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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ide Were Were
Non classifié
757
Piano & claviers
Piano seul
659
Piano, Voix et Guitare
203
Piano, Voix
190
Piano Facile
74
Orgue
31
Instruments en Do
26
Piano grosses notes
18
2 Pianos, 4 mains
14
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
9
Accompagnement Piano
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Accordéon
4
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Orgue, Piano (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare
47
Ukulele
32
Guitare notes et tablatures
26
Piano, Guitare (duo)
7
2 Guitares (duo)
5
Ligne De Mélodie, (Paroles) et Accords
4
3 Guitares (trio)
3
Basse electrique
3
Mandoline
3
Dulcimer
2
4 Guitares (Quatuor)
1
Banjo
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
215
Chorale 3 parties
35
Chorale 2 parties
21
Chorale TTBB
15
Chorale Unison
12
Chorale SSAA
10
Voix Soprano, Piano
6
Voix duo
4
Voix moyenne, Piano
4
Voix duo, Piano
4
Voix haute
4
Voix Tenor
3
Voix seule
2
Voix Baryton, Piano
2
Chorale SSATTB
2
Voix, Guitare
1
Chorale SSATB
1
Voix Mezzo-Soprano, Piano
1
+ 13 instrumentations
Retracter
Vents
2 Saxophones (duo)
87
Flûte traversière et Piano
77
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
55
Clarinette et Piano
49
Saxophone, Clarinette (duo)
48
Saxophone Alto et Piano
46
Quatuor de Saxophones: 4 saxophones
45
Hautbois, Piano (duo)
42
2 Flûtes traversières (duo)
41
2 Clarinettes (duo)
38
Saxophone Soprano et Piano
35
Clarinette, Violon (duo)
33
Flûte, Violon, Piano
31
Saxophone Tenor et Piano
29
Ensemble de saxophones
28
Clarinette, Trompette (duo)
28
Cor anglais, Piano
26
2 Flûtes traversières, Piano
25
Saxophone Baryton, Piano
25
Quintette de Saxophone: 5 saxophones
24
Flûte traversière
23
Flûte, Clarinette (duo)
21
Clarinette
21
Quatuor de Clarinettes: 4 clarinettes
20
Flûte, Hautbois, Clarinette, Basson
17
Clarinette et Alto
16
Hautbois, Basson (duo)
16
Hautbois, Flûte
16
Flûte, Saxophone (duo)
14
2 Hautbois (duo)
14
Hautbois, Clarinette (duo)
14
Clarinette Basse, Piano
13
Ensemble de Clarinettes
12
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Violon
12
Saxophone Alto
12
Flûte, Alto (duo)
11
Ensemble de Flûtes
10
3 Saxophones (trio)
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Tenor
8
Quintette de Flûte : 5 flûtes
7
Hautbois (partie séparée)
7
Flûte, Trompette (duo)
6
Flûte à bec Soprano
6
3 Clarinettes (trio)
6
Trio de Flûtes: 3 flûtes
5
Cor Anglais
5
Saxophone (partie séparée)
4
Saxophone Soprano
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Hautbois, Clarinette (trio)
4
Piccolo, Piano
4
Clarinette (partie séparée)
3
Flûte à Bec
3
Flûte, Hautbois, Basson
2
Flûte à bec Alto, Piano
2
Flûte, Violoncelle
2
3 Flûtes à bec (trio)
2
Flûte à bec Soprano, Piano
2
Saxophone et Orgue
2
2 Flûte à bec (duo)
2
Flute, harpe et violon
1
Flûte et Guitare
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute (partie séparée)
1
5 Flûtes à bec
1
Clarinette Basse
1
Hautbois
1
Hautbois, Guitare (duo)
1
2 Clarinettes, Basson
1
Flûte à bec Alto, Basse continue
1
Clarinette, Basson (duo)
1
Quatuor de Flûtes à bec
1
Flûte à bec Tenor
1
Clarinette, Violoncelle (duo)
1
+ 73 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trompette, Saxophone (duo)
35
Trombone et Piano
33
Euphonium, Piano (duo)
30
Trompette, Piano
30
Cor anglais, Piano
26
Cor et Piano
25
Trompette
24
Trompette, Trombone (duo)
18
2 Trombones (duo)
17
Trombone
15
Ensemble de Trombones
13
2 Trompettes (duo)
12
Quatuor de cuivres: 4 trombones
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Ensemble de Trompettes
7
Tuba et Piano
7
Quatuor de cuivres: 4 cors
7
Trompette (partie séparée)
6
Tuba
6
Trombone (partie séparée)
5
Cor Anglais
5
2 Cors (duo)
4
Quatuor de Cuivres
4
Euphonium
2
Cor (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
Cor
2
3 Trompettes (trio)
2
2 Tubas (duo)
2
Trombone basse
2
4 Tubas
2
2 Euphoniums et 2 Tubas
2
Cor et Harpe
1
Trompette, Harpe
1
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Trombone et orchestre
1
Trombone, Tuba (duo)
1
Tuba et Orgue
1
Tuba (partie séparée)
1
Ensemble de Tubas
1
3 Euphoniums
1
Ensemble de Cors
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
151
Violon et Piano
71
Violoncelle, Piano
44
Alto, Piano
44
Violon, Violoncelle (duo)
40
Trio à Cordes: violon, alto, violoncelle
39
2 Harpes (duo)
39
Violon
31
Harpe
30
2 Violons (duo)
29
Violon, Alto (duo)
23
2 Altos (duo)
20
Violoncelle
20
2 Violoncelles (duo)
16
Alto seul
8
4 Violoncelles
7
Violon (partie séparée)
5
Contrebasse, Piano (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Ensemble d'Altos
4
Quatuor à cordes : 4 altos
4
Ensemble de Violons
4
Contre Basse
2
Violon, Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Harpe, Violon (duo)
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle , Guitare (duo)
2
Alto et Harpe
2
Harpe, Flûte (duo)
2
Violoncelle, Orgue
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
Harpe, Violoncelle (duo)
1
Harpe et Piano
1
Contrebasse (partie séparée)
1
Violoncelle, Basse continue
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
168
Orchestre à Cordes
80
Orchestre
67
Orchestre de chambre
37
Ensemble de cuivres
