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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
As It Was
Non classifié
827
Piano & claviers
Piano seul
369
Instruments en Do
131
Piano, Voix et Guitare
127
Piano, Voix
109
Orgue
19
1 Piano, 4 mains
10
2 Pianos, 4 mains
9
Piano Trio: piano, violon, violoncelle
6
Accompagnement Piano
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Facile
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare
40
Guitare notes et tablatures
28
Ligne De Mélodie, (Paroles) et Accords
17
2 Guitares (duo)
5
4 Guitares (Quatuor)
3
Basse electrique
3
Mandoline
1
Piano, Guitare (duo)
1
Guitare, Orchestre
1
Ensemble de guitares
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
140
Chorale TTBB
21
Chorale SSAA
16
Chorale 3 parties
12
Voix Soprano, Piano
7
Voix duo, Piano
6
Voix Baryton, Piano
5
Chorale Unison
3
Voix haute
3
Voix duo
2
Voix Tenor
2
Chorale 2 parties
2
Voix seule
2
Voix Tenor, Piano
2
Voix moyenne, Piano
1
Voix Alto, Piano
1
+ 11 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
89
Ensemble de saxophones
67
Quatuor de Saxophones: 4 saxophones
56
Quintette de Saxophone: 5 saxophones
52
2 Saxophones (duo)
33
Ensemble de Clarinettes
33
Clarinette et Piano
29
Flûte traversière et Piano
29
Quatuor de Clarinettes: 4 clarinettes
27
Saxophone Alto et Piano
25
2 Flûtes traversières, Piano
24
Flûte, Hautbois, Clarinette, Basson
21
Ensemble de Flûtes
19
2 Clarinettes (duo)
19
Saxophone, Clarinette (duo)
17
Hautbois, Piano (duo)
17
Saxophone Tenor et Piano
16
Saxophone Soprano et Piano
15
Quintette de Clarinettes: 5 clarinettes
14
Clarinette, Violon (duo)
13
2 Flûtes traversières (duo)
13
Clarinette, Trompette (duo)
11
Quatuor de Flûtes : 4 flûtes
10
Flûte, Clarinette (duo)
10
Flûte, Violon
7
Flûte traversière
7
Quintette de Flûte : 5 flûtes
7
Flûte, Saxophone (duo)
6
Hautbois (partie séparée)
6
Flûte, Alto (duo)
6
Clarinette et Alto
6
Clarinette
6
2 Hautbois (duo)
6
Hautbois, Basson (duo)
6
Saxophone Alto
5
Hautbois, Flûte
5
Trio de Flûtes: 3 flûtes
5
Flûte, Trompette (duo)
5
Hautbois, Clarinette (duo)
5
Cor anglais, Piano
5
3 Saxophones (trio)
4
Flûte et Guitare
4
Clarinette, Guitare (duo)
4
3 Clarinettes (trio)
4
Clarinette Basse, Piano
4
Flute (partie séparée)
3
Saxophone Baryton, Piano
3
Flûte, Violoncelle, Piano (trio)
2
Saxophone Tenor
2
Clarinette, Basson (duo)
2
Flûte à bec Soprano
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, alto et harpe
1
Ensemble De Flûte à bec
1
Flûte à bec Alto, Piano
1
Piccolo, Piano
1
Flûte, Clarinette et Basson
1
Flûte, Violon et Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Flute, harpe et violon
1
Flûte, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone et Harpe
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Saxophones, Piano
1
Saxophone
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
108
Quatuor de Cuivres : 2 trompettes, trombone, tuba
67
Ensemble de Trombones
26
Trombone et Piano
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de cuivres: 4 trombones
17
Quatuor de Cuivres
15
Trompette, Saxophone (duo)
12
2 Euphoniums et 2 Tubas
12
Ensemble de Trompettes
12
Trompette
11
Cor et Piano
10
Trompette, Trombone (duo)
9
Tuba et Piano
8
Trompette, Piano
8
2 Trompettes (duo)
7
Quatuor de cuivres: 4 cors
7
Cor
7
Euphonium, Piano (duo)
6
2 Trombones (duo)
6
Ensemble de Cors
5
Trombone
5
Cor anglais, Piano
5
Trompette (partie séparée)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Tuba
3
Euphonium
2
Cor et Orgue
2
Trio de Cuivres
2
Bass Clef Instruments
1
Trombone et orchestre
1
4 Tubas
1
Trombone basse et Piano
1
Cor et Harpe
1
Quatuor de cuivres: 4 trompettes
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
145
Violon et Piano
56
Violon, Violoncelle (duo)
46
Violoncelle, Piano
36
Trio à Cordes: violon, alto, violoncelle
34
Alto, Piano
26
Trio à Cordes: 2 violons, violoncelle
24
Harpe
21
Violon
16
Violoncelle
14
2 Violons (duo)
11
2 Harpes (duo)
11
2 Violoncelles (duo)
11
Violon, Alto (duo)
10
Ensemble d'Altos
7
Contrebasse, Piano (duo)
7
2 Altos (duo)
7
Ensemble de Violons
7
Alto (partie séparée)
6
Contre Basse
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
4 Contrebasses
