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2224
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8307
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1158
Accordéon
845
Piano Facile
491
Piano, Voix et Guitare
279
Accompagnement Piano
230
Orgue
160
Instruments en Do
131
1 Piano, 4 mains
70
2 Pianos, 4 mains
51
Piano Trio: piano, violon, violoncelle
24
Piano (partie séparée)
15
Piano Quatuor: piano, violon, alto, violoncelle
10
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7
Clavecin
4
2 Accordéons
3
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3
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2
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2
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2
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1
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1
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1
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1619
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1470
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376
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130
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114
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90
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25
2 Guitares (duo)
17
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13
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9
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9
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7
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7
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6
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5
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5
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1
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59
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44
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38
Chorale
35
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27
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24
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156
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146
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144
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142
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139
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134
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131
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130
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114
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105
Ensemble de saxophones
88
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82
2 Saxophones (duo)
74
Flute (partie séparée)
68
Quintette de Saxophone: 5 saxophones
64
2 Flûtes traversières (duo)
62
Saxophone Soprano et Piano
59
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55
2 Clarinettes (duo)
39
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39
Quintette de Clarinettes: 5 clarinettes
32
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31
3 Clarinettes (trio)
30
3 Saxophones (trio)
27
Trio de Flûtes: 3 flûtes
26
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21
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19
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16
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15
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14
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13
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12
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11
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10
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10
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8
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8
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7
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6
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6
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6
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6
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6
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5
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5
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5
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3
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3
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3
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3
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3
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3
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2
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1968
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229
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186
Euphonium
181
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149
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144
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143
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120
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100
Trombone et Piano
97
Cor (partie séparée)
76
Cor et Piano
69
Tuba (partie séparée)
52
Euphonium, Piano (duo)
37
Tuba et Piano
24
Quatuor de Cuivres
24
2 Trompettes (duo)
20
Quatuor de cuivres: 4 trombones
20
Quatuor de cuivres: 4 cors
18
Cor anglais, Piano
16
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15
2 Cors (duo)
14
Trompette, Trombone (duo)
13
2 Trombones (duo)
12
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10
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8
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8
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7
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7
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7
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6
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6
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6
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5
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4
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4
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4
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4
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3
Tuba ou Euphonium ou Saxhorn
3
Trombone, Cor (duo)
3
4 Tubas
3
2 Trompettes, Clavier (piano ou orgue)
2
Trombone basse et Piano
2
3 Trombones (trio)
2
Cor et Harpe
2
2 Euphoniums (duo)
2
Cor, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Orchestre
1
4 Euphoniums
1
Trompette, violon (duo)
1
Cor Anglais
1
3 Trompettes (trio)
1
Cor, Trompette, Trombone (trio)
1
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1
Trompette, Harpe
1
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1
2 Cors, Piano
1
Trompette, Violoncelle et Piano
1
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1
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1
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935
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902
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415
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347
