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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
There Was No One There
Non classifié
401
Piano & claviers
Piano seul
148
Piano, Voix
58
Piano, Voix et Guitare
22
Orgue
9
Instruments en Do
9
Piano Facile
8
2 Pianos, 4 mains
2
1 Piano, 4 mains
1
Orgue, Trompette (duo)
1
Accordéon
1
2 Pianos, 8 mains
1
+ 6 instrumentations
Retracter
Guitares
Guitare
15
Guitare notes et tablatures
7
2 Guitares (duo)
3
Ukulele
3
Basse electrique
2
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline
1
Mandoline, Guitare (duo)
1
Banjo
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
75
Chorale 3 parties
23
Chorale 2 parties
9
Chorale TTBB
8
Chorale SSAA
6
Chorale Unison
5
Voix Baryton, Piano
4
Voix seule
4
Voix moyenne, Piano
3
Voix duo, Piano
1
Voix Alto, Piano
1
Voix Tenor
1
+ 7 instrumentations
Retracter
Vents
2 Saxophones (duo)
51
Flûte traversière et Piano
36
Clarinette et Piano
31
Saxophone Tenor et Piano
30
Saxophone Soprano et Piano
28
Saxophone Alto et Piano
28
Saxophone, Clarinette (duo)
27
Quatuor de Saxophones: 4 saxophones
26
Quintette de Saxophone: 5 saxophones
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Hautbois, Piano (duo)
23
Saxophone Baryton, Piano
22
Clarinette, Violon (duo)
19
Cor anglais, Piano
19
2 Flûtes traversières (duo)
16
Flûte, Clarinette (duo)
13
Clarinette Basse, Piano
13
2 Clarinettes (duo)
13
Clarinette
12
Clarinette, Trompette (duo)
12
Quatuor de Clarinettes: 4 clarinettes
12
Ensemble de saxophones
12
3 Saxophones (trio)
11
Ensemble de Flûtes
11
Flûte, Hautbois, Clarinette, Basson
10
Flûte, Violon
10
Hautbois, Clarinette (duo)
9
Clarinette et Alto
9
Flûte, Saxophone (duo)
9
Hautbois, Flûte
8
Flûte, Alto (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Hautbois, Basson (duo)
7
2 Hautbois (duo)
6
Flûte, Trompette (duo)
6
Quintette de Clarinettes: 5 clarinettes
5
Saxophone (partie séparée)
5
3 Clarinettes (trio)
5
2 Flûte à bec (duo)
5
Quintette de Flûte : 5 flûtes
5
Hautbois (partie séparée)
3
Ensemble de Clarinettes
3
Quatuor de Flûtes à bec
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte traversière
3
3 Flûtes à bec (trio)
3
Flûte à bec Soprano
3
Saxophone Alto
3
Flûte, Violon, Piano
2
Piccolo, Piano
2
Flute, harpe et violon
2
Flute (partie séparée)
2
Clarinette, Basson (duo)
2
Flûte à bec Tenor
2
Trio de Flûtes: 3 flûtes
2
Saxophone Soprano
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone et Guitare
1
Ensemble de Hautbois
1
Clarinette, Violoncelle (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
5 Flûtes à bec
1
Saxophone Tenor
1
Flûte, Violoncelle
1
Saxophone
1
Saxophone et Orgue
1
Flûte irlandaise
1
Flûte et Guitare
1
Flûte à Bec
1
Hautbois, Guitare (duo)
1
+ 65 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
51
Trombone et Piano
25
Euphonium, Piano (duo)
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Cor anglais, Piano
19
Trompette, Saxophone (duo)
16
Cor et Piano
16
Trompette
13
Trompette, Trombone (duo)
11
Trompette, Piano
10
2 Trombones (duo)
9
Quatuor de Cuivres
6
Quatuor de cuivres: 4 trombones
5
2 Trompettes (duo)
5
Ensemble de Trombones
5
Trombone
4
Trombone (partie séparée)
4
Ensemble de Trompettes
4
Ensemble de Cors
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
4 Tubas
3
2 Cors (duo)
2
Cor
2
Trio de Cuivres
2
2 Tubas (duo)
2
Tuba et Piano
2
Quatuor de cuivres: 4 trompettes
2
3 Tubas (trio)
1
Quatuor de cuivres: 4 cors
1
Trompette, Cor (duo)
1
Trombone, Cor (duo)
1
Tuba et Orgue
1
Euphonium
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
3 Trompettes (trio)
1
3 Cors (trio)
1
3 Trombones (trio)
1
Tuba
1
+ 33 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
49
Violon et Piano
32
Violoncelle, Piano
24
Harpe
22
Alto, Piano
20
Violon
15
Violon, Violoncelle (duo)
15
2 Violons (duo)
14
Trio à Cordes: violon, alto, violoncelle
11
Violon, Alto (duo)
11
2 Altos (duo)
8
2 Violoncelles (duo)
7
Violoncelle
7
Trio à Cordes: 3 violoncelles
2
2 Harpes (duo)
2
Ensemble d'Altos
2
Quatuor à cordes: 4 violons
2
4 Violoncelles
2
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
2
Ensemble de Violons
2
Ensemble de Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Alto seul
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
4 Contrebasses
1
Alto, Violoncelle (duo)
1
Contre Basse
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes : 4 altos
1
Harpe, Voix
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre
34
Orchestre d'harmonie
33
Orchestre à Cordes
32
Ensemble de cuivres
24
Orchestre de chambre
15
Ensemble Jazz
14
Ensemble de Percussions
5
Cloches
1
Quintette de Cuivres: autres combinaisons
1
+ 4 instrumentations
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Autres
Instruments
ACCORDEON
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AUTRES INST…
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CITHARE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
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EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Vous avez sélectionné:
There Was No One There
Piano seul
Partitions à imprimer
148 partitions trouvées
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126
Sonata Hymnica No. 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual...