3
Alto seul
3
Harpe, Flûte (duo)
2
Quatuor à cordes: 4 violons
2
Violoncelle , Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Alto, Guitare (duo)
2
Ensemble de Violoncelles
2
4 Violoncelles
2
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orgue
1
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
Harpe, Trombone (duo)
1
Harpe, Voix
1
Violon, Tuba (duo)
1
Violoncelle, Orchestre
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
132
Orchestre
122
Orchestre à Cordes
62
Ensemble de cuivres
48
Ensemble Jazz
43
Orchestre de chambre
39
Jazz combo
14
Ensemble de Percussions
8
Fanfare
6
Cloches
4
Vibraphone
3
Batterie
3
Marimba
2
Orchestre, Violon
1
+ 9 instrumentations
Retracter
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
As It Was
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Saxophone Alto et Piano
Partitions à imprimer
25 partitions trouvées
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1
Sullivan: The Lost Chord for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
#
Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Ali Ben Sou Alle
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
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Saxophone Alto et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Ali Ben Sou Alle, Gioachino Ro
#
Paul Wehage
#
Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2363209. Published by Musik Fabrik Music Publishing (A0.533354). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Fantaisie sur Le Barbier de Séville begins with the Count's 1st act cavatina Ecco ridente in cielà This is followed by a seriesof variations sur Rosina's Cabaletta Io sono docile. The second act finale Fredda ed immobile is then presented in a number of variations. Finally, the second part of the Count and Figaros first act duo (Ah che d'amore) brings the work to a brilliant finish.
$19.95
Ali Ben Sou Alle: Grande Fantaisie Variée sur "Lucia di Lammermoor" for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Ali Ben Sou Alle
#
Ali Ben Sou Alle: Grande Fanta
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 pages. Musik Fabrik Music Publishing #3002551. Published by Musik Fabrik Music Publishing (A0.533508). This fantasy uses motifs from Donizetti's opera. After the opening which uses motives from the Overture, the main melody of the famous Sextet is presented. The tenor aria from the last act is presented with several vrariations. Finally, motifs form the fmaous mad scene end the work in a brilliant valse.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Ali Ben Sou Alle, Vincenzo Bel
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Paul Wehage
#
Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,S...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2363203. Published by Musik Fabrik Music Publishing (A0.533353). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.This fantasy begins with motifs from the 1st act chorus « Sempre Felc’Amina » ». The Count’s first act aria « Vi ravisso, o loughi ameni » is followed by an extended cadenza and leads to Amina and Elvino’s first act duo « Prendi l’amel ti dono ». Amina’s second act aria « Ah non guige! » is presented with a brilliant variation to bring the work to a close.
$16.95
Maple Leaf Rag, by Scott Joplin, for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.587786 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 p...
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Alto Saxophone,Piano - Level 4 - SKU: A0.587786 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. David McKeown #4967667. Published by David McKeown (A0.587786). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Alto Saxophone and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement.  There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203?aff_id=673683
$4.60
Conversations for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Conversations for Alto Saxopho
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Sy Brandon
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.755068 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 15 pages. Sy Brandon #3363161. Publis...
