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--INSTRUMENTS--
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541
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93
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83
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51
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41
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37
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31
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19
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Alto seul
11
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9
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9
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9
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Violoncelle , Guitare (duo)
7
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Alto, Guitare (duo)
5
Contre Basse
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Violon, Guitare (duo)
4
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4
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3
Trio à cordes
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Alto (partie séparée)
2
Alto et Harpe
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4 Violoncelles
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Ensemble d'Altos
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Harpe, Trombone (duo)
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Ensemble de Violons
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Piano Trio: Violon, Alto, Piano
1
Harpe, Flûte (duo)
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Flûte, Contrebasse (duo)
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59
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39
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Ensemble Jazz
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Orchestre de chambre
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Marimba
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Jazz combo
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Ensemble de Percussions
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Vibraphone
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Fanfare
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Marimba et Orgue
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Batterie
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Percussion
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47 partitions trouvées
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1
26
WONDERFUL WORDS OF LIFE (Duet – Alto Sax and Piano/Score and Parts)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Philip P
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Gary Lanier
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WONDERFUL WORDS OF LIFE
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The Lanier Company
#
SheetMusicPlus
Instrumental Solo,Piano - Level 3 - SKU: A0.613582 Composed by Philip P. Bliss. Arranged by Gary Lanier. Contemporary,Sacred. Score and individual part....
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Instrumental Solo,Piano - Level 3 - SKU: A0.613582 Composed by Philip P. Bliss. Arranged by Gary Lanier. Contemporary,Sacred. Score and individual part. 8 pages. The Lanier Company #17435. Published by The Lanier Company (A0.613582). WONDERFUL WORDS OF LIFE is an arrangement for Alto Sax and Piano of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the joy of playing it in any situation where inspirational music is desired (8 pages). A mp3 Piano Accompaniment for Alto Sax is also available, listed as: WONDERFUL WORDS OF LIFE (Piano Accompaniment for Alto Sax).
$6.99
Song Without Words Op. 19 No. 1 for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Felix Mendelsshon
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Diego Marani
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Song Without Words Op. 19 No.
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Diego Marani
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - SKU: A0.528917 Composed by Felix Mendelsshon. Arranged by Diego Marani. Classical,Instructional...
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - SKU: A0.528917 Composed by Felix Mendelsshon. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and part. 7 pages. Diego Marani #6664615. Published by Diego Marani (A0.528917). Songs Without Words (Lieder ohne Worte) is a series of short lyrical piano songs by the Romantic composer Felix Mendelssohn Bartholdy, written between 1829 and 1845.The works were part of the Romantic tradition of writing short lyrical pieces for the piano, although the specific concept of Songs Without Words was new.This arrangement for alto sax with piano accompaniment faithfully reflects the original for piano solo.
$8.99
Songs Without Words No.1, Op.19 - Alto Sax and Piano (Full Score and Parts)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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César Madeira
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Songs Without Words No.1, Op.1
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1435799 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Classical,Multicultur...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1435799 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Classical,Multicultural,Romantic Period,Wedding,World. Score and part. 14 pages. Sheet Music To Play Editions #1015891. Published by Sheet Music To Play Editions (A0.1435799). Songs Without Words No.1, Op.19 (Lieder Ohne Worte) by Felix Mendelssohn. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Jakob Felix Mendelssohn (1809 - 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$8.99
3 Selections from 'Songs Without Words" Op.19 nos. 1,4&6
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Felix Bartholdy Mendelssohn
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Ian Fitze
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3 Selections from 'Songs Witho
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Ian Fitze
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1402919 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Con...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1402919 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 12 pages. Ian Fitze #986144. Published by Ian Fitze (A0.1402919). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is a somewhat simplified arrangement of 3 of Mendelssohn's 'Songs Without Words for Eb Alto Saxophone and Piano. It would serve as a nice feature for an intermediate soloist.
$1.99
3 Selections from 'Songs Without Words" Op.19 nos. 1, 4&6
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Ian Fitze
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3 Selections from 'Songs Witho
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Ian Fitze
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1363384 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1363384 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 10 pages. Ian Fitze #947839. Published by Ian Fitze (A0.1363384). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is a simplified arrangement of 3 of Mendelssohn's 'Songs Without Words for Eb Alto Saxophone and Piano. It would serve as a nice feature for an intermediate soloist.
$1.99
Star Spangled Banner - Alto Saxophone and Piano, with words
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Smith, John Stafford
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Star Spangled Banner - Alto Sa
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Music-Scores.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.722308 Composed by Smith, John Stafford. Arranged by Anne L Christopherson GRSM ARCM. Folk,Graduation,Holiday,P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.722308 Composed by Smith, John Stafford. Arranged by Anne L Christopherson GRSM ARCM. Folk,Graduation,Holiday,Patriotic. Score and part. 2 pages. Music-Scores.com #6252623. Published by Music-Scores.com (A0.722308). The National anthem of the United States of America. The music was originally a popular British song which was used to set Frances Scott Key's poem inspired by the flag, the Star Spangled Banner, to music. For Alto Sax and Piano with words attached.Duration: 1 minute per verse.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com.