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Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Sonata, Op 27, No 2 Sonata Quasi una Fantasia (Moonlight Sonata)
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Piano seul
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Classique
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Ludwig van Beethoven
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Arte Nova Music Lab
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Sonata, Op 27, No 2 Sonata Qua
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Arte Nova Music Lab
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SheetMusicPlus
Piano Solo - SKU: A0.742469 Composed by Ludwig van Beethoven. Arranged by Arte Nova Music Lab. Classical,Concert,Standards,World. Score. 6 pages. Arte N...
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Piano Solo - SKU: A0.742469 Composed by Ludwig van Beethoven. Arranged by Arte Nova Music Lab. Classical,Concert,Standards,World. Score. 6 pages. Arte Nova Music Lab #4412113. Published by Arte Nova Music Lab (A0.742469). The Piano Sonata No. 14 in C♯ minor Quasi una fantasia, Op. 27, No. 2, popularly known as the Moonlight Sonata, is a piano sonata by Ludwig van Beethoven. It was completed in 1801 and dedicated in 1802 to his pupil, Countess Giulietta Guicciardi. The piece is one of Beethoven's most popular compositions for the piano, and it was a popular favorite even in his own day. Beethoven wrote the Moonlight Sonata in his early thirties, after he had finished with some commissioned work; there is no evidence that he was commissioned to write this sonata. The first edition of the score is headed Sonata quasi una fantasia, a title this work shares with its companion piece,Op. 27, No. 1. Grove Music Online translates the Italian title as sonata in the manner of a fantasy.The title could also be interpreted to imply ...as though improvised. The name Moonlight Sonata comes from remarks made by the German music critic and poet Ludwig Rellstab. In 1832, five years after Beethoven's death, Rellstab likened the effect of the first movement to that of moonlight shining upon Lake Lucerne. Within ten years, the name Moonlight Sonata (Mondscheinsonate in German) was being used in German and English publications. Later in the nineteenth century, the sonata was universally known by that name. Many critics have objected to the subjective, romantic nature of the title Moonlight, which has at times been called a misleading approach to a movement with almost the character of a funeral march and absurd. Other critics have approved of the sobriquet, finding it evocative or in line with their own interpretation of the work. Gramophone founder Compton Mackenzie found the title harmless, remarking that it is silly for austere critics to work themselves up into a state of almost hysterical rage with poor Rellstab, and adding, what these austere critics fail to grasp is that unless the general public had responded to the suggestion of moonlight in this music Rellstab's remark would long ago have been forgotten. Notes taken from https://en.wikipedia.org/wiki/Piano_Sonata_No._14_(Beethoven)#cite_note-8
$5.00
Haydn - Divertimento (Sonata No. 1) in G Major - Intermediate
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Piano seul
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INTERMÉDIAIRE
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Classique
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Franz Joseph Haydn
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Piacere Music Sheets
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Haydn - Divertimento
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.847837 Composed by Franz Joseph Haydn. Arranged by Piacere Music Sheets. Classical,Instructional,Standards. Score. 5 page...
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Piano Solo - Level 3 - SKU: A0.847837 Composed by Franz Joseph Haydn. Arranged by Piacere Music Sheets. Classical,Instructional,Standards. Score. 5 pages. Piacere Music Sheets #6623947. Published by Piacere Music Sheets (A0.847837). Opus/Catalog Number: Hob. XVI:8 Key/Tone: G Major Movements/Sections: Allegro - Minuet - Andante - Allegro Year/Date of Composition: 1766 or before Difficulty: Grade 5/12 (Intermediate) Obs.: In Piano Trio in F major, Hob.XV:39, the first Allegro is used as Movement 1 transposed to F major. As each one of Haydn's first keyboard sonatas, this particular Sonata Hob. XVI:8 is written in the light, galant style which was very popular in the mid-18th century. As the Classical sonata takes its origin in the Baroque suite, Haydn named his first sonatas Divertimenti or Partitas. It is believed that this Sonata Hob. XVI:8 was intended as a teaching piece for Haydn's students. There exists no autograph version of this sonata, rather, this sonata has survived in the form of manuscript copies made by pupils of Haydn or by his copyists.