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Alto Saxophone,Piano - Level 4 - SKU: A0.755068 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 15 pages. Sy Brandon #3363161. Published by Sy Brandon (A0.755068). This work was composed for David and Dorinne Bilger. It was first recorded by the Bilger Duo on their album The Bilger Duo Plays Recital Favorites. As the title implies, this composition is a dialogue between the two instruments, first tender and intimate and then more animated. A return to intimacy returns in the middle with new material and at the end with a recapitulation of the opening ideas. It was recorded again on compact disc by the Swiss Duo Dilemme in 1996 and has been re-released in 2000 on the AUR label as part of their Millenium Tribute to Adolphe Sax series.
$9.99
"Fur Elise"- A Jazz and Rock Duet for Alto Sax and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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L V Beethoven
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Grant Horsley
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"Fur Elise"- A Jazz
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Grant Horsley
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.785698 Composed by L V Beethoven. Arranged by Grant Horsley. Contest,Festival,Instructional,Jazz,Rock,Standards...
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Alto Saxophone,Piano - Level 4 - SKU: A0.785698 Composed by L V Beethoven. Arranged by Grant Horsley. Contest,Festival,Instructional,Jazz,Rock,Standards. Score and part. 20 pages. Grant Horsley #5732021. Published by Grant Horsley (A0.785698). ( Tenor sax, B flat clarinet and piano solo also available) The now famous Fur Elise by Beethoven-This arrangement has been kept as close to the original in terms of structure, but I wanted to give the whole piece a twist include Jazz and Rock styles. Advanced intermediate- the full score is on the youtube link for you to assess suitability. It was very much my intention to arranged this as a duet with both instruments of equal importance. It is intended as a showpiece as well as a bit of fun and something different, and to add something as an alternative to a repertoire list. piano part 7 pages, sax 3 full score 9 pages and nearly 5 minutes in length. Price is for the full score and parts. THE PIANO ACCOMPANIMENT TRACK IS AVAILABLE ON MP3.
$5.99
Trois pièces : Andante, Sérénade et Chant Serbe
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1493037 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1493037 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 36 pages. Musik Fabrik Music Publishing #1069727. Published by Musik Fabrik Music Publishing (A0.1493037). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Fauré: Élégie Op. 24 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Peri...
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Alto Saxophone,Piano - Level 4 - SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531403. Published by jmsgu3 (A0.549727). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
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Paul Wehage
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Louis Mayeur: Grande Fantaisie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Scor...
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Alto Saxophone,Piano - Level 4 - SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 29 pages. Musik Fabrik Music Publishing #3133401. Published by Musik Fabrik Music Publishing (A0.534135). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. Versions are available from Musik Fabrik for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$16.95
Grieg: Peer Gynt Suite Complete for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.551493 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.551493 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306287. Published by jmsgu3 (A0.551493). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Always Remember Us This Way
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Lady Gaga
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Kevin P Holdgate
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Brass
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Always Remember Us This Way
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Kevin P Holdgate
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.791189 By Lady Gaga. By Hillary Lindsey, Lori McKenna, Natalie Hemby, Stefani (Lady Gaga) Germanotta, and Stefa...
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Alto Saxophone,Piano - Level 4 - SKU: A0.791189 By Lady Gaga. By Hillary Lindsey, Lori McKenna, Natalie Hemby, Stefani (Lady Gaga) Germanotta, and Stefani Germanotta. Arranged by Kevin P Holdgate. Pop. Score and part. 9 pages. Kevin P Holdgate #5354945. Published by Kevin P Holdgate (A0.791189). KPHMS Solo CollectionLady Gaga - for Brass?!! Really??This is a great song and works really well as an instrumental solo for brass instruments. It comes from the 2018 remake of the film 'A Star is Born' and is sung originally by Lady Gaga.I was asked to do an arrangement of the song for a young lady to sing with Boobs & Brass. I was struck by the quality of the words and the music and immediately thought of it as a great addition to the solo repertoire.In terms of standard, I would judge this to be around Grades 5 to 6 ABRSM/Trinity and makes for an interesting challenge away from the grading syllabus.
