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--INSTRUMENTS--
ACCORDEON
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DEEJAY
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LIVRES
LUTH
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Can I Get It
Non classifié
72
Piano & claviers
Piano seul
48
Piano, Voix et Guitare
26
Instruments en Do
9
Piano, Voix
6
2 Pianos, 4 mains
5
1 Piano, 4 mains
3
Orgue
1
+ 2 instrumentations
Retracter
Guitares
Guitare
8
Ligne De Mélodie, (Paroles) et Accords
6
Guitare notes et tablatures
5
Basse electrique
2
Voix
Chorale SATB
23
Chorale TTBB
3
Voix duo
2
Chorale SSAA
2
Chorale 3 parties
1
Voix Soprano, Piano
1
Chorale Unison
1
Voix Tenor
1
Voix duo, Piano
1
+ 4 instrumentations
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Vents
Hautbois, Piano (duo)
9
Quintette de Saxophone: 5 saxophones
7
Flûte à Bec
4
Quatuor de Saxophones: 4 saxophones
4
Quatuor de Flûtes : 4 flûtes
3
Saxophone Alto et Piano
3
Saxophone Alto
2
Clarinette
2
Flûte traversière et Piano
2
Saxophone Tenor
1
Ensemble de saxophones
1
Clarinette, Basson (duo)
1
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1
3 Saxophones (trio)
1
Ensemble de Flûtes
1
2 Saxophones (duo)
1
Flûte traversière
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 13 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trompette
3
2 Euphoniums et 2 Tubas
2
Quatuor de cuivres: 4 cors
2
Trompette, Piano
2
Quatuor de cuivres: 4 trombones
2
Bass Clef Instruments
1
Trombone et Piano
1
Ensemble de Trompettes
1
Trompette, Trombone (duo)
1
Cor et Piano
1
Ensemble de Trombones
1
+ 7 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
19
Violon, Violoncelle (duo)
7
Violon
7
Violon et Piano
6
Violoncelle
4
Trio à Cordes: 2 violons, violoncelle
4
Trio à Cordes: violon, alto, violoncelle
3
2 Harpes (duo)
2
Alto (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Alto (duo)
1
Ensemble de Violons
1
2 Violoncelles (duo)
1
Harpe, Voix
1
Ensemble d'Altos
1
Harpe
1
+ 11 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
11
Orchestre
8
Orchestre à Cordes
6
Ensemble Jazz
5
Ensemble de cuivres
3
Jazz combo
1
Batterie
1
Orchestre de chambre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Can I Get It
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Saxophone Alto et Piano
Partitions à imprimer
3 partitions trouvées
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When I Get There
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Pink
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Samuel Sequeira
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When I Get There
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Samuel Sequeira
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1199211 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and p...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1199211 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and part. 18 pages. Samuel Sequeira #798280. Published by Samuel Sequeira (A0.1199211). When I Get There - Pink - Alto SaxophonePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted arrangement for alto saxophone and piano in the key of Eb Major.The alto saxophone part has been carefully crafted to include the vocal melody, while the piano accompaniment provides a rich harmonic texture and enhances the emotional impact of the piece. Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play. Whether you're an alto saxophonist looking to perform the song with a pianist or a fan of Pink's music, this arrangement is sure to captivate and inspire.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
When I Get There
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Pink
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Samuel Sequeira
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When I Get There
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Samuel Sequeira
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1199209 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and p...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1199209 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and part. 18 pages. Samuel Sequeira #798278. Published by Samuel Sequeira (A0.1199209). When I Get There - Pink - Alto SaxophonePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted arrangement for alto saxophone and piano in the key of Eb Major.The alto saxophone part has been carefully crafted to include the vocal melody, while the piano accompaniment provides a rich harmonic texture and enhances the emotional impact of the piece. The chords are also included in the sheet music, giving the pianist the option to play them as written or to improvise their own accompaniment.Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play. Whether you're an alto saxophonist looking to perform the song with a pianist or a fan of Pink's music, this arrangement is sure to captivate and inspire.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
Fuse
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Marcos Fernandez-Barrero
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Marcos Fernandez-Barrero
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Fuse
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Marcos Fernandez-Barrero
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1456619 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 20th Ce...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1456619 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 20th Century,21st Century,Chamber,Classical,Contemporary. Score and part. 33 pages. Marcos Fernandez-Barrero #1035694. Published by Marcos Fernandez-Barrero (A0.1456619). Work commissioned by the Rose-Gibbs Duo (Benita Rose and Tony Gibbs) – Prescott (Arizona, USA). This is a work ideal for both, professional performers as well as students of the year before College level (ie. 17 years old)In the past, I had the chance to experience how performing with a musician who is also your personal partner (wife, girlfriend, etc.) can ease the process of merging together, enhancing the performance as if it were by a single musician rather than two separate individuals. So, when I was asked to write a piece for a duo in such circumstances, like the Rose-Gibbs Duo, I saw it as a great opportunity to explore the possibilities of blending, fusing, and merging musical content, sound, and other parameters into a cohesive whole.Therefore, this work explores the concept of musical discourse produced by the interaction of both instruments, which often have to align their accents, timbre, or dynamics to become one entity; as if melting together, as if two solids became liquid and fused to form a new alloy. The form and structure of the work are also influenced by this constant idea of blending, integrating the various sections into a single, unified movement.Written in Barcelona on July 2023______________________________________Obra encargada por el Rose-Gibbs Duo (Benita Rose y Tony Gibbs) – Prescott (Arizona, EE. UU.). Ideal para tanto músicos profesionales así como tamién para alumnos del curso antes del nivel Universitario de Superior (17 años aproximadamente)En el pasado, tuve la oportunidad de experimentar cómo el hecho de tocar con un músico que también es tu pareja personal (esposa, novia, etc.) puede facilitar el proceso de fusionarse, mejorando la actuación como si fuera realizada por un solo músico en lugar de dos individuos. Así que, cuando me pidieron componer para un dúo en tales circunstancias, como el Rose-Gibbs Duo, lo vi como una gran oportunidad para explorar las posibilidades de mezclar, fusionar e integrar el contenido musical, el sonido y otros parámetros en un todo cohesivo.Por lo tanto, esta obra explora el concepto del discurso musical producido por la interacción de ambos instrumentos, que a menudo deben alinear sus acentos, timbre o dinámicas para convertirse en una sola entidad; como si se fundieran juntos, como si dos sólidos se convirtieran en líquido y se fusionaran para formar una nueva aleación. La forma y la estructura de la obra también están influenciadas por esta idea constante de mezcla, integrando las diversas secciones en un solo movimiento unificado.Escrita en Barcelona en Julio 2023
$17.95
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Can I Get It
