Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
STan Piano
Non classifié
2 053
Piano & claviers
Piano, Voix et Guitare
42 587
Piano seul
23 446
Piano, Voix
6 566
1 Piano, 4 mains
1 352
Piano Facile
246
Accompagnement Piano
99
Piano Trio: piano, violon, violoncelle
60
2 Pianos, 4 mains
52
Piano Quatuor: piano, violon, alto, violoncelle
43
Instruments en Do
33
Orgue
24
Piano (partie séparée)
22
Orgue, Piano (duo)
12
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
7
1 Piano, 6 mains
4
Accordéon
3
2 Pianos, 8 mains
3
Clavecin
2
Orgue, Trompette (duo)
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
44
Guitare
42
Piano, Guitare (duo)
28
Ligne De Mélodie, (Paroles) et Accords
19
Mandoline, Piano (duo)
13
2 Guitares (duo)
10
Ukulele
9
Basse electrique
5
Paroles et Accords
5
Guitare, Violon, Violoncelle (trio)
2
Ensemble de guitares
2
Dulcimer
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
1 293
Chorale
957
Chorale 3 parties
478
Voix haute
413
Chorale TTBB
129
Voix duo, Piano
99
Voix basse, Piano
89
Chorale Unison
56
Chorale 2 parties
54
Voix Soprano, Piano
31
Voix Tenor, Piano
28
Chorale SSAA
27
Voix Alto, Piano
22
Voix Baryton, Piano
21
Voix moyenne, Piano
16
Voix seule
13
Voix duo
10
Voix Mezzo-Soprano, Piano
5
Voix basse
3
Chorale SSAB, Piano
3
Voix Tenor
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
829
Clarinette et Piano
662
Hautbois, Piano (duo)
446
Saxophone Alto et Piano
423
Saxophone Tenor et Piano
258
Saxophone Soprano et Piano
209
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
101
Saxophone Baryton, Piano
99
Cor anglais, Piano
98
Flûte irlandaise
78
Clarinette
75
2 Saxophones (duo)
58
Quatuor de Saxophones: 4 saxophones
56
Clarinette Basse, Piano
54
Flûte, Violon, Piano
46
Flûte, Hautbois, Clarinette, Basson
45
2 Flûtes traversières (duo)
44
Flûte traversière
35
2 Clarinettes (duo)
31
3 Saxophones (trio)
26
Saxophone Alto
21
Flûte à bec Soprano
21
Quatuor de Clarinettes: 4 clarinettes
19
3 Clarinettes (trio)
18
Saxophone Tenor
18
Quintette de Saxophone: 5 saxophones
15
2 Clarinettes, Piano
15
Cor Anglais
15
Trio de Flûtes: 3 flûtes
14
Ensemble De Flûte à bec
13
Quatuor de Flûtes : 4 flûtes
13
Flûte et Guitare
13
Saxophone (partie séparée)
13
Hautbois (partie séparée)
12
2 Saxophones, Piano
10
2 Flûtes traversières, Piano
10
Flûte, Hautbois, Clarinette (trio)
9
2 Hautbois (duo)
9
Saxophone, Clarinette (duo)
8
Flûte, Clarinette (duo)
8
Flûte, Violoncelle, Piano (trio)
8
Quintette de Clarinettes: 5 clarinettes
7
Clarinette, Violon (duo)
7
Flûte à bec Soprano, Piano
7
Hautbois, Basson (duo)
7
Flûte, Clarinette, Piano (trio)
6
Flûte, Clarinette et Basson
6
Ensemble de saxophones
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte à Bec
4
Flûte, Violon
4
Piccolo, Piano
4
Clarinette, Guitare (duo)
4
Clarinette, Trompette (duo)
4
Flûte, Basson et Piano
4
Clarinette, Violoncelle, Piano (trio)
4
Flûte, Saxophone (duo)
3
Flûte, Clarinette, Violon (trio)
3
Ensemble de Clarinettes
3
Hautbois, Guitare (duo)
3
Hautbois, Flûte
3
Clarinette, Basson (duo)
3
Flûte à bec Alto, Piano
2
Clarinette, Alto et Piano (trio)
2
Saxophone et Piano
2
Hautbois, Clarinette (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Quatuor de Flûtes à bec
2
Flûte, Alto et Piano
2
Flûte, Trompette (duo)
2
Flûte, Hautbois, Piano (trio)
2
Piccolo
2
Hautbois
2
Saxophone Soprano
2
Hautbois, Harpe
2
Quintette de Flûte : 5 flûtes
2
Flûte, Alto (duo)
2
Harmonica
2
Clarinette, Basson, Piano (trio)
2
Flûte à bec Alto
2
Clarinette et Alto
