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Tones for Two
Piano seul
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Three Chromicons for piano solo
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon For…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGEThe pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00
10.98 €
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Piano seul
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Joseph Dillon Ford
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Three Chromicons for piano solo
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David Warin Solomons
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SheetMusicPlus
Almost May for Piano Solo
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi S…
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99
3.65 €
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Piano seul
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Adagio from Sonata for Solo Violin No. 3 in C Major, BWV 1005 - Víkingur Ólafsson Version
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1123301 By Johann Sebastian Bach an…
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Piano Solo - Level 3 - Digital Download SKU: A0.1123301 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Sudario Cunha. Baroque,Easter,Instructional,Sacred,Wedding. Score. 8 pages. Flavio Regis Cunha #724117. Published by Flavio Regis Cunha (A0.1123301). Are you a student, an amateur or a professional pianist? Look no further for the perfect sheet music to define your music standards.Introducing 'Sonata for Solo Violin No. 3 in C Major, BWV 1005: I. Adagio' by Johann Sebastian Bach as played by VÃkingur Ólafsson. Get this sheet music and give your performance the edge that it needs! This is one of Bach’s pioneering works; the precise combination of vigor and serenity has made it Bach's most popular work. Accessible, yet masterfully crafted for every level of pianist, this sheet music will allow you to truly express your musicality. Let VÃkingur Ólafsson's stunning interpretation of this Bach classic inspire and enhance your own rendition. Achieve the highest level of musical excellence with this exquisite arrangement and enliven every performance. Don’t miss out! Get your 'Sonata for Solo Violin No. 3 in C Major, BWV 1005: I. Adagio' sheet music now!Adagio from Sonata for Solo Violin No. 3 in C Major, BWV 1005, as played by VÃkingur Ólafsson. This beautiful Adagio movement by composer J. S. Bach is featured on the newest album release Fom Afar by acclaimed Icelandic pianist VÃkingur Ólafsson.Intermediate LevelFormat: Concert, 9 x 12 inches.5 pages.Program notesJohann Sebastian Bach's third sonata for solo violin, BWV 1005, is an incomparable masterwork of Baroque music. Written in 1720, this sonata continues Bach's mastery of the solo violin, balancing lyrical expressivity and technical complexity within a single work.  The opening Adagio movement is particularly beloved for its slow, passionate melody and depth of emotion. The movement's simple structure – two repeating harmonic progressions that contrast and combine – is especially beautiful in its unadorned melodic lines and sonorous tones. At the same time, the movement is filled with subtle variations and technical challenges, making it a dazzling display of Bach's technical brilliance.  Come and experience Bach's heartfelt music. You will be warmed by its passionate lyricism, enchanted by its technical mastery, and moved by its profound emotional depth.
$6.99
6.39 €
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Piano seul
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Johann Sebastian Bach and VÃkingur Ólafsson
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Flavio Regis Sudario Cunha
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Adagio from Sonata for Solo Violin No. 3 in C Major, BWV 1005 - Víkingur Ólafsson Version
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Flavio Regis Cunha
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SheetMusicPlus
Bitonal - Two pages from a history textbook
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1340411 Composed by David Tsvariani…
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Piano Solo - Level 5 - Digital Download SKU: A0.1340411 Composed by David Tsvariani. 21st Century,Classical,Contemporary. Score. 2 pages. David Tsvariani #926038. Published by David Tsvariani (A0.1340411). David Tsvariani's musical compositions encompass a series of compact polytonal piano works. Within each piece, the right and left hand segments delve into separate tonalities, with the interval between their fundamental tones ranging from 0.5 to 3 tones, completing a circular progression.Throughout this collection, the fundamental tones undergo systematic changes. For instance, in compositions distinguished by a 0.5-tone interval, four tonal possibilities emerge: minor-major, major-minor, minor-minor, and major-major. The cycle then continues with the introduction of a new fundamental tone, repeating the pattern with four fresh tonal options. This iterative exploration unfolds across the entirety of David Tsvariani's composition series, offering a nuanced exploration of tonal diversity within the polytonal context.
