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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Above All
Non classifié
511
Piano & claviers
Piano seul
79
Piano, Voix et Guitare
22
Piano, Voix
18
Orgue
16
Piano Trio: piano, violon, violoncelle
4
Instruments en Do
3
Piano Facile
2
Accompagnement Piano
2
1 Piano, 4 mains
1
+ 4 instrumentations
Retracter
Guitares
Guitare notes et tablatures
10
Guitare
4
Dulcimer
4
Ligne De Mélodie, (Paroles) et Accords
3
4 Guitares (Quatuor)
3
Basse electrique
2
Ukulele
2
Ensemble de guitares
2
3 Guitares (trio)
1
Mandoline
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
67
Chorale 3 parties
17
Chorale TTBB
11
Chorale 2 parties
6
Chorale
5
Chorale Unison
4
Voix haute
3
Voix duo
3
Chorale SSAA
2
Voix duo, Piano
1
Voix Soprano, Piano
1
+ 6 instrumentations
Retracter
Vents
2 Saxophones (duo)
347
Saxophone, Clarinette (duo)
196
2 Clarinettes (duo)
134
Clarinette, Violon (duo)
123
2 Flûtes traversières (duo)
114
Clarinette, Trompette (duo)
101
Flûte, Clarinette (duo)
70
Hautbois, Clarinette (duo)
68
2 Hautbois (duo)
67
Flûte, Saxophone (duo)
64
Hautbois, Basson (duo)
62
Flûte, Violon
61
Clarinette et Alto
60
Hautbois, Flûte
57
Flûte, Trompette (duo)
54
Flûte traversière et Piano
42
Flûte, Alto (duo)
40
Hautbois, Piano (duo)
34
Clarinette et Piano
31
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Clarinette
27
Saxophone Tenor et Piano
26
Saxophone Alto et Piano
24
Saxophone Soprano et Piano
23
Flûte traversière
18
Flûte, Hautbois, Clarinette (trio)
17
Saxophone Alto
17
Clarinette Basse, Piano
11
Cor anglais, Piano
11
Flûte à bec Soprano
10
Saxophone Baryton, Piano
10
Quatuor de Saxophones: 4 saxophones
9
Quatuor de Clarinettes: 4 clarinettes
9
Saxophone (partie séparée)
9
Saxophone Tenor
8
Cor Anglais
8
Ensemble de Flûtes
8
Flûte, Hautbois, Clarinette, Basson
7
Hautbois (partie séparée)
6
Ensemble de Clarinettes
4
Clarinette, Guitare (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Trio de Flûtes: 3 flûtes
3
3 Clarinettes (trio)
3
Clarinette, Violoncelle (duo)
3
Flûte et Guitare
3
Saxophone
3
Flûte, Hautbois, Basson
3
Ensemble à vent
2
Flûte, Violon, Piano
2
Flûte, Violon et Violoncelle
2
Clarinette, Violoncelle, Piano (trio)
2
Flute, harpe et violon
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Hautbois, Piano (trio)
2
Saxophone et Guitare
2
Clarinette Basse
2
Flûte, Hautbois (duo)
1
Cor anglais, Guitare (duo)
1
2 Flûte à bec (duo)
1
Flûte, Trombone (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Tuba
1
2 Clarinettes, Basson
1
Clarinette, Basson (duo)
1
Flûte, Basson et Piano
1
Flûte à bec Soprano, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Alto et Piano
1
Flûte, trombone et piano
1
Flûte, Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Harpe (duo)
1
+ 68 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
136
2 Trombones (duo)
63
Trompette, Trombone (duo)
63
2 Trompettes (duo)
62
Trombone et Piano
23
Trompette, Piano
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Cor et Piano
18
Euphonium, Piano (duo)
17
Trompette
17
Trombone
17
Cor anglais, Piano
11
Cor Anglais
8
Trompette (partie séparée)
7
Cor
6
Tuba et Piano
5
Quatuor de cuivres: 4 trombones
5
Euphonium
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
3 Trompettes (trio)
2
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres
2
Cor anglais, Guitare (duo)
1
Trombone basse
1
Tuba
1
2 Cors (duo)
1
+ 22 instrumentations
Retracter
Cordes
2 Altos (duo)
73
2 Violons (duo)
65
Violon, Alto (duo)
64
Violon, Violoncelle (duo)
63
2 Violoncelles (duo)
60
Violon et Piano
53
Harpe
33
Alto, Piano
33
Violoncelle, Piano
29
Violon
20
Violoncelle
19
Quatuor à cordes: 2 violons, alto, violoncelle
16
Trio à Cordes: violon, alto, violoncelle
11
Alto seul
5
Trio à Cordes: 2 violons, violoncelle
4
Contre Basse
2
4 Violoncelles
2
Contrebasse, Piano (duo)
1
2 Harpes (duo)
1
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
2 Contrebasses (duo)
1
Violon, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Clarinette, Piano (trio)
1
Flûte, Contrebasse (duo)
1
Harpe et Piano
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
33
Orchestre
19
Ensemble de cuivres
16
Ensemble Jazz
12
Cloches
9
Orchestre à Cordes
5
Jazz combo
3
Orchestre de chambre
1
Batterie
1
+ 4 instrumentations
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DULCIMER
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Saxophone Alto et Piano
Partitions à imprimer
24 partitions trouvées
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1
When Evening Falls - Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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When Evening Falls - Alto Sax
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James M Stevens Music ASCAP
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.574019 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,S...
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Alto Saxophone,Piano - Level 3 - SKU: A0.574019 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #6234079. Published by James M Stevens Music ASCAP (A0.574019). Written January 15, 2021, this an original alto sax and piano composition in an introspective style with a lyrical melody above a bed of subtly changing chords in the key of C minor. There is a separate alto sax part in the score and the accompaniment track as heard is available under When Evening Falls Piano Track.
