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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
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HAUTBOIS
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PIANO & CLAVIERS
Piano seul
143
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34
Piano, Voix et Guitare
26
Orgue
15
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9
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8
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4
1 Piano, 4 mains
4
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1
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Guitare notes et tablatures
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11
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9
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7
Piano, Guitare (duo)
3
Ukulele
2
Guitare (partie séparée)
2
2 Guitares (duo)
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1
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Chorale SATB
69
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19
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11
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7
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6
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4
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3
Voix Soprano, Piano
1
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1
Voix haute
1
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VENTS
2 Saxophones (duo)
46
Saxophone, Clarinette (duo)
21
2 Clarinettes (duo)
20
Flûte, Hautbois, Clarinette, Basson
20
Saxophone Alto et Piano
18
Flûte traversière et Piano
17
Hautbois, Piano (duo)
17
Quatuor de Saxophones: 4 saxophones
16
2 Flûtes traversières (duo)
15
Clarinette, Violon (duo)
14
Quatuor de Clarinettes: 4 clarinettes
13
Clarinette et Piano
12
Saxophone (partie séparée)
9
Clarinette, Trompette (duo)
9
2 Hautbois (duo)
8
Flûte, Clarinette (duo)
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Flûte, Violon
8
Saxophone Tenor et Piano
7
Quintette de Saxophone: 5 saxophones
7
Clarinette et Alto
7
Quatuor de Flûtes : 4 flûtes
7
Hautbois, Clarinette (duo)
6
Flûte, Trompette (duo)
6
Flûte, Alto (duo)
6
Hautbois, Flûte
6
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6
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6
Clarinette
6
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5
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5
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5
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5
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5
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4
Clarinette Basse, Piano
4
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4
Saxophone Tenor
4
Quintette de Clarinettes: 5 clarinettes
3
3 Clarinettes (trio)
3
Saxophone
3
Ensemble de Clarinettes
2
Hautbois (partie séparée)
2
Flûte à Bec
2
3 Saxophones (trio)
2
Flûte, Clarinette, Violon (trio)
1
Flûte, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Cor anglais, Piano
1
Quintette de Flûte : 5 flûtes
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Alto
1
Flûte, Hautbois (duo)
1
Hautbois, violon (duo)
1
Ocarina
1
Clarinette Basse
1
Flûte, Clarinette et Basson
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trompette, Saxophone (duo)
15
Trompette
12
2 Trompettes (duo)
9
Trompette, Trombone (duo)
6
Trompette, Piano
6
2 Trombones (duo)
6
Cor et Piano
5
Trombone (partie séparée)
5
Trombone et Piano
5
Quatuor de cuivres: 4 trombones
5
Tuba et Piano
5
Trombone
4
Trompette (partie séparée)
3
Euphonium, Piano (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Ensemble de Trompettes
1
Cor anglais, Piano
1
Trombone basse
1
Cor
1
Euphonium
1
Quatuor de cuivres: 4 cors
1
Ensemble de Tubas
1
Quatuor de Cuivres
1
2 Cors (duo)
1
Tuba
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
61
Violon et Piano
23
Violon, Violoncelle (duo)
19
Violon
16
2 Violons (duo)
15
Violoncelle, Piano
13
Trio à Cordes: violon, alto, violoncelle
11
Trio à Cordes: 2 violons, violoncelle
10
Alto, Piano
10
Violon, Alto (duo)
9
2 Altos (duo)
9
2 Violoncelles (duo)
7
Alto seul
5
Harpe
5
Violoncelle
4
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
2
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contrebasse (partie séparée)
1
Quatuor à cordes: 4 violons
1
Violoncelle , Guitare (duo)
1
Contre Basse
1
Violon, Guitare (duo)
1
Harpe, Violon, Violoncelle
1
Harpe, Violon (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
28
Orchestre
18
Ensemble Jazz
17
Ensemble de cuivres
13
Orchestre à Cordes
12
Jazz combo
6
Cloches
6
Orchestre de chambre
5
Marimba
3
Ensemble de Percussions
2
Fanfare
2
Batterie
1
Batterie (partie séparée)
1
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AUTRES
Vous avez sélectionné:
At Last:
intermédiaire
Saxophone Alto et Piano
Partitions à imprimer
18 partitions trouvées
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1
Best For Last
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.919878 By Adele. By Adele…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.919878 By Adele. By Adele Adkins. Arranged by Beth McQuillan. Pop,R & B. Score and part. 11 pages. Beth McQuillan #4352173. Published by Beth McQuillan (A0.919878). This an arrangement of Adele's 'Best for Last' for Alto Saxophone (or Eb instrument) and Piano accompaniment. This arrangement is suitable for many events including; Solo performances, Concerts, Functions, or just bedroom practice.If you would like to request an arrangement, please email me at: BMcQ.Arrangements@outlook.com.