$8.95
Sonata Hymnica No. 5
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Sonata Hymnica No. 5
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972672 Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons Music and Writing...
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Piano Solo - Level 3 - SKU: A0.972672 Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons Music and Writings #6671707. Published by James Siddons Music and Writings (A0.972672). Sonata Hymnica No. 5 has the subtitle Scenes of Calvary. Landscape paintings and printed illustrations of the Cross of Calvary were ubiquitous in Christian literature in the late 19th century, so it not surprising that allusions to such art are found in the texts of hymns. The three hymns heard in Sonata Hymnica No. 5 all evoke some sense of seeing, in a spiritual way, the scene of the Crucifixion. Sonata Hymnica No. 5 opens with a sturdy and rugged statement of When I Survey the Wond’rous Cross, written by Isaac Watts in 1707. This poem continues: On which the Prince of Glory dy’d, . . . See from His Head, his Hands, his Feet, Sorrow and Love flow mingled down! In the United States, music educator Lowell Mason (1792-1872) composed a tune in 1824 for singing Watts’ hymn. Named HAMBURG tune, it was an adapted form of some Gregorian chant in Church Mode I. This combination of poem and tune became very popular; so much so, that by the 1880s, elaborations of it appeared in print. The most enduring is the pairing of Watts’ poem and Mason’s tune with a simple camp meeting song, At the Cross, to be a refrain. It has the phrases, At the cross, where I first saw the light . . . It was there by faith I received my sight. The centerpiece of Sonata Hymnica No. 5 is the tune TOPLADY, the usual tune for singing Rock of Ages. This tune was composed in 1830 by Thomas Hastings (1784-1872), an associate of Lowell Mason in New York. He wrote hymns and hymn tunes, published hymnals, and worked tirelessly to elevate choral singing in churches. Hastings indicated that he intended his tune for singing Rock of Ages by naming it after the author of the hymn-poem, the English pastor Augustus Toplady (1740-1778). The Rev. A. B. Grosart wrote in a memorial that Toplady was no poet or inspired singer, but an impulsive, rash-spoken, reckless preacher who could nonetheless picture vanishing gleams of imaginative light in his hymnic verses. A better impression was gained by poet A. C. Benson (1862-1925), who, upon hearing Rock of Ages sung at William Gladstone’s funeral at Westminster Abbey in 1898 --- a rare State funeral attended by several members of the British Royal family --- wrote, To have written such words which should come home to people in moments of high, deep, and passionate emotion . . . there can hardly be anything worth doing better than that. This high compliment came from the poet who, a few years later, would write the words of Elgar’s Coronation Ode for King Edward VII and Queen Alexandra. A camp meeting song, a rash-spoken English pastor, two American music educators, a State funeral at Westminster Abbey --- such is the wide world of influence and inspiration of these three Scenes of Calvary.
$9.50
Waltz Like There's No Tomorrow
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Piano seul
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INTERMÉDIAIRE
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Louis Landon
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Waltz Like There's No Tomorrow
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Landon Creative, Inc.
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.761941 Composed by Louis Landon. Concert,Contemporary,Instructional,Standards. Score. 12 pages. Landon Creative, Inc. #63...
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Piano Solo - Level 3 - SKU: A0.761941 Composed by Louis Landon. Concert,Contemporary,Instructional,Standards. Score. 12 pages. Landon Creative, Inc. #6341205. Published by Landon Creative, Inc. (A0.761941). Waltz Like There's No Tomorrow is a classically oriented piece of music in three quarter or waltz time. The song is about letting go and dancing with wild abandon. This is not your grandma's waltz. This is a powerful piece that inspires intentional movement with a like minded partner. It's also about not caring what anyone thinks. It's going for it. This is the sheet music for Waltz Like There's No Tomorrow, from the Solo Piano Space Traveler album, and was released on August 5, 2019.Recorded at the Peace Palace from February - April, 2019.You can listen to the song by streaming on Spotify, Apple Music, and Pandora RadioYou can also download the recording iTunes, Amazon, and Bandcamp..Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZCover photo: NASACover art: DanLevin.comAll music published by Landon Creative, Inc. BMIAll music produced, arranged, composed & performed by Louis Landon.
$5.25
There's No Easy Way
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Piano seul
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DÉBUTANT
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Barry Mann
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Ben M
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There's No Easy Way
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Ben M. Noynay
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1395980 Composed by Barry Mann. Arranged by Ben M. Noynay. 20th Century,Pop. Score. 4 pages. Ben M. Noynay #979356. Publi...