$6.99
Tchaikovsky: Arabian Dance from Nutcracker Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Classique
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Peter Ilyich Tchaikovsky
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James M
#
Tchaikovsky: Arabian Dance fro
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549750 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549750 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3532695. Published by jmsgu3 (A0.549750). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Chinese Dance from Nutcracker Suite for Alto Sax & Piano
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Peter Ilyich Tchaikovsky
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James M
#
Tchaikovsky: Chinese Dance fro
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549772 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549772 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3534981. Published by jmsgu3 (A0.549772). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Scene 10 from Swan Lake for Alto Sax & Piano
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Peter Ilyich Tchaikovsky
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James M
#
Tchaikovsky: Scene 10 from Swa
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549597 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549597 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3512825. Published by jmsgu3 (A0.549597). Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Swan Lake Op. 20 Tchaikovsky composed Swan Lake in 1875-76. To begin with, most noteworthy the ballet failed to attract a positive reception. Over time, however, the ballet became probably one of the most popular of all of Tchaikovsky’s works. The ballet was certainly first performed by the Bolshoi Ballet in Moscow.
$32.95
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Pe...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Saint-Saëns: The Swan for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Swan Lake Theme, for Solo Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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David McKeown
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Swan Lake Theme, for Solo Alto
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.587684 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic...
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Alto Saxophone,Piano - Level 3 - SKU: A0.587684 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737755. Published by David McKeown (A0.587684). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Alto Saxophone and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
It's Been A Long, Long Time
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.592548 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.592548 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366359. Published by David McKeown (A0.592548). It’s Been a Long Long Time is arranged as a solo for one Alto Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Für Elise, for Solo Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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David McKeown
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Für Elise, for Solo Alto
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.587564 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Pe...
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Alto Saxophone,Piano - Level 3 - SKU: A0.587564 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361579. Published by David McKeown (A0.587564). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Alto Saxophone with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Largo from 'Xerxes' (Handel) - alto sax and piano with FREE BACKING TRACK
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Austin Ralphson
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Largo from 'Xerxes'
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Austin Ralphson
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1169092 Composed by George Frideric Handel. Arranged by Austin Ralphson. Baroque,Classical,Wedding. Score and p...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1169092 Composed by George Frideric Handel. Arranged by Austin Ralphson. Baroque,Classical,Wedding. Score and part. 5 pages. Austin Ralphson #769440. Published by Austin Ralphson (A0.1169092). Handel wrote this aria as the opening to the 1738 opera 'Serse'. Initially, the opera was a commercial failure, before it was later rediscovered and going on to become one of Handel's best-loved works. It is presented here as an intermediate-level solo with piano.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/fAWXlZ9hn0g and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/GbPNz
$3.99
Handel: Largo (from Xerxes) for alto sax and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages...