34
Cloches
11
Ensemble Jazz
9
Ensemble de Percussions
8
Jazz combo
7
Vibraphone
3
Batterie
3
Orchestre, Violon
2
Quintette de Cuivres: autres combinaisons
2
Marimba
2
Piano et Orchestre
1
Percussion (partie séparée)
1
Fanfare
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Ide Were Were
Voix Tenor
Partitions à imprimer
3 partitions trouvées
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For Once In My Life
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Voix Tenor
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Stevie Wonder
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Michael Pilley
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For Once In My Life
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Michael Pilley Music
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - SKU: A0.746173 By Stevie Wonder. By Orlando Murden. Arranged by Michael Pilley. Pop. 5 pages. Michael Pilley Music #3...
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Tenor Voice,Vocal Solo - Level 4 - SKU: A0.746173 By Stevie Wonder. By Orlando Murden. Arranged by Michael Pilley. Pop. 5 pages. Michael Pilley Music #3684029. Published by Michael Pilley Music (A0.746173). THE ARRANGEMENTA few years ago, good friends of mine were getting married and asked if I could arrange this song for their ceremony, to be sung by a tenor with piano accompaniment. I wanted to write a completely new take on this classic song, so decided to set it as a ballad, rather than the popular Stevie Wonder version which is uptempo. I also had a very good pianist and tenor soloist, so consequently, the difficulty of the arrangement is at an advanced intermediate level, with the tenor going up to a Bb and the piano part containing a lot of black notes! I was really happy with how it turned out, but unfortunately couldn't fly to Australia just for the wedding and they didn't record it. So now it's available to purchase, in the hope that someone would enjoy singing it and maybe even send me a recording! THE SONGWritten for the Motown label, it first was recorded by Barbara McNair, followed by a host of others in a ballad style, until Stevie Wonder pumped up the tempo and reached #2 on the U.S. Billboard charts. It eventually was the title track for his album of the same name, and features the amazing Funk Brothers, most notably James Jamerson for his incredible bass playing on this track, known to be one of the greatest example of his style. Stevie Wonder also provided the harmonica solo on the track.PRINTING TIPSBeautifully laid out, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your library.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$20.00
Carson Cooman: Rossini in the Kitchen (2005) for tenor and piano
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Voix Tenor
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INTERMÉDIAIRE/AVANCÉ
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Carson Cooman
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Carson Cooman: Rossini in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishi...
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Tenor Voice,Vocal Solo - Level 4 - SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishing #3030523. Published by Musik Fabrik Music Publishing (A0.533605). Rossini in the Kitchen (2005) is a comic staged monodrama for tenor and piano. It wascomposed for and is dedicated to Frank Napolitano.The work imagines the Italian composer Gioacchino Rossini (1792-1868) in his later years inParis. After his rather young retirement at age 37, Rossini wrote no more opera and insteadled a life of leisure and luxury, pursuing his great love of gourmet cooking.Although Rossini was from the northernmost regions of Italy, known for their elegant Frenchinfluencedcuisine, the recipes in this work are familiar Tuscan style Italian fare. It isassumed that Rossini would perhaps have enjoyed these dishes as well and made them as anod to his native country, whose national musical style he had so impacted with hiscompositional work.The musical language of this work is ecletic, drawing upon the common practice language ofRossini's time, distorted and amplified through more contemporary sounds and textures.Some of the contemporary sounds and textures are derived from popular music traditions ofthe second half of the 20th century. Since, like more modern popular music, Rossini's ownwork was some of the most popular and widely known music of its time. His tunes werewhistled by people in the streets, in the same way that today's pop songs are.Thus, the musical language of the work sometimes switches abruptly or transforms from onestyle into another. There are numerous allusions to Rossini's own music as well as that ofother later opera composers who were indebted to him.
$25.95
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Voix Tenor
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AVANCÉ
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishin...
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Tenor Voice,Vocal Solo - Level 5 - SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
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