$4.99
4.55 €
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Saxophone Alto et Piano
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Adele
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Beth McQuillan
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Best For Last
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Beth McQuillan
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SheetMusicPlus
The Last Rose of Summer - Alto Sax and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.722420 Composed by Tradit…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.722420 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Holiday,Love,Opera,Patriotic. Score and part. 5 pages. Music-Scores.com #6505847. Published by Music-Scores.com (A0.722420). The Last Rose of Summer, a romantic ballad for Alto Sax and Piano, with 2nd and 3rd verses being improvisational in nature.The original poem by Thomas Moore was set to the music of an old Irish ballad, The Groves of Blarney, which dates back to the 18th century, and the opera, Martha by Von Flottov, features this song. Duration about 2 mins, 45 seconds.Arranged by Anne L Christopherson ARCM GRSM at www.music-scores.com.
$5.95
5.43 €
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Saxophone Alto et Piano
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Traditional
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The Last Rose of Summer - Alto Sax and Piano
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Music-Scores.com
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SheetMusicPlus
"At Last" for Alto Sax and Piano-Video
Saxophone Alto et Piano
By Celine Dion, Etta James. Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Mus…
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By Celine Dion, Etta James. Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Music Single. 8 pages. Published by F & N Enterprise
$4.99
4.55 €
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Saxophone Alto et Piano
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Celine Dion, Etta James
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Fishel Pustilnik
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N Enterprise
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"At Last" for Alto Sax and Piano-Video
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F & N Enterprise
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SheetMusicPlus
Sorry Seems To Be The Hardest Word
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.747042 By Elton John. By …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.747042 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5946219. Published by Keith Terrett (A0.747042). Arranged for Eb Alto Saxophone & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.
$9.99
9.12 €
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Saxophone Alto et Piano
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Elton John
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Keith Terrett
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Sorry Seems To Be The Hardest Word
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Keith Terrett
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SheetMusicPlus
Every Little Thing She Does Is Magic
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.582858 By The Police. By …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.582858 By The Police. By Sting. Arranged by Jeff Tincher. Contemporary,Pop. Score and part. 25 pages. Jeff Tincher #3508117. Published by Jeff Tincher (A0.582858). This is a Eb instrument and Piano arrangement of the Sleeping At Last version of this Police hit. In the original key from their Covers Vol. 1 CD, this version was featured on a Grey's Anatomy television episode. A mellow version great for any live venue!. Duration=3:08. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
5.47 €
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Saxophone Alto et Piano
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The Police
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Jeff Tincher
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Every Little Thing She Does Is Magic
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Jeff Tincher
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SheetMusicPlus
Handel: Largo (from Xerxes) for alto sax and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522293 Composed by G F Ha…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6637671. Published by Colin Kirkpatrick Publications (A0.522293). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in E flat major concert (alto sax in C major) and the top note is the C above the treble clef and the piece generally requires the use of a long and sustained tone quality. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a recital. The audio sample was performed by Alastair Penman https://www.alastairpenman.co.uk
$7.95
7.26 €
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Saxophone Alto et Piano
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Pomp and Circumstance March No. 1 for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1041586 Composed by Edwar…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1041586 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #646345. Published by Diego Marani (A0.1041586). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for alto sax with piano is suitable for classroom, repertoire and recital.