$2.99
2.74 €
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Piano seul
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David Tsvariani
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Bitonal - Two pages from a history textbook
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David Tsvariani
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SheetMusicPlus
Armenian 10/8 Medley for Piano: Sirahar Yem/Candle Dance/Hars Oo Pesa
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1498151 Composed by Traditional Arm…
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Piano Solo - Level 3 - Digital Download SKU: A0.1498151 Composed by Traditional Armenian. Arranged by Constance Shelengian. Folk,Multicultural,Traditional,Wedding,World. Score. 6 pages. Constance Shelengian #1074461. Published by Constance Shelengian (A0.1498151). For Solo Piano with Guitar chord diagrams.Traditional dances in ancient Armenia were essential to celebrations, holidays, rituals, social gatherings and more. This medley of Western Armenian music in 10/8 is drawn from the Anatolian song-dance tradition and perpetuated in America. In Sirahar Yem (“I'm In Love”), the Left Hand reinforces the stressed beats within the rhythmic pattern, emphasizing beats 1, 4, and 6. Beats are grouped as 3 2 2 3. Initially, this may be a challenge to play but well worth the effort to expand one’s musicianship skills! While harmony is sparingly interspersed in the inner parts, or created in intervals of 3rds and 6ths, traditionally, the ceremonial/wedding melodies Candle Dance and Hars Oo Pesa (“Bride and Groom”) are monophonic. Due to the mountainous terrain in historic Armenia and challenge of travel between villages, these two dances exist with different melodies, depending on the region. The dance steps also vary by village. In contrast, the use of a sustained note (drone) in the bass clef alters the spirit in Hars Oo Pesa where the key also changes to D major. Whereas the piano has limitations in replicating microtones of folk wind instruments such as the zurna used in an authentic Armenian village wedding, the aim in this arrangement is rather to preserve the spirit of the melody and actively engage the amateur pianist.For more information on Armenian music, refer to : Kazarian, Hachig. (2023) Western Armenian Music: From Asia Minor to the United States. The Press: California State University, Fresno.
$5.99
5.48 €
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Piano seul
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Traditional Armenian
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Constance Shelengian
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Armenian 10/8 Medley for Piano: Sirahar Yem/Candle Dance/Hars Oo Pesa
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Constance Shelengian
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SheetMusicPlus
Etude 2.5 + 3.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.862555 Composed by Michael Bomier. …
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Piano Solo - Level 5 - Digital Download SKU: A0.862555 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-Bomier #2034473. Published by Michael Butkus-Bomier (A0.862555). When using the intervals of a 4th and a tritone as material for a non-jazz piece, one has to be careful not to make the music sound like jazz, as this particular interval set comprises the essential dominant chord voicing for most jazz pianists. G-C#-F#, for instance, as a representation of A13 or A7. So, this piece uses complete symmetry, mirroring and topographically equivalent fingerings throughout, so as to avoid this problem. Admittedly, the spellings are not easy to decipher. They often use the flatted form of a note in one clef, and the sharped form of that same musical alphabet letter in the other. This is to avoid endless naturals, as the half-step motion, so typical of movement between 4ths and tritones, necessitates. Arpeggiated figures, block chords, and even some delicious chimes at the close make this piece more than a mere display of intervallic and pianistic options. It has a feeling all its own, as the sequential chromatic meandering up from the lower end of the keyboard to the upper shows each color in turn, all the while keeping to the strict rules that these etudes were constructed under.This is the last of the groups of two interval pieces. Running time is just under 3 mins. MBB.
