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He's In Love
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393
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213
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202
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69
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23
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23
Piano Facile
19
Piano Trio: piano, violon, violoncelle
8
2 Pianos, 4 mains
7
1 Piano, 4 mains
4
Orgue, Piano (duo)
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano grosses notes
2
2 Pianos, 8 mains
1
Accordéon
1
Accompagnement Piano
1
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Guitare
21
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8
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5
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4 Guitares (Quatuor)
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1
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253
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21
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10
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8
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4
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4
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3
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2
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2
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2
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1
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1
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1
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1
Voix Soprano, Piano
1
+ 15 instrumentations
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41
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32
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31
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23
Clarinette et Piano
23
Clarinette
22
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20
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19
Hautbois (partie séparée)
18
2 Flûtes traversières (duo)
17
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16
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15
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13
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12
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12
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12
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10
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8
Saxophone (partie séparée)
7
2 Clarinettes (duo)
7
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6
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6
Saxophone Tenor
6
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5
Clarinette, Trompette (duo)
5
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5
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5
Clarinette, Guitare (duo)
4
Ensemble de Clarinettes
4
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3
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3
Clarinette et Alto
3
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3
Flute (partie séparée)
3
Flûte, Alto (duo)
3
2 Hautbois (duo)
3
Flûte, Clarinette (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Ensemble de saxophones
2
Flûte, Trompette (duo)
2
Flûte, Violon
2
Flûte, Saxophone (duo)
2
Hautbois, Basson (duo)
2
Saxophone Soprano
2
Flûte à bec Soprano, Piano
2
Quatuor de Flûtes à bec
2
Clarinette Basse, Piano
2
Hautbois, Flûte
1
Flûte à bec Alto, Basse continue
1
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1
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1
Flûte, Clarinette et Basson
1
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1
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1
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1
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33
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22
Trompette
17
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16
Trombone et Piano
16
Cor et Piano
14
Trombone
9
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7
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7
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6
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5
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5
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5
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4
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4
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3
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3
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3
2 Trombones (duo)
3
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3
2 Euphoniums et 2 Tubas
2
Ensemble de Trombones
2
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
Trompette, Cor (duo)
1
2 Euphoniums (duo)
1
2 Cors (duo)
1
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95
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39
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18
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15
Harpe
14
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12
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12
2 Violoncelles (duo)
11
2 Harpes (duo)
8
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7
2 Altos (duo)
7
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5
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5
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4
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4
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4
Harpe, Voix
3
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2
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2
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1
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1
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1
Harpe, Flûte (duo)
1
Violon, Clarinette, Piano (trio)
1
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1
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1
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1
Alto, Violoncelle (duo)
1
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32
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Cloches
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Jazz combo
4
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2
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1
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Vous avez sélectionné:
He's In Love
Voix Tenor, Piano
Partitions à imprimer
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Aria for Tenor in English from 21st Century Opera, Menkaure, "A Long Time Ago" (or "Menkaure")
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Voix Tenor, Piano
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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Aria for Tenor in English from
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James Nathaniel Holland
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - SKU: A0.730222 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. 7 pages. James Nathaniel Holland...
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Tenor Voice,Vocal Solo - Level 4 - SKU: A0.730222 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. 7 pages. James Nathaniel Holland #62201. Published by James Nathaniel Holland (A0.730222). A Long Time Ago (or Menkaure) Aria for Tenor (Range: E3 to Bb4) from the American, contemporary opera Menkaure Duration: 3:15 Music and Libretto by James Nathaniel Holland BRIEF SYNOPSIS: 6,000 years ago an almighty ruler died in Aksum. But today he lives for one woman,Trista,who falls in love with his statue at the Metropolitan Museum of Art in New York City. She is pulled deep into obsession, and her family is unable to rescue her; she tries to kiss the statue's face, and is arrested. With a quest to find the statue's twin, she flees to the country Joondor, site of the ancient city of Aksum where she is ultimately consumed by her love for Menkaure. In this aria, inthe third world country of Joondor, Trista and her guide Consaladas have come to a dead end in their search for the statue of Menkaure. That is, until a mysterious figure appears from the shadows, Hamlak the Prophet. Sung here as a character piece but can be a powerful aria for a dramatic, stentorian voice. Available orchestrated with parts too.
$5.50
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Voix Tenor, Piano
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AVANCÉ
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Contemporain
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fa...
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Tenor Voice,Vocal Solo - Level 5 - SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95
Dalla sua pace - Don Giovanni (F# Major)
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Voix Tenor, Piano
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INTERMÉDIAIRE
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Jonathan Prentice
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Dalla sua pace - Don Giovanni
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Jonathan Prentice
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 3 - SKU: A0.884863 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 4 pages. Jonathan...
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Tenor Voice,Vocal Solo - Level 3 - SKU: A0.884863 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 4 pages. Jonathan Prentice #5970895. Published by Jonathan Prentice (A0.884863). Don Ottavio's beautiful aria from Act 1 of Mozart's dark, melodramatic opera, Don Giovanni, where he sings of his love for Donna Anna (Here in F# Major, a semitone lower than the original).
$1.99
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He's In Love
