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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
tonal sections
Non classifié
26
Piano & claviers
Piano seul
21
Orgue
2
Piano Trio: piano, violon, violoncelle
1
Piano, Voix
1
Accompagnement Piano
1
Guitares
Guitare
2
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
Voix
Chorale SATB
10
Chorale 3 parties
2
Chorale SSAA
2
Chorale TTBB
1
Voix duo, Piano
1
Vents
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3
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3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flûte traversière
2
Clarinette
2
Ensemble de saxophones
2
Saxophone Soprano et Piano
2
Flûte, Violon, Piano
1
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1
2 Saxophones (duo)
1
Flûte et Guitare
1
2 Clarinettes (duo)
1
Ensemble de Clarinettes
1
+ 8 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trombone et Piano
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor et Piano
1
3 Trombones (trio)
1
Euphonium
1
Quatuor de cuivres: 4 cors
1
+ 3 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
9
Violon (partie séparée)
2
Contre Basse
2
4 Contrebasses
1
Violon
1
Violoncelle (partie séparée)
1
Violoncelle, Piano
1
Contrebasse (partie séparée)
1
+ 3 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
10
Orchestre
7
Orchestre de chambre
5
Ensemble de cuivres
4
Orchestre d'harmonie
4
Fanfare
1
Jazz combo
1
Ensemble de Percussions
1
+ 3 instrumentations
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FORMATION M…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
tonal sections
Piano seul
Partitions à imprimer
21 partitions trouvées
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1
Vagabond
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jonathan Williams
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Vagabond
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Jonathan Williams
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1208769 Composed by Jonathan Williams. Contemporary. Score. 5 pages. Jonathan Williams #806871. Published by Jonathan Wil...
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Piano Solo - Level 4 - SKU: A0.1208769 Composed by Jonathan Williams. Contemporary. Score. 5 pages. Jonathan Williams #806871. Published by Jonathan Williams (A0.1208769). Vagabond Jonathan Williams (b. 1991)As the title suggests, Vagabond lacks a tonal center, or key (i.e. C major). Some refer to all such music as “atonal,†yet sections of this piece include a variety of chords and chord progressions that hint towards traditional tonality. For example, the first three rolled chords could be labeled B diminished, A major seventh, and F dominant ninth, respectively. Regardless of their possible names, these are chords commonly heard in tonal music, especially classical and jazz works.While the piece weaves through hinted key areas, the melody wanders as well. The first two measures of the unaccompanied, opening theme include all twelve pitch classes (A, A♯, B, …, G, G♯) exactly once. This is called a “row,†and it is essential to twelve-tone music as first created by Arnold Schönberg (1874 - 1951). The remainder of Vagabond exclusively includes manipulations of the opening row. Various renderings of the row are audibly similar, while the majority obscure their resemblance by splitting the row across the hands, combining adjacent notes into chords, or modifying the rhythm.After a final reprise of the opening, Vagabond commences with a series of fading chords and a last chord that may sound like a dominant seventh chord in its least common inversion. In this context, the sound and feel of a dominant seventh chord is lost. While this quality is frequently used as a penultimate chord to instill intensity before an anticipated finale, in Vagabond it serves to let the listener imagine an endless wandering.
$4.95
Divertimento, for Piano, Four-Hands (1969)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Richard St
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Divertimento, for Piano, Four-
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Richard St. Clair
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.939781 Composed by Richard St. Clair. 20th Century. Score. 62 pages. Richard St. Clair #3629765. Published by Richard St....
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Piano Solo - Level 4 - SKU: A0.939781 Composed by Richard St. Clair. 20th Century. Score. 62 pages. Richard St. Clair #3629765. Published by Richard St. Clair (A0.939781). This high-spirited neoclassical spoof of Stravinsky is sure to please the listener. A romp through many dance-like sections, some tonal, some polytonal, ending with a comic polytonal-tonal cadence.
$24.99
Echoes from a Fractured Dimension
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Piano seul
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Contemporain
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Michael Staff
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Echoes from a Fractured Dimens
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Michael Staff
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SheetMusicPlus
Piano Solo - SKU: A0.1012135 Composed by Michael Staff. Contemporary. Score. 13 pages. Michael Staff #3587495. Published by Michael Staff (A0.1012135). ...
