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Love\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s Way - Bassoon
Voix Tenor, Piano
Partitions à imprimer
7 partitions trouvées
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Crossing the Bar from Songs of Love and Departure (Downloadable)
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Voix Tenor, Piano
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Contemporain
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Henry Mollicone
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Crossing the Bar from Songs of
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice and piano - Medium - SKU: MQ.8477-E Composed by Henry Mollicone. 20th Century. Secular, Memorial, 20th Century, Hope/Assurance. Instrument p...
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Tenor voice and piano - Medium - SKU: MQ.8477-E Composed by Henry Mollicone. 20th Century. Secular, Memorial, 20th Century, Hope/Assurance. Instrument part. 6 pages. Duration 3 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8477-E. Published by E. C. Schirmer Music Company - Digital (MQ.8477-E). English.Crossing the Bar is a favorite poem of mine. Alfred Tennyson's vision of approaching death is both beautiful and profound, expressing both his belief in God and his doubts. The line 'I hope to see my captain face to face,' indicates his lack of certainty (doubts) regarding meeting his 'Captain' (God) in a beautiful and mystical way. I also appreciate his metaphorical use of a quiet sea voyage. The musical setting is meant to be both tranquil and peaceful. -Henry MolliconeDuration: 3:15.
$6.75
Your Soldier Over Here
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Voix Tenor, Piano
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INTERMÉDIAIRE
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Natalie Rebecca Lovejoy
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Your Soldier Over Here
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Natalie Rebecca Lovejoy
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 3 - SKU: A0.993470 Composed by Natalie Rebecca Lovejoy. Christmas,Musical/Show. 6 pages. Natalie Rebecca Lovejoy #6475969...
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Tenor Voice,Vocal Solo - Level 3 - SKU: A0.993470 Composed by Natalie Rebecca Lovejoy. Christmas,Musical/Show. 6 pages. Natalie Rebecca Lovejoy #6475969. Published by Natalie Rebecca Lovejoy (A0.993470). Praised by military veterans as spot on, authentic, completely new, and a phenomenal piece, Home/Front is a new musical about an idealistic U.S. Army soldier set on serving his country whose principles are put to the test when his marries an ambitious, young dancer in pursuit of her own dream, amidst the Iraq war and an increasingly divided America. It first premiered Off-Off Broadway in 2014 at the Gene Frankel Theater.
$4.99
I Don't Expect a Miracle
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Voix Tenor, Piano
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INTERMÉDIAIRE
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Natalie Rebecca Lovejoy
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I Don't Expect a Miracle
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Natalie Rebecca Lovejoy
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 3 - SKU: A0.993472 Composed by Natalie Rebecca Lovejoy. Holiday,Musical/Show. 5 pages. Natalie Rebecca Lovejoy #6476757. ...
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Tenor Voice,Vocal Solo - Level 3 - SKU: A0.993472 Composed by Natalie Rebecca Lovejoy. Holiday,Musical/Show. 5 pages. Natalie Rebecca Lovejoy #6476757. Published by Natalie Rebecca Lovejoy (A0.993472). Praised by military veterans as spot on, authentic, completely new, and a phenomenal piece, Home/Front is a new musical about an idealistic U.S. Army soldier set on serving his country whose principles are put to the test when his marries an ambitious, young dancer in pursuit of her own dream, amidst the Iraq war and an increasingly divided America. It first premiered Off-Off Broadway in 2014 at the Gene Frankel Theater.
$4.99
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Voix Tenor, Piano
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AVANCÉ
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Contemporain
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fa...
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Tenor Voice,Vocal Solo - Level 5 - SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95
Zoom With You
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Voix Tenor, Piano
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INTERMÉDIAIRE
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Music by Gary Adler, Lyrics by
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Zoom With You
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Gary Adler
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 3 - SKU: A0.922659 Composed by Music by Gary Adler, Lyrics by Phoebe Kreutz. Broadway,Contemporary,Musical/Show,Pop,R & B...
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Tenor Voice,Vocal Solo - Level 3 - SKU: A0.922659 Composed by Music by Gary Adler, Lyrics by Phoebe Kreutz. Broadway,Contemporary,Musical/Show,Pop,R & B. 7 pages. Gary Adler (Vocalovely Music) #5989457. Published by Gary Adler (Vocalovely Music) (A0.922659). Zoom With You - Performed by Telly Leung on his You Matter EP. A slow-groove 90's sounding comedy number where dating and technology come together.
$4.99
All Good Gifts
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Voix Tenor, Piano
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Stephen Schwartz
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W
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All Good Gifts
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Diamond S Music
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - SKU: A0.790032 By Stephen Schwartz. By Stephen Schwartz. Arranged by W. Brent Sawyer. Broadway. 9 pages. Diamond S Mu...
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Tenor Voice,Vocal Solo - Level 4 - SKU: A0.790032 By Stephen Schwartz. By Stephen Schwartz. Arranged by W. Brent Sawyer. Broadway. 9 pages. Diamond S Music #3553683. Published by Diamond S Music (A0.790032). ALL GOOD GIFTS from the musical GODSPELL. VOCAL SOLO in the KEY OF D (for Tenor Voice) with piano accompaniment. This is a pop contemporary arrangement of the song from the beloved popular 1970s musical. The arrangement is similar in style to the original with a more modern take to it. The hymn is predominantly used as a hymn to give thanks to God for the harvest and it has also been used in the United States as a hymn for Thanksgiving. In 1862 in England, Jane Montgomery Campbell translated the original German poem by Matthias Clauduis into English. She translated Wir pflÑ?gen und wir streuen into English as We Plough the Fields and Scatter. The hymn was later published in Charles Bere's Garland of Songs and Children's Chorale Book. And Stephen Schwartz used these lyrics for his setting that was used in GODSPELL. GODSPELL was made into a motion picture in 1973 and has had several revivals in NYC and around the world, the most recent Broadway revival was in 2011. This arrangement is available in the KEY of A (for Mezzo Soprano or Bass Voice), KEY of C (for Soprano or Baritone), KEY of D (for Tenor Voice), KEY of G (for Alto Voice). Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
FROM RAIN TO ROSES - COLLECTION
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Voix Tenor, Piano
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INTERMÉDIAIRE/AVANCÉ
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Eric S
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FROM RAIN TO ROSES - COLLECTIO
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Eric Selman Klein
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SheetMusicPlus
High Voice,Instrumental Solo,Piano - Level 4 - SKU: A0.1020485 Composed by Eric S. Klein. Blues,Concert,Contemporary,Jazz. Score and individual part. 13...
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High Voice,Instrumental Solo,Piano - Level 4 - SKU: A0.1020485 Composed by Eric S. Klein. Blues,Concert,Contemporary,Jazz. Score and individual part. 136 pages. Eric Selman Klein #4808095. Published by Eric Selman Klein (A0.1020485). A collection of 12 jazzy modern standards for tenor voice and piano. These songs, performed as a set, tell a story of love, courtship, and the quest for a more peaceful world. With a combination of jazz, modern, folksy blues, and Broadway styles, they are perfect for recital, concert performance, or any event where lyrical music and poetry are appreciated.Note: Vocal part plays in audio sample as software-generated oohs 1. Follow Me
$19.99
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