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215
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172
Harpe
85
Violon, Violoncelle (duo)
73
Contre Basse
72
2 Violons (duo)
57
2 Violoncelles (duo)
55
Trio à Cordes: violon, alto, violoncelle
45
Violon (partie séparée)
42
Contrebasse (partie séparée)
36
Violon, Alto (duo)
22
Alto (partie séparée)
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
2 Altos (duo)
17
Trio à Cordes: 2 violons, violoncelle
15
Violon, Guitare (duo)
14
Piano Trio: Violon, Alto, Piano
14
Contrebasse, Piano (duo)
11
4 Violoncelles
11
Alto, Violoncelle (duo)
11
Trio à cordes: 3 violins
11
2 Harpes (duo)
11
Trio à Cordes: 2 violons, alto
9
2 Violons, Piano
8
Harpe, Violon (duo)
7
Trio à Cordes: 3 violoncelles
7
Alto, Guitare (duo)
7
Harpe, Flûte (duo)
6
Harpe, Violoncelle (duo)
6
Violoncelle , Guitare (duo)
6
Violon, Basson (duo)
5
Violoncelle (partie séparée)
5
Alto et Basson
4
Quatuor à cordes: 4 violons
4
2 Violoncelles, Piano
3
Trio à cordes: 3 altos
3
Violon, Basse continue
2
Alto et Harpe
2
Violoncelle, Orchestre
2
Ensemble de Violoncelles
2
Ensemble de Violons
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Contrebasses
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Harpe, Trombone (duo)
1
Ensemble d'Altos
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Harpe et Orgue
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Quatuor à cordes : 4 altos
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Violon, Orgue
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2 Altos, Piano
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Batterie
1966
Orchestre d'harmonie
1592
Orchestre
349
Fanfare
177
Orchestre à Cordes
155
Ensemble de cuivres
105
Percussion (partie séparée)
97
Ensemble Jazz
83
Orchestre de chambre
71
Percussion
67
Cloches
50
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24
Jazz combo
22
Batterie (partie séparée)
15
Marimba
7
Ensemble de Percussions
6
Timbales
5
Vibraphone
5
Xylophone
4
Orchestre, Violon
3
Quintette à Vent
2
Ensemble d'École
2
Xylophone, Piano
1
3 Percussions
1
Caisse Claire
1
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Formation musicale - Solfège
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Théorie de la musique
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8301
L'amore di Kebo Iwa (Balinese Gamelan in Piano)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1041503 Composed by Gabrielle Felic…
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Piano Solo - Level 3 - Digital Download SKU: A0.1041503 Composed by Gabrielle Felicita Chen. Contest,Festival,Folk,Holiday,Multicultural,Traditional,World. Score. 9 pages. Gabrielle Felicita Chen #646246. Published by Gabrielle Felicita Chen (A0.1041503). “L’amore di Kebo Iwa†simply means ‘the Love of Kebo Iwa’ , which is inspired from Indonesian Balinese folk music. It is usually played by the instruments called Gamelan. Bali is an island in Indonesia rich with cultural traditions that are very much rooted in myths and legends. After understanding deeper of the legend of “Kebo Iwaâ€, I was so drawn to the character and the plot that I decided to tell the story in my piano composition. I was able to use different kinds of musical techniques to express different moods. One of them is to apply the Pentatonic ‘Balinese Pelog’ Scale in B flat Major, which represents the majority of the Gamelan sound that is usually transcribed into Western notations. Below is the synopsis the “L’amore di Kebo Iwaâ€. A Once upon a time, in Bali, there was a husband and a wife who dearly wanted to have a baby. They prayed to God for a very long time. Finally, God heard their prayers and blessed them with a baby boy. But there was something special about this baby boy: he was very big- a giant baby. They named him Kebo Iwa. Kebo Iwa grew up with a good heart and became a gentleman. He was a kind hearted giant; he protected the village dearly. One day, the King of Majapahit from Java wanted to conquer Bali. He had heard about Kebo Iwa and knew that his army would lose to Kebo Iwa. B Therefore, the King of Majapahit tricked Kebo Iwa. He invited Kebo Iwa to Java island, promising that he would arrange a wedding for Kebo Iwa to marry his daughter, the beautiful Majapahit princess. Kebo Iwa was so in love with the princess, so he happily travelled to Java island. C After he arrived in Java, the King of Majapahit asked a favour from Kebo Iwa to dig a well, with the reason for it being the dry season. Kebo Iwa then sincerely gave some help and started digging a big, giant well. D However, the King Majapahit never meant to deliver his promise to Kebo Iwa. Instead, the King Majapahit commanded the troops to cover the well with mud and boulders. But when Kebo Iwa realized, it was too late. He was already in the position that was far too deep below - at the bottom of the well. Kebo Iwa then cried loudly and sadly with a broken heart until his last breath. He was buried alive. Soon after that, the Majapahit troops attacked and conquered Bali. E At last, the well was covered and grew a hill of flowers. To this day, the Bali villagers still remember Kebo Iwa as their hero. To honor him, they erected a giant statue of Kebo Iwa in Gianyar, Bali, as a memorial.
$9.99
9.13 €
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Piano seul
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Gabrielle Felicita Chen
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L'amore di Kebo Iwa
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Gabrielle Felicita Chen
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SheetMusicPlus
The Star-Spangled Banner, (traditional) piano solo
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.993523 Composed by Francis Scott Ke…
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Piano Solo - Level 3 - Digital Download SKU: A0.993523 Composed by Francis Scott Key and John Stafford Smith. Arranged by Amy J. Snyder. Holiday,Patriotic,Sacred. Score. 5 pages. Amy J. Snyder #599187. Published by Amy J. Snyder (A0.993523). The Star-Spangled Banner, the National Anthem of the United States, in intermediate level piano solo. This arrangement is in the traditional style with lots of patriotism and flair. The lyrics are included for not only the 1st verse, which is always sung, but it includes the 3rd verse which is so very moving! This verse speaks of the heaven rescued land praise the Power that hath made and preserved us a nation. Then conquer we must when our cause it is just...our motto: In God is our trust! This arrangement uses lots of octaves in the L.H., and melody uses 3-note chords and a couple 4-note chords. (If this is too much to reach, leave off the lowest note of the chord.) There is an optional spectacular ending on the last page for extra flair! Just add cannons and fireworks! A must have for patriotic repertoire, school, church or patriotic gathering. Arranged by Amy J. Snyder. Visit Amy at www.facebook.com/amyjsnyder7. If you enjoy this arrangement, check out Amy's other patriotic arrangements: America the Beautiful, Yankee Doodle Dandy, God Bless the U.S.A., God Bless America, My Country 'Tis of Thee, The Battle Hymn of the Republic, O Say Can You See (contemporary), The Stars and Stripes Forever, Armed Forces Medley, You're a Grand Old Flag, The Washington Post, and If My People.