2
Hautbois, Violoncelle
1
Hautbois, violon (duo)
1
2 Hautbois, Piano
1
2 Flûte à bec (duo)
1
2 Flûtes à bec, Piano
1
Hautbois, Violon, Piano
1
Flûte, trombone et piano
1
Cornemuse
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Basson
1
Clarinette, Harpe (duo)
1
Saxophone, Violon (duo)
1
Flûte, Trombone (duo)
1
Clarinette Basse
1
Flûte, Violoncelle
1
Clarinette, Trombone (duo)
1
Harmonica, Piano
1
Flûte, Hautbois (duo)
1
+ 94 instrumentations
Retracter
Cuivres
Trompette, Piano
402
Trombone et Piano
224
Cor et Piano
199
Cor anglais, Piano
98
Euphonium, Piano (duo)
96
Tuba et Piano
83
Trompette
62
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Trombone
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
2 Trompettes (duo)
17
Cor Anglais
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
2 Trombones (duo)
12
Trompette (partie séparée)
9
Euphonium
9
2 Cors (duo)
7
Trompette, Trombone (duo)
7
Cor
6
Trompette, Saxophone (duo)
5
Quatuor de cuivres: 4 trompettes
5
3 Trombones (trio)
5
3 Trompettes (trio)
4
Trombone basse et Piano
4
Quatuor de cuivres: 4 cors
4
2 Trompettes, Clavier (piano ou orgue)
3
Quatuor de Cuivres
2
Tuba
2
Cornet et Piano
1
Trombone, violoncelle (duo)
1
Trompette, Euphonium (duo)
1
3 Cors (trio)
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 trombones
1
Tuba et Orgue
1
Trio de Cuivres
1
Trompette, Basson (duo)
1
Ensemble de Trompettes
1
2 Euphoniums (duo)
1
Ensemble de Trombones
1
2 Cors, Piano
1
+ 36 instrumentations
Retracter
Cordes
Violon et Piano
1 121
Violoncelle, Piano
654
Alto, Piano
408
Quatuor à cordes: 2 violons, alto, violoncelle
135
Contrebasse, Piano (duo)
65
Violon
55
Violoncelle
51
2 Violons (duo)
40
Trio à Cordes: violon, alto, violoncelle
25
2 Violoncelles (duo)
22
Alto seul
19
2 Altos (duo)
18
Harpe
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Piano Trio: Violon, Alto, Piano
13
Trio à Cordes: 2 violons, violoncelle
10
Alto (partie séparée)
10
Violon, Violoncelle (duo)
8
Violon, Alto (duo)
8
Violoncelle , Guitare (duo)
6
Trio à cordes: 3 violins
5
Harpe, Flûte (duo)
4
Trio à Cordes: 3 violoncelles
4
2 Violons, Piano
4
Alto, Guitare (duo)
3
Harpe, Violon, Violoncelle
2
Contre Basse
2
Trio à cordes: 3 altos
2
Trio à Cordes: 2 violons, alto
2
4 Violoncelles
2
2 Violoncelles, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Violoncelle, Clarinette
1
Harpe et Piano
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle, Basse continue
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Alto, Orgue
1
2 Harpes (duo)
1
Violoncelle, Orgue
1
Alto et Harpe
1
Violoncelle, Contrebasse (duo)
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
244
Orchestre
113
Jazz combo
96
Orchestre à Cordes
84
Orchestre d'harmonie
60
Orchestre de chambre
41
Cloches
36
Ensemble de cuivres
17
Xylophone, Piano
8
Piano et Orchestre
5
Ensemble de Percussions
3
Batterie
1
Marimba
1
Instrumentation Flexible
1
Percussion
1
Xylophone
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
423
Librairie Musicale
3
Matériel de Musique
1 107
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
STan Piano
intermédiaire
Saxophone Alto et Piano
Partitions à imprimer
423 partitions trouvées
<
1
26
51
....
401
The Swan, (Le Cygne), by Saint-Saens, for Alto Saxophone and Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint- Saens
#
The Swan,
#
David McKeown
#
SheetMusicPlus
Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Camille Saint- Saens (1835-1921). Arranged by David McKeown. Romantic Peri...
