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FLUTE DE PA…
FORMATION M…
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HARMONICA
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MANDOLINE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
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POP ROCK - POP MUSIC
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Musicnotes
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SheetMusicPlus
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Virtualsheetmusic
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
2818
PIANO & CLAVIERS
Piano, Voix
19840
Piano seul
3884
Orgue
281
Piano Facile
195
Piano, Voix et Guitare
157
1 Piano, 4 mains
92
Piano Trio: piano, violon, violoncelle
82
Instruments en Do
65
Accompagnement Piano
53
Piano Quatuor: piano, violon, alto, violoncelle
46
2 Pianos, 4 mains
34
Orgue, Trompette (duo)
22
Piano Quintette: piano, 2 violons, alto, violoncelle
19
Accordéon
12
Clavier
8
Piano Quatuor: piano, 2 violons, violoncelle
8
1 Piano, 6 mains
3
2 Pianos, 8 mains
2
Ensemble d'Accordéons
2
Orgue, Piano (duo)
2
2 Accordéons
1
Clavecin
1
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GUITARES
Guitare
398
Guitare notes et tablatures
352
2 Guitares (duo)
118
Ukulele
57
Piano, Guitare (duo)
21
Ligne De Mélodie, (Paroles) et Accords
16
3 Guitares (trio)
16
4 Guitares (Quatuor)
11
Basse electrique
10
Paroles et Accords
4
Guitare, Violon, Violoncelle (trio)
4
Mandoline, Guitare (duo)
3
Mandoline
2
3 Dulcimers (trio)
2
Dulcimer
1
Banjo
1
Ensemble de guitares
1
Guitare, Flûte, Clarinette
1
Instrumentations suivantes
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VOIX
Chorale SATB
626
Chorale 3 parties
135
Voix seule
73
Chorale TTBB
56
Chorale SSAA
38
Chorale 2 parties
36
Voix duo
20
Voix basse, Piano
18
Chorale Unison
15
Chorale
14
Voix Soprano, Piano
13
Voix Tenor, Piano
12
Voix duo, Piano
11
Voix haute
6
Voix moyenne, Piano
6
Voix Tenor
3
Voix Alto, Piano
2
Voix basse
2
Voix Soprano
2
Voix, Guitare
2
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
1079
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
428
Clarinette et Piano
423
Hautbois, Piano (duo)
406
Quatuor de Saxophones: 4 saxophones
371
Quatuor de Clarinettes: 4 clarinettes
370
Saxophone Alto et Piano
338
Clarinette
230
Flûte, Hautbois, Clarinette, Basson
227
Saxophone Soprano et Piano
208
Flûte et Guitare
197
Quatuor de Flûtes : 4 flûtes
197
2 Saxophones (duo)
186
2 Flûtes traversières (duo)
185
Saxophone Tenor et Piano
180
2 Clarinettes (duo)
176
Quintette de Saxophone: 5 saxophones
113
Flûte traversière
112
Cor anglais, Piano
109
Flûte, Clarinette (duo)
85
Quintette de Clarinettes: 5 clarinettes
81
Ensemble de Clarinettes
78
Ensemble de Flûtes
65
3 Clarinettes (trio)
65
Ensemble de saxophones
61
Saxophone Baryton, Piano
61
Clarinette, Guitare (duo)
58
Saxophone Alto
58
3 Saxophones (trio)
57
Saxophone (partie séparée)
55
Trio de Flûtes: 3 flûtes
54
Hautbois (partie séparée)
48
Clarinette, Violon (duo)
46
Flûte, Violon
42
Clarinette Basse, Piano
42
Hautbois, Clarinette (duo)
39
2 Hautbois (duo)
38
Saxophone, Clarinette (duo)
35
Quintette de Flûte : 5 flûtes
32
Flûte, Hautbois (duo)
28
Flûte, Clarinette et Basson
27
Hautbois, Basson (duo)
27
Hautbois, violon (duo)
25
2 Flûtes traversières, Piano
23
2 Clarinettes, Piano
21
Quatuor de Flûtes à bec
21
Saxophone, Violon (duo)
20
Hautbois
20
Flûte, Hautbois, Clarinette (trio)
20
Clarinette, Basson (duo)
19
Hautbois, Clarinette, Basson (trio d'anches)
18
Saxophone et Piano
17
Flûte, Clarinette, Piano (trio)
17
Flûte, Violon, Piano
17
Saxophone Soprano
15
Flûte, Hautbois, Basson
14
Flûte, Violoncelle
13
2 Flûte à bec (duo)
12
Flûte, Violoncelle, Piano (trio)
12
5 Flûtes à bec
12
Saxophone Tenor
12