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Piano Solo - SKU: A0.1012135 Composed by Michael Staff. Contemporary. Score. 13 pages. Michael Staff #3587495. Published by Michael Staff (A0.1012135). This larger work is a one-movement sonata, while at the same time encompassing 4 movements within its structure. As a double-function form, 'Echoes' also employs contrapuntal techniques, bridging the development and recapitulation with a four-voice fugue. The compositional techniques used depict several abstract mathematical concepts. Tonal stability is increased and decreased throughout, particularly in the recitative sections. This changing of tonal stability depicts the intersecting of dimensions. A being existing in a 2-dimensional world, such as an insect on a flat surface, may occasionally get a glimse of 3 dimensions when a 3-dimensional being or object passes through the second dimension. This glimpse, however, on the part of the 2-dimensional being, is incomplete and does not accurately represent a world of a higher dimension. Similarly, at the intersection of our world with an even higher spatial dimension, we would only catch incomplete glimpses of this higher dimension. These polytonal and structural elements depict another concept. While a square is 2-dimensional, and a cube is 3-dimensional, it is possible for an object to exist in between 2 and 3 dimensions (by dividing logarithms). This idea of a fractional dimension is explored as thematic material is pulled between tonal centers, but never truly settling.
$9.95
3 Preludes for a Quarantine for Solo Piano
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Piano seul
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AVANCÉ
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Contemporain
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Anthony Bannach
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3 Preludes for a Quarantine fo
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Anthony Bannach Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #5794481. Published...
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Piano Solo - Level 5 - SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #5794481. Published by Anthony Bannach Music (A0.995184). I hope everyone has been doing well during this crazy time. Originally I wrote these preludes as parts of composing exercises for Alan Belkin's book Music Composition: Craft and Art. They sat around for a bit until during the quarantine when I took a look at them again. I realized that these pieces had a lot of character to them, and they were quite distinct in nature. The first movement is a simple ternary form piece which begins and ends in the key of g minor and has a very neo-romantic tonal space. The B section is a brisk, more straight-forward tonal texture, but has a fun little twist sequencing up near the end of the section. The second movement was composed with the B vs Bb dichotomy functioning as a germinating cell for the rest of the movement's material. More impressionistic and mysterious than the other two movements, it also lacks a more traditional formal structure, instead relying on the development of motivic cells to make the movement cohere together in a logical way. The third movement is also a modified ternary movement, but with the A sections being played at different speeds, and the second A ending having an outro section attached. The B section is also more like a sonata form developmental section (without the required tonic-dominant modulatory feature). This movement is not only tonally very colorful, but also dynamic in regards to tempo, slowing and quickening often, giving the piece a continual sense of renewed spirit. Rather than just release the preludes as seperate pieces, I found that when played in a certain sequence, they represent a progression of mental and spiritual being that many people have, including myself, been going through during this time. As such, I made them into a suite. If it brings you a little bit of joy or excitement during this time (and after this is over), that's all that I can hope for.
$10.00
"Grande Rag Brillante" for piano Op. 15
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Piano seul
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Gary Noland
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"Grande Rag Brillante&quo
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Freeland Publications
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SheetMusicPlus
Piano - SKU: A0.1069664 Composed by Gary Noland. 20th Century,Concert,Contemporary,Ragtime. Full Performance. Duration 892. Freeland Publications #32382...