(+)
Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Camille Saint- Saens (1835-1921). Arranged by David McKeown. Romantic Period, Repertoire, General Instructional, Recital. Score, Solo Part. 7 pages. Published by David McKeown
Le Cygne, or The Swan, is the penultimate movementof Camille Saint-Saëns? 1886 suite, Carnivalof the Animals. Most often played as a solo piece for cello with piano,the original version was scored for solo instrument and two pianos. It was the only movement for the Carnivalthat the composer allowed to be heard in public during his lifetime. Thisversion for Alto Saxophone with Pianoaccompaniment has been arranged to best suit the key and pitch of the soloinstrument. The pdf file contains both the piano accompaniment and the separatesolo part.
Musicians at an intermediate level and above willfind this ideal for formal and informal performances. The melody is expressiveand legato; the piano accompaniment is challenging in its constant semiquaverarpeggios. The overall performance time is around three minutes. The linked full-length youtube performance is the Clarinet version of this arrangement.
Teacherswill enjoy using this arrangement as a fun way to help with expressive playing.The legato in both parts demand precise fingers.
$4.60
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Saint-Saëns: The Swan for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Tristan & Yvaine
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Contemporain
#
Ilan Henry Eshkeri
#
Robert Fisco
#
Tristan & Yvaine
#
Robert Fisco
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.803450 Composed by Ilan Henry Eshkeri. Arranged by Robert Fisco. Contemporary. Score and part. 4 pages. Robert ...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.803450 Composed by Ilan Henry Eshkeri. Arranged by Robert Fisco. Contemporary. Score and part. 4 pages. Robert Fisco #6365379. Published by Robert Fisco (A0.803450). Solo arrangement for Alto Sax of Tristan & Yvaine, the love theme from Stardust. This arrangement comes with an intermediate level piano accompaniment that really fills out the solo melody with the rest of Ilan Henry Eshkeri’s beautiful and lush orchestration. The key has been changed from the original and there are a few sections with optional octaves to make this arrangement as accessible as possible. Recommended level: high school and above. Approximate length: 2 minutes.
$5.00
Mendelssohn: Wedding March for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
STANDING ON THE PROMISES (Alto Sax/Piano and Alto Sax Part)
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
R
#
Gary Lanier
#
STANDING ON THE PROMISES
#
The Lanier Company
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.616992 Composed by R. Kelso Carter. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 12 pages....
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.616992 Composed by R. Kelso Carter. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 12 pages. The Lanier Company #4269845. Published by The Lanier Company (A0.616992). STANDING ON THE PROMISES is an arrangement for Alto Sax and Piano of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the the joy of playing in any situation where Gospel music is desired (12 pages). A mp3 piano accompaniment track is also available titled STANDING ON THE PROMISES (Piano accompaniment for Alto Sax).
$7.99
Grieg: Morning Mood from Peer Gynt Suite for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Morning Mood from Peer
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549511 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Stan...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.549511 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502277. Published by jmsgu3 (A0.549511). Duration: ca. 4:00, Score: 9 pages, solo prt: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation.  Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÃ…â„¢ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. ÂÂ
$32.95
Grieg: Ase's Death from Peer Gynt Suite for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer G
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549533 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacr...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.549533 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505785. Published by jmsgu3 (A0.549533). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Italian Polka for Alto Saxophone & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Sergei Rachmaninoff
#
Diego Marani
#
Italian Polka for Alto Saxopho
#
Diego Marani
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.669259 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.669259 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #278257. Published by Diego Marani (A0.669259). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for alto sax with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore.
$7.99
Go The Distance
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Michael Bolton
#
César Madeira
#
Go The Distance
#
Sheet Music To Play Editions
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1324708 By Michael Bolton. By Alan Menken and David Zippel. Arranged by César Madeira. Children,Contemporary...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.1324708 By Michael Bolton. By Alan Menken and David Zippel. Arranged by César Madeira. Children,Contemporary,Film/TV,Multicultural,Pop,World. Score and part. 13 pages. Sheet Music To Play Editions #912915. Published by Sheet Music To Play Editions (A0.1324708). Go The Distance from Hercules. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain Ki
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549578 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sta...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.549578 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509393. Published by jmsgu3 (A0.549578). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore!Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Pee
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549555 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sta...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.549555 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507663. Published by jmsgu3 (A0.549555). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Silent Night for alto sax solo - with FREE BACKING TRACK and piano accompaniment to play along
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Noël
#
Franz Xaver Gruber
#
Austin Ralphson
#
Silent Night for alto sax solo
#
Austin Ralphson
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Piano - Level 3 - SKU: A0.564397 Composed by Franz Xaver Gruber. Arranged by Austin Ralphson. Christmas,Praise & Worship,S...