Flûte, Violon, Guitare
11
Clarinette, Violoncelle, Piano (trio)
11
Cor Anglais
10
2 Saxophones, Piano
10
Clarinette, Violoncelle (duo)
10
Cor anglais, Guitare (duo)
9
Flûte, Basson et Piano
8
Flûte à bec Soprano, Piano
7
Flûte à bec, Guitare (duo)
7
Flûte, Saxophone (duo)
7
Flûte, trombone et piano
7
Flûte à Bec
7
Flûte, Alto (duo)
7
Flûte, Hautbois, Piano (trio)
7
Clarinette et Alto
7
Saxophone et Guitare
6
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
6
Clarinette, Trompette (duo)
6
Hautbois, Guitare (duo)
6
Clarinette, Harpe (duo)
6
Saxophone Baryton
6
Hautbois, Flûte
6
Saxophone
5
Clarinette, Alto et Piano (trio)
5
Flûte à bec Alto
5
Clarinette, Trombone (duo)
5
Flûte à bec Soprano
5
Flûte traversière, Orgue (duo)
5
Clarinette, trompette et piano
5
Flûte, Alto et Piano
4
Hautbois, Violin, Alto et Violoncelle (Quatuor)
4
2 Clarinettes, Basson
4
Flûte, Trombone (duo)
4
Flûte, Violon et Violoncelle
4
Flûte, Trompette (duo)
4
Flûte, Violoncelle, Guitare
4
Ensemble de Hautbois
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Hautbois, Harpe
3
Saxophone et Orgue
3
Ensemble De Flûte à bec
3
Clarinette Basse
3
3 Hautbois
2
Piccolo, Piano
2
Harmonica
2
Harmonica, Piano
2
2 Hautbois, Piano
2
Flute, harpe et violon
2
Flûte et Trio à cordes
2
Saxophone, Basson (duo)
2
3 Flûtes à bec (trio)
2
2 Flûtes à bec, Piano
2
Saxophone et Harpe
2
Flûte, Violon, Violoncelle et Piano
2
Flûte traversière, Orchestre
1
Hautbois, Orgue
1
Clarinette, Basson, Piano (trio)
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Orgue
1
Flûte de Pan
1
4 Hautbois
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cor anglais et Harpe (duo)
1
Hautbois, Violoncelle
1
Ensemble à vent
1
2 Flûtes traversières, Guitare
1
Instruments en Mib
1
Flûte à bec Alto, Piano
1
2 Hautbois et Cor anglais
1
Flute (partie séparée)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
313
Trompette, Piano
228
Quatuor de Cuivres : 2 trompettes, trombone, tuba
209
Cor et Piano
204
Trombone et Piano
201
Trompette
131
Cor anglais, Piano
109
2 Trompettes (duo)
103
Cor
90
Tuba et Piano
90
Trombone
82
Quatuor de Cuivres: 2 trompettes, Cor, trombone
81
Quatuor de cuivres: 4 cors
74
Euphonium, Piano (duo)
70
Tuba
56
2 Trombones (duo)
51
Trompette, Trombone (duo)
46
Quatuor de cuivres: 4 trombones
40
Trompette, Saxophone (duo)
32
2 Cors (duo)
30
Quatuor de Cuivres
24
Ensemble de Cors
23
Trompette, violon (duo)
19
Quatuor de cuivres: 4 trompettes
13
Cor Anglais
10
Trompette, Basson (duo)
10
Ensemble de Trombones
10
3 Trompettes (trio)
10
Cor anglais, Guitare (duo)
9
Ensemble de Trompettes
8
3 Trombones (trio)
8
Trombone, Orgue
7
Trompette, Cor (duo)
6
Trio de Cuivres
6
2 Trompettes, Clavier (piano ou orgue)
6
3 Cors (trio)
6
2 Tubas (duo)
5
4 Tubas
5
Euphonium
4
Trombone basse
4
Tuba et Orgue
3
Trompette, Trombone, Piano
3
Trombone, Cor (duo)
3
Cor, Tuba (duo)
3
Cor et Orgue
3
3 Tubas (trio)
3
Trompette et Guitare
2
Trombone, Violon (duo)
2
Trombone basse et Piano
2
Trombone (partie séparée)
2
Cor et Harpe
2
2 Euphoniums et 2 Tubas
2
Trompette, Violoncelle et Piano
1
2 Euphoniums (duo)
1
Ensemble de Tubas
1
Trombone, Tuba (duo)
1
Euphonium, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
Cor, Violoncelle et Piano
1
Trompette (partie séparée)
1
Bass Clef Instruments
1
Trompette, Harpe
1
Instruments en Sib
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Violoncelle (duo)
1
2 Trombones, Piano
1
Trompette, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1242
Violon et Piano
1240
Violoncelle, Piano
933
Alto, Piano
474
Violon
189
2 Violons (duo)
170
Trio à Cordes: violon, alto, violoncelle
165
Violon, Violoncelle (duo)
152
Harpe
123
Contrebasse, Piano (duo)
108
Violoncelle (partie séparée)
91
2 Violoncelles (duo)
87
Violoncelle , Guitare (duo)