$4.99
Fuse
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Marcos Fernandez-Barrero
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Marcos Fernandez-Barrero
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Fuse
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Marcos Fernandez-Barrero
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1456619 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 20th Ce...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1456619 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 20th Century,21st Century,Chamber,Classical,Contemporary. Score and part. 33 pages. Marcos Fernandez-Barrero #1035694. Published by Marcos Fernandez-Barrero (A0.1456619). Work commissioned by the Rose-Gibbs Duo (Benita Rose and Tony Gibbs) – Prescott (Arizona, USA). This is a work ideal for both, professional performers as well as students of the year before College level (ie. 17 years old)In the past, I had the chance to experience how performing with a musician who is also your personal partner (wife, girlfriend, etc.) can ease the process of merging together, enhancing the performance as if it were by a single musician rather than two separate individuals. So, when I was asked to write a piece for a duo in such circumstances, like the Rose-Gibbs Duo, I saw it as a great opportunity to explore the possibilities of blending, fusing, and merging musical content, sound, and other parameters into a cohesive whole.Therefore, this work explores the concept of musical discourse produced by the interaction of both instruments, which often have to align their accents, timbre, or dynamics to become one entity; as if melting together, as if two solids became liquid and fused to form a new alloy. The form and structure of the work are also influenced by this constant idea of blending, integrating the various sections into a single, unified movement.Written in Barcelona on July 2023______________________________________Obra encargada por el Rose-Gibbs Duo (Benita Rose y Tony Gibbs) – Prescott (Arizona, EE. UU.). Ideal para tanto músicos profesionales así como tamién para alumnos del curso antes del nivel Universitario de Superior (17 años aproximadamente)En el pasado, tuve la oportunidad de experimentar cómo el hecho de tocar con un músico que también es tu pareja personal (esposa, novia, etc.) puede facilitar el proceso de fusionarse, mejorando la actuación como si fuera realizada por un solo músico en lugar de dos individuos. Así que, cuando me pidieron componer para un dúo en tales circunstancias, como el Rose-Gibbs Duo, lo vi como una gran oportunidad para explorar las posibilidades de mezclar, fusionar e integrar el contenido musical, el sonido y otros parámetros en un todo cohesivo.Por lo tanto, esta obra explora el concepto del discurso musical producido por la interacción de ambos instrumentos, que a menudo deben alinear sus acentos, timbre o dinámicas para convertirse en una sola entidad; como si se fundieran juntos, como si dos sólidos se convirtieran en líquido y se fusionaran para formar una nueva aleación. La forma y la estructura de la obra también están influenciadas por esta idea constante de mezcla, integrando las diversas secciones en un solo movimiento unificado.Escrita en Barcelona en Julio 2023
$17.95
Paul-Agricole Génin: Solo de Concours, Opus 15 for alto saxophone and piano, edited by Paul Wehage
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Solo de Concours
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Paul Wehaeg
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Paul-Agricole Génin: So
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio (Unison) - Level 4 - SKU: A0.533250 Composed by Solo de Concours (examination piece at the Paris Conservatory/. Arranged...
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Woodwind Ensemble,Woodwind Trio (Unison) - Level 4 - SKU: A0.533250 Composed by Solo de Concours (examination piece at the Paris Conservatory/. Arranged by Paul Wehaeg. Concert,Romantic Period,Standards. 22 pages. Musik Fabrik Music Publishing #2151115. Published by Musik Fabrik Music Publishing (A0.533250). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was used as an examination piece at the Paris Conservatory in the class of Adolphe Sax, to whom it is dedicated. After a lyrical introduction which makes use of echo effects, a pastorale theme is presented and then treated in variations. The final variation is a virtuosic valse brillante.
$12.95
Jules Deersseman: Sérénade, Opus 33 for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jules Demersseman
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Paul Wehage
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to the main melody
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Jules Deersseman: Sér&e
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.534438 Composed by Jules Demersseman. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and par...
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Alto Saxophone,Piano - Level 4 - SKU: A0.534438 Composed by Jules Demersseman. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3493579. Published by Musik Fabrik Music Publishing (A0.534438). One of the first original compositions written for the saxophone, by one of Sax's closest associates. Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a long lyrical episode punctuated with more florid passages which serve as counterpoint to the main melody.. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone.