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Piano - SKU: A0.1069664 Composed by Gary Noland. 20th Century,Concert,Contemporary,Ragtime. Full Performance. Duration 892. Freeland Publications #3238281. Published by Freeland Publications (A0.1069664). Duration: 14'52 (1989). Computer-driven Yamaha Disklavier performance. One of my more famous pieces. Its historic premiere at Pacifica Radio (KPFA) in Berkeley on 4 October, 1991 to inaugurate their new facility is included in Nicolas Slonimsky's book Music Since 1900. It has been reviewed and written about extensively. Here is what some reviewers have said:4 OCTOBER 1991: KPFA radio in Berkeley, California, dedicates its newly constructed, two-story broadcast facility at 1929 Martin Luther King Jr. Way with a live satellite broadcast … works on the inaugual program, produced and narrated by KPFA Music director Charles Amirkhanian, included … Grande Rag Brilliant [sic] by Gary NOLAND, a 15-minute rag introducing KPFA’s new Yamaha Disklavier grand piano, featuring fugues, frozen grace-notes to produce tone clusters, and a lengthy passage in which the music modulates up and down a half-tone each measure (the turntable change of speed effect) …-Nicolas Slonimsky, Music Since 1900 ...remarkable stuff...-Max Morath, ragtime composer and pianist … smashing and extremely difficult piano rag, … which is not distracted by the modulation-per-minute insanity of this beautiful and disorienting music … an exceedingly difficult composition by Berkeley composer Gary Noland, … the Grande Rag Brillante, Op. 15, was written in a modified turn-of-the-Century style and has never been performed successfully by a human pianist. It features something Mr. Noland calls the 'record-player-turntable-change-of-speed-effect.' In certain sections, each successive measure modulates up a half step into the next key signature, providing a mind-bending spiraling of focus which is truly breathtaking … spectacular… -Charles Amirkhanian, Folio (KPFA program guide) ...The Impossible Rag...-Oakland Tribune ...perfectly simulates a piano roll mistracking and continually changing keys...-Dick Zimmerman, Rag Times ...masterpiece!...We recommend Mr. Noland's music for anybody who desires the witty and unexpected approach to the Ragtime idiom.-L. Douglas Henderson, ARTCRAFT Studio Newsletter, Wiscasset, Maine ...Ihre Musik ist wunderschön, Grande Rag Brillante ist ein Meisterwerk; als auch Komponist bin ich voll Neid, dass ich so etwas nicht schreiben kann. Ich wünsche Ihnen viel Erfolg! Ich komponiere schon viele Jahre europäisch tonal und es itst nicht leicht, so zu komponieren in einer Welt, die noch in der atonalen Ideologie denkt. Ich hoffe, Ihr Weg wird leichter....-Ladislav Kupkovic, Czech-born composer residing in Germany Sort of like it ... electronicized ... ; then it becomes a real period piece, like Richard Taruskin’s theory about current HIP practitioners ...-William Bolcom, Pulitzer prize winning composer. ...Gary Noland's music is complex, technically daunting stuff....'Grande Rag Brillante'... seems to be meant as an excercise in psychedelic ragtime piano, full of extremely fast passages, confusing modulations, and bizzare dissonance....-Butch Thompson, The Mississippi Rag ...KPFA Music Director Charles Amirkhanian plans to use the new Disklavier.
$1.99
Suite for Piano
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Piano seul
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AVANCÉ
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Contemporain
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Steven Trinkl
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Suite for Piano
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Steven J. Trinkl, Jr.
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1010790 Composed by Steven Trinkl. 20th Century,Contemporary. Score. 21 pages. Steven J. Trinkl, Jr. #2836771. Published ...
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Piano Solo - Level 5 - SKU: A0.1010790 Composed by Steven Trinkl. 20th Century,Contemporary. Score. 21 pages. Steven J. Trinkl, Jr. #2836771. Published by Steven J. Trinkl, Jr. (A0.1010790). This four-movement suite is designed to be a modest challenge for the advanced pianist and utilizes techniques associated with 21st century music, yet in a decidedly tonal and accessible form. Each of the four movements, while utilizing the same quartal- and quintal-based harmonic language, has a unique feel. The movements are as follows:I. SKAThis movement draws its rhythm and form from Jamaican ska music of the 1960s, but it is also imbued with a sense of chaos and panic contrary to the relaxed feel of its namesake. It demands rhythmic fluidity and precise hand placement, but rhythmically, it is the simplest of the four movements.II. BERCEUSEThis movement draws its inspiration from the lullabies of Chopin and Liszt, yet subverts the expectations given by its name considerably. Dark, mysterious, and suspenseful harmonies contrast over the sweet rocking motions of the rhythm before giving way to a stormy climax before the piece fades back to its original theme. In contrast to the almost mechanical nature of the first movement, this movement is overly expressive and lyrical, even during its most turbulent sections.III. MARCHA playful reference to the marches of John Philip Sousa, this movement makes rhythmic references to a few different pieces, including Fairest of the Fair. It is a return of sorts to the chaotic atmosphere of the first movement, and it ends rather abruptly, providing a sense of suspense before the final movement.IV. TOCCATAThe longest and most complex of the movements, Toccata combines the tonal and harmonic structures of the first three movements with complicated, syncopated rhythms and unusual time signatures. A number of themes are manipulated via augmentation, inversion, retrograde, and diminution, and abrupt changes in texture and tempo grab the listener's attention.