$4.50
4.11 €
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Piano seul
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Francis Scott Key and John Stafford Smith
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Amy J
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The Star-Spangled Banner,
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Amy J. Snyder
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SheetMusicPlus
Pitcairn Local Anthem (The Royal Telephone/We From Pitcairn Island”) for Voice & Piano
Piano seul
Piano - Level 3 - Digital Download SKU: A0.1207336 By Keith Terrett. By Frederick M…
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Piano - Level 3 - Digital Download SKU: A0.1207336 By Keith Terrett. By Frederick M. Lehman. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Praise & Worship,Traditional,World. Score (Chords/Lyrics). 3 pages. Keith Terrett #805498. Published by Keith Terrett (A0.1207336). The Pitcairn Islands are a remote British colony in the South Pacific, famous for being the site where the mutineers from the HMS Bounty landed. The islands’ population have always been very small (currently numbering around 50), yet, aside from the official anthem of God Save the King (which is not heard often on the islands), there have been, and continue to be, many unofficial anthems in use in the colony.In Diana Jolliffe Belcher’s 1871 book “The Mutineers of the Bounty and their Decendants in Pitcairn and Norfolk Island†it is reported that a local poem by Rev. G. H. Nobbs was set to the tune “Rousseau’s Dream†(sheet music) and was considered by Pitcairners to be their anthem at the time. It is not known for how long this was considered as their anthem, however. Also, in 1856, several Pitcairners resettled on Norfolk Island as Pitcairn had become too small. The local anthem now in use on Norfolk Island, Come Ye Blessed, is also referred to as the “Pitcairn Anthemâ€, and more than likely was brought to the island by the Pitcairn settlers, suggesting that this anthem was in use on Pitcairn at that time, and is also heard on Pitcairn currently.Currently, the song “We From Pitcairn Island†(to the tune of the hymn “The Royal Telephoneâ€) is used as an unofficial anthem at gatherings and the like. The lyrics were written by Pitcairner Melva Evans with assistance from the local Seventh Day Adventist Pastor L. A. J. Webster in 1962 to be performed by the school children on board a visiting cruise ship, but the song became identified by residents as their unofficial anthem. Other songs, such as “The Goodbye Song†(written by Pitcairner Amelia Young), and the hymn “In The Sweet By and By†are considered unofficial “Pitcairn songs†at gatherings as well. (“Goodbye songsâ€, sung to ships as they leave the country, are a tradition in many Polynesian islands, and are part of the patriotic music of those countries.).
$4.99
4.56 €
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Piano seul
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Keith Terrett
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Keith Terrett
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Pitcairn Local Anthem
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Keith Terrett
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SheetMusicPlus
The Hungry Lion
Piano seul
Piano - early intermediate - Digital Download SKU: F0.W9394 Composed by Mary Leaf. …
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Piano - early intermediate - Digital Download SKU: F0.W9394 Composed by Mary Leaf. Sheet Music. Written For You. Solo Sheet. 4 pages. The FJH Music Company - Digital #W9394. Published by The FJH Music Company - Digital (F0.W9394). UPC: 674398229451.Marked pacing and prowling the A minor mode and descriptive lyrics tell of a very hungry lion who is ready to eat anything! Constant hands-together playing (eighth notes in the R.H. and longer note values in the L.H.) with just a few hand shifts keeps this piece within the range of a late 2nd-year student.