81
Alto seul
75
Violon, Alto (duo)
68
Violon, Guitare (duo)
64
2 Altos (duo)
59
Contre Basse
55
Quintette à cordes: 2 violons, alto, violoncelle, basse
51
Violoncelle
49
4 Violoncelles
43
Trio à Cordes: 2 violons, violoncelle
38
Alto, Guitare (duo)
30
Alto, Violoncelle (duo)
29
Alto (partie séparée)
26
Trio à cordes: 3 violins
20
Quatuor à cordes: 4 violons
20
Harpe, Violon (duo)
19
2 Harpes (duo)
19
Trio à Cordes: 3 violoncelles
19
Trio à Cordes: 2 violons, alto
18
Piano Trio: Violon, Alto, Piano
18
Harpe, Flûte (duo)
14
2 Contrebasses (duo)
11
2 Violons, Piano
11
Trio à cordes: 3 altos
9
Violon, Orgue
9
Violon, Basson (duo)
8
Quatuor à cordes : 4 altos
8
Alto et Basson
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Harpe, Violoncelle (duo)
4
Violoncelle, Contrebasse (duo)
4
Flûte, Contrebasse (duo)
4
2 Violoncelles, Piano
4
Violoncelle, Orchestre
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Alto, Orgue
4
Harpe et Piano
3
4 Contrebasses
3
Violoncelle, Orgue
3
Harpe, Violon, Violoncelle
3
Ensemble de Violoncelles
3
Harpe, Voix
2
3 Contrebasses
2
Ensemble de Violons
2
Alto et Harpe
2
Trio à cordes
2
Violon (partie séparée)
2
Harpe, Trombone (duo)
1
2 Altos, Piano
1
Violon, Violoncelle, Clarinette
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
561
Orchestre
237
Orchestre d'harmonie
220
Orchestre de chambre
205
Ensemble de cuivres
104
Cloches
27
Ensemble Jazz
18
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
14
Ensemble de Percussions
14
Fanfare
13
Marimba
10
Xylophone, Piano
5
Xylophone
5
Quintette à Vent
5
Jazz combo
4
2 Xylophones
2
Vibraphone
2
Quintette de Cuivres: autres combinaisons
1
Vibraphone et Marimba
1
Piano et Orchestre
1
Batterie
1
Orchestre, Violon
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
136
Vous avez sélectionné:
Romantic
intermédiaire
Saxophone Alto et Piano
Partitions à imprimer
338 partitions trouvées
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Romantic Pieces, Op.75 (1st mov.) - Alto Sax and Piano (Full Score and Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1370909 Composed by Anton…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1370909 Composed by Antonin Dvorak. Arranged by César Madeira. 19th Century,20th Century,Classical,Lent,Romantic Period. Score and part. 16 pages. Sheet Music To Play Editions #955252. Published by Sheet Music To Play Editions (A0.1370909). Romantic Pieces, Op. 75 (1st movement). Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!AntonÃn Leopold Dvořák (1841 – 1904) was a Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor BedÅ™ich Smetana. Dvořák's style has been described as the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.31 €
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Saxophone Alto et Piano
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Antonin Dvorak
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César Madeira
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Romantic Pieces, Op.75
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Sheet Music To Play Editions
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SheetMusicPlus
Ten Romantic Solos for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.735655 Composed by Variou…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.735655 Composed by Various. Arranged by Andrew Middleton. Romantic Period. Score and part. 56 pages. Andrew Middleton #5318259. Published by Andrew Middleton (A0.735655). Ten solos of varying difficulty from the Romantic Period arranged for alto saxophone and piano accompaniment. All pieces are sold separately but buying all 10 together means each piece only costs $1! The collection includes:Anitra’s Dance from Peer Gynt by Edvard GriegChanson nuit by Edward ElgarDanse Macabre by Camille Saint-SaensVoices of Spring by Johann Strauss Jr.Gnossienne No. 1 by Erik SatieMazurka in F Minor by Anatoly LyadovPavane Op. 50 by Gabriel FaurePrelude in E Minor by Fredric ChopinRomance Op. 17 by Carl ReineckeValse Impromtu by Edvard GreigThis collection of pieces is also available for: flute, oboe, cor anglais clarinet, soprano sax, tenor sax and bassoon.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$8.00