$9.99
Romance
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Catherine Crawley
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Romance
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Catherine Crawley
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.866396 Composed by Catherine Crawley. Romantic Period,Wedding. Score. 3 pages. Catherine Crawley #2023537. Published by C...
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Piano Solo - Level 4 - SKU: A0.866396 Composed by Catherine Crawley. Romantic Period,Wedding. Score. 3 pages. Catherine Crawley #2023537. Published by Catherine Crawley (A0.866396). Romance is a beautiful rondo written in the key of C major combining a simple leading theme that blends with contrasting sections rich in tonal color. The late intermediate pianist should strive to maintain a legato phrasing within a polyrhythmic texture.
$3.99
I'm So Happy
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Bryon Tosoff
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Bryon Tosoff
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I'm So Happy
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bryon tosoff
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1168864 By Bryon Tosoff. By Bryon Tosoff. Arranged by Bryon Tosoff. 20th Century,Classical,Contemporary,New Age. Score. 5...
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Piano Solo - Level 4 - SKU: A0.1168864 By Bryon Tosoff. By Bryon Tosoff. Arranged by Bryon Tosoff. 20th Century,Classical,Contemporary,New Age. Score. 5 pages. Bryon tosoff #769199. Published by bryon tosoff (A0.1168864). I'm So Happy by composer and performer Bryon TosoffI'm So Happy is a quick paced upbeat composition which requires good technique and performance skillsThe mm is 140 bpm . The skill level is advanced and the dynamics on this song vary from p (quiet) at the intro to mf mezze forte up to forteThere are a variety of crescendo and descresendo's throughout the song as well as specific pedaling requiredThe composition is an upbeat enthusiastic song that displays a range of dynamics from bright and light in the higher piano registers to beefy rich tonal textures in the lower registers. a bouncy tune in parts of the composition, yet flowing in other sections but coupled with the full spectrum of patho's expected in his performances. I hope you enjoy this song which has a rainbow of colours splashing like falling rain like in a summer storm with flashes of lightningThis song is an exciting and fun song and will give the performer much pleasure upon becoming accomplished at completing the work.
$2.99
Toccatina
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Robert A
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Toccatina
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Robert A. Howard
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.998724 Composed by Robert A. Howard. 20th Century,Contemporary,Standards. Score. 6 pages. Robert A. Howard #5213953. Publ...
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Piano Solo - Level 4 - SKU: A0.998724 Composed by Robert A. Howard. 20th Century,Contemporary,Standards. Score. 6 pages. Robert A. Howard #5213953. Published by Robert A. Howard (A0.998724). This 'little toccata' is essentially a rondo and primarily explores the octatonic scale. A catchy main theme recurs (slightly varied) between contrasting sections (one of which is fugal). This work can also be used as a virtuosic 'encore' piece. Due to the technical dexterity required, the piece is best suited to higher-grade students and more advanced players. However, its broadly tonal style makes it attractive for the listener.
$3.99
Nightfall
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Piano seul
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AVANCÉ
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Contemporain
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Ron Anderson
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Nightfall
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Ron James Anderson
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.965557 Composed by Ron Anderson. Contemporary. Score. 8 pages. Ron James Anderson #5994803. Published by Ron James Anders...
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Piano Solo - Level 5 - SKU: A0.965557 Composed by Ron Anderson. Contemporary. Score. 8 pages. Ron James Anderson #5994803. Published by Ron James Anderson (A0.965557). With Nightfall, I wanted to capture the time at night when one is alone with his thoughts. Silences between thoughts can become almost deafening in their volume. In this time of ambiguity between sleep and wakefulness, the mind is allowed to wander into many strange and sometimes frightening regions.Beyond the main motivic material--the minor 6th pattern and various harmonizations of the chromatic scale, I found that I was using combinations of A minor (actually octatonic) and B Lydian as dual tonal centers of this piece. Since it was written for solo piano, I decided to let the compositional process be open-ended; some of what is written here is the result of improvisation, followed by painstaking revision. You may notice a touch of Chopin in the Nocturne sections, although this nocturne is a bit creepier than the Chopin.