$11.95
Nocturne No.20 in C-Sharp minor - Alto Sax and Piano (Full Score and Parts)
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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César Madeira
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Nocturne No.20 in C-Sharp mino
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1319738 Composed by Frederic Chopin. Arranged by César Madeira. Classical,Film/TV,Lent,Romantic Period,Weddi...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1319738 Composed by Frederic Chopin. Arranged by César Madeira. Classical,Film/TV,Lent,Romantic Period,Wedding. Score and part. 13 pages. Sheet Music To Play Editions #908293. Published by Sheet Music To Play Editions (A0.1319738). Nocturne No.20 in C-Sharp minor, Op. posth. B.49. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Frédéric François Chopin (1810 - 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose poetic genius was based on a professional technique that was without equal in his generation.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
Clair de Lune by Debussy - Alto Sax and Piano (Full Score and Parts)
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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César Madeira
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Clair de Lune by Debussy - Alt
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1192014 Composed by Claude Debussy. Arranged by César Madeira. 19th Century,20th Century,Film/TV,Multicultur...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1192014 Composed by Claude Debussy. Arranged by César Madeira. 19th Century,20th Century,Film/TV,Multicultural,Romantic Period,World. Score and part. 15 pages. Sheet Music To Play Editions #791518. Published by Sheet Music To Play Editions (A0.1192014). Clair de Lune by Debussy from Suite Bergamasque. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Claude Debussy (1862 - 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
Fantasie Variations on Mazurek Dabrowskiego
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Fantasie Variations on Mazurek
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Sy Brandon
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.755042 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 23 pages. Sy Brandon #3249479. Publis...
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Alto Saxophone,Piano - Level 4 - SKU: A0.755042 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 23 pages. Sy Brandon #3249479. Published by Sy Brandon (A0.755042). Fantasie Variation on Mazurek Dabrowskiego was commissioned in 2010 by David Wozniak. Wozniak suggested using the Polish National Anthem as the basis of a composition that can serve as a fiery opener to a concert. After a short introduction, the anthem is stated using a repetitive rhythmic motif in the piano. Variation one is a minor variant that has a chromatic obligato in the saxophone on the repeat. After a two measure interlude in 4/4 that breaks up the 3/4 meter of the mazurka, Variation two begins. This variation uses motives from the anthem to create a new saxophone melody. Variation three changes meter often and is more technical and angular. A repeat of the minor variant brings the first fast section to a close. After a transition to a slower tempo, a mysterious variation with sudden outbursts occurs. It uses a lot of feminine endings that are characteristic of some Polish music. The tempo slows once again before variation seven which is a lyrical and romantic treatment of motives from the anthem. The final fast section begins with a rhythmic 5/8 variation that changes to 6/8 for the second part of the anthem’s structure. An ornamental version of the anthem with the mazurka rhythm returns at the end before a rousing coda brings the work to a close. This composition is recorded by David Wozniak and Krista Wallace-Boaz on the Emeritus label American Fusion CD.
$9.99
The Easy Winners, for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Easy Winners, for Alto Sax
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1106207 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1106207 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709321. Published by David McKeown (A0.1106207). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Alto Saxophone with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Wexford Carol - Alto/Tenor Sax. solo
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional Irish Carol
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Brian Buda
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Wexford Carol - Alto/Tenor Sax
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budaful music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Piano - Level 4 - SKU: A0.823186 Composed by Traditional Irish Carol. Arranged by Brian Buda. Christmas,Holiday,S...
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 4 - SKU: A0.823186 Composed by Traditional Irish Carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part. 13 pages. Budaful music #6716999. Published by budaful music (A0.823186). The haunting, melodic beauty in this arrangement of Wexford Carol is full of lush harmonies and imitative countermelodies making it a great piece to perform in Christmas concerts and in church services. There are two performance options in this arrangement. One option is to, obviously, perform the piece as written all the way through. (approx. 3:50) The other (less recommended) option would be to omit one of the 3 verses which cuts over a minute of performance time. (approx. 2:40)Both Alto and Tenor Saxophone parts are included at the end of the PDF.The words of the final verse is only part of what makes this carol so powerful:With thankful heart and joyful mind,The shepherds went the babe to find,And as God’s angel has foretold,They did our Savior Christ behold.Within a manger He was laid,And by His side the virgin maidAttending to the Lord of Life,Who came on earth to end all strife.