$2.95
2.7 €
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Piano seul
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Mary Leaf
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The Hungry Lion
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The FJH Music Company - Digital
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SheetMusicPlus
L'alchimista
Piano seul
Piano Solo - Digital Download SKU: A0.976873 Composed by Monica Bergo. Contemporary…
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Piano Solo - Digital Download SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0.976873). 2017 Holiday Contest EntryThe alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world We like vampires , breath broken by sighs , arms forward, off eyes alchemist turn off my complaints You like a zombie , ready to sink your teeth ,that fascinates me and scares alchemist dissolve my torments .. but you can not .. and I stay here I'm looking for the courage to live It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$3.99
3.65 €
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Piano seul
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Monica Bergo
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L'alchimista
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Monica Bergo
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SheetMusicPlus
Themes from Piano Concerto in A Minor
Piano seul
Piano solo - Intermediate - Digital Download SKU: F0.YA9008 Composed by Edvard H. G…
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Piano solo - Intermediate - Digital Download SKU: F0.YA9008 Composed by Edvard H. Grieg. Arranged by Emilie Lin. Sheet Music. Arranged For You. Solo Sheet. 4 pages. The FJH Music Company - Digital #YA9008. Published by The FJH Music Company - Digital (F0.YA9008). UPC: 674398218370.A beautiful arrangement of the classic piano concerto for the intermediate level student, this piece includes hand crossovers with L.H. playing flowing, arpeggiated chords for one of the themes. The opening begins with the main theme in a dotted half two eighth note rhythm and finishes with a triplet quarter rhythm that is both aesthetically pleasing for the ear and also challenging to play.
$2.50
2.29 €
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Piano seul
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Edvard H
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Emilie Lin
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Themes from Piano Concerto in A Minor
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The FJH Music Company - Digital
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SheetMusicPlus
Wagons on the Plains
Piano seul
Piano - early intermediate - Digital Download SKU: F0.W9306 Composed by Mary Leaf. …
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Piano - early intermediate - Digital Download SKU: F0.W9306 Composed by Mary Leaf. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music Company - Digital #W9306. Published by The FJH Music Company - Digital (F0.W9306). UPC: 674398222520.This piece captures the essence of a rugged western wagon ride on the plains. For most of the piece, the L.H. utilizes intervals of a fifth while the R.H. plays the melody. The lyrics describe the image of wagons traveling across the plains covered by tall prairie grasses.
$2.50
2.29 €
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Piano seul
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Mary Leaf
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Wagons on the Plains
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The FJH Music Company - Digital
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SheetMusicPlus
The Vagabond
Piano seul
Piano Solo - Early Intermediate - Digital Download SKU: F0.S4144 Composed by Mary A…
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Piano Solo - Early Intermediate - Digital Download SKU: F0.S4144 Composed by Mary Anne Sheldon. Sheet Music. Spotlight Solo Sheets. Solo Sheet. 3 pages. The FJH Music Company - Digital #S4144. Published by The FJH Music Company - Digital (F0.S4144). UPC: 674398216949.For early intermediate, The Vagabond provides the student with the opportunity to utilize both hands with a single line melody in the R.H. while the L.H. plays arpeggios and chords. Played in the key of C minor, this gypsy-sounding piece works well with recitals. About FJH Spotlight Solo SheetsMotivating piano solos written for study and performance.
$2.50
2.29 €
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Piano seul
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Mary Anne Sheldon
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The Vagabond
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The FJH Music Company - Digital
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SheetMusicPlus
The Autumn Song
Piano seul
Piano - early intermediate - Digital Download SKU: F0.W9341 Composed by Julia Olson…
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Piano - early intermediate - Digital Download SKU: F0.W9341 Composed by Julia Olson and Kevin Olson. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music Company - Digital #W9341. Published by The FJH Music Company - Digital (F0.W9341). UPC: 674398225248.This wistful ballad for the late elementary student celebrates the changing of the season from summer to fall. The charming lyrics illustrate nature's ebb and flow as summer gives way to winter, in preparation for a beautiful springtime. Written using a single hand position, the rich harmonies flow between major and minor. Contains easy coordination between the L.H. and R.H., and minimal use of eighth notes. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.50
2.29 €
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Piano seul
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Julia Olson and Kevin Olson
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The Autumn Song
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The FJH Music Company - Digital
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SheetMusicPlus
Sailing the Coral Sea
Piano seul
Piano - Early Intermediate - Digital Download SKU: F0.W9241 Composed by Mary Leaf. …
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Piano - Early Intermediate - Digital Download SKU: F0.W9241 Composed by Mary Leaf. Sheet Music. Written For You. Solo Sheet. 4 pages. The FJH Music Company - Digital #W9241. Published by The FJH Music Company - Digital (F0.W9241). UPC: 674398216571.A melodic sounding piece which evoke images of sailing on the coral sea. For the early intermediate student, Sailing the Coral Sea contains some not so traditional rhythmic figures for 6/8 time. The L.H. features some octave leaps in the intervals of a fifth.
