Avant-garde pianist Winfried Strauss? ?In The End We Are All Dead? is a bittersweet, melancholic piece that winds and lulls; taking the listener on a journey of reflection as keys chime and clash against the hum of a crackling vinyl.

A specialist in minimalism, the Berlin-based composer started playing piano aged 6, and recorded his first tracks on a 16-bit Atari Computer in High School. Inspired by the likes of Max Richter, Volker Bertelmann and Philip Glass, Strauss deals in juxtaposition and will often explore antithesis within his arrangements.

?In The End We Are All Dead? achieves beauty through simplicity, soaring with retrospective strings and romantic melodies underpinned by the nostalgic sounds of mellotron and celesta.