$2.25
2.06 €
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Piano seul
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Michael Bomier
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Etude 2.5 + 3.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
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Michael Butkus-Bomier
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SheetMusicPlus
[NowakL] Music for Solo Piano 1942-91
Piano seul
Piano Solo - Digital Download SKU: A0.952554 Composed by Lionel Nowak. 20th Century…
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Piano Solo - Digital Download SKU: A0.952554 Composed by Lionel Nowak. 20th Century,Instructional,Standards. Score. 127 pages. American Composers Alliance Inc. #4608873. Published by American Composers Alliance Inc. (A0.952554). A collection of works by Lionel Nielson for solo piano split into three sections for early, intermediate, and advanced players. Includes: Materialisms (1949), Four in a Row (Easy Pieces on the Twelve Tones) (1959), Suite: for Days Remembered (1945), Six Pieces for Young Musicians (1942), Three Bagatelles for Piano (1950), Etude for Piano (1948), Two Problems (1957), Nocturne and Toccata (1944), Sonatina for Piano (1948), Four Pages from a Musical Diary (1944), Fantasia (1954), Album Leaf (1975), Capriccio (1962), Proposition (1991), Praeludium for Piano (1963), Two Phantasms (1946), Practice Piece for Piano Right Hand (1982), Soundscape for Piano (1964, rev. 1969).
$45.95
42.03 €
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Piano seul
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Lionel Nowak
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[NowakL] Music for Solo Piano 1942-91
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American Composers Alliance Inc.
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SheetMusicPlus
Etude 3.0 from 25 Etudes for Piano using Mirroring, Symmetry, and Intervals
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.862535 Composed by Michael Bomier. …
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Piano Solo - Level 4 - Digital Download SKU: A0.862535 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2033351. Published by Michael Butkus-Bomier (A0.862535). Etude 3.0, the last of the single-interval material. tritones are rather easier to mirror, and otherwise make symmetrical than other intervals. Thus this piece is 100% mirrored, symmetrical, and topographically identical hand-to-hand. There are many structures which are also inversions, played simultaneously. Diminished 7ths, Dom7 b5 chords, even fifths with the tritone sandwiched in between the two halves of the fifths, are in evidence here. There are rhythmic syncopations and shifting accents. All in all a real showpiece of perpetuum mobile dissonance which makes sense even to the listener or player accustomed to Romantic literature. It's a gallop! Approx running time is 4 mins 20 secs. Two-interval pieces are next in line. MBB.
$2.50
2.29 €
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Piano seul
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Michael Bomier
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Etude 3.0 from 25 Etudes for Piano using Mirroring, Symmetry, and Intervals
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Michael Butkus-Bomier
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SheetMusicPlus
Noodivihik
Piano seul
Piano - advanced - Digital Download SKU: S9.Q6388 For piano. Composed by Tho…
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Piano - advanced - Digital Download SKU: S9.Q6388 For piano. Composed by Thomas Larcher. This edition: Sheet music. Downloadable. Duration 10 minutes. Schott Music - Digital #Q6388. Published by Schott Music - Digital (S9.Q6388). Noodivihik deals with time on a macro and a micro level. The macro time level is divided into two parts: fast and slow. The first part (‘citric acid’) works with two basic rhythmic patterns and their irritation through the addition or subtraction of note values. The interweaving of the two sectors, in which these basic patterns appear separately, results in a structure of the time in the middle (that is, within 'critic acid').The second part ('leave your baggage unattended') combines the aforementioned two levels through the superimposition of natural and prepared tones on the piano. This all occurs within a three-layered, endless pattern. (Thomas Larcher).
$11.99
10.97 €
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Piano seul
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Thomas Larcher
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Noodivihik
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Schott Music - Digital
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SheetMusicPlus
Porthleven
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.998883 Composed by Robert A. Howard…
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Piano Solo - Level 4 - Digital Download SKU: A0.998883 Composed by Robert A. Howard. 21st Century,Contemporary,Standards. Score. 9 pages. Robert A. Howard #6486865. Published by Robert A. Howard (A0.998883). Porthleven is based on the 1951 painting, of the same name, by Cornish artist Peter Lanyon, which is held in the collection of Tate St. Ives. The artwork is a haphazard abstract representation of the coastal town of Porthleven, near Helston, on the fringe of the Lizard Peninsula. The painting depicts the town's unusual feature of three inter-connected harbours, as well as a cross on a tower, which likely refers to the church. The work is formed in three sections, as a relation to the three harbours. It explores the notion of bell-tones, and even of change-ringing, in reference to the aforementioned church bell tower. The piece is highly accessible and is appropriate for more advanced pianists, including students and professionals. Duration: 8 minutes 00 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$8.49
7.77 €
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Piano seul
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Robert A
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Porthleven
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Robert A. Howard
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SheetMusicPlus
Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!'