$2.95
2.7 €
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Piano seul
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Mary Leaf
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Sailing the Coral Sea
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The FJH Music Company - Digital
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SheetMusicPlus
A Thief in the Night
Piano seul
Piano Solo - Early Intermediate - Digital Download SKU: F0.S4149 Composed by Sarah …
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Piano Solo - Early Intermediate - Digital Download SKU: F0.S4149 Composed by Sarah Miller. Sheet Music. Spotlight Solo Sheets. Solo Sheet. 3 pages. The FJH Music Company - Digital #S4149. Published by The FJH Music Company - Digital (F0.S4149). UPC: 674398217397.Your early intermediate students will enjoy this delightful swing piece that features a coda section, utilizing D.S. & al Coda. The R.H., which makes use of alternating staccato and slurs, plays on ledger lines below the Middle C and the L.H. plays a walking bass. About FJH Spotlight Solo SheetsMotivating piano solos written for study and performance.
$2.50
2.29 €
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Piano seul
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Sarah Miller
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A Thief in the Night
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The FJH Music Company - Digital
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SheetMusicPlus
The Brandenburg Piano Solo Collection - 3. Hauptstrasse
Piano seul
Arranged by R. L. Ummel. Baroque, Instructional. Score. 4 pages. Ronald Ummel #38857…
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Arranged by R. L. Ummel. Baroque, Instructional. Score. 4 pages. Ronald Ummel #3885737. Published by Ronald Ummel
This is a solo piano piece for intermediate piano students takenfrom the larger collection of 22 pieces based upon the thematic material from Bach's six Brandenburgconcertos. These piano solos are a great introduction for the earlystudents to the rich melodic content of the Brandenburg Concertos. Each pieceis relative brief in its musical structure and are ideal for grouping togetherfor recitals and performance.This is a solo piano piece for intermediate piano students takenfrom the larger collection of 22 pieces based upon the thematic material from Bach's six Brandenburgconcertos. These piano solos are a great introduction for the earlystudents to the rich melodic content of the Brandenburg Concertos. Each pieceis relative brief in its musical structure and are ideal for grouping togetherfor recitals and performance.
$1.99
1.82 €
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Piano seul
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R
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The Brandenburg Piano Solo Collection - 3. Hauptstrasse
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Ronald Ummel
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SheetMusicPlus
The Brandenburg Piano Solo Collection - 1. Torturme der Altstadt
Piano seul
Composed by Johann Sebastian Bach (1685-1750). Arranged by R. L. Ummel. Baroque, Ins…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by R. L. Ummel. Baroque, Instructional. Score. 2 pages. Ronald Ummel #3885577. Published by Ronald Ummel
This is a solo piano piece for intermediate piano students taken from the larger collection of 22 pieces based upon the thematic material from Bach's six Brandenburg concertos. These piano solos are a great introduction for the early students to the rich melodic content of the Brandenburg Concertos. Each piece is relative brief in its musical structure and are ideal for grouping together for recitals and performance. This is a solo piano piece for intermediate piano students taken from the larger collection of 22 pieces based upon the thematic material from Bach's six Brandenburg concertos. These piano solos are a great introduction for the early students to the rich melodic content of the Brandenburg Concertos. Each piece is relative brief in its musical structure and are ideal for grouping together for recitals and performance.
$1.99
1.82 €
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Piano seul
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Johann Sebastian Bach
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R
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The Brandenburg Piano Solo Collection - 1. Torturme der Altstadt
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Ronald Ummel
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.61 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Brandenburg Piano Solo Collection - 4. St. Johanniskirche
Piano seul
Arranged by R. L. Ummel. Baroque, Instructional. Score. 5 pages. Ronald Ummel #38976…
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Arranged by R. L. Ummel. Baroque, Instructional. Score. 5 pages. Ronald Ummel #3897653. Published by Ronald Ummel
This is a solo piano piece for intermediatepiano students taken from the larger collection of 22 pieces based upon thethematic material from Bach's six Brandenburgconcertos. These piano solos are a great introduction for the early students tothe rich melodic content of the Brandenburg Concertos. Each piece is relativebrief in its musical structure and are ideal for grouping together for recitalsand performance.This is a solo piano piece for intermediatepiano students taken from the larger collection of 22 pieces based upon thethematic material from Bach's six Brandenburgconcertos. These piano solos are a great introduction for the early students tothe rich melodic content of the Brandenburg Concertos. Each piece is relativebrief in its musical structure and are ideal for grouping together for recitalsand performance.