$4.99
...a time of innocence
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peg Thompson
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...a time of innocence
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Peg Thompson
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1016097 Composed by Peg Thompson. 20th Century,Contemporary. Score and part. 7 pages. Peg Thompson #5213289. Pu...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1016097 Composed by Peg Thompson. 20th Century,Contemporary. Score and part. 7 pages. Peg Thompson #5213289. Published by Peg Thompson (A0.1016097). Music for Alto Saxophone and Piano. ca. 5:15Program Notes: The piece was inspired by section VIII from The Auroras of Autumn by Wallace Stevens. The poem gives one the feeling of longing for a half-remembered innocence...a primal innocence, though. It is an innocence basic to the earth and us...an innocence not Less Real though we cannot be sure of its time or place.The music seeks to evoke a sense of this longing memory of innocence. Phrases are repeated (exactly...changed...extended...shortened), as if trying to remember. Mid-way there is a sense of firmness-of grasping this memory. In the end, the hesitant memory returns, but it is now at peace with its not less real, but half-heard existence.
$4.99
Chorando Se Foi (Lambada)
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Gonzalo Hermosa and Ulises Her
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Austin Ralphson
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Chorando Se Foi
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Austin Ralphson
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1386011 Composed by Gonzalo Hermosa and Ulises Hermosa. Arranged by Austin Ralphson. Latin,Multicultural,Pop,Wo...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1386011 Composed by Gonzalo Hermosa and Ulises Hermosa. Arranged by Austin Ralphson. Latin,Multicultural,Pop,World. Score and part. 8 pages. Austin Ralphson #969957. Published by Austin Ralphson (A0.1386011). 'Lambada' was a massive 1989 hit for Kaoma. It evoked the exciting, summer-fun feel of Latin American rhythms, and is presented here as a lively solo with piano.
$4.99
Breath Of Heaven (Mary's Song)
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Amy Grant
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Sandra Zylstra
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Breath Of Heaven
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sandra dee zylstra
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 4 - SKU: A0.712459 By Amy Grant. By Amy Grant and Chris Eaton. Arranged by Sandra...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 4 - SKU: A0.712459 By Amy Grant. By Amy Grant and Chris Eaton. Arranged by Sandra Zylstra. Christian,Christmas,Contemporary,Praise & Worship,Sacred. Score and parts. 12 pages. Sandra dee zylstra #5828983. Published by sandra dee zylstra (A0.712459). This Christmas song tells the story of Jesus from Mary's point of view. It shows Mary as a frightened young woman willing to lean on God's goodness and mercy to get through this time. Breath Of Heaven (Mary's Song) was made famous by Amy Grant. Enjoy this treble Eb instrument duet with piano accompaniment and separate instrument part. (Approximately 4:45 minutes, 11 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/ .
$6.75
I Heard The Bells On Christmas Day
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Casting Crowns
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Sandra Zylstra
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I Heard The Bells On Christmas
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sandra dee zylstra
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 4 - SKU: A0.712698 By Casting Crowns. By Bernie Herms, Dale Oliver, and Mark Hall...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 4 - SKU: A0.712698 By Casting Crowns. By Bernie Herms, Dale Oliver, and Mark Hall. Arranged by Sandra Zylstra. Christian,Christmas,Contemporary. Score and parts. 13 pages. Sandra dee zylstra #6460813. Published by sandra dee zylstra (A0.712698). I Heard The Bells On Christmas Day is based on Longfellow's poem I heard the bells on Christmas Day, their old familiar carols play, and wild and sweet the words repeat, of peace on earth, good-will to men! This tune was made famous by Casting Crowns. The piece is arranged as a late intermediate treble Eb instrument duet with piano accompaniment and it includes a separate instrument part. (Approximately 4:30, 12 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$7.00
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