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Piano Solo - Level 1 - SKU: A0.1395980 Composed by Barry Mann. Arranged by Ben M. Noynay. 20th Century,Pop. Score. 4 pages. Ben M. Noynay #979356. Published by Ben M. Noynay (A0.1395980). There's No Easy Way (To Break Somebody's Heart) is one of my favorite songs from James Ingram. I was really saddened by his passing recently, so I decided to pay tribute to him by creating this simple piano solo arrangement. I thought this arrangement is good for Beginner students who are learning to play piano solo arrangements using the Two-Part System, i.e., melody on the right hand and chords on the left hand. To complete this piece, students are expected to have learned already some fundamental theory lessons on transpositions and key signatures. Good luck and enjoy your learning and playing.
$4.99
In Christ Alone
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Margaret Becker
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Brian Buda
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In Christ Alone
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budaful music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1488012 By Margaret Becker. By Keith Getty and Stuart Townend. Arranged by Brian Buda. Christian,Contemporary,Easter,Prai...
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Piano Solo - Level 4 - SKU: A0.1488012 By Margaret Becker. By Keith Getty and Stuart Townend. Arranged by Brian Buda. Christian,Contemporary,Easter,Praise & Worship,Religious. Score. 23 pages. Budaful music #1064897. Published by budaful music (A0.1488012). This is a piano solo version of In Christ Alone. There are no lyrics included in this setting. Here's a vocal chart with a lead sheet (SMD). This chart of In Christ Alone is a refreshing and pianistic adaptation of the modern hymn. Appropriate during musical moments of worship. 3 endings are written out a shortened 2 verse version, a 4 verse version with no key changes, and a 4 verse version with 2 key changes. See the 1st page of music for the perfromance details. Available in 2 transpositions: C and Db, It was transposed from C to Db so some of the chord voicings might need to be altered in that key.
$6.99
Her Name Was Pippin
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Classique
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Damien Gauci
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Her Name Was Pippin
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1495487 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1072004. Published by Dam...
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Piano Solo - Level 3 - SKU: A0.1495487 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1072004. Published by Damien Gauci (A0.1495487). Her name is Pippin, and, much to Whiskers’ surprise, she’s just like him—same colour, same cautious yet curious nature. It’s almost as if fate brought them together in this old, abandoned house.As they slowly approach each other, any lingering fears melt away, replaced by the joy of meeting someone so similar. Both curious and cautious, it’s no wonder these two found each other in such an unusual place. Before long, Whiskers and Pippin start to play, their trust in each other growing with every moment. They share stories, laugh, and explore the corners of the house together, learning more about one another with each step.Excitement builds as they realise there’s so much more to discover outside these walls. With a shared eagerness to show off their homes, they decide to leave the abandoned house behind. Whiskers leads the way, Pippin by his side, as they venture into the woods, ready to explore each other’s worlds and embark on new adventures together.
$6.00
What Was I Made For?
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Piano seul
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FACILE
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Film/TV
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Billie Eilish
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Thomas Gunther
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What Was I Made For?
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Thomas Gunther Music Productions
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SheetMusicPlus
Instrumental Solo - Level 2 - SKU: A0.1271184 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Thomas Gunther. Children,C...
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Instrumental Solo - Level 2 - SKU: A0.1271184 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Thomas Gunther. Children,Contemporary,Film/TV. Individual part. 4 pages. Thomas Gunther Music Productions #863576. Published by Thomas Gunther Music Productions (A0.1271184). About the arrangement This is pianist/arranger Thomas Gunther's beautiful and highly accurate piano solo arrangement of the 2023 Barbie Movie features Billie Eilish's song WHAT I WAS MADE FOR.  It includes even Billie's quiet humming passages.This solo piano version can be played all by itself, or with Billie's recording of the song.It is easy enough to learn for pianists that have no amazing techniqual skills, but can be challanging in different ways, as explained below. From the Arranger Thomas Gunther  The most challenging task when writing this solo piano arrangement of What I Was Made For was to notate Billie's rhythm accurately. Her melodic rhythm is very important as it supports the flow of the lyrics perfectly. Notating a singer's rhythm can unfortunately never be 100% perfect (notation is by definition quantized), but I think I got very close. An other challenge was to get the accompaniment sound like the original without stepping on the melody notes. Looking at my final version I think it is as good as it gets for a piano adaption of this highly emotional song.I really hope all you Billie Eilish fans out there will enjoy playing this arrangement! How difficult is it As mentioned earlier, the song looks simple, but to play it well there is a lot of things the pianist has to take care of. The most challenging aspect is to sustain some notes by either using clever fingering or employing the sustain pedal. Also, dynamics are really important, especially when ballancing the accompaniment against the melody. Fingering I included fingering numbers to give the pianist a starting point. But fingering is a highly subjective affaire. Every pianist should feel free to adapt her/his own fingering as see fit. Sustain pedal usage The sustain pedal usage is very important in this arrangement (I included sustain pedal markings for this very reason). For one, it helps sustaining some notes that can't be held otherwise, and of course to make the sound fuller (more cinematic). It is important to use the pedal to create a sense of space (distance). After all, the original recording uses a lot of reverb to achieve that. Chord Symbols I did not include pop chord symbols because the harmony to the the song is very simple and based around 4 diatonic chords. It would just cludder up the score. At PopJazzKeys.com/Barbie I talk a little bit about the chords.