$5.00
Hommage an Ursula [piano solo]
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Piano seul
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AVANCÉ
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Juan MarÃa Solare
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Hommage an Ursula [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pa...
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Piano Solo - Level 5 - SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pages. Juan Maria Solare #921371. Published by Juan Maria Solare (A0.1335536). Hommage to Ursula is a piano piece in memory of Ursula Görsch (1932-2023). The piece is based on the six sounding letters of her last name (GERSCH, where the O is omitted, the R represents RE - the D note in Spanish, Italian, or Turkish - and the S represents the E flat, 'Es' in German), as well as on the remaining six notes of the total chromatic scale (C#, F, F#, Ab, A, B). Both Pitch Class Sets are identical from an intervallic perspective - transposed by a tritone. Such coincidences confirm to me that I am on the right path, at least musically.The reference to Turkey is not coincidental, as Ursula taught in Istanbul for many years.The initial texture of the piece - a kind of toccata with many repeated notes - is a purely musical homage to Ursula: she used this texture in some passages of her compositions. Besides that, this piece contains no direct quotation from Ursula's music.The work Hommage an Ursula is based on a series of 12 notes. The original version (Prime) and the inverted version (Inversed) alternate. From these 24 versions of the series, 24 sections result. I add a final section based on the original series ('Das Ende im Anfange'*); thus, there are 25 sections.To order the 5 motivic elements, I generate a Latin square. The 5 elements do not rotate, but, in each of the 5 main sections, the initial motive is always the same (A), and the order of the other four (BCDE) changes, permutating according to the following Latin square:A BCDEA CEBDA DBECA EDCBA BCDEThis work can then be considered as a derivation of the 'theme and variations' structure, with the peculiarity that there are five sub-themes that are rearranged in each of the variations.This piece lasts about 11 minutes. The premiere, performed by the composer (that is, by myself), took place on November 26, 2023, at the Konzertsaal of the Hochschule für Künste in Bremen, during the concert 'Gedenkkonzert Ursula Görsch und Harald Kruse', as part of the 73rd Hausmusikwoche, organized by the DTKV (German Association of Sound Artists) in cooperation with the ABK (Circle of Composers in Bremen).This is not an easy piece to listen to. It is absolutely consistent but perhaps monotonous. During the premiere, the yawns of someone in the audience prompted me to briefly interrupt the performance to inform them that the end was near. After the concert, one of the organizers suggested to me that the piece was too 'anstrengend' (demanding, exhausting). It is up to the gentle pianists to risk experiencing the same as me.* 'Das Ende im Anfange' reads the legend that can be read in the circle of tonalities reproduced by Johann Friedrich Michael Wiedeburg in his treatise Der sich selbst informirende Clavierspieler (Leipzig and Halle, 1765-1775, Verlag der Buchhandlung des Waisenhauses).Juan MarÃa SolareBremen, September & December 2023.
$4.00
Prelude on Mit Freuden Zart ('Sing Praise to God, Who Reigns Above')
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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John Burkett
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John Burkett
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Prelude on Mit Freuden Zart
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John Burkett
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1367649 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Praise & Worship,Sacred. Score. 5 page...
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Piano Solo - Level 3 - SKU: A0.1367649 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Praise & Worship,Sacred. Score. 5 pages. John Burkett #952023. Published by John Burkett (A0.1367649). My Prelude on the hymn tune Mit Freuden Zart (Sing Praise to God, Who Reigns Above) is intended for church pianists looking for interesting arrangements of hymns familiar to their congregations. My arrangement consists of two sections. The first hints strongly at the Mixolydian mode in the key of D, while the second employs the Aeolian mode in C-sharp. The piece begins with a 14-bar introduction before the hymn tune appears, accompanied by a rhythmically energetic combination of rests and parallel triads. Then the melody moves to the bass, accompanied by a spurt of eighth-notes in the key of B major, creating a short bitonal passage. After brief references to other keys, the main key of D returns. The second section presents the melody harmonized with parallel triads and accompanied by a constantly moving stream of octaves in the left hand. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$7.50
Portraits of a Prayer, Op. 11
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Piano seul
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Contemporain
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Tyler J
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Portraits of a Prayer, Op. 11
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TJHoltMusic
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SheetMusicPlus
Piano Solo - SKU: A0.1021618 Composed by Tyler J. Holt. Contemporary. Score. 6 pages. TJHoltMusic #6132761. Published by TJHoltMusic (A0.1021618).