7.32 €
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Saxophone Alto et Piano
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Various
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Andrew Middleton
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Ten Romantic Solos for Alto Saxophone and Piano
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Andrew Middleton
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SheetMusicPlus
Romantic Nocturne - Alto Sax and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.572649 Composed by James …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.572649 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #3866917. Published by James M Stevens Music ASCAP (A0.572649). This is an original composition for alto sax and piano in a romantic style in the concert key of E minor. There is a separate alto saxophone part in the score and the piano can serve as a stand alone solo. The track as heard is available under Romantic Nocturne Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=aS7QocaGCco
$6.99
6.39 €
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Saxophone Alto et Piano
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James Michael Stevens
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James Michael Stevens
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Romantic Nocturne - Alto Sax and Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Romantic Night - Solo Alto Saxophone and Piano
Saxophone Alto et Piano
Chamber Orchestra Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.760245 …
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Chamber Orchestra Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.760245 Composed by Raymond Fenech. Arranged by Raymond Fenech. 20th Century,Contest,Festival,Holiday,Standards,Wedding. Score and part. 6 pages. Raymond Fenech #3537359. Published by Raymond Fenech (A0.760245). This original composition is for Solo Alto Saxophone and Piano. The level is an intermediate and the duration is 2.45 minutes. This is a romantic piece of composition and could be used for any activity and concerts.
$3.99
3.65 €
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Saxophone Alto et Piano
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Raymond Fenech
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Raymond Fenech
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Romantic Night - Solo Alto Saxophone and Piano
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Raymond Fenech
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SheetMusicPlus
Salut d'Amour (Love's Greeting) for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.528468 Composed by Edward…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.528468 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6028895. Published by Diego Marani (A0.528468). Salut d'Amour, Op. 12, is a musical work composed by Edward Elgar in 1888, originally written for violin and piano. Elgar finished the piece in July 1888, when he was romantically involved with Caroline Alice Roberts, and he called it Liebesgruss ('Love's Greeting') because of Miss Roberts' fluency in German.This arrangement for Eb Alto Sax reflects faithfully the original for violin and can be also used as music for weddings events.
