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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sam M
Non classifié
181
Piano & claviers
Piano seul
173
Piano, Voix et Guitare
26
Piano, Voix
21
Orgue
9
Piano Facile
8
1 Piano, 4 mains
3
Instruments en Do
2
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Trompette (duo)
1
Accordéon
1
+ 7 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
276
Paroles et Accords
7
Guitare notes et tablatures
7
Ukulele
6
Guitare
6
Piano, Guitare (duo)
4
2 Guitares (duo)
2
Basse electrique
2
Banjo
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
36
Chorale 3 parties
10
Chorale TTBB
10
Chorale SSAA
8
Chorale Unison
3
Chorale 2 parties
3
Chorale SSAATTBB
1
Voix duo, Piano
1
Voix duo
1
Chorale
1
Voix Soprano
1
Voix Soprano, Piano
1
+ 7 instrumentations
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Vents
2 Flûtes traversières (duo)
15
2 Saxophones (duo)
15
Flûte traversière
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Quintette de Saxophone: 5 saxophones
8
Flûte traversière et Piano
8
Clarinette et Piano
7
Saxophone Alto
7
Clarinette
7
Saxophone
6
Saxophone Tenor
6
Saxophone, Clarinette (duo)
6
Saxophone Alto et Piano
6
Flûte et Guitare
5
Clarinette, Violon (duo)
5
Saxophone (partie séparée)
4
Clarinette, Trompette (duo)
4
Saxophone Tenor et Piano
4
Flûte, Clarinette (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Baryton, Piano
3
Saxophone Soprano et Piano
3
2 Clarinettes (duo)
3
Flûte, Violon
3
Clarinette, Guitare (duo)
3
Hautbois, Piano (duo)
3
Ensemble de Flûtes
2
Flûte, Alto (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
3 Saxophones (trio)
2
2 Hautbois (duo)
2
Clarinette et Alto
2
Hautbois, Basson (duo)
2
Flûte, Saxophone (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois (partie séparée)
2
Quatuor de Clarinettes: 4 clarinettes
2
Clarinette Basse, Piano
2
Hautbois, Flûte
2
Flûte, Trompette (duo)
2
Hautbois, Clarinette (duo)
2
Clarinette Basse
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Guitare (duo)
1
Flûte, Violoncelle, Guitare
1
Hautbois, Harpe
1
Flûte, Hautbois (duo)
1
Flûte à Bec
1
Clarinette, Harpe (duo)
1
Cor anglais, Piano
1
Ensemble de Clarinettes
1
Cornemuse
1
+ 47 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trompette
9
Trombone
7
Trompette, Trombone (duo)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Cor
5
Euphonium, Piano (duo)
4
Cor et Piano
4
Trompette, Saxophone (duo)
4
2 Trombones (duo)
4
Trompette, Piano
3
Tuba
2
Tuba et Piano
2
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 cors
1
4 Tubas
1
Euphonium
1
2 Cors (duo)
1
Trio de Cuivres
1
Cor anglais, Piano
1
2 Trompettes (duo)
1
Trombone et Piano
1
+ 17 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
166
Violon, Violoncelle (duo)
127
Violon
108
Trio à Cordes: violon, alto, violoncelle
106
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Violon, Alto (duo)
13
Alto seul
9
Trio à Cordes: 2 violons, violoncelle
9
2 Violoncelles (duo)
9
Alto, Piano
8
Violon et Piano
8
Violoncelle
8
Harpe
6
Violoncelle, Piano
5
2 Violons (duo)
5
2 Altos (duo)
4
Contrebasse, Piano (duo)
3
Trio à Cordes: 3 violoncelles
2
4 Violoncelles
2
Trio à Cordes: 2 violons, alto
1
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
Alto (partie séparée)
1
Contre Basse
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
Alto, Guitare (duo)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
95
Orchestre d'harmonie
18
Orchestre
10
Ensemble Jazz
8
Ensemble de cuivres
5
Jazz combo
4
Orchestre de chambre
4
Cloches
3
Fanfare
3
Batterie
2
Marimba
1
+ 6 instrumentations
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Sam M
intermédiaire
Saxophone Alto et Piano
Partitions à imprimer
6 partitions trouvées
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Paul-Agricole Génin: Mélodie avec variation, opus 63, for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Paul-Agricole Génin
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Paul Wehage
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Paul-Agricole Génin: M&
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533249 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score an...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533249 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #2151113. Published by Musik Fabrik Music Publishing (A0.533249). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Cantilène, Opus 64 and Air Florantin, Opus 65) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95
Saint-Saëns: The Swan for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Paul-Agricole GÉNIN: Air Florentin avec Variation Opus 65 for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Paul-Agricole Génin
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Paul Wehage
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Paul-Agricole GÉNIN: Ai
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533256 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score an...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533256 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #2151127. Published by Musik Fabrik Music Publishing (A0.533256). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Mélodie avec Variation, Opus 63 and Cantilène, Opus 64) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95
Paul-Agricole Génin: Cantilène, Opus 64 for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Paul-Agricole Génin
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Paul Wehage
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Paul-Agricole Génin: Ca
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533253 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score an...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533253 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #2151121. Published by Musik Fabrik Music Publishing (A0.533253). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Mélodie avec Variation, Opus 63 and Air Florantin, Opus 65) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Bohm: Calm as the Night for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Carl Bohm
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James M
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Bohm: Calm as the Night for Al
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549402 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Sc...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549402 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493313. Published by jmsgu3 (A0.549402). Duration: ca. 4:00, Score: 7 pages, solo part: 2 page, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
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