Partitions Numériques de set pour Voix Tenor, Piano

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Equinox, 5 Songs for Tenor and Piano #Voix Tenor, Piano #AVANCÉ #Richard St #Equinox, 5 Songs for Tenor and #Richard St. Clair #SheetMusicPlus

Tenor Voice,Vocal Solo - Level 5 - SKU: A0.939799 Composed by Richard St. Clair. 20th Century,Concert. 20 pages. Richard St. Clair #4572391. Published b...(+)

Tenor Voice,Vocal Solo - Level 5 - SKU: A0.939799 Composed by Richard St. Clair. 20th Century,Concert. 20 pages. Richard St. Clair #4572391. Published by Richard St. Clair (A0.939799). Composed in 1993, this set of songs is a setting of a 5-stanza poem by William Mullen entitled Equinox. The musical language is an admixture of tonal and freely poly/nontonal elements. Highly evocative, these songs will fit nicely in a recital of chamber music. The piano accompaniment is highly developed and requires great sensitivity, as does the Tenor line. The Audio Clip is a sample of the first song.

Everyone Sang for Solo Tenor Voice and Piano #Voix Tenor, Piano #AVANCÉ #Elbert Liu #Everyone Sang for Solo Tenor V #Elbert Liu #SheetMusicPlus

Tenor Voice,Vocal Solo - Level 5 - SKU: A0.1000764 Composed by Elbert Liu. 20th Century,Contemporary. 13 pages. Elbert Liu #5544841. Published by Elbert...(+)

Tenor Voice,Vocal Solo - Level 5 - SKU: A0.1000764 Composed by Elbert Liu. 20th Century,Contemporary. 13 pages. Elbert Liu #5544841. Published by Elbert Liu (A0.1000764). A short piece for tenor solo voice and piano set to Siegfried Sassoon's poem bearing the same name.

Tenor Voice,Vocal Solo - Level 5 - SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a Â« tour de forceÂ« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on GoÃ«theâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premiÃ¨red at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the LÃ¤ndler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago

Young Man #Voix Tenor, Piano #AVANCÉ #Comédie Musicale #Melanie B #Young Man #Melanie B Guerin #SheetMusicPlus

Tenor Voice,Vocal Solo - Level 5 - SKU: A0.854318 Composed by Melanie B. Guerin. Broadway,Musical/Show. 6 pages. Melanie B Guerin #3580585. Published by...(+)

Tenor Voice,Vocal Solo - Level 5 - SKU: A0.854318 Composed by Melanie B. Guerin. Broadway,Musical/Show. 6 pages. Melanie B Guerin #3580585. Published by Melanie B Guerin (A0.854318). This solo song for high tenor (full voice sustained A4, falsetto C5 with optional E5) is in a pop-rock/contemporary musical theater style. It begins gently, but builds through two key changes into a rousing anthem of courage and belief in oneself. The piano accompaniment is not technically difficult but requires a good feel for the syncopations of pop/rock style.