$6.99
6.39 €
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Saxophone Alto et Piano
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Edward Elgar
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Diego Marani
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Salut d'Amour
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Diego Marani
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SheetMusicPlus
Mendelssohn: Wedding March for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
30.14 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.14 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Morning Mood by Grieg for Alto Sax and Piano with Chords
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1412934 Composed by Edvar…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1412934 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #994938. Published by Glauco Fernandes (A0.1412934). Dive into the serenity of dawn with our exclusive arrangement of Edvard Grieg's Morning Mood from the Peer Gynt Suite. This carefully crafted arrangement is perfect for musicians looking to not only enrich their repertoire but also capture the tranquil and inspiring essence of Grieg's famous melody.For educators and music teachers, this score becomes a valuable pedagogical resource, allowing students to explore the nuances of Romantic composition and develop a deep appreciation for the ability to evoke images and emotions through music. Introducing Morning Mood into lessons can offer a window into the vast world of program music, encouraging a more intimate and expressive connection with musical performance.This arrangement is equally valuable for professional musicians, providing a refined and expressive piece for concerts, special events, and even moments of personal reflection. The universality and timeless beauty of Morning Mood make it a desirable addition to any musician's repertoire, standing out in occasions ranging from formal recitals to more intimate ceremonies.Our arrangement of Morning Mood promises to be a rewarding addition for students seeking musical growth as well as for professionals wishing to enchant their audience with the tranquil beauty of dawn. Maintaining the essence and charm of Grieg's original composition, this arrangement invites everyone to experience the magic of one of the most emblematic moments in classical music.Tags: Edvard Grieg, Peer Gynt, Morning Mood, Romantic music, music education, arrangement, repertoire for events, classical music, sheet music, musical growth, expressive performance.
$6.99
6.39 €
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Saxophone Alto et Piano
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Edvard Grieg
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Glauco Fernandes
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Morning Mood by Grieg for Alto Sax and Piano with Chords
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Glauco Fernandes
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SheetMusicPlus
Morning Mood by Grieg for Alto Sax and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1412938 Composed by Edvar…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1412938 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #994943. Published by Glauco Fernandes (A0.1412938). Dive into the serenity of dawn with our exclusive arrangement of Edvard Grieg's Morning Mood from the Peer Gynt Suite. This carefully crafted arrangement is perfect for musicians looking to not only enrich their repertoire but also capture the tranquil and inspiring essence of Grieg's famous melody.For educators and music teachers, this score becomes a valuable pedagogical resource, allowing students to explore the nuances of Romantic composition and develop a deep appreciation for the ability to evoke images and emotions through music. Introducing Morning Mood into lessons can offer a window into the vast world of program music, encouraging a more intimate and expressive connection with musical performance.This arrangement is equally valuable for professional musicians, providing a refined and expressive piece for concerts, special events, and even moments of personal reflection. The universality and timeless beauty of Morning Mood make it a desirable addition to any musician's repertoire, standing out in occasions ranging from formal recitals to more intimate ceremonies.Our arrangement of Morning Mood promises to be a rewarding addition for students seeking musical growth as well as for professionals wishing to enchant their audience with the tranquil beauty of dawn. Maintaining the essence and charm of Grieg's original composition, this arrangement invites everyone to experience the magic of one of the most emblematic moments in classical music.Tags: Edvard Grieg, Peer Gynt, Morning Mood, Romantic music, music education, arrangement, repertoire for events, classical music, sheet music, musical growth, expressive performance.
$6.99
6.39 €
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Saxophone Alto et Piano
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Edvard Grieg
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Glauco Fernandes
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Morning Mood by Grieg for Alto Sax and Piano
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Glauco Fernandes
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SheetMusicPlus
Song Without Words Op. 19 No. 1 for Alto Saxophone and Piano
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.52891…
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.528917 Composed by Felix Mendelsshon. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and part. 7 pages. Diego Marani #6664615. Published by Diego Marani (A0.528917). Songs Without Words (Lieder ohne Worte) is a series of short lyrical piano songs by the Romantic composer Felix Mendelssohn Bartholdy, written between 1829 and 1845.The works were part of the Romantic tradition of writing short lyrical pieces for the piano, although the specific concept of Songs Without Words was new.This arrangement for alto sax with piano accompaniment faithfully reflects the original for piano solo.