$1.99
1.82 €
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Piano seul
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R
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The Brandenburg Piano Solo Collection - 4. St. Johanniskirche
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Ronald Ummel
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SheetMusicPlus
Does Your Mother Know
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1200382 By ABBA. By Benny Andersson…
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Piano Solo - Level 3 - Digital Download SKU: A0.1200382 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Louis Drummond. Disco,Pop,Rock. Score. 3 pages. Louis Drummond Van Rensburg #799203. Published by Louis Drummond Van Rensburg (A0.1200382). Does Your Mother Know by ABBA was recorded in February 1979 and released as a single in April of that year. It was No. 1 in Belgium and reached the top 5 in Great Britain,Ireland, the Nederlands and Finland.In my solo piano arrangement on an intermediate level, the L.H. provides a Disco like bass line for the melody played by the R.H. in triads. My other solo piano arrangements of ABBA tunes include: The Winner Takes It All, Why Did It Have To Be Me, Andante, Andante, S.O.S. Chiquitita, Fernando, Gimme! Gimme! Gimme! Mama Mia, Money, Money, Money and Waterloo.
$5.99
5.48 €
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Piano seul
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ABBA
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Louis Drummond
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Does Your Mother Know
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Louis Drummond Van Rensburg
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.61 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Were You There (When They Crucified My Lord) - Piano Solo
Piano seul
Piano Solo - Intermediate - Digital Download Composed by African American Spiritual. …
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Piano Solo - Intermediate - Digital Download Composed by African American Spiritual. Arranged by K.L. Phillips. Christian, Spiritual, General Worship, Lent. Solo Part. 5 pages. Published by K L Phillips
This well loved African American spiritual, arranged for solo piano, would be a beautiful addition to any Christian service but would be particularly well suited for the Lenten season or a Good Friday service. Performance time - 3:00<br> Thank you to astoko at pixabay for the cover image.<br> This piece is also available in the compilation "Piano Solos for Christian Worship - Seven Hymns Arranged to Glorify God" Item ID S0.1028795 at Sheet Music Plus.This well loved African American spiritual, arranged for solo piano, would be a beautiful addition to any Christian service but would be particularly well suited for the Lenten season or a Good Friday service. Performance time - 3:00<br> Thank you to astoko at pixabay for the cover image.<br> This piece is also available in the compilation "Piano Solos for Christian Worship - Seven Hymns Arranged to Glorify God" Item ID S0.1028795 at Sheet Music Plus.
$3.99
3.65 €
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Piano seul
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African American Spiritual
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K
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Were You There
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K L Phillips
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SheetMusicPlus
Finding Peace in the Land That We Love - Three Patriotic Piano Solos in Peaceful Settings
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Various. Arranged by …
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Piano Solo - Advanced Intermediate - Digital Download Composed by Various. Arranged by K.L. Phillips. Fourth of July, Patriotic. Solo Part. 20 pages. Published by K L Phillips
This compilation includes "My Country, 'Tis of Thee", "The Star Spangled Banner", and "America the Beautiful" arranged for solo piano. These pieces have all been arranged in peaceful, rich settings and would be fitting for Memorial Day services. Composers: "My Country, 'Tis of Thee" - By Samuel Francis Smith (text)Set to the tune "God Save the Queen";"The Star Spangled Banner" - By Francis Scott Key (text) andJohn Stafford Smith (music);"America the Beautiful" - By Katharine Lee Bates (text) and Samuel A. Ward (music) This compilation includes "My Country, 'Tis of Thee", "The Star Spangled Banner", and "America the Beautiful" arranged for solo piano. These pieces have all been arranged in peaceful, rich settings and would be fitting for Memorial Day services.
Composers: "My Country, 'Tis of Thee" - By Samuel Francis Smith (text)Set to the tune "God Save the Queen";"The Star Spangled Banner" - By Francis Scott Key (text) andJohn Stafford Smith (music);"America the Beautiful" - By Katharine Lee Bates (text) and Samuel A. Ward (music)
$5.99
5.48 €
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Piano seul
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Various
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K
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Finding Peace in the Land That We Love - Three Patriotic Piano Solos in Peaceful Settings
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K L Phillips
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SheetMusicPlus
Advent at the Piano - 8 Advent hymns - piano solo
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1285796 Composed by Various. Arrang…
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Piano Solo - Level 5 - Digital Download SKU: A0.1285796 Composed by Various. Arranged by Judith L. Maggs. Advent,Christian,Christmas,Religious,Sacred. Score. 34 pages. Maggs #876916. Published by Maggs (A0.1285796). Advent is a special time in the Christian church, a time of expectation and longing. The hymns of Advent are not quite as well known as the standard Christmas carols, but they have a deep beauty of their own, that adds to this meaningful season.In this collection, I've put together 8 of the best known and loved Advent hymns. May they become a treasured part of this joyful season.Hymns included: Come, Thou Long-Expected Jesus, Hail to the Lord's Anointed, Let All Mortal Flesh Keep Silence, Lift Up Your Heads, Ye Mighty Gates, Lo, How a Rose E'er Blooming, O Come, O Come Emmanuel, Of the Father's Love Begotten, and Savior of the Nations, Come. (Each of these arrangements are also available separately on this site.).