$5.99
Consolation No. 3 in D Flat Major, S. 172
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Liszt
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Arte Nova Music Lab
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Consolation No. 3 in D Flat Ma
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Arte Nova Music Lab
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.742468 Composed by Franz Liszt. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards. Score. 7 pages. Arte ...
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Piano Solo - Level 4 - SKU: A0.742468 Composed by Franz Liszt. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards. Score. 7 pages. Arte Nova Music Lab #4412089. Published by Arte Nova Music Lab (A0.742468). The Consolations are a set of six solo piano works by Franz Liszt. The compositions take the musical style of Nocturnes with each having its own distinctive style. Each Consolation is composed in either the key of E major or D-flat major. E major is a key regularly used by Liszt for religious themes. There exist two versions of the Consolations. The first (S.171a) was composed by Liszt between 1844 and 1849 and published in 1992 by G. Henle Verlag. The second (S.172) was composed between 1849 and 1850 and published in 1850 by Breitkopf & Härtel, containing the familiar Consolation No. 3, Lento placido, in D-flat Major. The third Consolation is in D-flat major and initially marked as Lento placido. It is the most popular of the Consolations and also a favorite encore piece. Its style is similar to the Chopin Nocturnes, in particular, it seems to have been inspired by Chopin’s Nocturne Op. 27 No. 2. The similarity between the two works has been interpreted as a tribute to Chopin who died in 1849, a year before the Consolations were published. This third Consolation is however one of several of Liszt's works that take a style reminiscent of Chopin; some examples include Liszt's Polonaises, Berceuse, Mazurka brillante, and his Ballades. In 1883, years after composing the Consolation, Liszt received a Grand piano from the Steinway Company with a design that included a sostenuto pedal. Liszt began transcribing this Consolation for the new sostenuto pedal and in a letter to Steinway he wrote: In relation to the use of your welcome tone-sustaining pedal I inclose two examples: Danse des Sylphes, by Berlioz, and No. 3 of my Consolations. I have today noted down only the introductory bars of both pieces, with this proviso, that, if you desire it, I shall gladly complete the whole transcription, with exact adaptation of your tone-sustaining pedal. Liszt recommended sparing usage of the sostenuto pedal in the interpretation of this Consolation and opined on the positive effect it would have on the more tranquil passages. Notes taken from https://en.wikipedia.org/wiki/Consolations_(Liszt)#cite_note-
$5.00
Hélène de Montgeroult : Piano Sonata in F major, opus 1 no. 1
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Piano seul
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Classique
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Nicolas Horvath
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Paul Wehage (editor)
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Hélène de Montge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - SKU: A0.507108 By Nicolas Horvath. By Hélènede Monteroult. Arranged by Paul Wehage (editor). Classical. Score. 17 pages. Published by...
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Piano Solo - SKU: A0.507108 By Nicolas Horvath. By Hélènede Monteroult. Arranged by Paul Wehage (editor). Classical. Score. 17 pages. Published by Musik Fabrik Music Publishing (A0.507108). Hélène de Montgeroult was born into an aristocratic family in Lyon and studied piano with Nicolas Joseph Hüllmandel and Jan Ladislav Dussek. She married the Marquis de Montgeroult who died as an Austrian prisoner in 1793. Reportedly it was respect for her compositions that allowed her to survive the French Reign of Terror. A set of improvisations on La Marseillaise, performed for the Committee of Public Safety, earned her her freedom after she was imprisoned in the Revolution due to her aristocratic background. After her husband's death, Montgeroult took a position at the new Paris Conservatoire in 1795, the first female professor ever to be appointed there and taught for two years. She is considered to be an important bridge between the Classical and Romatnic styles. She died in 1836 in Florence, Italy. Recorded for Grand Piano by Nicolas Horvath.
$11.95
Hélène de Montgeroult : Piano Sonata in Eb major, opus 1 no. 2
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Piano seul
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Nicolas Horvath
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Paul Wehage (editor)
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Hélène de Montge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - SKU: A0.507111 By Nicolas Horvath. By Hélènede Monteroult. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score. 18 pa...
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Piano Solo - SKU: A0.507111 By Nicolas Horvath. By Hélènede Monteroult. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score. 18 pages. Published by Musik Fabrik Music Publishing (A0.507111). Hélène de Montgeroult was born into an aristocratic family in Lyon and studied piano with Nicolas Joseph Hüllmandel and Jan Ladislav Dussek. She married the Marquis de Montgeroult who died as an Austrian prisoner in 1793. Reportedly it was respect for her compositions that allowed her to survive the French Reign of Terror. A set of improvisations on La Marseillaise, performed for the Committee of Public Safety, earned her her freedom after she was imprisoned in the Revolution due to her aristocratic background. After her husband's death, Montgeroult took a position at the new Paris Conservatoire in 1795, the first female professor ever to be appointed there and taught for two years. She is considered to be an important bridge between the Classical and Romantic styles. She died in 1836 in Florence, Italy. Recorded for Grand Piano by Nicolas Horvath.