$9.99
9.12 €
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Saxophone Alto et Piano
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No. 1 for Alto Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Ave Maria (Bach/Gounod)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1487496 Composed by Charl…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1487496 Composed by Charles Francois Gounod. Arranged by Robert Stevens. 19th Century,Chamber,Christmas,Classical,Religious. Score and part. 20 pages. SAXpress.com #1064450. Published by SAXpress.com (A0.1487496). Ave Maria (Bach/Gounod) (1853) Charles Gounod (1818 - 1893) Any Saxophone Solo and Piano Ave Maria (Bach/Gounod) by Charles Gounod (after J. S. Bach) (based on music of J. S. Bach) arranged for Any Saxophone Solo and Piano. B-flat and E-flat solo sax parts are included. This arrangment is in the key of C major, as was the 1853 original version. Tempo is around 78 bpm. The solo part is an exercise in expressive legato playing. Some rubato may be added in the last few bars of the music. The Bach/Gounod Ave Maria is a popular and much-recorded setting of the Latin prayer Ave Maria. It was first published in 1853 as “Méditation sur le Premier Prélude de Piano de S. Bach“. Gounod improvised an original melody that he paired with a slightly changed version of a familiar Bach Prelude (Prelude No. 1 in C major, BWV 846, Book I of The Well-Tempered Clavier). The 1853 publication is an instrumental piece. There was no text. Gounod reworked the piece in 1859, finally settling on the Latin prayer “Ave Maria” as lyrics. The new version proved to be an irresistible force. It attracted a phenomenal level of acclaim, becoming immensely popular, even improving Gounod’s faltering reputation with the contemporary public. It is a standard at holiday times, weddings, quinceañeras, church services, and other solemn occasions.
$6.95
6.34 €
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Saxophone Alto et Piano
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Charles Francois Gounod
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Robert Stevens
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Ave Maria
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SAXpress.com
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SheetMusicPlus
The Carnival of the Animals - 13. The Swan
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.948140 Composed by Camill…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.948140 Composed by Camille Saint-Saens. Arranged by Sam Bateman. Children,Contemporary,Romantic Period. Score and part. 10 pages. Sam Bateman #3434245. Published by Sam Bateman (A0.948140). And so we come to the second-to-last movement, which is The Swan. This was the only movement performed publicly during Saint-Saëns's lifetime, as he considered the rest of the suite too frivolous, or too silly, for his career as a serious composer. Understandably so, as it is considered by many to be one of the most beautiful pieces of music ever written, depicting a swan gracefully paddling across the surface of the water, with a calm, gentle mood. Quite ironically, the piece is in G major, which has gained a completely different meaning in Internet culture. But in any case, if you'd like to perform this piece on the alto saxophone, here it is for just 10 US dollars!If you'd like to hear some of my other arrangements, feel free to check out my YouTube channel, Sam Bateman's Music. If you would like to contact me for any inquiries or requests, feel free to email me at sambateman.music@gmail.com, and I'll respond back to you as soon as possible.
$10.00
9.13 €
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Saxophone Alto et Piano
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Camille Saint-Saens
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Sam Bateman
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The Carnival of the Animals - 13. The Swan
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Sam Bateman
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SheetMusicPlus
Chopin: Largo from Op. 65 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551997 Composed by Freder…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551997 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 6 pages. Jmsgu3 #6050947. Published by jmsgu3 (A0.551997). Sonata in G Minor for Piano & Cello, Op. 65, Movement III - Largo.Chopin performed this Sonata on his final recital in 1848.The Largo from Chopin's Cello Sonata in G minor, Op. 65 is a significant work as it is one of only nine compositions by Chopin published during his lifetime for instruments other than the piano. The Sonata is remarkable for the concentration of its material, with much of the music in the first movement growing out of the opening statement and specific thematic shapes appearing in all its movements. The Largo, in particular, is known for its expressive and lyrical nature, showcasing Chopin's ability to write beautifully for a non-piano instrument. The Sonata was first publicly performed by Chopin and the work's dedicatee, Auguste Franchomme, at the composer's last public concert in 1848. The historical context behind Chopin's Largo from Sonata Op. 65 is rooted in the composer's radical stylistic changes during 1845-1846, which included an increasing prevalence of contrapuntal textures and metric flexibility. The Sonata, including the Largo, is filled with doubts and hesitation, reflecting the composer's difficult decisions and arduous labors. The piece is also notable for its thematic references from Schubert's Winterreise, mirroring the circumstances of Chopin's life when he wrote the Sonata, particularly his separation from George Sand.