$8.99
8.22 €
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Saxophone Alto et Piano
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Felix Mendelsshon
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Diego Marani
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Song Without Words Op. 19 No. 1 for Alto Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Songs Without Words No.1, Op.19 - Alto Sax and Piano (Full Score and Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1435799 Composed by Felix…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1435799 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Classical,Multicultural,Romantic Period,Wedding,World. Score and part. 14 pages. Sheet Music To Play Editions #1015891. Published by Sheet Music To Play Editions (A0.1435799). Songs Without Words No.1, Op.19 (Lieder Ohne Worte) by Felix Mendelssohn. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Jakob Felix Mendelssohn (1809 - 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$8.99
8.22 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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César Madeira
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Songs Without Words No.1, Op.19 - Alto Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Dichterliebe, Op.48 No.1 - Alto Sax and Piano (Full Score and Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1421263 Composed by Rober…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1421263 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Lent,Multicultural,Romantic Period,World. Score and part. 8 pages. Sheet Music To Play Editions #1002656. Published by Sheet Music To Play Editions (A0.1421263). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.31 €
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Saxophone Alto et Piano
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Robert Schumann
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César Madeira
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Dichterliebe, Op.48 No.1 - Alto Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Offenbach - Can-Can - Alto Sax and Piano (Full Score and Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1397431 Composed by Jacqu…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1397431 Composed by Jacques Offenbach. Arranged by César Madeira. 19th Century,Children,Classical,Film/TV,Romantic Period. Score and part. 13 pages. Sheet Music To Play Editions #980757. Published by Sheet Music To Play Editions (A0.1397431). Can-Can by Jacques Offenbach. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Jacques Offenbach (1819 – 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera The Tales of Hoffmann.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
8.22 €
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Saxophone Alto et Piano
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Jacques Offenbach
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César Madeira
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Offenbach - Can-Can - Alto Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Reverie, Op. 24
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1394536 By Robert Stevens…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1394536 By Robert Stevens. By Alexander Glazunov. Arranged by Robert Stevens. 19th Century,Chamber,Classical. Score and part. 20 pages. SAXpress.com #977361. Published by SAXpress.com (A0.1394536). Reverie, Op. 24 by Alexander Glazunov arranged for solo saxophone and piano. Originally for horn and piano, this short, romantic work was written when Glazunov was a student. Beloved by horn players, Reverie, Op. 24 offers long lyrical phrases and a lush, romantic melody that translate well to the saxophone.This arrangement is for solo saxophone and piano. Parts for E-flat alto sax and B-flat tenor sax are included. It is in the original key of D flat. Very chromatic. Moderately slow tempo in 3/4 with brief stringendo section.
$14.95
13.67 €
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Saxophone Alto et Piano
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Robert Stevens
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Robert Stevens
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Reverie, Op. 24
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SAXpress.com
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SheetMusicPlus
Moment Musical No.3, Op.94 - Alto Sax and Piano (Full Score and Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1380530 Composed by Franz…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1380530 Composed by Franz Schubert. Arranged by César Madeira. 19th Century,Children,Classical,Early Music,Romantic Period. Score and part. 9 pages. Sheet Music To Play Editions #965306. Published by Sheet Music To Play Editions (A0.1380530). Moment Musical No.3, Op.94 (D 780) by Schubert. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Franz Peter Schubert (1797 - 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.31 €
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Saxophone Alto et Piano
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Franz Schubert
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César Madeira
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Moment Musical No.3, Op.94 - Alto Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Sung Outside the Prince's Door
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.646867 Composed by MacDow…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.646867 Composed by MacDowell, Edward. Arranged by Nick Lacanski. Romantic Period. Score and part. 5 pages. Theupperstaff #2027227. Published by theupperstaff (A0.646867). From the Romantic pen of one of America's great composers, comes this lyrical arrangement for alto sax from the solo piano repertoire. This is an excellent choice for the upcoming recital.
