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Non classifié
668
Piano & claviers
Piano seul
601
Piano Facile
151
Piano, Voix et Guitare
133
Piano, Voix
106
Orgue
22
1 Piano, 4 mains
14
Piano Trio: piano, violon, violoncelle
8
Piano grosses notes
5
2 Pianos, 4 mains
3
Instruments en Do
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
Accompagnement Piano
1
+ 11 instrumentations
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Guitares
Guitare notes et tablatures
257
Guitare
144
Piano, Guitare (duo)
36
2 Guitares (duo)
19
4 Guitares (Quatuor)
10
Ukulele
9
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9
Basse electrique
8
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3
3 Guitares (trio)
3
Paroles et Accords
1
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1
Banjo
1
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Voix
Chorale SATB
171
Chorale 3 parties
78
Chorale TTBB
68
Chorale 2 parties
68
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35
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20
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10
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6
Voix Soprano, Piano
6
Voix seule
3
Voix haute
2
Chorale
2
Voix Tenor, Piano
2
Voix basse
1
Voix Baryton, Piano
1
Voix duo, Orgue
1
Voix basse, Piano
1
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Vents
Flûte traversière et Piano
51
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
47
Saxophone Alto et Piano
37
Flûte et Guitare
34
Clarinette et Piano
33
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32
Hautbois, Piano (duo)
31
Saxophone Tenor et Piano
31
Quatuor de Saxophones: 4 saxophones
28
Clarinette
26
Flûte, Hautbois, Clarinette, Basson
25
Quatuor de Clarinettes: 4 clarinettes
23
Flûte traversière
19
2 Saxophones (duo)
18
2 Flûtes traversières (duo)
16
Ensemble de Clarinettes
15
Hautbois (partie séparée)
14
Clarinette, Guitare (duo)
13
2 Clarinettes (duo)
13
Ensemble de Flûtes
11
Flûte, Clarinette (duo)
10
3 Saxophones (trio)
9
Saxophone Soprano et Piano
9
Clarinette, Violon (duo)
8
Quintette de Clarinettes: 5 clarinettes
7
Flûte, Violon, Piano
7
Quatuor de Flûtes : 4 flûtes
7
Flûte, Violon
7
Saxophone Alto
7
Ensemble de saxophones
7
Saxophone, Clarinette (duo)
6
Hautbois, Flûte
6
Trio de Flûtes: 3 flûtes
5
Cor anglais, Guitare (duo)
5
2 Flûtes traversières, Piano
5
Hautbois, Basson (duo)
5
2 Flûte à bec (duo)
5
Clarinette (partie séparée)
4
Saxophone et Guitare
4
Hautbois
4
Saxophone Tenor
4
3 Clarinettes (trio)
3
Cor anglais, Piano
3
Quintette de Flûte : 5 flûtes
3
Flûte, Clarinette et Basson
3
Flûte, Saxophone (duo)
3
Hautbois, Clarinette (duo)
2
Clarinette, Trompette (duo)
2
Clarinette, Harpe (duo)
2
Flûte à bec Soprano, Piano
2
Flute (partie séparée)
2
Clarinette et Alto
2
Hautbois, Guitare (duo)
2
Saxophone Baryton, Piano
2
Saxophone Soprano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone et Orgue
1
3 Hautbois
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Alto
1
Quatuor de Flûtes à bec
1
Clarinette, Basson (duo)
1
Flûte, Trompette (duo)
1
Flûte, Hautbois, Basson
1
Clarinette, Orgue
1
Saxophone (partie séparée)
1
Flûte, Violon et Violoncelle
1
Flûte, Alto (duo)
1
Flûte à bec Soprano
1
2 Hautbois (duo)
1
Ensemble à vent
1
Flute, harpe et violon
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Violoncelle
1
Clarinette Basse, Piano
1
+ 72 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
39
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Trombone et Piano
33
Trompette, Piano
26
Trompette
19
Trombone
15
Euphonium
13
Cor
12
Cor et Piano
9
Tuba
9
Cor anglais, Guitare (duo)
5
Euphonium, Piano (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba et Piano
5
Trompette (partie séparée)
4
Ensemble de Trombones
4
Trompette, Trombone (duo)
4
2 Trompettes (duo)
4
Cor anglais, Piano
3
Quatuor de cuivres: 4 cors
3
2 Trombones (duo)
3