$32.95
30.07 €
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Saxophone Alto et Piano
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Frederic Chopin
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James M
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Cello, Op
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Chopin: Largo from Op. 65 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Ali Ben Sou Alle: Caprice sur "La Dernière Pensée de Weber" for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533504 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533504 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 10 pages. Musik Fabrik Music Publishing #3001085. Published by Musik Fabrik Music Publishing (A0.533504). Surprisingly, Weber's Last Thought was composed by Weber but by Carl Gottlieb Reißiger (1798-1859) who suceeded Weber as Kappelmeister at the Court of Dresden. Ali Ben Sou Alle's version is much more ornatmented than Reißiger's original version for piano, whose theme would have been immediately recognizable to an audience in the mid 19th century
$10.35
9.45 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur "La Dernière Pensée de Weber" for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
22.77 €
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Saxophone Alto et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
I Heard the Bells on Christmas Day--alto sax solo
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.786504 Composed by John B…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.786504 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. Score and part. 5 pages. Beka Wilson #6100893. Published by Beka Wilson (A0.786504). This arrangement of I Heard the Bells on Christmas Day is suitable for holiday concerts, church services, or contests. This arrangement is also available as a solo for voice, flute, oboe, clarinet, bassoon, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.5 pages, includes piano score and individual instrument part.Approximately 2:45 in length (@80 bpm). Starts in concert E flat then changes keys to F for the last verse.Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.38 €
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Saxophone Alto et Piano
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John Baptiste Calkin
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Beka Wilson
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I Heard the Bells on Christmas Day--alto sax solo
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Beka Wilson
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SheetMusicPlus
Goodbye Yellow Brick Road
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.547875 By Elton John. By …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.547875 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11 pages. Jmsgu3 #3073385. Published by jmsgu3 (A0.547875). ALTO SAX & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. Length: 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda.Â
$53.95
49.24 €
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Saxophone Alto et Piano
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
Gabriel's Anthem [Alto Saxophone & Piano]
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1139710 By Paul Barker. B…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1139710 By Paul Barker. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival,Standards. Score and part. 11 pages. Paul Barker Music #739981. Published by Paul Barker Music (A0.1139710). Gabriel's Anthem is wonderfully stoic and ideal for recitals, concerts and formal occasions of all kinds. Performers and Audiences alike will love the rich harmonic pallet and inspiring thematic contrast to the very last poignant ritardando. Piano Accompaniment MP3 available from both this site and the publishers at www.paulbarkermusic.com Level: Intermediate (Grade 5 UK/Grade 2+ USA) Duration: 2:20 Occasion: Concert - Formal/Informal - Recitals - Competitions Instrumentation: Alto Saxophone - Piano
$5.95
5.43 €
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Saxophone Alto et Piano
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Paul Barker
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Gabriel's Anthem [Alto Saxophone & Piano]
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Paul Barker Music
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SheetMusicPlus
Saint-Saëns: The Swan for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camil…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.07 €
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Saxophone Alto et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Imagine
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Drums,Instrumental Duet,Piano - Level 3 - Digital D…
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Instrumental Duet,Piano Alto Saxophone,Drums,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.760619 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Raymond Fenech. Rock. Score and parts. 12 pages. Raymond Fenech #5721287. Published by Raymond Fenech (A0.760619). Imagine is a song written and performed by English musician John Lennon. The best-selling single of his solo career, its lyrics encourage the listener to imagine a world at peace without the barriers of borders or the divisions of religion and nationality and to consider the possibility that the whole of humanity would live unattached to material possessions. The Duration is approx. 3.09 minutes and the level is Intermediate.
$4.99
4.55 €
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Saxophone Alto et Piano
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John Lennon And The Plastic Ono Band
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Raymond Fenech
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Imagine
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Raymond Fenech
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SheetMusicPlus
Calamity - For Alto Sax and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.760577 Composed by Raymon…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.760577 Composed by Raymond Fenech. Contemporary,Easter,Holiday,Multicultural,Video Game,World. Score and part. 7 pages. Raymond Fenech #5320225. Published by Raymond Fenech (A0.760577). This is an original composition. The title ‘Calamity’ was derived from the disastrous event marked by great loss and lasting distress that the World is facing at the moment, hence this relaxing composition. The level is intermediate and the duration is 2.05 minutes.
$3.99
3.64 €
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Saxophone Alto et Piano
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Raymond Fenech
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Calamity - For Alto Sax and Piano
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Raymond Fenech
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SheetMusicPlus
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