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.596525 Composed by Juan MarÃa So…
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Piano Solo - Level 4 - Digital Download SKU: A0.596525 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Latin. Score. 7 pages. Juan Maria Solare #3621769. Published by Juan Maria Solare (A0.596525). The piano piece Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!' was composed in Bremen, Germany, in August 2018, for the project 45miniatures by pianist Nick Phillips. The overall character of this piece responds vaguely to Nicholas Phillips' suggestion: playful/childish outbursts, in the form of heckler chords or bad hombre-like non-chord tones. The title depicts a surrealistic, clownesque, ridiculous situation; a dream for some and a nightmare for others.For those totally unaware: the expression Bad Hombres was used by president Donald Trump during the third 2016 United States Presidential Debate. While answering a question about his immigration policy, Donald Trump stated that there were a lot of drug lords in the United States and that they needed to be removed. He concluded his comment by saying we have some bad hombres here and we have to get them out. (thus implying that the responsible of US' drug problems are Latinos)Character and moods: happy, merry, mysterious. About the performance All the piece consists of mini clusters (two minor seconds). The notation can be sometimes obscure (due to the many unavoidable accidentals). To facilitate the reading (deciphering) of the score, the easiest is to follow the highest note of each cluster: they usually form a simple chord. For instance, bar 17 is (melodically speaking) a F7 chord. Got it? L = Left Hand R = Right Hand The verbal comments along the music are not meant to be actually read aloud, but alla mente (like in some Satie's music). However, if you want to recite them at concert, go ahead.Juan MarÃa Solare (http://www.JuanMariaSolare.com)
$2.00
1.83 €
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Piano seul
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Juan MarÃa Solare
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Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!'
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Juan Maria Solare
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SheetMusicPlus
Notturno in Gb Major of Ottorino Respighi
Piano seul
Composed by Respighi, O. Arranged by Michael Bomier. Concert, Romantic Period, Standard…
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Composed by Respighi, O. Arranged by Michael Bomier. Concert, Romantic Period, Standards. Score. 9 pages. Michael Butkus-Bomier #3622741. Published by Michael Butkus-Bomier
Notturno is simply "nocturne" with an Italian aroma. Bella Vita, eh! Many concert works in the standard repertoire are placed in keys with five flats of sharps or more, as this piece illustrates. The reason for this is not mere "virtuosity" or even intellectual hubris. The black-keys afford an access to many kinds of gestures that alternate between the black and white keys, for two hands, in a way that placement in C, F or G simply do not provide. Having the hands in and up over the black keys affords, as in this case, an easy alternation between an upper and lower hand gesture, without having to be in the same keyplane. Why are the black keys easier for this, you might ask, since they are ALSO in a uniform plane? The white keys have no diatonic gaps, but the black keys, forming a pentatonic scale with two gaps, does indeed afford just such a place to place these sorts of piano-drumming gestures. The main distinguishing feature of our setting here is the elimination of this top melody tone, which dies so fast,and yet in standard editions gets smeared across the top of many lines like excess frosting that has already been eaten. Our edition shows when each gesture begins, and does NOT emphasize how long these drawn-out single tones last, over the accompaniment. Spellings are better, and pedaling is included throughout, rather than left to laissez-faire. 10ths are often used here, and are shown are arpeggiandi throughout. The MIDI file playback here does not really convey how much rubato can be applied to this piece, in a most musical and entertaining way, as the composer intended. MBB.Notturno is simply "nocturne" with an Italian aroma. Bella Vita, eh!
Many concert works in the standard repertoire are placed in keys with five flats of sharps or more, as this piece illustrates. The reason for this is not mere "virtuosity" or even intellectual hubris. The black-keys afford an access to many kinds of gestures that alternate between the black and white keys, for two hands, in a way that placement in C, F or G simply do not provide. Having the hands in and up over the black keys affords, as in this case, an easy alternation between an upper and lower hand gesture, without having to be in the same keyplane.