Trompette, Saxophone (duo)
3
2 Euphoniums et 2 Tubas
2
Trombone basse et Piano
2
Euphonium, Tuba (duo)
2
3 Trombones (trio)
2
Tuba (partie séparée)
1
Trombone (partie séparée)
1
Cor (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
2 Cors (duo)
1
Ensemble de Trompettes
1
Trio de Cuivres
1
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Cordes
Harpe
503
Quatuor à cordes: 2 violons, alto, violoncelle
156
Violon et Piano
57
Violon
57
Alto, Piano
48
Violon, Violoncelle (duo)
33
Trio à Cordes: violon, alto, violoncelle
33
Violoncelle, Piano
33
2 Harpes (duo)
32
Violon, Guitare (duo)
13
Violoncelle
11
2 Violons (duo)
11
Harpe, Flûte (duo)
10
Violon, Alto (duo)
8
Alto seul
7
Contre Basse
6
Violon (partie séparée)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
2 Violoncelles (duo)
6
Alto (partie séparée)
5
Violoncelle, Contrebasse (duo)
4
Violoncelle , Guitare (duo)
3
4 Violoncelles
2
Piano Trio: Violon, Alto, Piano
2
Alto, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
2 Contrebasses (duo)
1
3 Contrebasses
1
Violon, Orgue
1
Violon, Clarinette, Piano (trio)
1
Contrebasse, Piano (duo)
1
Trio à cordes
1
Trio à cordes: 3 violins
1
Contrebasse (partie séparée)
1
4 Contrebasses
1
2 Altos (duo)
1
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Orchestre & Percussions
Orchestre d'harmonie
190
Orchestre à Cordes
114
Orchestre
90
Ensemble de cuivres
53
Fanfare
28
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22
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20
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18
Cloches
9
Marimba
7
Batterie
6
Jazz combo
5
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4
Piano et Orchestre
2
Percussion (partie séparée)
2
Instrumentation Flexible
1
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CONTEMPORAIN - 20-21EME SIECLE
Voix Tenor, Piano
Partitions à imprimer
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Epitaph - for tenor solo and piano
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Voix Tenor, Piano
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INTERMÉDIAIRE
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Contemporain
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Margaret Woodley
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Epitaph - for tenor solo and p
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Margaret Woodley
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 3 - SKU: A0.991626 Composed by Margaret Woodley. Contemporary. 6 pages. Margaret Woodley #3033771. Published by Margaret ...
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Tenor Voice,Vocal Solo - Level 3 - SKU: A0.991626 Composed by Margaret Woodley. Contemporary. 6 pages. Margaret Woodley #3033771. Published by Margaret Woodley (A0.991626). My setting of the old English poem Epitaph upon a young married couple dead and buried together by Richard Crashaw (1613? - 1649).TO these whom death again did wed This grave 's the second marriage-bed. For though the hand of Fate could force 'Twixt soul and body a divorce, It could not sever man and wife, Because they both lived but one life. Peace, good reader, do not weep; Peace, the lovers are asleep. They, sweet turtles, folded lie In the last knot that love could tie. Let them sleep, let them sleep on, Till the stormy night be gone, And the eternal morrow dawn; Then the curtains will be drawn, And they wake into a light Whose day shall never die in night.
$4.75
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Voix Tenor, Piano
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AVANCÉ
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Contemporain
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fa...
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Tenor Voice,Vocal Solo - Level 5 - SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95
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