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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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XYLOPHONE
The Word of Life
Sheetmusicplus
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213
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Piano, Voix
180
Piano seul
156
Piano, Voix et Guitare
64
Piano Facile
57
Piano grosses notes
36
Instruments en Do
33
Orgue
29
Accompagnement Piano
21
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
3
1 Piano, 4 mains
2
+ 7 instrumentations
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5
Guitare
4
Ukulele
2
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1
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1
Voix
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303
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54
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35
Voix duo, Piano
24
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21
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8
Voix Tenor, Piano
6
Chorale SSAA
6
Voix duo
4
Voix Soprano, Piano
3
Voix seule
3
Chorale SSATB
2
Voix Tenor
2
Voix Baryton, Piano
2
Chorale
1
Voix Alto, Piano
1
Soli, choeur mixte et accompagnement
1
+ 12 instrumentations
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Vents
2 Flûtes traversières (duo)
24
Flûte traversière et Piano
22
Hautbois, Piano (duo)
19
Saxophone Alto et Piano
18
Saxophone Tenor et Piano
14
Clarinette et Piano
14
Saxophone Baryton, Piano
12
Saxophone Soprano et Piano
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Clarinette
7
Cor anglais, Piano
7
Clarinette Basse, Piano
5
Clarinette, Guitare (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Flûte et Guitare
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Clarinettes: 4 clarinettes
3
Quintette de Clarinettes: 5 clarinettes
2
Trio de Flûtes: 3 flûtes
2
Quintette de Saxophone: 5 saxophones
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone Alto
2
Saxophone (partie séparée)
1
Saxophone Tenor
1
Hautbois, Flûte
1
Piccolo, Piano
1
Flûte traversière
1
Clarinette, Violon (duo)
1
Cor anglais, Guitare (duo)
1
Flûte, Clarinette (duo)
1
Ensemble de Clarinettes
1
Saxophone et Orgue
1
2 Saxophones (duo)
1
Hautbois, Guitare (duo)
1
Flûte à bec Soprano
1
+ 30 instrumentations
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Trombone et Piano
20
Trompette
16
Cor et Piano
13
Euphonium, Piano (duo)
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Cor anglais, Piano
7
Tuba et Piano
4
Trompette, Piano
2
Tuba
2
Trombone
2
2 Cors (duo)
1
Ensemble de Cors
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
+ 11 instrumentations
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26
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violoncelle, Piano
16
Alto, Piano
16
Violoncelle
5
Violon, Violoncelle (duo)
3
Violon
3
Harpe, Voix
3
Alto, Violoncelle (duo)
1
Violon (partie séparée)
1
2 Violons (duo)
1
2 Altos (duo)
1
Contrebasse, Piano (duo)
1
Alto seul
1
Violoncelle (partie séparée)
1
2 Violoncelles (duo)
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Alto (partie séparée)
1
+ 15 instrumentations
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38
Orchestre
17
Orchestre de chambre
6
Cloches
6
Ensemble de cuivres
4
Jazz combo
3
Orchestre à Cordes
3
Batterie
3
Marimba
2
Ensemble Jazz
2
Orchestre, Violon
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Crtitères actifs :
The Word of Life
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Partitions à imprimer
2 partitions trouvées
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The Rainy Day
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Voix Tenor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mike Lyons
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The Rainy Day
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Lyons Music Services
#
SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - SKU: A0.767084 Composed by Mike Lyons. Contemporary. 7 pages. Lyons Music Services #1646913. Published by Lyons Music...
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Tenor Voice,Vocal Solo - Level 4 - SKU: A0.767084 Composed by Mike Lyons. Contemporary. 7 pages. Lyons Music Services #1646913. Published by Lyons Music Services (A0.767084). This is a setting of the poem The Rainy Day by Henry Wadsworth Longfellow. The music reflects both the gloominess of the first two stanzas and the hope of the final stanza. The text is very reflective, focussing on the thoughts of an older man as he looks at his life and sees the sadness and unpleasantness he has lived through, but eventually realises that everyone has these traumas at some point and one has to move on. There is always hope. The tempo should be relaxed but forward moving, giving the tenor the room he needs to shape the words.
$8.50
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Voix Tenor
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AVANCÉ
#
Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishin...
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Tenor Voice,Vocal Solo - Level 5 - SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
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The Word of Life