Why are the black keys easier for this, you might ask, since they are ALSO in a uniform plane? The white keys have no diatonic gaps, but the black keys, forming a pentatonic scale with two gaps, does indeed afford just such a place to place these sorts of piano-drumming gestures. The main distinguishing feature of our setting here is the elimination of this top melody tone, which dies so fast,and yet in standard editions gets smeared across the top of many lines like excess frosting that has already been eaten.
Our edition shows when each gesture begins, and does NOT emphasize how long these drawn-out single tones last, over the accompaniment. Spellings are better, and pedaling is included throughout, rather than left to laissez-faire. 10ths are often used here, and are shown are arpeggiandi throughout.
The MIDI file playback here does not really convey how much rubato can be applied to this piece, in a most musical and entertaining way, as the composer intended. MBB.
$4.25
3.89 €
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Piano seul
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Respighi, O
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Michael Bomier
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Notturno in Gb Major of Ottorino Respighi
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Michael Butkus-Bomier
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SheetMusicPlus
O Holy Night
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1342894 Composed by ADOLPHE C. ADAM…
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Piano Solo - Level 2 - Digital Download SKU: A0.1342894 Composed by ADOLPHE C. ADAM. Arranged by Rodrigo Faleiros. Christmas,Holiday,Traditional. Score. 2 pages. Rodrigo Faleiros #928403. Published by Rodrigo Faleiros (A0.1342894). Immerse yourself in the magic of the season with our enchanting solo piano arrangement of O Holy Night. Perfect for beginners to intermediate players, this rendition captures the timeless beauty of the Christmas classic in a single, flowing melody.Here you'll find the right hand playing the melody accompanied by a second voice and the left hand playing two notes together.Accessible and evocative, this arrangement is your gateway to creating a serene and memorable Christmas atmosphere with the gentle, expressive tones of the piano.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$1.99
1.82 €
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Piano seul
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ADOLPHE C
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Rodrigo Faleiros
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O Holy Night
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Rodrigo Faleiros
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SheetMusicPlus
The Island
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1026725 Composed by Jesse Holan. 20…
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Piano Solo - Level 4 - Digital Download SKU: A0.1026725 Composed by Jesse Holan. 20th Century,Concert,Contemporary. Score. 3 pages. Jesse Holan Enterprises #6359527. Published by Jesse Holan Enterprises (A0.1026725). The Island is the sister vignette another piano piece I wrote, Fives, now focusing on color as a design principle instead of rhythm. Since sound is heard from 20 to 20k Hz and light is perceived from about 375 to 750 THz, there is a huge speed difference between the two kinds of waves, but overall, waves are waves. My synesthetic view of reality allows me to see pictures and colors when I hear tones. To me, C is White, Db is Orange, D is Yellow, Eb is Seafoam, E is Green, F is Brown, Gb is Red, G is Grey, Ab is Violet, A is Pink, Bb is Gold, and B is Blue. There is some logical flow to my chromatic rainbow, but admittedly it’s a little interpretive. It’s just what I see! Associating colors with notes is a personalized thing; two of my friends both have perfect pitch yet each perceive unique chromatic schemes in their minds for tones, which also differ from mine. This project shows how I use my mental color wheel to musically paint a stormy island sunset.