(+)
Small Ensemble Alto Saxophone,Piano - Level 3 - SKU: A0.564397 Composed by Franz Xaver Gruber. Arranged by Austin Ralphson. Christmas,Praise & Worship,Standards. Score and part. 9 pages. Austin Ralphson #6516757. Published by Austin Ralphson (A0.564397). This is a solo arrangement with piano accompaniment (or backing track). It is of an intermediate standard and sounds great in practice, in concert or in a play-along with friends and family at Christmas! A solo part and a piano accompaniment is provided, along with a backing track on YouTube (printed in the front of the book for future use). Have a listen to the mp3 file to get an idea of how it sounds.
$2.99
Jingle Bells for alto sax solo - with FREE BACKING TRACK and piano accompaniment to play along with
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Noël
#
James Pierpont
#
Austin Ralphson
#
Jingle Bells for alto sax solo
#
Austin Ralphson
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Piano - Level 3 - SKU: A0.564337 Composed by James Pierpont. Arranged by Austin Ralphson. Christmas,Standards. Score and p...
(+)
Small Ensemble Alto Saxophone,Piano - Level 3 - SKU: A0.564337 Composed by James Pierpont. Arranged by Austin Ralphson. Christmas,Standards. Score and part. 10 pages. Austin Ralphson #6515189. Published by Austin Ralphson (A0.564337). This is a solo arrangement with piano accompaniment (or backing track). It is of an intermediate standard and sounds great in practice, in concert or in a play-along with friends and family at Christmas! A solo part and a piano accompaniment is provided, along with a backing track on YouTube (printed in the front of the book for future use). Have a listen to the mp3 file to get an idea of how it sounds.Please also have a look at the 5 other pieces in this Christmas series, or purchase the whole collection of 6 pieces in one handy book at a reduced price! Simply search 'Solos for fun' on my publisher page.
$2.99
O Little Town Of Bethlehem for alto sax solo - with FREE BACKING TRACK and piano accompaniment to pl
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Noël
#
French trad
#
Austin Ralphson
#
O Little Town Of Bethlehem for
#
Austin Ralphson
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Piano - Level 3 - SKU: A0.564385 Composed by French trad. Arranged by Austin Ralphson. Christmas,Praise & Worship,Standard...
(+)
Small Ensemble Alto Saxophone,Piano - Level 3 - SKU: A0.564385 Composed by French trad. Arranged by Austin Ralphson. Christmas,Praise & Worship,Standards. Score and part. 7 pages. Austin Ralphson #6516651. Published by Austin Ralphson (A0.564385). This is a solo arrangement with piano accompaniment (or backing track). It is of an intermediate standard and sounds great in practice, in concert or in a play-along with friends and family at Christmas! A solo part and a piano accompaniment is provided, along with a backing track on YouTube (printed in the front of the book for future use). Have a listen to the mp3 file to get an idea of how it sounds.
$2.99
I’ll Be With You in Apple Blossom Time (Alto Saxophone Solo, Chords, Piano Accompaniment)
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Albert Von Tilzer and Neville
#
Cathy Stamegna
#
I’ll Be With You in Appl
#
Cathy Stamegna
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Piano - Level 3 - SKU: A0.780770 Composed by Albert Von Tilzer and Neville Fleeson. Arranged by Cathy Stamegna. Film/TV,Pa...