$2.95
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Fly Me To The Moon (in Other Words)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Jazz
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Tony Bennett
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Nick Raspa
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Fly Me To The Moon
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NJR Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.754537 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Nick Raspa. Jazz,Standards,Wedding. S...
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Alto Saxophone,Piano - Level 3 - SKU: A0.754537 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Nick Raspa. Jazz,Standards,Wedding. Score and part. 10 pages. NJR Music #6195831. Published by NJR Music (A0.754537). This is a setting of Fly Me to the Moon (In Other Words) is for E Flat Alto Sax and Piano. Â The arrangement starts out with a slow rendition of the song and then transitions to a swing version. Â This arrangement is for the intermediate level saxophonist incorporating some syncopation and no note smaller than the 16th. Â Included is the full score (which doubles as piano part) and ato sax part.
$9.95
More Than Words
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Extreme
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Jireh J
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More Than Words
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Jireh J.
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.1196437 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.1196437 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Jireh J. Rock,Wedding. Score and parts. 17 pages. Jireh J. #795594. Published by Jireh J. (A0.1196437). This arrangement was made for Alto Saxophone Duo and Piano. It doesn't contain chords.
$4.99
More Than Words
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Extreme
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Jireh J
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More Than Words
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Jireh J.
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.1196434 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.1196434 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Jireh J. Rock,Wedding. Score and parts. 17 pages. Jireh J. #795591. Published by Jireh J. (A0.1196434). This arrangement was made for Alto Saxophone Duo and Piano. Contains chords.
$4.99
Op.38, No.6 - Duetto - Song without Words
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Op.38, No.6 - Duetto - Song wi
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Music-Scores.com
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.763109 Composed by Felix Bartholdy Mendelssohn. Ar...
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.763109 Composed by Felix Bartholdy Mendelssohn. Arranged by Anne L Christopherson GRSM ARCM. Holiday,Instructional,Romantic Period,Wedding. Score and parts. 15 pages. Music-Scores.com #370782. Published by Music-Scores.com (A0.763109). Said to represent two voices, this transcribes really well for Alto and Baritone Saxophones with Piano accompaniment. A great example of 'question and answer' phrasing, while the piano has the third voice in the bass line with an expressive burbling arpeggio accompaniment. About 2 minutes 30 seconds. Arranged by Anne L Christopherson ARCM GRSM at www.music-scores.com.
$4.95
Songs without Words Opus 67 No. 1
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Eric Vireton
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Songs without Words Opus 67 No
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Alto Saxophone, Piano - Grade 3 - SKU: FX.FX070981 Composed by Felix Bartholdy Mendelssohn. Arranged by Eric Vireton. Classical, Chamber Music. Score an...
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Alto Saxophone, Piano - Grade 3 - SKU: FX.FX070981 Composed by Felix Bartholdy Mendelssohn. Arranged by Eric Vireton. Classical, Chamber Music. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX070981. Published by FLEX Editions - Digital Sheet Music (FX.FX070981).
$5.95
Three Romances Without Words - Opus 17
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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Gary Bricault
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Three Romances Without Words -
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Gary Bricault
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1241993 Composed by Gabriel Faure. Arranged by Gary Bricault. Romantic Period. Score and part. 22 pages. Gary B...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1241993 Composed by Gabriel Faure. Arranged by Gary Bricault. Romantic Period. Score and part. 22 pages. Gary Bricault #837354. Published by Gary Bricault (A0.1241993). Arrangement for Solo Alto Saxophone and Piano. Performance time 2’23â€/2’43â€/3’07â€.
$9.99
If music be the food of love for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Henry Purcell
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David Warin Solomons
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If music be the food of love f
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David Warin Solomons
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.577340 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Classical. Score and part. 4 pages....
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Alto Saxophone,Piano - Level 3 - SKU: A0.577340 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Classical. Score and part. 4 pages. David Warin Solomons #3663253. Published by David Warin Solomons (A0.577340). Words by Colonel Henry Heveningham (1651-1700), using the first few words from Shakespeare's Twelfth Night as a starting point. Henry Purcell made several settings of these words.
$9.00
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Miscellaneous: Mother's Day Collection, sweet and amusing compositions for alto saxophone & piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Miscellaneous
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Virtualsheetmusic
This is an exclusive arrangements for alto saxophone & piano of MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: The Happy Farmer, lullaby, op.49 no.4, song without words, op.67 no. 6, sarabande, op.40 no.2, wal...
