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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Music from The Sound Of Music
Non classifié
1 217
Piano & claviers
Piano seul
1 058
Piano Facile
342
Piano, Voix
174
Piano, Voix et Guitare
111
Instruments en Do
49
Orgue
47
1 Piano, 4 mains
41
Piano grosses notes
29
Accompagnement Piano
12
2 Pianos, 4 mains
11
Clavecin
7
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Trio: piano, violon, violoncelle
7
Accordéon
6
Piano (partie séparée)
6
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
2 Pianos, 8 mains
3
1 Piano, 6 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon, Voix
1
+ 16 instrumentations
Retracter
Guitares
Ukulele
293
Guitare notes et tablatures
202
Guitare
119
Piano, Guitare (duo)
118
Ligne De Mélodie, (Paroles) et Accords
43
Guitare (partie séparée)
11
4 Guitares (Quatuor)
11
Basse electrique
10
2 Guitares (duo)
9
Banjo
7
Mandoline
7
3 Guitares (trio)
5
Paroles et Accords
4
Ensemble de guitares
3
Ukulele Baryton
2
Partitions De Groupes
2
Dulcimer
2
+ 12 instrumentations
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Voix
Chorale SATB
268
Chorale 3 parties
114
Chorale 2 parties
85
Chorale TTBB
37
Chorale SSAA
28
Chorale Unison
13
Chorale
12
Voix duo
11
Voix Soprano, Piano
7
Voix Alto, Piano
6
Voix duo, Piano
4
Voix haute
3
Voix seule
3
Chorale SSAATTBB
3
Voix Baryton, Piano
3
Voix Tenor, Piano
2
Voix Tenor
2
Pack Instrumental pour Chorale
1
Voix moyenne, Piano
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
247
Hautbois, Piano (duo)
236
Clarinette et Piano
227
Saxophone Alto et Piano
160
Saxophone Tenor et Piano
148
Quatuor de Saxophones: 4 saxophones
143
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
127
Flûte, Hautbois, Clarinette, Basson
100
Quintette de Saxophone: 5 saxophones
86
Clarinette
75
Saxophone (partie séparée)
64
2 Saxophones (duo)
64
Flûte traversière
50
Saxophone Alto
41
Hautbois (partie séparée)
41
Saxophone Tenor
34
Flûte, Violon, Piano
33
2 Flûtes traversières (duo)
30
Quatuor de Clarinettes: 4 clarinettes
30
Quatuor de Flûtes : 4 flûtes
25
Clarinette (partie séparée)
20
Flûte et Guitare
18
2 Clarinettes (duo)
18
Ensemble de Flûtes
17
Saxophone Baryton, Piano
16
Saxophone Soprano et Piano
16
Ensemble de Clarinettes
16
Quintette de Clarinettes: 5 clarinettes
15
Flûte à Bec
14
Ocarina
12
Flûte à bec Soprano
11
Flute (partie séparée)
10
Ensemble de saxophones
9
Quintette de Flûte : 5 flûtes
9
Trio de Flûtes: 3 flûtes
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Saxophone, Clarinette (duo)
8
Flûte, Hautbois, Basson
7
Clarinette, Violon (duo)
6
Flûte, Clarinette (duo)
6
2 Flûte à bec (duo)
6
Harmonica
6
Flûte, Clarinette et Basson
5
Clarinette, Trompette (duo)
5
3 Clarinettes (trio)
5
Flûte à bec Alto
4
2 Hautbois (duo)
4
Clarinette Basse, Piano
4
Clarinette et Alto
4
Flûte, Violon
4
Clarinette, Harpe (duo)
3
Clarinette, Violoncelle (duo)
3
Flûte, Trompette (duo)
3
Hautbois, Flûte
3
Flûte, Saxophone (duo)
3
Clarinette, Guitare (duo)
3
Hautbois, Basson (duo)
3
Hautbois, Clarinette (duo)
3
Quatuor de Flûtes à bec
3
Cor anglais, Piano
3
Hautbois
3
Flute, harpe et violon
2
3 Saxophones (trio)
2
Hautbois, Harpe
2
Flûte, Alto (duo)
2
Flûte à bec Alto, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Basson (duo)
2
Flûte irlandaise
2
Hautbois, Guitare (duo)
2
Piccolo, Piano
2
Saxophone
2
Saxophone et Harpe
2
Flûte à bec Tenor
2
Hautbois, Violoncelle
1
Hautbois, Basson et Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Alto et Piano
1
Saxophone et Guitare
1
2 Hautbois, 2 Cors et 2 Bassons
1
Saxophone Soprano
1
Saxophone Baryton
1
Flûte, Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Cornemuse
1
Flûte, Violon, Violoncelle et Piano
1
Cor anglais, Guitare (duo)
1
Flûte et Quatuor à Cordes
1
Hautbois et alto (duo)
1
Flûte, Violoncelle, Piano (trio)
1
2 Flûtes traversières, Harpe
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, violon (duo)
1
+ 88 instrumentations
Retracter
Cuivres
Trombone et Piano
164
Trompette
139
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
123
Trompette, Piano
104
Quatuor de Cuivres
75
Trompette (partie séparée)
50
Trombone (partie séparée)
46
Trombone
39
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Cor
28
Cor et Piano
21
2 Trombones (duo)
16
Ensemble de Trompettes
15
2 Trompettes (duo)
13
Euphonium, Piano (duo)
13
Trompette, Saxophone (duo)
11
Cor (partie séparée)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Tuba et Piano
9
Tuba (partie séparée)
8
Quatuor de cuivres: 4 trombones
8
Trompette, Trombone (duo)
6
Ensemble de Trombones
6
Tuba
6
Trio de Cuivres
4
Trompette, violon (duo)
4
Ensemble de Cors
3
Cor anglais, Piano
3
2 Cors (duo)
3
2 Euphoniums et 2 Tubas
3
Trombone basse
2
Quatuor de cuivres: 4 cors