$11.95
Hélène de Montgeroult : Piano Sonata in F minor, opus 1 no. 3
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Piano seul
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Nicolas Horvath
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Paul Wehage (editor)
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Hélène de Montge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - SKU: A0.507112 By Nicolas Horvath. By Hélènede Monteroult. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score. 22 pa...
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Piano Solo - SKU: A0.507112 By Nicolas Horvath. By Hélènede Monteroult. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score. 22 pages. Published by Musik Fabrik Music Publishing (A0.507112). Hélène de Montgeroult was born into an aristocratic family in Lyon and studied piano with Nicolas Joseph Hüllmandel and Jan Ladislav Dussek. She married the Marquis de Montgeroult who died as an Austrian prisoner in 1793. Reportedly it was respect for her compositions that allowed her to survive the French Reign of Terror. A set of improvisations on La Marseillaise, performed for the Committee of Public Safety, earned her her freedom after she was imprisoned in the Revolution due to her aristocratic background. After her husband's death, Montgeroult took a position at the new Paris Conservatoire in 1795, the first female professor ever to be appointed there and taught for two years. She is considered to be an important bridge between the Classicaland Romantic styles. She died in 1836 in Florence, Italy. Recorded for Grand Piano by Nicolas Horvath.
$12.95
Nocturne No.1 in Bb major
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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John Field
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Michael Bomier
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Nocturne No.1 in Bb major
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862666 Composed by John Field. Arranged by Michael Bomier. Concert,Instructional,Romantic Period,Standards. Score. 5 page...
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Piano Solo - Level 4 - SKU: A0.862666 Composed by John Field. Arranged by Michael Bomier. Concert,Instructional,Romantic Period,Standards. Score. 5 pages. Michael Butkus-Bomier #3626721. Published by Michael Butkus-Bomier (A0.862666). NOCTURNE is a genre we associate with Chopin, of course, as well we should. Yet, this whole idea of music of the night did not originate with him, but with John Field. Clementi's sorely-tried apprentice and protege', and a confirmed alcoholic, moved from London and Clementi's captivity to spend his adulthood, short as it was, in Moscow, of all places. It was there he began to write his long series of romantic, ( small R? ) pieces, with simple vocalistic melodies, over an arpeggiated left-hand bass. This piece marks the beginning of the genre, and, as such, warrants the attention of everyone who admires Chopin's works. Our setting here uses chord symbols for every LH arpeggio, so that the player can get used to harmonic identification as the primary means of seeing and hearing the LH. All the ornamentation is written out, for stylistic clarity. As with so much classical music, a slow pace brings out lingering subtleties, while a faster one can create movement and excitement, if one has the technique! MBB .
$2.50
Beethoven - Bagatelle No. 1 in G Minor - Intermediate
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Piano seul
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Piacere Music Sheets
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Beethoven - Bagatelle No. 1 in
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1128722 Composed by Ludwig van Beethoven. Arranged by Piacere Music Sheets. Classical,Instructional,Standards. Score. 5 p...
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Piano Solo - Level 3 - SKU: A0.1128722 Composed by Ludwig van Beethoven. Arranged by Piacere Music Sheets. Classical,Instructional,Standards. Score. 5 pages. Piacere Music Sheets #726288. Published by Piacere Music Sheets (A0.1128722). Opus/Catalog Number: Op. 119, No. 1 Key/Tone: G Minor Movements/Sections: Allegretto Year/Date of Composition: 1822 Difficulty: Grade 7/12 (Intermediate) Obs.: This piece is one of Beethoven's shortest bagatelles. It was composed during Beethoven's mature period, when he was about 53 years old. It has the following musical form : Measures 1-16: Theme in the main key of G minor Measures 17-32: Contrasting section in the key of E flat Major Measures 33-36: Transition modulating back to G minor Measures 37-52: Theme returns, in G minor, with its second phrase slightly varied Measures 53-65: Codetta in G minor Measures 66-end: Conclusion in C minor, based on the first fragment of the theme, with an unusual ending on the dominant chord (G) of the key of C minor Obs.: There are some modifications to be noted: Measure 20: the autograph as well as the Clementi & Co. edition (London, 1823) have parallel Ab4-G4 on the first two beats of the right hand. In this arrangement you'll see F4-Eb4 as in the Sauer & Liedersdorf (Vienna, 1824) edition Measure 65: the autograph has a quarter rest on the first beat of the right hand, and the G5 on the second beat. The Vienna 1824 edition has G5 on the first beat and the rest on the second beat Measure 72: the Vienna 1824 edition and the Schlesinger edition show arpeggiations in both hands here, which do not appear in the autograph.