$14.99
13.7 €
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Piano seul
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Various
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Judith L
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Advent at the Piano - 8 Advent hymns - piano solo
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Maggs
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SheetMusicPlus
Bruyeres (from Préludes / Book 2, L. 123:5) - As played By Víkingur Ólafsson
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.597507 By Claude Debussy and VÃk…
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Piano Solo - Level 3 - Digital Download SKU: A0.597507 By Claude Debussy and VÃkingur Ólafsson. By Claude Debussy. Arranged by Flavio Regis Cunha. 20th Century,Contemporary,Contest,Festival,Instructional. Score. 8 pages. Flavio Regis Cunha #6331203. Published by Flavio Regis Cunha (A0.597507). Are you an aspiring pianist looking for that special piece to bring out your technical and artistic abilities? Look no further – VÃkingur Ólafsson's interpretation of Claude Debussy's 'Bruyeres' (from Préludes / Book 2, L. 123:5) is sure to impress!  With its graceful melodies, beautiful ambiance and intricate form, it's easy to see why 'Bruyeres' remains one of Debussy's most beloved pieces. Now you can take your skill as a pianist to the next level with VÃkingur Ólafsson's performance of the work – and share his mesmerising journey through the music.  Easy to read and follow, use the sheet music to dazzle your friends and bring Debussy's 'Bruyeres' into your own practice room. Order now and find out why this is a must-have for amateurs and professionals alike!Advanced Intermediate Level.Format: Concert 9 x 12 inches.5 Pages.Program NotesBruyeres is a short musical composition for solo piano written by the French composer Claude Debussy. It is one of the pieces included in his second book of Préludes, and is marked Allegretto ma non troppo. This piece has been described as “Pastoraleâ€, due to its innocent melodic lines and its depictions of a rural landscape. The piece begins with a rather dreamy, wistful melody. From there, the piece develops as it moves into more complex harmonic shapes, and its energy increases with the building little rhythms. By the end, the music has worked its way into a dynamic and exciting climax. This piece is a great example of Debussy’s masterful skill in transforming ordinary sounds into something larger and more beautiful; something that truly captures the emotion of being in a field of heather.
$5.99
5.48 €
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Piano seul
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Claude Debussy and VÃkingur Ólafsson
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Flavio Regis Cunha
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Bruyeres
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Flavio Regis Cunha
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SheetMusicPlus
The Wedding Pianist (Processionals and recessionals for the wedding ceremony)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1471689 Composed by Various. Arrang…
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Piano Solo - Level 5 - Digital Download SKU: A0.1471689 Composed by Various. Arranged by Judith L. Maggs. Classical,March,Traditional,Wedding. Score. 36 pages. Maggs #1049444. Published by Maggs (A0.1471689). In this collection, I have put together 10 arrangements of wedding processionals and recessionals for piano. They are written at an advanced level and sound rich and full though they are not difficult to play. I’ve also included a bonus hymn, “O Perfect Love,” which can be used before or during the wedding ceremony.The pieces included are: Prince of Denmark’s March (Clarke), Rondeau (Mouret), Trumpet Tune (Clarke), Prelude from Te Deum (Charpentier), Allegro Vivace from Water Music Suite (Handel), St. Anthony Chorale (Unknown composer), Recessional on “Spring” from The Four Seasons (Vivaldi), Canon in D (Pachelbel), Allegro Maestoso from Water Music Suite (Handel), Recessional on “Ode to Joy” (Beethoven), and “O Perfect Love” (Barnby).I have also included suggestions on how to adapt them to work for different timing needs. I hope this collection will prove to be very useful for anyone needing piano music for a wedding. (And they can certainly be used for other purposes, too.)Note: Each of these pieces is also available individually on this site, along with a full-length demo recording for each piece.