$3.99
3.65 €
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Saxophone Alto et Piano
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MacDowell, Edward
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Nick Lacanski
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Sung Outside the Prince's Door
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theupperstaff
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SheetMusicPlus
Saint-Saëns: The Swan for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camil…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.14 €
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Saxophone Alto et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Debussy: Reverie for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.550082 Composed by Claude…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.550082 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Standards,Wedding. Score and part. 19 pages. Jmsgu3 #4593283. Published by jmsgu3 (A0.550082). Claude Debussy's Rêverie holds significant importance in the realm of classical music for several reasons:Early Work: Composed in 1890, Rêverie is one of Debussy's earlier works, showcasing his evolving style and paving the way for his later, more mature compositions.Dream-like State: The title Rêverie refers to a dream-like state, and the piece is known for its calm, peaceful, and atmospheric qualities, making it a perfect entry point into Debussy's style.Impressionism: Rêverie is often considered a symbol of the Impressionism musical movement, featuring subtle, dreamy emotions that capture the essence of this artistic style.Emotive and Dreamy Nature: The emotive and dreamy nature of Rêverie has made it a popular choice for various multimedia, including films, commercials, and piano recitals, solidifying its iconic piece of piano repertoire.Personal and Romantic: The music of Rêverie overwhelms and transports the listener to a dreamlike state, creating a personal and romantic experience open to individual interpretation.Masterful Atmosphere: Debussy's ability to create a dream-like atmosphere through the music, with a gently repetitive theme that evolves into richer textures, showcases his mastery in crafting captivating musical landscapes.In summary, Rêverie is significant for its role in Debussy's early career, embodiment of Impressionism, and enduring popularity as a captivating and emotive musical piece.
$32.95
30.14 €
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Saxophone Alto et Piano
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Claude Debussy
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James M
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Debussy: Reverie for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Flower Duet (Alto Sax and Piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.523574 Composed by Leo De…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.523574 Composed by Leo Delibes. Arranged by John A. Dempsey. Concert,Romantic Period,Wedding,World. Score and part. 12 pages. John A. Dempsey #3550855. Published by John A. Dempsey (A0.523574). Leo Delibes' celebrated aria Flower Duet (from Lakmé) sparkles and flows as a luminous romantic duet for alto sax and piano. Recommended for recitals and concerts, this arrangement also shines as wedding music (performed as a prelude, unity candle accompaniment and/or a bridesmaid processional). 8 pages of music (that includes a separate two-page pullout alto sax part). Concert Key (Piano): C major. Alto Sax Key: A major. Alto Sax Level: Intermediate. Piano Level: Late Intermediate.
$6.99
6.39 €
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Saxophone Alto et Piano
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Leo Delibes
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John A
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Flower Duet
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John A. Dempsey
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SheetMusicPlus
Traumerei by Schumann - Alto Sax and Piano (Full Score and Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1200202 Composed by Rober…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1200202 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Children,Classical,Multicultural,Romantic Period,World. Score and part. 6 pages. Sheet Music To Play Editions #799003. Published by Sheet Music To Play Editions (A0.1200202). Träumerei from Kinderszenen, Op.15 by Schumann. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.31 €
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Saxophone Alto et Piano
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Robert Schumann
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César Madeira
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Traumerei by Schumann - Alto Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Marie - La Cinquantaine in F Minor - Intermediate
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1150175 Composed by Gabri…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1150175 Composed by Gabriel Prosper Marie. Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Standards. Score and part. 11 pages. Piacere Music Sheets #750345. Published by Piacere Music Sheets (A0.1150175). Opus/Catalog Number: IGM6 No.2 Key/Tone: F minor Movements/Sections: Andantino Year/Date of Composition: 1887 Difficulty: Grade 4/12 (Intermediate) Obs.: This charming piece belongs to the Romantic period. In order to better convey the olden style mentioned by Gabriel Marie in the subtitle of this piece, it's recommended playing the trills starting on the upper auxiliary note, as was customarily done during the Baroque period. It was originally composed for violoncello and piano in the key of A minor. This score is a transcription for alto saxophone and piano, set in the key of F minor. Included: Full score and separated parts for each instrument.
$7.95
7.27 €
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Saxophone Alto et Piano
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Gabriel Prosper Marie
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Piacere Music Sheets
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Marie - La Cinquantaine in F Minor - Intermediate
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Piacere Music Sheets
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549511 Composed by Edvard…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549511 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502277. Published by jmsgu3 (A0.549511). Duration: ca. 4:00, Score: 9 pages, solo prt: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation.  Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
30.14 €
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Saxophone Alto et Piano
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer Gynt Suite for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
22.82 €
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Saxophone Alto et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexan…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.25 €
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Saxophone Alto et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549533 Composed by Edvard…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549533 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505785. Published by jmsgu3 (A0.549533). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.82 €
#
Saxophone Alto et Piano
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer Gynt Suite for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
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