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Piano Solo - SKU: A0.1021618 Composed by Tyler J. Holt. Contemporary. Score. 6 pages. TJHoltMusic #6132761. Published by TJHoltMusic (A0.1021618). Portraits of a Prayer, Op. 11 is composed for solo piano. The title of this piece is not based on anything specific, but I personally liked the name. Even more so, I wanted to poke fun at mainstream music. This was going to be part of a suite I had planned but ultimately never went through with it. Instead, I used this piece as an opportunity to work on implementing polytonality, ostinato, and syncopated motives. Being in ternary form (ABA), there are two distinct sections in this piece, with the A section returning towards the end.Composed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer
$10.00
Eddies of Time
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Piano seul
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AVANCÉ
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Classique
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Alta Mihartescu
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Eddies of Time
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Alta Mihartescu
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1281392 Composed by Alta Mihartescu. This edition: Interactive Download. Cl...
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Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1281392 Composed by Alta Mihartescu. This edition: Interactive Download. Classical. Individual part. 18 pages. Duration 127. Alta Mihartescu #48bYy1p4UyCAz5nZym0MPG. Published by Alta Mihartescu (A0.1281392). Key: C major.Eddies of Time is a captivating contemporary piano piece that defies traditional musical boundaries. Composed using 20th-century techniques, it eschews conventional meter, offering a fluid and unanchored exploration of time and space. The title itself, Eddies of Time, evokes images of swirling currents and ceaseless motion. This imagery is masterfully translated into sound, as the piece flows and undulates without the constraints of a fixed rhythmic structure. The absence of meter allows for a more organic and intuitive connection between the performer and the music, creating a unique and immersive listening experience. Drawing inspiration from avant-garde composers of the 20th century, the piece employs extended piano techniques, such as inside-the-piano playing, unconventional fingerings, and the use of various objects to alter the instrument's timbre. These techniques contribute to a rich and complex sonic palette that challenges traditional notions of melody and harmony. The structure of Eddies of Time is equally unconventional, with sections that ebb and flow, mirroring the natural movement of water. Themes are introduced, then reappear in altered forms, creating a sense of continuity and transformation. The composer's use of dissonance and atonality adds to the piece's modern character, providing tension and release in unexpected ways. Performing Eddies of Time requires not only technical prowess but also a deep understanding of the emotional and philosophical underpinnings of the work. The pianist must navigate the score with sensitivity and intuition, allowing the music to unfold naturally, like the eddying currents of a river. In Eddies of Time, the listener is invited to embark on a musical journey that transcends conventional form and meter. It's a piece that resonates with the restless spirit of the 20th century, reflecting a world in constant flux and a timeless fascination with the mysteries of existence.
$5.00
Piano Sonata No. 5, op. 81
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Piano seul
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Piano Sonata No. 5, op. 81
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Adrian Gagiu
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.1091262 Composed by Adrian Gagiu. Classical,Contemporary. Individual part. 28 pages. Adrian Gagiu #695427. Publish...
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Instrumental Solo - Level 5 - SKU: A0.1091262 Composed by Adrian Gagiu. Classical,Contemporary. Individual part. 28 pages. Adrian Gagiu #695427. Published by Adrian Gagiu (A0.1091262). Piano sonata in Neoclassical style, developing the themes briefly tried out by Beethoven in the slow introduction to the Finale of his Sonata No. 29 op. 106 (1818). This first movement (Allegro moderato) utilizes the first two of those melodic and textural scraps as the two themes of a sonata form in a mostly delicate, fantasia-like manner, with time signature ambiguity and alternance. The second movement (Allegro) utilizes the next two of those melodic and textural scraps as the two themes of an agitated 'scherzo' in G sharp minor, with allusions to Bach's Prelude in C minor from the second book of 'The Well-Tempered Clavier' and to Beethoven's Bagatelle in G minor, op. 126 no. 2. The Finale (Largo - Allegro ma non troppo) utilizes first the searching sections of that Introduction, as an enigmatic preparation of the big surprise in the Finale proper: a set of nine, mostly powerful variations on a tone row, yet treated not entirely with the twelve-tone technique, but in extended tonality context. Variations 2-5 allude to motifs from the themes of the previous movements. The mp3 is a self-made recording of the first movement using a Graf 1826 fortepiano sampled by Modartt's Pianoteq. Performing Rights Organization: SOCAN. Total duration: 19 min.
