Partitions Numériques de drums for a complete sound pour Piano seul

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Piano seul

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I Can't Get Started #Piano seul #Contemporain #Vernon Duke #MICHAEL TARRO #drums for a complete sound #I Can't Get Started #michael Tarro #SheetMusicPlus

Piano Solo - SKU: A0.902659 Composed by Vernon Duke. Arranged by MICHAEL TARRO. Contemporary. Score. 2 pages. Michael Tarro #6071951. Published by micha...(+)

$4.99

A Bird In A Gilded Cage #Piano seul #INTERMÉDIAIRE #Bing Crosby #A Bird In A Gilded Cage #Martyn Johnson #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.1359879 By Bing Crosby. By Harry Von Tilzer. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th Century,Come...(+)

$3.50

We Can't Be Friends (Wait For Your Love) #Piano seul #INTERMÉDIAIRE #Ariana Grande #We Can't Be Friends #Martyn Johnson #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.1405692 By Ariana Grande. By Ariana Grande, Ilya Salmanzadeh, and Max Martin. Arranged by Martyn Clive Johnson (aka Marty...(+)

$4.99

Cuban Gold #Piano seul #Contemporain #Jeffrey Hoover #The pages #Cuban Gold #Musicart Publications #SheetMusicPlus

Piano Solo - SKU: A0.971664 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score. 16 pages. Musicart Publications #5992091. Published by Musicar...(+)

Piano Solo - SKU: A0.971664 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score. 16 pages. Musicart Publications #5992091. Published by Musicart Publications (A0.971664). Cuban Gold for solo piano. 5 min. 15 sec. There is also an optional painting that may be projected in performance if desired. Please contact the composer directly for a jpg. The poem may also be used in performance or reprinted in a program, in place of traditional program notes. The pages of this score are arranged to be printed double-sided, with correct page turns.Program Note/Poem Cuban Gold White mist rising from a broad field of green, Sun breaking the horizon then rose smoke curling into the sky. Steel ringing in rhythm to voices, the sound of metal slicing through wood in all its sweetness. A hot brilliant mid-day sun on the street. Ducking into the doorway, then tuning the piano. It must be a special day.The clock and church bell sounding in unison, the end of Tuesdayâ€™s labor.Humidity saturates El Tropicano, with the upright piano and a half-glass of amber. The piano montuno and bass tumbao, along with a half-complete catch of drums telegraph out the rhythms for the Casino dancing. Tall ivory women and shorter browner men in white hats, moving across the floor. â€˜Still time for one more dance. Old Havana at Midnight: Cuban Gold.Cuban Gold poem copyright 2019, Jeffrey Hoover All Rights ReservedJeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hooverâ€™s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hooverâ€™s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysiteContacting Musicart PublicationsCarlos Rio, Editormusicart.publications.editor@gmail.com

$9.95

Piano Suite #1 (Ancient Scenes) #Piano seul #AVANCÉ #Contemporain #James Domine #Piano Suite #1 #Earth Music, Ltd. #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.976506 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 49 pages. Earth Music, Ltd. #2081751. Publishe...(+)

Piano Solo - Level 5 - SKU: A0.976506 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 49 pages. Earth Music, Ltd. #2081751. Published by Earth Music, Ltd. (A0.976506). Based on the myth of Taliesin, the Ancient Scenes concert suite is made up of five piano solo arrangements extracted from the Legend complete ballet. These are the Invocation, Processional March, Fire Dance, Snake Dance (The Oracular Serpent) and Bacchanal. The music of the Invocation prepares for the reenactment of the myth of the Sun King, whose life and subsequent sacrifice is executed to placate the wrath of the Moon Goddess. According to legendary accounts, King Maelgwynhad determined to offer Taliesin as the sacrificial victim, and led him off in chains to the cadence of the Processional March to the dungeon at Dyganwy where along with Prince Elphin he was imprisoned. The King caused a great sacrificial funeral pyre to be built, stacked high with wood and stoked by burning embers taken from a fir tree, still smoldering from a winterâ€™s storm lightning strike. The people of Gwynedd leapt in a furious sacrificial Fire Dance as Taliesin was brought enmeshed in a wicker cage to the edge of the pyre. A great snake appeared before the fire, coiling threateningly, and rearing up with a fearful hiss, spoke to Taliesin as the Snake Dance unfolds: Can you answer the riddle of the oracular serpent? As soon as Taliesin answered the correct mysterious formula in secret words only audible to the snake, the flames of the pyre roared back into life, and the serpent disappeared into fire to the sound of drums pounding an inexorable rhythm. King Maelgwyn was seized by his own soldiers and thrown without ceremony on the burning maelstrom, and led by the High Priest and the Council of Elders, Taliesin was proclaimed Sun King, who will reign for a period of seven years. All join in a great Bacchanal in celebration of the preservation of order in the universe.

$14.99

(i Can Recall) Spain #Piano seul #INTERMÉDIAIRE/AVANCÉ #Jazz #Latin/Musique du monde #Chick Corea #Popnroll 1976 #(i Can Recall) Spain #Popnroll 1976 #SheetMusicPlus

Piano - Level 4 - SKU: A0.1290542 By Chick Corea. By Al Jarreau, Artie Maren, Chick Corea, and Joaquin Rodrigo. Arranged by Popnroll 1976. Jazz,Latin. S...(+)

Piano - Level 4 - SKU: A0.1290542 By Chick Corea. By Al Jarreau, Artie Maren, Chick Corea, and Joaquin Rodrigo. Arranged by Popnroll 1976. Jazz,Latin. Score (Chords/Lyrics). 4 pages. Popnroll 1976 #881260. Published by Popnroll 1976 (A0.1290542). Spain (I Can Recall) - Al Jarreau (Vocal/Synthesizer Solo/Scat Solo)This is a lead sheet with a complete copy of the synthesizer solo and scat solo of the vocal version of Chick Corea's famous song Spain from the album This Time released in 1980 by Al Jarreau, a jazz fusion singer known for his singing percussion.PDF format, 4 pages.Lyricsï¼šAl Jarreau, Arthur J. MarenÂ Composerï¼šChick Corea, Joaquin Vidre RodrigoVocalï¼šAl JarreauÂ Synthesizer & Rhodes Electric Pianoï¼šLarry WilliamsÂ Bass: Abraham LaborielÂ Drums: Steve GaddÂ Produced by Jay GraydonSong DescriptionÂ ã€€This is a jazz fusion classic from Chick Corea's 1972 Return To Forever album, Light As A Feather, with lyrics by Al himself.Â ã€€The synthesizer solo was played by Larry Williams, a keyboardist and saxophonist of the fusion band Seawind, who skillfully used upper structure triad arpeggios to drive the song in a wide range.Â ã€€Al's scat solo in the latter half of the song is a highlight. It starts with a relaxed phrase, moving in a close range in the first half, and shows a sign of excitement with flutter tangling in D (a technique unique to wind instruments that makes the sound tremble by fine movements of the tongue) at the beginning of the second half. The last four bars of the song are a perfect blend of alternating scales and blue notes, folding in exquisite ups and downs, and finally resolving to B major at the end.Â ã€€In the chord progression, the second half of [B] and Gmaj7 (two beats after Dmaj7) in [E] and [M] are not Chick Corea's original, but he seems to use them in this arrangement.

$9.99

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