$4.99
4.56 €
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Piano seul
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Jesse Holan
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The Island
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Jesse Holan Enterprises
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SheetMusicPlus
Vitaminer / Vitamins
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.990522 Composed by Lars Peter Schul…
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Piano Solo - Level 2 - Digital Download SKU: A0.990522 Composed by Lars Peter Schultz. 20th Century,Contemporary,Instructional. Score. 26 pages. Lars Peter Schultz #3488707. Published by Lars Peter Schultz (A0.990522). The inspiration for these pieces comes from piano pupils who can play the piano to some degree, and who can read the basic note values, but need a boost in their ability to read which tones to play when they see the notes in a staff. The pieces strengthen the pupil's knowledge and familiarity with the seven basic notes a-b-c-d-e-f-g in several octaves in both hands.All pieces have a Danish and an English title.It starts with a rather easy piece followed by a progressive series of pieces. In total 12 pieces for piano with different tempi and characteristics.The music has a touch of minimalism in that the musical material employed in each piece is rather limited. Like only using the note c in various octaves in the first piece, only the note g in the second piece, two notes c and g in the third piece and so on. The only piece which employs the 7 notes a-b-c-d-e-f-g is the last one. No piece includes sharps or flats. Have fun!***My website: www.larspeterschultz.dkMember of KODA (Danish performing rights organization) : https://www.koda.dk/eng
$12.33
11.28 €
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Piano seul
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Lars Peter Schultz
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Vitaminer / Vitamins
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Lars Peter Schultz
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SheetMusicPlus
Joie de Vivre "Joy of Life"
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.987918 Composed by Christina Cheng …
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Piano Solo - Level 4 - Digital Download SKU: A0.987918 Composed by Christina Cheng Lian Tan. Concert,Contemporary,Holiday,Instructional,Jazz. Score. 5 pages. Christina ChengLian Tan #496641. Published by Christina ChengLian Tan (A0.987918). 2015 Piano Contest CT 2003-01 ~Christina ChengLian Tan +65 8218-5849 ~52 Bayshore Road, #07-02, S469978, Singapore ~COMPASS http://www.compass.org.sg ~YouTube found at 2:08 found at 24:49 ~about 2 minutes ~2003, written and premiered at University of Akron, USA Performed in USA, Asia and Europe. ~ Joie de Vivre ‘ I have but no name; I am but two days old.’ What shall I call thee? I happy am, Joy is my name. Sweet joy befall thee! (Infant Joy by William Blake) In Joy of Life, the LH is a five-note ostinato is made up of tones found on the tuned strings of a vihuella. This jazz influenced work marked Avec élan – with momentum – exudes a joyful, whimsical, improvisatory feel above a gurgling quintuplet ostinato accompaniment.
$7.99
7.31 €
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Piano seul
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Christina Cheng Lian Tan
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I am but two days old
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Joie de Vivre "Joy of Life"
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Christina ChengLian Tan
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SheetMusicPlus
Prelude on Duke Street ('Jesus Shall Reign')
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1353490 Composed by John Burkett. A…
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Piano Solo - Level 5 - Digital Download SKU: A0.1353490 Composed by John Burkett. Arranged by John Burkett. Classical,Sacred. Score. 10 pages. John Burkett #938224. Published by John Burkett (A0.1353490). My Prelude on Duke Street (Jesus Shall Reign) is intended for church pianists looking for interesting arrangements of hymns familiar to their congregations. A 15-bar introduction based on the first four notes of the hymn tune prepares for the first statement of the tune accompanied by a repeated rhythmic pattern of intervals of a third. The second statement, in a different key, is essentially fugal in nature and concludes with a bridge to the final statement. This statement is the most difficult to play. The tune is played in long tones in octaves between the two hands. The difficulty comes in the quick and wide leaps to chords that occur after each melody note is struck. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$12.00
10.98 €
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Piano seul
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John Burkett
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John Burkett
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Prelude on Duke Street
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John Burkett
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SheetMusicPlus
Lacerta
Piano seul
Piano Solo - Digital Download SKU: A0.507398 Composed by Heather Cattanach. 20th Ce…
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Piano Solo - Digital Download SKU: A0.507398 Composed by Heather Cattanach. 20th Century,Children,Contemporary,Instructional. Score. 3 pages. Published by Heather Cattanach (A0.507398). Lacerta quietly basks amongst the members of the Perseid Family of Constellations in the northern hemisphere. Originally called Stellio by the Polish astronomer Johannes Hevelius, it is a small faint constellation that represents a starred agama, a grey lizard with yellow or orange spots on its back or side that can change colour slightly in response to temperature or mood. This piece is built on a scale devised by Messiaen which proceeds in a pattern of tone then two semitones, and opens and closes with his Chord of Resonance built on this third mode of limited transposition. Delicate staccato contrasting with legato playing requires a sensitive touch. From “88 Constellations†a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Intermediate Piano Solo. Performance Time 1 1/2 minutes. 2 pages. (General Instructional, Modern, 21st Century, Repertoire, Recital).
