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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Violin by Sam
Non classifié
279
Piano & claviers
Piano Trio: piano, violon, violoncelle
20
Piano seul
19
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano, Voix et Guitare
8
Accompagnement Piano
7
Instruments en Do
6
Piano Facile
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano, Voix
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Mandoline
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale 3 parties
7
Chorale SATB
6
Chorale Unison
3
Voix duo, Piano
1
Voix seule
1
Chorale 2 parties
1
+ 1 instrumentations
Retracter
Vents
Clarinette, Violon (duo)
24
Flûte, Violon
10
Hautbois, Piano (duo)
8
Flûte traversière et Piano
7
Clarinette et Piano
5
Clarinette
5
Saxophone Alto et Piano
4
Flûte traversière
3
Saxophone Tenor et Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte et Guitare
3
Flûte, Violon, Piano
3
Saxophone Soprano et Piano
3
Flûte, Violon et Violoncelle
3
Hautbois
2
Flûte, Hautbois, Clarinette, Basson
2
Hautbois (partie séparée)
2
Cor anglais, Piano
1
Saxophone Baryton, Piano
1
Cor anglais, Guitare (duo)
1
Clarinette, Guitare (duo)
1
Hautbois, violon (duo)
1
Piccolo
1
Clarinette Basse, Piano
1
+ 19 instrumentations
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Cuivres
Trompette
8
Cor et Piano
7
Trombone et Piano
5
Tuba et Piano
3
Cor
3
Trombone
3
Trompette, Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Tuba
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
3 Tubas (trio)
1
Cor anglais, Piano
1
3 Cors (trio)
1
3 Trombones (trio)
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 trompettes
1
+ 13 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
199
Violon
149
Violon et Piano
111
Violon, Violoncelle (duo)
59
Trio à Cordes: violon, alto, violoncelle
52
2 Violons (duo)
39
Violon, Alto (duo)
31
Trio à cordes: 3 violins
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Trio à Cordes: 2 violons, violoncelle
18
Violon (partie séparée)
12
Violoncelle, Piano
7
Piano Trio: Violon, Alto, Piano
6
Quatuor à cordes: 4 violons
6
2 Violons, Piano
5
Alto, Piano
5
2 Altos (duo)
4
2 Violoncelles (duo)
3
Trio à Cordes: 2 violons, alto
3
Violon, Guitare (duo)
3
Alto, Guitare (duo)
2
Alto seul
1
Harpe
1
Harpe, Violon, Violoncelle
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Alto, Violoncelle (duo)
1
Contre Basse
1
Contrebasse, Piano (duo)
1
Violoncelle
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Violoncelles
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
34
Orchestre d'harmonie
28
Orchestre
20
Ensemble de cuivres
4
Orchestre de chambre
3
Xylophone
2
Ensemble Jazz
2
Xylophone, Piano
1
Ensemble de Percussions
1
+ 4 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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Violin by Sam
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Saxophone Alto et Piano
Partitions à imprimer
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Ave Maria by Bach and Gounod (alto sax and piano)
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach, Charles
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Daniel C
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Ave Maria by Bach and Gounod
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Daniel C. M.
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.810150 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Per...
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Alto Saxophone,Piano - Level 2 - SKU: A0.810150 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 4 pages. Daniel C. M. #5286735. Published by Daniel C. M. (A0.810150). This beautiful work of art is now arranged for alto saxophone and piano. The melody and the accompaniment are basically the same as the original for violin and piano by Gounod. The pdf file includes the piano score and the sax part separately
$3.99
Bach: Wachet auf for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Sax
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Marry You
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Saxophone Alto et Piano
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FACILE
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Soul/R&B
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Bruno Mars
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Rob Bushnell
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Marry You
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RBMusic
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.752312 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Rob Bushnell. Hip-Hop,Pop,R &...
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Alto Saxophone,Piano - Level 2 - SKU: A0.752312 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Rob Bushnell. Hip-Hop,Pop,R & B. Score and part. 10 pages. RBMusic #3502123. Published by RBMusic (A0.752312). Released in 2011, Marry You is a song by The Smeezingtons and sung by Bruno Mars. Its lyrics talk of spontaneous marriage and, as a result, has been used as a song to propose to. The song has mostly notably been covered by the cast of Glee in the eighth episode of the second season (in fact, this cover reached 32 on the Billboard Hot 100; the originally charted at 85).This arrangement is ideal for teachers or anyone who wants to play the same piece but have lots of different instruments to include because it is designed such that the piano part works with any of the different instruments that solo parts are available for. These include:Flute or Oboe: http://www.sheetmusicplus.com/title/20725677Cor Anglais*: http://www.sheetmusicplus.com/title/20725865Clarinet*: http://www.sheetmusicplus.com/title/20725802Soprano/Tenor Saxophone*: http://www.sheetmusicplus.com/title/20725828Alto/Baritone Saxophone*: http://www.sheetmusicplus.com/title/20725832Bassoon: http://www.sheetmusicplus.com/title/20725699Trumpet*: http://www.sheetmusicplus.com/title/20725820French Horn*: http://www.sheetmusicplus.com/title/20725865Tenor Horn*: http://www.sheetmusicplus.com/title/20725879Trombone (in Bass Clef)**: http://www.sheetmusicplus.com/title/20725793Trombone (in Treble Clef)**: http://www.sheetmusicplus.com/title/20725821Tuba (in Bass Clef): http://www.sheetmusicplus.com/title/20725794Tuba (in Treble Clef)†: http://www.sheetmusicplus.com/title/20725873Mallet Percussion (such as xylophone, vibraphone, marimba, etc.): http://www.sheetmusicplus.com/title/20725695Violin: http://www.sheetmusicplus.com/title/20725692Viola: http://www.sheetmusicplus.com/title/20725799Violoncello or Double Bass: http://www.sheetmusicplus.com/title/20725791 * Some of these solo parts are identical.** Also suitable for euphoniums.†Tuba in E-flat.
$6.50
DvoÅ™ák: Largo from the New World Symphony for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,St...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494005. Published by jmsgu3 (A0.549423). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
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Violin by Sam
