandoned house behind, but they carried with them something far more valuable than anything they could have found within its dusty walls—a new friendship. As they journeyed through the woods, they discovered that they had more in common than just their fur colour. Their shared curiosity led them to explore new paths, while their cautious natures kept them safe from danger. Every rustle of the leaves, every flicker of movement in the underbrush, became an adventure when they were together.Day after day, Whiskers and Pippin would meet at the edge of the forest, eager to explore each other’s favourite spots. Whether it was a hidden grove full of the sweetest acorns or a quiet stream perfect for reflection, they found joy in sharing these special places with each other. The once lonely woods now felt alive with the warmth of their companionship. They would chase each other up trees, playfully darting between branches, and when the day grew late, they would sit side by side, watching the sun dip below the horizon.The fear and hesitation that once filled their first encounter was now just a distant memory. In its place was a deep bond, forged through shared experiences and a mutual understanding. Whiskers and Pippin might have been cautious, but together, they found the courage to explore a world that felt much less daunting with a friend by their side. And so, from that day on, they were inseparable—two squirrels who had found in each other a lifelong companion, proving that sometimes, the best adventures begin when you least expect them.
$6.00
Piano Pieces
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Piano seul
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AVANCÉ
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Nikolai Andreyevich Roslavets
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Piano Pieces
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - SKU: S9.Q7152 First Edition. Composed by Nikolai Andreyevich Roslavets. This edition: Sheet music. Downloadable. Duration 11 ...
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Piano - difficult - SKU: S9.Q7152 First Edition. Composed by Nikolai Andreyevich Roslavets. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Music - Digital #Q7152. Published by Schott Music - Digital (S9.Q7152). The piano pieces by Nikolay Andreyevitch Roslawez selected here and published for the first time complement the already published piano sonatas (ED 7941, ED 8391, ED 8392) and individual pieces (ED 7907). Created in the years 1919 and 1921, they represent the central phase of the composer's development and are characteristic of Roslawez' mature style. Although reminiscent of Skryabin in their musical language, the six miniatures 'Berceuse', 'Danse', 'Valse', '2 Préludes' and 'Poème' are technically easy to play and are suitable for piano lessons. Roslawez studied composition and violin in Moscow. He was one of the leading figures of the musical scene in the 1920s. Treated with increasing hostility for political reasons, up to being barred from pursuing his career, he spent the last years of his life in poverty.
$24.99
Peanut Rag
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Piano seul
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DÉBUTANT
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Ragtime
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CS2019
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Peanut Rag
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CS2019
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1032443 Composed by CS2019. Contemporary,Folk,Ragtime. Score. 2 pages. CS2019 #4809875. Published by CS2019 (A0.1032443)....
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Piano Solo - Level 1 - SKU: A0.1032443 Composed by CS2019. Contemporary,Folk,Ragtime. Score. 2 pages. CS2019 #4809875. Published by CS2019 (A0.1032443). An original ragtime / stride piano composition, inspired by the great rags of Scott Joplin.A fun and easy rag accessible for students taking their first steps into ragtime, yet interesting enough for the more advanced ragtime enthusiast.
$2.99
Romantic Piano Anthology
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Piano seul
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INTERMÉDIAIRE
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Classique
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Romantic Piano Anthology
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Schott Music - Digital
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SheetMusicPlus
Piano - intermediate - SKU: S9.Q771925 20 Original Works. Schott Anthology Series. Downloadable. Op. 3. Schott Music - Digital #Q771925. Publishe...
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Piano - intermediate - SKU: S9.Q771925 20 Original Works. Schott Anthology Series. Downloadable. Op. 3. Schott Music - Digital #Q771925. Published by Schott Music - Digital (S9.Q771925). English • German • French.This anthology contains 20 original works by nineteenth century composers and intends to reflect the stylistic breadth of the music of this period, from Field to Reger and Mendelssohn to Scriabin. Several pieces are graded here for the first time, combining lesser-known works with established repertoire. The collection is ideal for those looking to broaden their playing and teaching repertoire and as such, it can be used as an addition to any graded curriculum for Grade 5/6 pianists.Cette anthologie du piano romantique contient vingt oeuvres originales de compositeurs du XIXe siècle. Elle reflète l'esprit et le style de ce temps - de Field à Scriabine, en passant par Reger et Mendelssohn. Des pièces moins connues côtoient ainsi les oeuvres établies du répertoire. Le recueil est idéal pour ceux qui désirent enrichir leur répertoire de jeu ou d'enseignement.
$16.99
I'm Forever Blowing Bubbles
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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George Gershwin
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I'm Forever Blowing Bubbles
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1452471 By George Gershwin. By John W. Collette. Arranged by Timothy Stapay/George Gershwin. Broadway,Film/TV,Jazz,Musica...
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Piano Solo - Level 4 - SKU: A0.1452471 By George Gershwin. By John W. Collette. Arranged by Timothy Stapay/George Gershwin. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 5 pages. Timothy Stapay #1031803. Published by Timothy Stapay (A0.1452471). Here is George Gershwin's version of I'm Forever Blowing Bubbles, which I arranged based on a Gershwin piano roll from the early 20th century. It was held in a private collection for decades. Here for the first time is my sheet music arrangement for this classic from long ago. Before he was famous, George was what was known as a song plugger. He would play newly composed songs to help generate record sales. In the early 20th century, many homes had player pianos. George's performance was preserved on such a roll and is only now available to the general public.Composed in 1918 by John W. Collette. The phrase “blowing bubbles” symbolizes the act of chasing dreams, hopes, and aspirations. Just like soap bubbles that float away and disappear, dreams can be elusive, fleeting, and transient. Famously covered by Doris Day.Lyrics:[Verse 1]I'm dreaming dreamsI'm scheming schemesI'm building castles highThey're born anewTheir days are fewJust like a sweet butterflyAnd as the daylight is dawningThey come again in the morning[Chorus]I'm forever blowing bubblesPretty bubbles in the airThey fly so highNearly reach the skyThen like my dreams.