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Alto Saxophone,Piano - Level 3 - SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6637671. Published by Colin Kirkpatrick Publications (A0.522293). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in E flat major concert (alto sax in C major) and the top note is the C above the treble clef and the piece generally requires the use of a long and sustained tone quality. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a recital. The audio sample was performed by Alastair Penman https://www.alastairpenman.co.uk
$7.95
Pie Jesus, from Fauré's Requiem, for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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David McKeown
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Pie Jesus, from Fauré's
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.587705 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Stan...
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Alto Saxophone,Piano - Level 3 - SKU: A0.587705 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810593. Published by David McKeown (A0.587705). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Alto Saxophone with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
Gymnopedie No. 1
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Samuel Sequeira
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Gymnopedie No. 1
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Samuel Sequeira
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1245260 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. S...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1245260 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Sequeira #840151. Published by Samuel Sequeira (A0.1245260). Gymnopedie No. 1 - Erik Satie - Alto Saxophone/PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you a captivating arrangement for alto saxophone and piano of Gymnopédie No. 1 by Erik Satie, with a Youtube PlayAlong VideoIn this arrangement, the alto saxophone takes on the haunting melodies of Satie's iconic composition, while the piano provides a delicate and supportive accompaniment. The combination of these two instruments creates a unique and enchanting musical experience.The arrangement begins with the gentle and sparse opening chords on the piano, creating a serene atmosphere. As the alto saxophone enters, it carries the iconic melody, infusing it with its smooth and expressive tones. The saxophone's rich and soulful qualities add an extra layer of emotion to the music, enhancing its introspective and contemplative nature.Throughout the arrangement, the alto saxophone and piano engage in a musical dialogue, blending their sounds in perfect harmony. The piano provides a nuanced and sensitive backdrop, supporting the saxophone's melodic lines and adding depth to the arrangement. The saxophone, in turn, soars above the piano, capturing the listener's imagination and conveying the emotional depth of Satie's composition.The arrangement maintains the simplicity and elegance of Satie's original work while allowing for subtle interpretations and expressive improvisation from both the saxophone and piano. Together, they create a captivating rendition that invites the listener on a reflective and introspective journey.Gymnopédie No. 1 is a timeless piece that has touched the hearts of many. This arrangement for alto saxophone and piano allows the beauty of Satie's music to shine through in a new and captivating way, showcasing the expressive capabilities of both instruments.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$5.99
Shake It Off
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Pop musique
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Taylor Swift
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DIXON mus-IC
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Shake It Off
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Rammy Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.793750 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by DIXON mus-IC. P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.793750 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by DIXON mus-IC. Pop. Score and part. 6 pages. Rammy Music #4301885. Published by Rammy Music (A0.793750). This arrangement is for solo alto sax with piano accompaniment. The piece is in E major for the alto sax. The parts are very clearly laid out with rehearsal marks and written indications of the form - verse / chorus etc. There is some information on the page such as staccato notes and phrase marks but it is ultimately a fun piece which can be played freely - as long as there is a good strong feeling of pulse. The piano accompaniment is written out with the alto line indicated above on a smaller stave for reference. There are also chord symbols on the piano part to facilitate variation / improvisation of the accompaniment.
$4.99
The Favorite for solo Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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The Favorite for solo Alto Sax
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1092671 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1092671 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #696773. Published by David McKeown (A0.1092671). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Alto Saxophone with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Nimrod, from the Enigma Variations by Elgar, for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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David McKeown
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Nimrod, from the Enigma Variat
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.587739 Composed by Edward Elgar. Arranged by David McKeown. Concert,Contemporary,Romantic Period,Standards,Wedd...