$16.00
14.63 €
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Piano seul
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Various
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Judith L
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The Wedding Pianist
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Maggs
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SheetMusicPlus
This is my Father's World Intermediate piano sheet music
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1416950 Composed by Franklin L. She…
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Piano Solo - Level 3 - Digital Download SKU: A0.1416950 Composed by Franklin L. Sheppard. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero #998539. Published by Amanda Tero (A0.1416950). Experience the heartwarming rendition of the beloved intermediate piano solo This is My Father’s World at your church service or recital. Beginning with a delicate sound and colorful chords, this arrangement smoothly evolves into a hymn infused with modern nuances, featuring lightly syncopated rhythms.This is My Father’s World intermediate piano solo encompasses several specific elements for intermediate pianists: syncopated rhythms, lush chords, fluid left-hand patterns, and a contemporary twist on a timeless hymn.My goal in creating this arrangement of This is My Father’s World was to have a reflective piano solo for worship with a modern flair. There are colorful chord choices as well as light syncopation which gives this hymn an easy-listening feel.For church services, recitals, and spring/summer music events, This is My Father’s World intermediate piano sheet music solo will capture the listeners and cause them to ponder.Similar in level to most Level 4 piano curricula and ABRSM Level 4.The basic format of This is My Father’s World intermediate piano solo is: introduction, verse, interlude, verse/â€chorus,†interlude/modulation, verse/â€chorus,†ending.6 pages. Keys of C major and D major.Approx. 3:15 performance time. Musical Elements In This is My Father’s World Intermediate Piano Solo Sheet Music Keys of C major, D major Time signature: 4/4 Tempo: begins faster then shifts slower Note values: whole notes, dotted half notes, half notes, dotted quarter notes, quarter notes, eighth notes, sixteenth notes Note reading: right hand treble clef F3 to D6, left hand bass clef C2 to G4 and treble clef F3 to B4 Ledger lines (up to 3 lines) Grace notes Ties for syncopation Left hand in treble clef Left hand features similar patterns No harmonic octaves Fermata 8va Practice Tips for This is My Father’s World Piano Solo It is a good idea to treat this arrangement artistically. While the first page is a faster tempo, be sure to take your time on any held notes (you can add fermatas where there are none and it sounds great).Once the left hand arpeggios/broken chords come into play, think about playing with depth and not rushing the tempo.One trick I particularly like to do is hold the first note in a chord briefly longer than the rest. This is important for measure 36 where the right hand has a jump of 2 octaves.
$5.99
5.48 €
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Piano seul
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Franklin L
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Amanda Tero
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This is my Father's World Intermediate piano sheet music
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Amanda Tero
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SheetMusicPlus
Hark the Herald Angels Sing with ΔÏŒξα á¼ν ὑψίστοις θεá¿· (Glory to God in the Highest)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1325492 By Stephen R Dalrymple. By …
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Piano Solo - Level 3 - Digital Download SKU: A0.1325492 By Stephen R Dalrymple. By Charles Wesley & Felix Mendelssohn (WH Cummings). Arranged by Stephen R Dalrymple. Advent,Sacred. Score. 17 pages. Stephen R Dalrymple #913719. Published by Stephen R Dalrymple (A0.1325492). Hark the Herald Angels Sing♫ by Charles Wesley (1739) and Felix Mendelsohn (adapted by W H Cummings (1857) ♫ with  Δόξα á¼Î½ ὑψίστοις θεῷ (Glory to God in the Highest) ♫ original song © 2023 Stephen R Dalrymple♫ piano solo arrangement by Stephen R Dalrymple♫ performed by the arranger♫ music © 2023 Stephen R Dalrymple ♫ recording â„—  2023 Stephen R Dalrymple ♫ presentation © 2023 Stephen R Dalrymple ♫ Charles Wesley started his poem with ‘Listen to the angels !’ This started me wondering, what did the angels’ voices sound like ? ♫ Prosody is study of the intonation, stress, and rhythm of the speech of a language (contrasted with the sounds of the vowels and consonants.) Could I replicate the angel’s basic speech patterns? My study of Greek in seminary has given me a pretty good idea of how to pronounce the consonants and vowels of the Greek language. But I would want to listen to someone who actually speaks Greek as their mother tongue to have an idea of the prosody. After further study, I have rewritten the angels’ music; this update represents my latest understanding.♫ Although Latin was the language of the Roman conquerors, Greek was the lingua franca of the Mediterranean world of the first century. Some scholars want us to believe that most of the Jews were not erudite enough to speak Greek. ♫ Yet those of us who have travelled to countries like Haiti, are not surprised that many people there speak Kreyòl, French, English and Spanish!♫ I began searching for someone who actually spoke Greek conversationally to pronounce Luke 2 :14 in Greek. After I found a reliable source, I reduced the rhythm and the accented sylables to simpified music notation. I pulled from my knowledge of ancient modes and used my imagination to add pitches and repetitions of phrases. The melodic and harmonic result is completely inventive, but I believe the basic rhythm of the speech is fairly accurate.♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ A duplicate YouTube Video is available in French (Écoutez le chant des anges) https://youtu.be/9_equasuWR4YouTube Channel: @DalrympleDesigns.
$4.50
4.11 €
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Piano seul
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Stephen R Dalrymple
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Stephen R Dalrymple
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Hark the Herald Angels Sing with ΔÏŒξα á¼ν ὑψίστοις θεá¿·
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Stephen R Dalrymple
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SheetMusicPlus
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