$6.99
Isolation Improvisations, Volume 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Josh Trentadue
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Isolation Improvisations, Volu
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T.U.X. People's Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1405505 Composed by Josh Trentadue. Blues,Contemporary,Contest,Festival,Folk,Rock. Score. 29 pages. T.U.X. People's Music...
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Piano Solo - Level 4 - SKU: A0.1405505 Composed by Josh Trentadue. Blues,Contemporary,Contest,Festival,Folk,Rock. Score. 29 pages. T.U.X. People's Music #988560. Published by T.U.X. People's Music (A0.1405505). From blues and chorales to folk like ballads and rock, this stirring collection of tunes is a must-have for pianists venturing into performing solo repertoire for the first time or seeking to hone their craft.
$19.99
The Winter of 19 (with cello, oboe and synth pad)
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Piano seul
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FACILE
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Keith Gehle
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The Winter of 19
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Keith Gehle
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1385472 By Keith Gehle. By Keith W. Gehle. 21st Century,New Age. Score. 9 pages. Keith Gehle #969452. Published by Keith ...
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Piano Solo - Level 2 - SKU: A0.1385472 By Keith Gehle. By Keith W. Gehle. 21st Century,New Age. Score. 9 pages. Keith Gehle #969452. Published by Keith Gehle (A0.1385472). Keith Gehle's solo piano composition, “The Winter of 19â€, was written for a family member braving a very difficult health crisis in 2019 and released as a single on various streaming platforms in 2021. The music is very simple and manageable for a student in their first or second year of piano study. It expresses sincerely the pain experienced at that time and the additional instruments midway through the recording (cello, oboe and synth pad) enhance the depth of emotion. This PDF includes detailed fingerings, pedal markings, and interpretation.
$1.99
The Winter of 19
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Piano seul
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FACILE
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Keith Gehle
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The Winter of 19
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Keith Gehle
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1385457 By Keith Gehle. By Keith W. Gehle. 21st Century,New Age. Score. 3 pages. Keith Gehle #969438. Published by Keith ...
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Piano Solo - Level 2 - SKU: A0.1385457 By Keith Gehle. By Keith W. Gehle. 21st Century,New Age. Score. 3 pages. Keith Gehle #969438. Published by Keith Gehle (A0.1385457). Keith Gehle's solo piano composition, “The Winter of 19â€, was written for a family member braving a very difficult health crisis in 2019 and released as a single on various streaming platforms in 2021. The music is very simple and manageable for a student in their first or second year of piano study. It expresses sincerely the pain experienced at that time and the additional instruments midway through the recording (cello, oboe and synth pad) enhance the depth of emotion. This PDF includes detailed fingerings, pedal markings, and interpretation. There’s also a version available on this site with the parts for cello, oboe, and synth pad at no additional cost.
$1.99
Clair de Lune (with piano fingering as needed)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Scott Camp
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Clair de Lune
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Scott Camp
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 p...
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Piano Solo - Level 3 - SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 pages. Scott Camp #3909193. Published by Scott Camp (A0.553098). Possibly the most beautiful piece of music ever.This edition presents Debussy's masterpiece with as close to 100% clarity as possible: no arrangement, no simplification, no abridgement, only solutions to the challenges of how to play this amazing masterpiece. In my experience, I would guess that Clair de lune has been the final, unfulfilled and unattained goal of piano students more than any other piece in music history.If you recognize the truth in this statement, you owe it to yourself to investigate this edition, in which for the first time, all of the technical challenges are clearly identified with their solutions. Playing a piece of music is not the same as mastering it. Surviving a performance is not the same as playing with confidence. There is no joy in being vulnerable to embarrassing mistakes. It is no way to live. You deserve a set of instructions (this edition) that enables you to master your performance, play with confidence and beauty, not an edition which blocks your access.Clair de Lune is so familiar that it is hard to appreciate just how revolutionary it (and Debussy) are. The word revolutionary is overused, so we fail to realize that Clair de Lune is difficult to play largely because it was difficult to notate. If the faculty of the Paris Conservatory didn't understand or appreciate Debussy, why would we expect the staff of a publishing company (as competent as they were) to understand the demands of his music. Debussy broke the boundaries of conventional piano notation. That means contradictions and ambiguity, which must be addressed.A note about fingering: where and why it is or is not presented. I've done my best to prepare an edition of this music that will enable the Intermediate Classical pianist to prepare and perform this masterpiece. My goal is to include information that the pianist needs, but does not already know. For Claire de Lune, some passages are dependent upon specific hand/fingering solutions, while other passages are either (1) equally playable with different fingering, or (2) only playable by what essentially becomes known as a self-evident solution. For example, m9-24, and m61-62, fall into this category. Octaves can only practically be played with fingers 1 and 5. I provide a lot of finger numbers, but that is not the same as creating an edition that can be played without significant staff reading. The premise is that an intermediate musician should have access to advanced material--that is a musician is motivated to play pieces one level more advanced. Attempting to bridge more than one level is not my goal.
$1.99
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Their First Time