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This is an exclusive arrangements for alto saxophone & piano of MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: The Happy Farmer, lullaby, op.49 no.4, song without words, op.67 no. 6, sarabande, op.40 no.2, waltz, ballade, op.38, the merry peasant, album for the youth, op.68, romance, romanza, eine kleine nachtmusik, toccata, berceuse, op.57, dance of the mirlitons, nutcracker, mothers day, mother's day / classical
$11.99
Christmas Song for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Noël
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David Warin Solomons
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Christmas Song for alto saxoph
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.576574 Composed by David Warin Solomons. 20th Century,Christian,Christmas,C...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.576574 Composed by David Warin Solomons. 20th Century,Christian,Christmas,Contemporary. Score and parts. 7 pages. David Warin Solomons #38013. Published by David Warin Solomons (A0.576574). This instrumental piece is based on my Christmas Song - a meditation on finding the Christ child within oneself Versions for choir and guitar, choir and piano, alto saxophone and guitar, clarinet and guitar, flute and guitar, flute and piano, clarinet and piano, alto sax and piano and the original version for alto voice and guitar are also available here. The pdf file contains the score and separate parts The sound sample is an electronic preview. The words of the original song can be heard performed on Youtube at https://www.youtube.com/watch?v=BQfRYqYAB3I.
$9.00
3 HYMNS OF ENCOURAGEMENT (for Alto Sax and Piano with Score/Parts)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Elisha Albright Hoffman, Phili
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Gary Lanier
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(3) Sweet Hour of Prayer
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3 HYMNS OF ENCOURAGEMENT
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The Lanier Company
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.617549 Composed by Elisha Albright Hoffman, Philip P. Bliss, and William B. Bradbury. Arranged by Gary Lanier. ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.617549 Composed by Elisha Albright Hoffman, Philip P. Bliss, and William B. Bradbury. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 24 pages. The Lanier Company #5770645. Published by The Lanier Company (A0.617549). 3 HYMNS OF ENCOURAGEMENT, is a compilation of 3 hymns about the Encouragement Christians have in Jesus, arranged by Gary Lanier for Alto Sax and Piano. The titles are (1) Wonderful Words of Life, (2) I Must Tell Jesus & (3) Sweet Hour of Prayer. All for the price of 2. Perfect for any Christian inspirational event (24 pages).
$14.99
In the Bleak Midwinter (alto sax/piano), arr. Brenda Portman
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Noël
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Gustav Holst
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Brenda Portman
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In the Bleak Midwinter
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Brenda Portman
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.753144 Composed by Gustav Holst. Arranged by Brenda Portman. Christian,Christmas,Classical,Religious,Sacred. Sc...
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Alto Saxophone,Piano - Level 3 - SKU: A0.753144 Composed by Gustav Holst. Arranged by Brenda Portman. Christian,Christmas,Classical,Religious,Sacred. Score and part. 10 pages. Brenda Portman #5200805. Published by Brenda Portman (A0.753144). A warm, flowing, lyrical setting of the carol In the Bleak Midwinter (tune by Gustav Holst, words by Christina Rossetti) for alto saxophone and piano. Recording is of the vocal version. Composer website http://brendaportman.com.
$4.25
Bridge Over Troubled Water
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Rock
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Simon And Garfunkel
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Gary Lanier
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Bridge Over Troubled Water
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The Lanier Company
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.617075 By Simon And Garfunkel. By Paul Simon. Arranged by Gary Lanier. Pop,Rock. Score and part. 10 pages. The ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.617075 By Simon And Garfunkel. By Paul Simon. Arranged by Gary Lanier. Pop,Rock. Score and part. 10 pages. The Lanier Company #4313897. Published by The Lanier Company (A0.617075). BRIDGE OVER TROUBLED WATER is an arrangement for Alto Sax and Piano of one of the most popular songs of the 20th century. Paul Simon wrote both the words and music. It is ideal for concerts, recitals, get-togethers or any place where people enjoy listening to great popular music (10 pages including cover, score and Alto Sax Part.
$6.99
Mendelssohn: Wedding March for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549511 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Stan...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549511 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502277. Published by jmsgu3 (A0.549511). Duration: ca. 4:00, Score: 9 pages, solo prt: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation.  Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Grieg: Ase's Death from Peer Gynt Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549533 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacr...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549533 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505785. Published by jmsgu3 (A0.549533). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Ali Ben Sou Alle: Caprice sur "Jenny L'Ouvrière" for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533506 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533506 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 pages. Musik Fabrik Music Publishing #3002369. Published by Musik Fabrik Music Publishing (A0.533506). Jenny L'Ouvrière is a popular romance from 1845 with music by Étienne Arnaud and words by Emile Barateau. The song speaks of an hardworking weaver who is poor, but also courageous and good. The pastorale-like theme is also presented in a more varied form.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$10.35
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