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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Set of Parts.
Non classifié
601
Piano & claviers
Piano seul
16
Piano Trio: piano, violon, violoncelle
12
2 Pianos, 4 mains
6
1 Piano, 4 mains
4
Orgue, Trompette (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano, Voix et Guitare
2
Instruments en Do
2
Piano, Voix
2
Ensemble de Pianos
1
2 Pianos, 8 mains
1
Orgue et Orchestre
1
Accordéon et Orchestre
1
+ 9 instrumentations
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Guitares
2 Guitares (duo)
6
Ensemble de guitares
2
Guitare
2
Mandoline, Piano (duo)
1
Bouzouki
1
4 Guitares (Quatuor)
1
Orchestre à Plectres
1
+ 2 instrumentations
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Voix
Chorale SATB
35
Chorale SSAA
9
Chorale TTBB
7
Chorale 3 parties
5
Chorale SSATB
2
Chorale SSAATTBB
2
Voix Soprano, Piano
2
Voix Tenor, Piano
1
Voix duo, Piano
1
Voix Baryton, Piano
1
Chorale
1
+ 6 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
Quatuor de Clarinettes: 4 clarinettes
49
Quatuor de Saxophones: 4 saxophones
35
Ensemble de Clarinettes
29
Ensemble de Flûtes
28
Flûte, Hautbois, Clarinette, Basson
28
Quintette de Clarinettes: 5 clarinettes
21
3 Clarinettes (trio)
21
Quintette de Saxophone: 5 saxophones
20
Quatuor de Flûtes : 4 flûtes
19
Flûte à Bec
13
Flûte traversière et Piano
13
3 Saxophones (trio)
12
Ensemble de saxophones
10
2 Saxophones (duo)
9
Flûte, Clarinette et Basson
9
2 Clarinettes (duo)
8
2 Flûtes traversières (duo)
7
Saxophone Alto et Piano
7
Trio de Flûtes: 3 flûtes
5
Clarinette et Piano
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Quatuor de Flûtes à bec
4
5 Flûtes à bec
4
Flûte et Guitare
4
Hautbois, Piano (duo)
3
Quintette de Flûte : 5 flûtes
3
Saxophone Soprano et Piano
3
Saxophone Tenor et Piano
3
Flûte, Clarinette (duo)
3
Saxophone
2
Flûte, Violon
2
Cor anglais, Piano
2
3 Hautbois
2
Hautbois
2
Flûte, Clarinette, Piano (trio)
2
Saxophone (partie séparée)
1
2 Hautbois (duo)
1
Flûte traversière, Orchestre
1
Clarinette
1
Ensemble à vent
1
2 Clarinettes, Piano
1
Saxophone et Orgue
1
Flûte traversière
1
Flûte, Alto et Violoncelle
1
Flûte et Quatuor à Cordes
1
3 Flûtes à bec (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Clarinette, Guitare (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Violon (duo)
1
Hautbois, Basson (duo)
1
Flûte, Hautbois, Piano (trio)
1
+ 50 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
161
Ensemble de Trombones
37
Quatuor de cuivres: 4 trombones
26
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Quatuor de cuivres: 4 cors
14
Ensemble de Trompettes
11
2 Cors (duo)
9
2 Trompettes, Clavier (piano ou orgue)
7
Quatuor de Cuivres
6
Trombone basse
4
2 Trombones (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor et Piano
3
Trombone et orchestre
3
3 Trombones (trio)
3
Tuba et Piano
3
Trompette, Trombone (duo)
3
Euphonium, Piano (duo)
2
2 Euphoniums et 2 Tubas
2
Cor anglais, Piano
2
Trompette, Piano
2
4 Tubas
2
Trompette
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Euphoniums (duo)
1
Trio de Cuivres
1
Trombone, Tuba (duo)
1
Trompette (partie séparée)
1
Euphonium, Tuba (duo)
1
Trompette, Trombone, Piano
1
Cor
1
3 Trompettes (trio)
1
Cor et Harpe
1
Ensemble de Tubas
1
+ 30 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
229
Trio à Cordes: violon, alto, violoncelle
22
Violon et Piano
22
4 Violoncelles
11
Harpe
11
Trio à Cordes: 2 violons, violoncelle
11
Violon, Violoncelle (duo)
11
Violoncelle, Piano
10
2 Violons (duo)
10
Violon, Alto (duo)
9
Harpe, Flûte (duo)
7
Harpe, Violon (duo)
5
Quatuor à cordes: 4 violons
5
Violoncelle, Contrebasse (duo)
5
2 Violoncelles (duo)
5
Alto, Piano
4
Trio à cordes: 3 violins
4
Violon, Guitare (duo)
3
Violon
3
Trio à cordes
3
Alto et Harpe
3
Ensemble de Violoncelles
3
Harpe, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto, Violoncelle (duo)
2
Ensemble d'Altos
2
Contre Basse
1
Violon (partie séparée)
1
2 Altos (duo)
1
4 Harpes
1
4 Contrebasses
1
Violoncelle, Orchestre
1
Ensemble de Violons
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre
167
Orchestre d'harmonie
72
Ensemble Jazz
70
Orchestre de chambre
43
Ensemble de cuivres
42
Orchestre à Cordes
38
Jazz combo
22
Ensemble de Percussions
9
Big band
9
Quintette à Vent
4
Piano et Orchestre
3
Cloches
2
Batterie
2
Fanfare
2
Quatuor à Vent : 4 instruments à vents
1
Orchestre Symphonique
1
Orchestre, Violon
1
+ 12 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARPE
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Set of Parts.
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Voix Tenor, Piano
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Gregory Sullivan Isaacs: Henry Faust for tenor and piano
#
Voix Tenor, Piano
#
AVANCÉ
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Contemporain
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fa...
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Tenor Voice,Vocal Solo - Level 5 - SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
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