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Love\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s Way - Bassoon
Voix Tenor
Partitions à imprimer
6 partitions trouvées
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You Will Always Find Me There (Vocal)
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Voix Tenor
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INTERMÉDIAIRE
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Lawrence Lee
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KATHLEEN HOLYOAK
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anniversary
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You Will Always Find Me There
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Kathleen Holyoak
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 3 - SKU: A0.888482 Composed by Lawrence Lee. Arranged by KATHLEEN HOLYOAK. Holiday,Love,Musical/Show,Wedding. 10 pages. K...
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Tenor Voice,Vocal Solo - Level 3 - SKU: A0.888482 Composed by Lawrence Lee. Arranged by KATHLEEN HOLYOAK. Holiday,Love,Musical/Show,Wedding. 10 pages. Kathleen Holyoak #5218907. Published by Kathleen Holyoak (A0.888482). 1940's style love song; anniversary; wedding; special occasion; mother's day.
$4.99
Gregory Sullivan Isaacs: Elegy on the Quilt for tenor voice and piano
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Voix Tenor
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INTERMÉDIAIRE/AVANCÉ
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Elegy
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - SKU: A0.534586 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. 12 pages. Musik Fabrik Music Publ...
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Tenor Voice,Vocal Solo - Level 4 - SKU: A0.534586 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. 12 pages. Musik Fabrik Music Publishing #4729123. Published by Musik Fabrik Music Publishing (A0.534586). Part of the AIDS memorial songbook, this melody for tenor voice and piano has an orginal text by the composer: It was still dark.The dawn had not yet arrived.He stood quietly, looking out over the field.,soon to be filled with patches of grief.Monuments to great men,grey against the pre-dawn sky,reminded him of the Great Dream:We are all equal under Law, it promised.We are all equal under Law.He smiled wryly at the thought.The keepers of that Dream still keep it for themselves,only- releasing what little part what group or anothercan wrest away.The unfolding began.Each patch holds the grief of dozens:friends, family.Amercia's children left to die alone.Amercia's children left to diebecause of who they were, who they had to be.Fully open now.Small groups wander here and there.searching, looking,Afraid that the edges wait for them.Afraid that the edges wait for them.Some already gathering scraps of cloth.Finally, he moves at last.Finally with enough courage to go look.His thoughts warmly dwell on him who made it.The one whose devotion was unquestioned.whose love was always present.Having seen it, he was cotent to move on towhatever was to come.His patch was there.
$10.35
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Voix Tenor
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AVANCÉ
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishin...
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Tenor Voice,Vocal Solo - Level 5 - SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
Carson Cooman: Rossini in the Kitchen (2005) for tenor and piano
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Voix Tenor
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INTERMÉDIAIRE/AVANCÉ
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Carson Cooman
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Carson Cooman: Rossini in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishi...
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Tenor Voice,Vocal Solo - Level 4 - SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishing #3030523. Published by Musik Fabrik Music Publishing (A0.533605). Rossini in the Kitchen (2005) is a comic staged monodrama for tenor and piano. It wascomposed for and is dedicated to Frank Napolitano.The work imagines the Italian composer Gioacchino Rossini (1792-1868) in his later years inParis. After his rather young retirement at age 37, Rossini wrote no more opera and insteadled a life of leisure and luxury, pursuing his great love of gourmet cooking.Although Rossini was from the northernmost regions of Italy, known for their elegant Frenchinfluencedcuisine, the recipes in this work are familiar Tuscan style Italian fare. It isassumed that Rossini would perhaps have enjoyed these dishes as well and made them as anod to his native country, whose national musical style he had so impacted with hiscompositional work.The musical language of this work is ecletic, drawing upon the common practice language ofRossini's time, distorted and amplified through more contemporary sounds and textures.Some of the contemporary sounds and textures are derived from popular music traditions ofthe second half of the 20th century. Since, like more modern popular music, Rossini's ownwork was some of the most popular and widely known music of its time. His tunes werewhistled by people in the streets, in the same way that today's pop songs are.Thus, the musical language of the work sometimes switches abruptly or transforms from onestyle into another. There are numerous allusions to Rossini's own music as well as that ofother later opera composers who were indebted to him.
$25.95
Two Shakespeare Sonnets, Art Songs for Tenor, "Summers Day" and "How Heavy Do I Journey"
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Voix Tenor
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INTERMÉDIAIRE
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Contemporain
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James Nathaniel Holland
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Two Shakespeare Sonnets, Art S
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James Nathaniel Holland
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 3 - SKU: A0.730202 Composed by James Nathaniel Holland. Contemporary. 13 pages. James Nathaniel Holland #36425. Published...
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Tenor Voice,Vocal Solo - Level 3 - SKU: A0.730202 Composed by James Nathaniel Holland. Contemporary. 13 pages. James Nathaniel Holland #36425. Published by James Nathaniel Holland (A0.730202). Shakespeare wrote poignant sonnets about time and love. Two of these masterpieces are set to music by 21st Century American composer James Nathaniel Holland: the famous Shall I Compare Thee to a Summer's Day (Sonnet 18) and How Heavy Do I Journey on the Way (Sonnet 50). Rare and musically accesible art songs in English and by a living composer for singers looking for something new to present in concert or competitions. Sound clip presented here is of Sonnet 18, an arragement with synthesizer, but this arrangement is for piano and voice. Composer's Website: http://lacoronadelossantos.net/jamesnathanielholland.html.
$6.00
Ready
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Voix Tenor
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Natalie Rebecca Lovejoy
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Ready
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Natalie Rebecca Lovejoy
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SheetMusicPlus
Tenor Voice,Vocal Solo - SKU: A0.993449 Composed by Natalie Rebecca Lovejoy. Country,Musical/Show,Pop,Rock. 7 pages. Natalie Rebecca Lovejoy #3897623. P...
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Tenor Voice,Vocal Solo - SKU: A0.993449 Composed by Natalie Rebecca Lovejoy. Country,Musical/Show,Pop,Rock. 7 pages. Natalie Rebecca Lovejoy #3897623. Published by Natalie Rebecca Lovejoy (A0.993449). Praised by military veterans as spot on, authentic, completely new, and a phenomenal piece, Home/Front is a new musical about an idealistic U.S. Army soldier set on serving his country whose principles are put to the test when his marries an ambitious, young dancer in pursuit of her own dream, amidst the Iraq war and an increasingly divided America. It first premiered Off-Off Broadway in 2014 at the Gene Frankel Theater.In Ready, private Michael Dunalley prepares to deploy to Iraq for the first time
$4.99
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Love\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s Way - Bassoon