$12.99
The Whisper of the Meaning
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Rebecca Oswald
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The Whisper of the Meaning
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Rebecca Oswald
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1176033 By Rebecca Oswald. By Rebecca Oswald. Contemporary,Instructional,New Age. Score. 5 pages. Rebecca Oswald #776159....
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Piano Solo - Level 4 - SKU: A0.1176033 By Rebecca Oswald. By Rebecca Oswald. Contemporary,Instructional,New Age. Score. 5 pages. Rebecca Oswald #776159. Published by Rebecca Oswald (A0.1176033). Sheet music single for intermediate-advanced solo piano. Introspective, contemplative, and tranquil throughout, this piece modulates often, with the sections migrating freely between major and minor tonality. The left hand plays the melody at the beginning and at a few other times. The constant mixed meter pattern (5/8, 5/8, 3/8) has frequent hemiolas. There are two brief instances of sostenuto pedal. From composer/pianist Rebecca Oswald's album Whereas, you can find this song on Spotify, Apple Music, Tidal, Pandora, Amazon Music, YouTube Music, Qobuz, or wherever you enjoy listening to music.Find out more about Rebecca Oswald at her website, RebeccaOswald.com
$4.99
Minimalist Tribute to Maurice Ravel for Piano Solo from Three Minimalist Tributes
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Piano seul
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INTERMÉDIAIRE
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Michael Bomier
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Minimalist Tribute to Maurice
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.862536 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 8 pages. Michael Butkus-Bomier #2033821. ...
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Piano Solo - Level 3 - SKU: A0.862536 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 8 pages. Michael Butkus-Bomier #2033821. Published by Michael Butkus-Bomier (A0.862536). The second of the three Minimalist tributes to French composers takes some of Ravel's favorite chords, the minor 6/9 chord, the augmented major 7th, and a fascinating hybrid chord at the outer reaches of tonality that he used in the Valses Noble et Sentimentales, a minor/major 7th chord, but with an augmented fifth, spelled here as C-D# Ab-B, even though a more proper spelling should be C-Eb-G#-B. The chord has been divided into two 6ths, and is clearer to read and play in this spelling. My apologies to Lucien Garban, Ravel's editor, who would not have let him make this concession to convenience! So, arpeggiated figures in the treble accompany deep octaves in the bass in the opening and closing sections. This minor-major/augmented chord is used in the middle section, with a diminished chord slowly played out in octaves: a nod to Ravel's oft-used octotonic or diminished scale writing. Approx running time is just under 5 mins. Pedaling is clearly indicated throughout. Hand-crossing only at the finale. MBB.
$2.50
Six Preludes
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Piano seul
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INTERMÉDIAIRE
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Ho Jie Rong
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Six Preludes
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Ho Jie Rong
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1011289 Composed by Ho Jie Rong. Contemporary,Standards. Score. 13 pages. Ho Jie Rong #5794097. Published by Ho Jie Rong ...