(+)
Large Ensemble Alto Saxophone,Piano - Level 3 - SKU: A0.780770 Composed by Albert Von Tilzer and Neville Fleeson. Arranged by Cathy Stamegna. Film/TV,Patriotic,Pop,Standards,Wedding. Score and part. 10 pages. Cathy Stamegna #5319695. Published by Cathy Stamegna (A0.780770). I’ll Be With You in Apple Blossom Time (Alto Saxophone Solo, Chords, Piano Accompaniment). This standard tune from 1920 begins in 3/4, as recorded by Connie Francis, and changes to an up tempo 4/4 with rhythmic, melodic, harmonic variations. Also recorded by The Andrews Sisters, Dame Vera Lynn, The Four Aces, Barry Manilow, Emmy Rossum to name a few. A good selection to showcase two different playing styles. Addition of chord symbols allows for a guitar, harp, or mallet instrument to join in! A fun tongue-in-cheek wedding number, too. Set of Parts. Piano Accompaniment mp3 available separately. Performance Time: 2:29
$4.99
Vivaldi: Sonata No. 6 for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 6 for Alto
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.550531 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Sc...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.550531 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4727129. Published by jmsgu3 (A0.550531). Sonata da Chiesa No. 6 in Bb Major for Alto Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 5 for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 5 for Alto
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.550508 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Sc...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.550508 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4717197. Published by jmsgu3 (A0.550508). Sonata da Chiesa No. 5 in E Minor for Alto Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 3 for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 3 for Alto
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.550457 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Sc...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.550457 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4638455. Published by jmsgu3 (A0.550457). Sonata da Chiesa No. 3 in A Minor for Alto Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 4 for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 4 for Alto
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.550483 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Sc...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.550483 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641559. Published by jmsgu3 (A0.550483). Sonata da Chiesa No. 4 in Bb Major for Alto Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 2 for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 2 for Alto
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.550431 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.550431 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and part. 18 pages. Jmsgu3 #4633089. Published by jmsgu3 (A0.550431). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Five Ragtime Solos by Scott Joplin for Alto Saxophone and Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Ragtime
#
Scott Joplin
#
David McKeown
#
Five Ragtime Solos by Scott Jo
#
David McKeown
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1118286 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 page...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.1118286 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719804. Published by David McKeown (A0.1118286). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Alto Saxophone with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Promenade (from "Pictures at an Exhibition") - for solo alto sax and piano accompaniment
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Modest Petrovich Mussorgsky
#
Rodrigo Faleiros
#
Promenade
#
Rodrigo Faleiros
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1407000 Composed by Modest Petrovich Mussorgsky. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Classical,R...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.1407000 Composed by Modest Petrovich Mussorgsky. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Classical,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #989256. Published by Rodrigo Faleiros (A0.1407000). Dive into the captivating melodies of Mussorgsky's Promenade with our arrangement for solo alto sax and piano accompaniment. Designed with intermediate alto sax players in mind, this rendition allows you to explore the rich harmonies and intricate melodies of the original composition while being supported by the lush harmonies of the piano accompaniment.Key Features: For Solo Alto Sax: Tailored to showcase the beauty and versatility of the alto sax, allowing their players to shine with expressive phrasing and dynamic range. Intermediate Level: Perfect for advancing musicians looking to expand their repertoire and technical skills with challenging yet rewarding musical passages. Piano Accompaniment: Elevate your performance with the lush harmonies and supportive textures provided by the piano, adding depth and richness to your interpretation. Chord Symbols: Enhance your harmonic understanding and improvisational skills with chord symbols included in the score, allowing for creative exploration and interpretation. Explore more captivating arrangements in our collection!
$4.99
Habanera Sunrise-alto sax, piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Jazz
#
Latin/Musique du monde
#
Phil Beaman
#
Habanera Sunrise-alto sax, pia
#
Phil Beaman
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.845249 Composed by Phil Beaman. Concert,Jazz,Latin. Score and part. 8 pages. Phil Beaman #6497497. Published by...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.845249 Composed by Phil Beaman. Concert,Jazz,Latin. Score and part. 8 pages. Phil Beaman #6497497. Published by Phil Beaman (A0.845249). Habanera Sunrise is a contemporary Latin Jazz solo that evokes the latent energy of a sunrise. The piano accompaniment is a pure milonga rhythm which is derived from tango and habanera. As one music scholar says milonga is an excited habanera. The melody is influenced by the African rhythms of cinquillo and tresillo which are also at the core of habaneras. This fusion sets up cross-rhythms and a challenging polymetric feel within a brisk 5/8 time signature. The accompaniment is mostly 3+2, but the melody is constantly shifting between 2+3, or 3+2, or 5 equal. Habanera Sunrise is for fun vibes, technique practice, rhythm challenges, and crowd-pleasing performances.Solo part has a 2 octave rangemarked Intermediate; notes are Early Intermediate, keeping the shifting 5/8 rhythm is Advanced Intermediate for some6 page score, 2 page part 3:10 minutes
$4.99
<
1
26
51
....
401
STan Piano