$3.99
3.65 €
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Piano seul
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Heather Cattanach
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Lacerta
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Heather Cattanach
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SheetMusicPlus
8. Intshe the Ostrich
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1138474 By Louise du Toit. By Louis…
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Piano Solo - Level 5 - Digital Download SKU: A0.1138474 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 17 pages. Louise du Toit #738812. Published by Louise du Toit (A0.1138474). Intshe the Ostrich is the eighth in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Intshe the old ostrich is in a very good mood. Walking through the South African fields surrounding Oudtshoorn, he comes across a narrow road leading to a desolated farmyard where a lot of delicious junk is waiting to be explored. He sees two ancient metal spoons and swallows it; then he gulps down an empty beer bottle, an old, broken wristwatch and a few shiny metal pieces. On his way back to the fields, he adds two round stones to his collection of strange, edible things. Feeling extremely happy after the gourmet meal, he starts moving around in a very weird way, dancing his heart out until his legs are like jelly. Every now and then he stands still for a few moments, opening and closing his wings to cool down from the heat of the exercise; then he dances again until he collapses of exhaustion, ready to take a very long nap in the hot South African sun. .
$4.99
4.56 €
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Piano seul
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Louise du Toit
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Louise du Toit
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8. Intshe the Ostrich
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Louise du Toit
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SheetMusicPlus
Wondering
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1348719 Composed by Stephen Tyler. …
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Piano Solo - Level 3 - Digital Download SKU: A0.1348719 Composed by Stephen Tyler. Contemporary,Film/TV. Score. 6 pages. Steve Tyler #933406. Published by Steve Tyler (A0.1348719). Wondering is a heartfelt and introspective piano composition, crafted with love and empathy during a challenging time. This poignant piece, created for a beloved wife during her hospital stay, captures the essence of the emotional rollercoaster experienced in such moments. Influenced by the minimalist styles of Michael Nyman and Philip Glass, the piano serves as the storyteller, its gentle yet expressive notes echoing the contemplative nature of the composer's emotions. The melodic lines unfold with a measured grace, reminiscent of Nyman's evocative compositions, while the repetitive and rhythmic patterns draw inspiration from the distinctive style of Philip Glass.As the listener embarks on this musical journey, they will find themselves immersed in a soundscape that mirrors the ebb and flow of hope and reflection. The melancholic undertones convey a deep sense of empathy and understanding, acknowledging the challenges faced during difficult times. Yet, intertwined with the melancholy is an uplifting spirit, symbolizing resilience, love, and the unwavering bond shared between two souls.The composition's title, Wondering, encapsulates the sense of curiosity and contemplation that arises in moments of uncertainty. It invites the listener to join the composer on a reflective exploration of emotions, ultimately finding solace in the beauty that can emerge from even the most challenging circumstances.Wondering is not just a musical piece; it is a heartfelt expression of love and support, a sonic companion to those moments of vulnerability, and a reminder that, even in the midst of hardship, there is room for hope and beauty.
$4.99
4.56 €
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Piano seul
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Stephen Tyler
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Wondering
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Steve Tyler
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SheetMusicPlus
Wayfaring Stranger
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1275301 By Aleksey Artemyev. By Fol…
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Piano Solo - Level 4 - Digital Download SKU: A0.1275301 By Aleksey Artemyev. By Folk. Arranged by Aleksey Artemyev. Blues,Celtic,Christian,Folk,Irish,Jazz. Score. 6 pages. Avarte #867208. Published by Avarte (A0.1275301). This plaintive 19th century American folk/gospel song I am a Poor Wayfaring Stranger was arranged for solo piano with jazzy undertones of blues and gospel style. The arrangement offers two versions of difficulty (via OSSIA segment included in the score), intermediate and advanced.Â
$19.95
18.25 €
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Piano seul
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Aleksey Artemyev
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Aleksey Artemyev
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Wayfaring Stranger
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Avarte
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SheetMusicPlus
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