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Alto Saxophone,Piano - Level 3 - SKU: A0.587739 Composed by Edward Elgar. Arranged by David McKeown. Concert,Contemporary,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4833263. Published by David McKeown (A0.587739). Nimrod, is the ninth of the Enigma Variations composed by Edward Elgar in 1899. Here, the music is arranged for solo Alto Saxophone and Piano, directly from the orchestral score. Elgar wrote fourteen variations on a theme, each one depicting close friends and family. Nimrod represents his publisher and friend Augustus Jaeger. The biblical character of Nimrod is described as a mighty hunter, and jaeger means hunter in German.The single pdf file contains both the piano score and a separate solo instrumental part.Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts require dramatic dynamic contrasts and lyrical legato playing. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Trumpet Tune and Air, by Purcell; for solo Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purce
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.587650 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. S...
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Alto Saxophone,Piano - Level 3 - SKU: A0.587650 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4728535. Published by David McKeown (A0.587650). The Trumpet Tune and Air was in fact written for organ, with the melody played on the trumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a solo for Alto Saxophone and Piano and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in the downloaded file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Tristan & Yvaine
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Contemporain
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Ilan Henry Eshkeri
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Robert Fisco
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Tristan & Yvaine
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Robert Fisco
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.803450 Composed by Ilan Henry Eshkeri. Arranged by Robert Fisco. Contemporary. Score and part. 4 pages. Robert ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.803450 Composed by Ilan Henry Eshkeri. Arranged by Robert Fisco. Contemporary. Score and part. 4 pages. Robert Fisco #6365379. Published by Robert Fisco (A0.803450). Solo arrangement for Alto Sax of Tristan & Yvaine, the love theme from Stardust. This arrangement comes with an intermediate level piano accompaniment that really fills out the solo melody with the rest of Ilan Henry Eshkeri’s beautiful and lush orchestration. The key has been changed from the original and there are a few sections with optional octaves to make this arrangement as accessible as possible. Recommended level: high school and above. Approximate length: 2 minutes.
$5.00
Gnossienne No.1 (Satie) - alto sax and piano with FREE BACKING TRACK
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Austin Ralphson
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Gnossienne No.1
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Austin Ralphson
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1176399 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Wedding. Score and part. 6 pages. Aus...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1176399 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Wedding. Score and part. 6 pages. Austin Ralphson #776527. Published by Austin Ralphson (A0.1176399). Erik Satie invented the word 'Gnossiennes' to indicate a new type of composition. He notated the original piano score without barlines, so I have done the same in this arrangement. The piece is only short at about 2 minutes, but can be repeated in its entirety if desired.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/VO5rHCgLh-A and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/GbPNz
$3.99
Bridal March, "Here Comes The Bride", for Solo Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Richard Wagner
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David McKeown
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Bridal March, "Here Comes
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.587578 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,W...
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Alto Saxophone,Piano - Level 3 - SKU: A0.587578 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4365478. Published by David McKeown (A0.587578). The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since. This version is arranged as a solo for Alto Saxophone and Piano.Musicians at an intermediate level and above will find this ideal for formal and informal performances, especially at weddings. The melody is mainly in the solo part. The performance time is a little more than one minute. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are unexpected accidentals in the middle section which might pose a challenge for finger coordination and reading. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
The Swan, (Le Cygne), by Saint-Saens, for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint- Saens
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The Swan,
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David McKeown
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SheetMusicPlus
Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Camille Saint- Saens (1835-1921). Arranged by David McKeown. Romantic Peri...
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Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Camille Saint- Saens (1835-1921). Arranged by David McKeown. Romantic Period, Repertoire, General Instructional, Recital. Score, Solo Part. 7 pages. Published by David McKeown
Le Cygne, or The Swan, is the penultimate movementof Camille Saint-Sans? 1886 suite, Carnivalof the Animals. Most often played as a solo piece for cello with piano,the original version was scored for solo instrument and two pianos. It was the only movement for the Carnivalthat the composer allowed to be heard in public during his lifetime. Thisversion for Alto Saxophone with Pianoaccompaniment has been arranged to best suit the key and pitch of the soloinstrument. The pdf file contains both the piano accompaniment and the separatesolo part.
Musicians at an intermediate level and above willfind this ideal for formal and informal performances. The melody is expressiveand legato; the piano accompaniment is challenging in its constant semiquaverarpeggios. The overall performance time is around three minutes. The linked full-length youtube performance is the Clarinet version of this arrangement.
Teacherswill enjoy using this arrangement as a fun way to help with expressive playing.The legato in both parts demand precise fingers.
$4.60
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