$5.95
Hey There
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jerry Ross and Richard Adler
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John Fries
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Hey There
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John Fries
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1499034 Composed by Jerry Ross and Richard Adler. Arranged by John Fries. 20th Century,Broadway,Musical/Show,Pop,Standard...
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Piano Solo - Level 4 - SKU: A0.1499034 Composed by Jerry Ross and Richard Adler. Arranged by John Fries. 20th Century,Broadway,Musical/Show,Pop,Standards. Score. 2 pages. John Fries #1075081. Published by John Fries (A0.1499034). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Hey There is a show tune from the musical play The Pajama Game, written by Richard Adler and Jerry Ross. It was published in 1954. It was subsequently recorded by a number of artists. The recording by Rosemary Clooney reached No. 1 on Billboard's chart in 1954. Another version was also recorded about the same time by Sammy Davis Jr., reaching #16 on Billboard's retail chart.
$5.99
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 4)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart, Mozar
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Rob Bushnell
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Andante
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RBMusic
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7 pages. RBMusic ...
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Piano Solo - Level 4 - SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7 pages. RBMusic #6014617. Published by RBMusic (A0.752422). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$9.50
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 2)
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Piano seul
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FACILE
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Classique
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Wolfgang Amadeus Mozart, Mozar
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Rob Bushnell
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Andante
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RBMusic
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.752421 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 6 pages. RBMusic ...
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Piano Solo - Level 2 - SKU: A0.752421 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 6 pages. RBMusic #6014595. Published by RBMusic (A0.752421). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$5.75
MART
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Piano seul
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INTERMÉDIAIRE
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this time, Mustafazade was mak
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Vagif Mustafazadeh
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Zellev
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MART
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1487826 Composed by Vagif Mustafazadeh. Arranged by Zellev. 20th Century,Blues,Classical,Film/TV,Jazz. Score. 4 pages. Ze...
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Piano Solo - Level 3 - SKU: A0.1487826 Composed by Vagif Mustafazadeh. Arranged by Zellev. 20th Century,Blues,Classical,Film/TV,Jazz. Score. 4 pages. Zellev Music #1064763. Published by Zellev Music (A0.1487826). Key Signature: E majorTime Signature: 4/4Tempo: Doucement expressif (with gentle expressiveness)(about 70bpm),con pedale (with pedal).Difficulty: IntermediateMustafazadeh (1940-1979) was an Azerbaijani jazz pianist and composer, acclaimed for fusing jazz and the traditional Azerbaijani folk music known as mugham. According to many world famous jazz musicians, Mustafazadeh is one of the pioneers and the architect of jazz in Azerbaijan. Musical prohibitions during the 1940s and 1950s meant that the playing of jazz was banned in the USSR, including Azerbaijan. Since there was no opportunity to get jazz records from anywhere, Mustafazade listened to jazz pieces, learning from movies where he heard jazz music and BBC radio and sang Meykhana, rhythmic poetry, which had also been banned. After listening on the radio, he and his friend Vagif Samadoglu attempted to recreate the music on the piano.From the 1960s, prohibitions put on jazz music were gradually lifted and thus the late 1960s and 70s became a time when Baku was a real center of locally inspired jazz. By this time, Mustafazade was making his way to his audience and his popularity grew. His name was often mentioned among other jazz musicians and he participated in festivals held in his native land, as well as in and outside the Soviet countries. Since making a strong impression in his early years at college, his music progressed and popularity grew; he appeared in many festivals.In 1966, Willis Conover, conductor of the Jazz Time radio program, even went as far as to say, Vagif Mustafazadeh is an extraordinary pianist. It is impossible to identify his equal. He is the most lyrical pianist I have ever known.
$7.00
Fantasy Waltzes: No. 8
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Piano seul
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INTERMÉDIAIRE
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William Alwyn
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Zellev
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Fantasy Waltzes: No. 8
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1474978 Composed by William Alwyn. Arranged by Zellev. 20th Century,Barbershop,Broadway,Children,Comedy,Musical/Show. Sco...
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Piano Solo - Level 3 - SKU: A0.1474978 Composed by William Alwyn. Arranged by Zellev. 20th Century,Barbershop,Broadway,Children,Comedy,Musical/Show. Score. 3 pages. Zellev Music #1052569. Published by Zellev Music (A0.1474978). Key Signature: G majorTime Signature: 3/4Tempo: Vivace, ma ritmico (vivace, considerably, 148bpm)Difficulty: IntermediateWilliam Alwyn (1905-1985) Fantasy Waltzes: No. 8 in G Major The Fantasy Waltzes is a suite of eleven piano pieces composed in London between June 1954 and April 1955 and is arguably one of Alwyn’s finest works for piano solo. Alwyn uses the basic three-four waltz rhythm with a great variety of style, and much of the music has that of a romantic approach, although here and there are nods to the composer’s earlier neo-classical style. The idea for the Fantasy Waltzes originated while Alwyn was on holiday in Norway after a visit to Grieg’s lakeside home. Although conceived as a continuous cycle, the suite does divide into two parts, Nos. 1-6 and Nos. 7-11, which encompass many moods from happy to sad, to mysterious and solemn, with the eighth waltz being one of the most attractive of the set. The Fantasy Waltzes are dedicated to the New Zealand pianist Richard Farrell, who gave the first performance of the work in a BBC broadcast on 2nd June 1957. Less than a year later, Farrell’s promising career as a concert pianist was cut tragically short after being killed in a car accident. Alwyn admired Farrell’s playing greatly and dedicated the fifth of his Twelve Preludes for piano to Farrell’s memory.