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Piano Solo - Level 3 - SKU: A0.1011289 Composed by Ho Jie Rong. Contemporary,Standards. Score. 13 pages. Ho Jie Rong #5794097. Published by Ho Jie Rong (A0.1011289). I am a Singaporean pianist and composer. I have studied the piano since 5 years old under Mr Joseph Toh and I graduated from LASALLE College of the Arts with a Diploma in Music in 2013, majoring in Music Composition under Malaysian composer Mr Chong Kee Yong and Singaporean composer Mrs Joyce Koh Bee Tuan. About Six Preludes I started composing this set of Six Preludes for piano in 2014 and revised in 2020. The first piece of this set is Walking. There are different types of walks one can imagine. Octaves in the left hand at the opening represents walking sluggishly, whilst the middle section’s running right hand and jokingly bass notes representing a quick stroll. The Adagio recititavo part represents tip-toeing and finally the quasi cadenza part represents a trip on the floor, ouch! The second piece, which is nicknamed Joke, is a parody of Chopin’s Scherzo no. 1 in B minor, Op. 20. Take this piece as a lame unfunny joke, as in the slow coda, which is a sigh after listening to this joke. Night Song, as the name says, means a piece to be played at night, most commonly associate with pieces like Nocturnes, Barcarolles etc. The fourth piece, Chopin, is a homage to Chopin. I chose his Prelude in G and B flat minor, Op. 28 no. 3 and no. 16 respectively as sources of inspirations. Vision is a poly-tonality piece. Sometimes what we think or see, may not always end up the way it is. Hence, I hope to create this double effect by using the keys at the same time. The final piece of this set is a Fughetta. A fughetta is a small fugue. This piece is actually a piano transcription of the 3rd movement of my Three Colours (for Clarinet in B flat, Violin and Cello) which is composed and premiered in 2012. I revised and edited some sections. This is a 12-tone work. The P0 and R0 makes up the subject of this piece, while R11 makes up the countersubject. Six Preludes is dedicated to my friend Ng Yu Fei.
$6.00
Music for the Taking in Four Parts
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Piano seul
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AVANCÉ
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Michael Bomier
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Music for the Taking in Four P
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862575 Composed by Michael Bomier. Contemporary,Instructional. Score. 27 pages. Michael Butkus-Bomier #436195. Published ...
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Piano Solo - Level 5 - SKU: A0.862575 Composed by Michael Bomier. Contemporary,Instructional. Score. 27 pages. Michael Butkus-Bomier #436195. Published by Michael Butkus-Bomier (A0.862575). 2015 Piano Contest Here are four compositions based on keyboardistic patterns. Five-finger positions, quartal Dom7ths, mirrored intervals,and clusters, in combination with melody and shifting harmonic colours. Lots of different tonalities and key centers. Advanced level throughout. Duration is about 14 mins. Audio clip provided here is of the first part. Each part is also available separately, and the other three sections can be heard under their individual listings. titles are 1. The Shape of Sound. 2. Colours in the Mirror. 3. Wider View, A and 4. Closeup. MP3 MIDI audio.
$10.00
Scarlatti, Domenico : Sonate K.380 L.23 (Collection Anacrouse)
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Piano seul
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Chanson Française
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Scarlatti, Domenico
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Sonate K.380 L.23
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Note4Piano
La collection ANACROUSE offre aux pianistes novices et confirmes un large choix d’œuvres classiques, allant de la Renaissance à l’epoque moderne.<...
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La collection ANACROUSE offre aux pianistes novices et confirmes un large choix d’œuvres classiques, allant de la Renaissance à l’epoque moderne.<br><br>Proposer tout à la fois des « incontournables » du repertoire classique et des pièces de compositeurs parfois oublies, toutes d’une valeur pedagogique indeniable, tels sont les objectifs que nous nous sommes fixes. Chaque pièce, vendue à l’unite, a fait l’objet d’un travail editorial attentif, tant sur le plan de l’etablissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tires du commerce frequent de ces œuvres.<br><br>Les partitions sont proposees sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles egalement par telechargement.<br><br><br><br>Cette Sonate, celèbre à juste titre, est de coupe binaire avec deux sections avec reprises. Première section en mi majeur s’achevant dans le ton de la dominante, si majeur. Seconde section s’ouvrant sur le materiau thematique repris de la première, variant et developpant celui-ci, modulant à l’extrême, pour finir dans la tonalite initiale de mi majeur et pour conclure à l’identique de la première partie. L’atmosphère de cette Sonate est particulière et on y a entendu et même vu une mise en scène de toute une procession. Trois noires sonnant comme les coups d’un bâton de chef d’orchestre et rythmant pompeusement cette petite ceremonie, des quintes vides, des notes repetees, le dactyle omnipresent, tout cela semblant echappes d’une banda royale. Partition + Biographie + Notes sur l'oeuvre
3.30€
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