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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Transformer
Sheetmusicplus
Non classifié
854
Piano & claviers
Piano seul
279
Piano, Voix
120
Piano Facile
76
Piano, Voix et Guitare
48
Orgue
15
1 Piano, 4 mains
7
Instruments en Do
4
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon
1
Piano (partie séparée)
1
2 Pianos, 4 mains
1
Accompagnement Piano
1
+ 10 instrumentations
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Guitares
Guitare
15
Guitare notes et tablatures
11
2 Guitares (duo)
4
Ukulele
4
2 Ukuleles
2
Guitare (partie séparée)
2
Basse électrique (partie séparée)
2
Basse electrique
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 4 instrumentations
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Voix
Chorale SATB
101
Chorale 2 parties
41
Chorale 3 parties
22
Chorale TTBB
19
Chorale Unison
5
Chorale SSAA
5
Voix haute
4
Chorale SSAATTBB
2
Chorale SSATB
2
Voix duo, Piano
2
Voix Tenor
2
Voix Baryton, Piano
2
Voix Alto, Piano
1
Voix seule
1
Voix Tenor, Piano
1
+ 10 instrumentations
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Vents
Clarinette et Piano
56
Hautbois, Piano (duo)
50
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
49
Quatuor de Saxophones: 4 saxophones
46
Flûte traversière
46
Flûte traversière et Piano
45
Flûte, Hautbois, Clarinette, Basson
43
Clarinette
43
Quintette de Saxophone: 5 saxophones
31
Hautbois
28
Saxophone Alto et Piano
28
Saxophone Alto
27
Ensemble De Flûte à bec
25
Saxophone (partie séparée)
22
2 Saxophones (duo)
21
Saxophone Tenor et Piano
16
Saxophone Soprano et Piano
14
2 Flûtes traversières (duo)
13
Saxophone Baryton, Piano
13
Saxophone Tenor
13
Clarinette (partie séparée)
12
2 Clarinettes (duo)
11
2 Hautbois (duo)
10
3 Saxophones (trio)
8
Saxophone Baryton
8
Saxophone Soprano
7
Quintette de Clarinettes: 5 clarinettes
7
Flute (partie séparée)
6
Quatuor de Flûtes à bec
6
Hautbois (partie séparée)
5
Trio de Flûtes: 3 flûtes
5
Quatuor de Flûtes : 4 flûtes
5
Ensemble de saxophones
5
3 Clarinettes (trio)
5
Flûte, Hautbois, Clarinette (trio)
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Clarinette (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Clarinette, Basson (duo)
3
Hautbois, Basson (duo)
3
Ensemble de Flûtes
2
Hautbois, Basson et Piano
2
3 Hautbois
2
Hautbois, Clarinette (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Hautbois (duo)
2
Ensemble de Clarinettes
2
Flûte, Hautbois, Piano (trio)
2
Clarinette Basse, Piano
1
Flûte, Violon, Piano
1
Piccolo, Piano
1
Quintette de Flûte : 5 flûtes
1
2 Hautbois, Piano
1
2 Clarinettes, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
2 Flûte à bec (duo)
1
5 Flûtes à bec
1
Flûte, Basson et Piano
1
Flûte, Alto et Piano
1
Hautbois, Violoncelle
1
Cornemuse
1
+ 56 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
55
Cor et Piano
50
Trompette, Piano
45
Trompette
42
Tuba et Piano
39
Cor
38
Trombone et Piano
29
Tuba
25
Trombone
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
2 Trombones (duo)
12
Trompette (partie séparée)
12
2 Trompettes (duo)
10
Trombone (partie séparée)
8
2 Cors (duo)
8
Quatuor de Cuivres
7
Tuba (partie séparée)
5
3 Trompettes (trio)
4
Trompette, Trombone (duo)
4
2 Tubas (duo)
4
Tuba ou Euphonium ou Saxhorn
3
3 Trombones (trio)
2
Cor, Tuba (duo)
2
Trombone, Cor (duo)
2
Trompette, Tuba (duo)
2
Quatuor de cuivres: 4 cors
2
Ensemble de Trombones
1
Euphonium, Piano (duo)
1
Cor (partie séparée)
1
Ensemble de Trompettes
1
Ensemble de Cors
1
+ 27 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
125
Violoncelle, Piano
64
Violon et Piano
61
Alto, Piano
58
Quintette à cordes: 2 violons, alto, violoncelle, basse
55
Violon
52
Violoncelle
39
Contrebasse, Piano (duo)
34
Alto seul
28
Contre Basse
25
2 Violons (duo)
12
2 Violoncelles (duo)
11
2 Altos (duo)
10
Trio à Cordes: violon, alto, violoncelle
10
Violon, Violoncelle (duo)
7
2 Contrebasses (duo)
6
Violon (partie séparée)
5
Violon, Alto (duo)
5
Harpe
5
Alto, Violoncelle (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto (partie séparée)
3
Contrebasse (partie séparée)
3
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
3 Contrebasses
2
Alto et Basson
2
Trio à cordes: 3 altos
2
Violoncelle (partie séparée)
2
2 Altos, Piano
2
2 Violoncelles, Piano
1
Piano Trio: Violon, Alto, Piano
1
Violon, Basson (duo)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orgue
1
Alto et orchestre
1
Alto et Harpe
1
+ 32 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
177
Orchestre à Cordes
48
Orchestre
43
Orchestre de chambre
23
Ensemble Jazz
16
Cloches
11
Ensemble de cuivres
9
Percussion
7
Fanfare
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Percussion (partie séparée)
4
Batterie
3
Marimba
2
Jazz combo
2
Xylophone
2
Batterie (partie séparée)
1
Timbales
1
Ensemble de Percussions
1
Vibraphone
1
+ 14 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Voix Tenor
#
AVANCÉ
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishin...
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Tenor Voice,Vocal Solo - Level 5 - SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
Carson Cooman: Rossini in the Kitchen (2005) for tenor and piano
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Voix Tenor
#
INTERMÉDIAIRE/AVANCÉ
#
Carson Cooman
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Carson Cooman: Rossini in the
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishi...
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Tenor Voice,Vocal Solo - Level 4 - SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishing #3030523. Published by Musik Fabrik Music Publishing (A0.533605). Rossini in the Kitchen (2005) is a comic staged monodrama for tenor and piano. It wascomposed for and is dedicated to Frank Napolitano.The work imagines the Italian composer Gioacchino Rossini (1792-1868) in his later years inParis. After his rather young retirement at age 37, Rossini wrote no more opera and insteadled a life of leisure and luxury, pursuing his great love of gourmet cooking.Although Rossini was from the northernmost regions of Italy, known for their elegant Frenchinfluencedcuisine, the recipes in this work are familiar Tuscan style Italian fare. It isassumed that Rossini would perhaps have enjoyed these dishes as well and made them as anod to his native country, whose national musical style he had so impacted with hiscompositional work.The musical language of this work is ecletic, drawing upon the common practice language ofRossini's time, distorted and amplified through more contemporary sounds and textures.Some of the contemporary sounds and textures are derived from popular music traditions ofthe second half of the 20th century. Since, like more modern popular music, Rossini's ownwork was some of the most popular and widely known music of its time. His tunes werewhistled by people in the streets, in the same way that today's pop songs are.Thus, the musical language of the work sometimes switches abruptly or transforms from onestyle into another. There are numerous allusions to Rossini's own music as well as that ofother later opera composers who were indebted to him.
$25.95
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