2
Trompette, Harpe
2
2 Tubas (duo)
2
Instruments en Sib
2
Trompette, Trombone, Piano
1
3 Trompettes (trio)
1
Trompette, Violoncelle (duo)
1
Tuba et Orgue
1
Ensemble de Tubas
1
Cor anglais, Guitare (duo)
1
Trompette, Basson (duo)
1
Cor et Harpe
1
Trompette, Euphonium (duo)
1
Euphonium
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
285
Violon et Piano
218
Violoncelle, Piano
197
Alto, Piano
192
Harpe
147
Violon
104
Quintette à cordes: 2 violons, alto, violoncelle, basse
75
Violoncelle
69
Alto seul
44
Violon, Violoncelle (duo)
37
2 Violons (duo)
32
Trio à Cordes: violon, alto, violoncelle
28
2 Violoncelles (duo)
23
2 Harpes (duo)
22
Violon (partie séparée)
20
Alto (partie séparée)
17
Contrebasse (partie séparée)
17
Contre Basse
17
Violon, Alto (duo)
11
Trio à Cordes: 2 violons, violoncelle
10
Contrebasse, Piano (duo)
8
Violoncelle (partie séparée)
8
2 Altos (duo)
6
2 Contrebasses (duo)
4
Violon, Guitare (duo)
4
Piano Trio: Violon, Alto, Piano
4
4 Violoncelles
3
Harpe, Flûte (duo)
3
4 Harpes
3
Violoncelle, Basse continue
2
Harpe, Voix
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes: 4 violons
2
Alto et Harpe
2
Alto, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Violon, Basson (duo)
2
Trio à cordes: 3 violins
2
Violoncelle , Guitare (duo)
2
Violoncelle, Orchestre
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
1
Harpe et mandoline
1
Harpe et Piano
1
Violoncelle, Contrebasse (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Violon, Violoncelle
1
3 Harpes
1
Ensemble d'Altos
1
Ensemble de Violons
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
720
Ensemble Jazz
141
Orchestre à Cordes
126
Orchestre
117
Fanfare
111
Ensemble de cuivres
50
Orchestre de chambre
34
Cloches
25
Percussion (partie séparée)
17
Ensemble de Percussions
14
Jazz combo
9
Batterie
9
Batterie (partie séparée)
6
Marimba
6
Instrumentation Flexible
4
Xylophone, Piano
4
Timbales (partie séparée)
2
Piano et Orchestre
1
Quintette à Vent
1
Xylophone
1
Quatuor à Vent : 4 instruments à vents
1
3 Percussions
1
Timbales
1
+ 18 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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COR
COR ANGLAIS
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CORNET
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Carson Cooman: Rossini in the Kitchen (2005) for tenor and piano
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Voix Tenor
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INTERMÉDIAIRE/AVANCÉ
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Carson Cooman
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Carson Cooman: Rossini in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishi...
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Tenor Voice,Vocal Solo - Level 4 - SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishing #3030523. Published by Musik Fabrik Music Publishing (A0.533605). Rossini in the Kitchen (2005) is a comic staged monodrama for tenor and piano. It wascomposed for and is dedicated to Frank Napolitano.The work imagines the Italian composer Gioacchino Rossini (1792-1868) in his later years inParis. After his rather young retirement at age 37, Rossini wrote no more opera and insteadled a life of leisure and luxury, pursuing his great love of gourmet cooking.Although Rossini was from the northernmost regions of Italy, known for their elegant Frenchinfluencedcuisine, the recipes in this work are familiar Tuscan style Italian fare. It isassumed that Rossini would perhaps have enjoyed these dishes as well and made them as anod to his native country, whose national musical style he had so impacted with hiscompositional work.The musical language of this work is ecletic, drawing upon the common practice language ofRossini's time, distorted and amplified through more contemporary sounds and textures.Some of the contemporary sounds and textures are derived from popular music traditions ofthe second half of the 20th century. Since, like more modern popular music, Rossini's ownwork was some of the most popular and widely known music of its time. His tunes werewhistled by people in the streets, in the same way that today's pop songs are.Thus, the musical language of the work sometimes switches abruptly or transforms from onestyle into another. There are numerous allusions to Rossini's own music as well as that ofother later opera composers who were indebted to him.
$25.95
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Voix Tenor
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AVANCÉ
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishin...
(+)
Tenor Voice,Vocal Solo - Level 5 - SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
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