$4.00
Arabesque no. 1 (Debussy) L. 66 no. 1 in E major - with note names and definition of terms
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Piano seul
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Classique
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Claude Debussy
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Published Harmony Valarie
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Arabesque no. 1
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Published Harmony Valarie
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SheetMusicPlus
Piano Solo - SKU: A0.805033 Composed by Claude Debussy. Arranged by Published Harmony Valarie. Instructional,Romantic Period,Standards. Score. 8 pages. ...
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Piano Solo - SKU: A0.805033 Composed by Claude Debussy. Arranged by Published Harmony Valarie. Instructional,Romantic Period,Standards. Score. 8 pages. Published Harmony Valarie #6247093. Published by Published Harmony Valarie (A0.805033). This piece by Debussy was the most beautiful one for wedding or any occasion. Easier to learn now, for the self-learning pianists, as this score was with note names and description of the terms used in this piece. Debussy was French, therefore some terms were written in French as well. .
$3.99
It Came upon the Midnight Clear with adaptations from Chopin's Nocturne Op. 9, No. 2
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Piano seul
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AVANCÉ
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Richard S
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Renee Hyche McKee
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It Came upon the Midnight Clea
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Renee H. McKee
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.835640 Composed by Richard S. Willis, Frederick Chopin. Arranged by Renee Hyche McKee. Christian,Christmas,Concert,Romant...
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Piano Solo - Level 5 - SKU: A0.835640 Composed by Richard S. Willis, Frederick Chopin. Arranged by Renee Hyche McKee. Christian,Christmas,Concert,Romantic Period,Sacred. Score. 4 pages. Renee H. McKee #5030195. Published by Renee H. McKee (A0.835640). While out on a winter’s walk one evening, I was thinking through the lovely It Came upon the Midnight Clear, and without any warning, Chopin’s exquisite Nocturne in E-flat, Op. 9, No. 2 kind of crept in and curled itself around the Midnight melody and made itself at home. The result is this gentle mashup of these two beauties in a piano solo.Most of us do not have tons of time to practice, but the original Chopin left hand chords and leaps are daunting, so I have modified the bass notes without losing the composer’s harmonic intentions. Also the original time signature of 12/16 has been changed to 6/8, a more familiar friend and is compatible with It Came upon the Midnight Clear. There are some suggested fingerings in a few places. Use pedal at your trained ear’s discretion.I played this piece as a Prelude for our church Christmas Eve Candlelight Service, and the mood that it set was heavenly. Enjoy, and I hope you or your advancing students enjoy playing this at your next holiday event!
$4.99
A Squirrel Named Whiskers
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Classique
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Damien Gauci
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A Squirrel Named Whiskers
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1495477 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 36 pages. Damien Gauci #1071994. Published by Da...
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Piano Solo - Level 4 - SKU: A0.1495477 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 36 pages. Damien Gauci #1071994. Published by Damien Gauci (A0.1495477). This album follows the simple story of A Squirrel Named Whiskers. Whiskers is a curious but cautious little squirrel that lives in the woods and enjoys exploring new areas of the woods from time to time when he finishes collecting food for the day. This story follows Whiskers as he ventures out into an unknown part of the woods and happens to stumble across an old abandoned house which is surrounded by trees and bushes. There is no one to be seen or heard here and Whiskers can’t help but explore inside.I began writing this album with the track “And Carefully Crept Inside.” but I actually wasn’t planning on writing a full album at that point. I go into more detail in the individual track’s program note about it but it was the spark that led me to commit to writing a full album. I began composing other tracks for the music box to be part of the album and then I had an idea to make the titles into a story, but what would they be about? The music box is an enchanting and mysterious little instrument and is often associated with magic, fairies, and the forest which is what led me to decide to write the story about a Squirrel.I took some time to write out a short story and then created 10 titles that would fit the story. I continued to write the remaining tracks of the album now using the titles as inspiration to write the music which made it easy to create a certain mood and style. Writing this album was a great exercise in writing music that has a story behind it which something I always try to do when composing. I believe that every piece of music has a story behind it intentionally or unintentionally. I plan to continue to infuse a story in the music I write as it gives it much more meaning than a piece of music being written without a story in mind. I hope you enjoy listening to or practicing these pieces and have fun following along with whiskers on his journey into the unknown.
$20.00
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There Was No One There
