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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Hope
Non classifié
273
Piano & claviers
Piano seul
400
Piano, Voix
138
Orgue
23
Piano, Voix et Guitare
17
1 Piano, 4 mains
9
Instruments en Do
9
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
3
Accompagnement Piano
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
2
Accordéon
2
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
37
Guitare
26
Mandoline
12
Ukulele
5
4 Guitares (Quatuor)
4
2 Guitares (duo)
3
3 Guitares (trio)
1
Guitare, Orchestre
1
Mandoline, Piano (duo)
1
Piano, Guitare (duo)
1
+ 5 instrumentations
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Voix
Chorale SATB
171
Chorale 3 parties
27
Chorale TTBB
17
Chorale SSAA
13
Voix Soprano, Piano
10
Chorale Unison
3
Voix duo, Piano
2
Chorale 2 parties
2
Voix haute
2
Voix Tenor
2
Voix Alto, Piano
1
Voix moyenne, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton, Piano
1
Voix Tenor, Piano
1
+ 10 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Flûte traversière
22
Quatuor de Saxophones: 4 saxophones
18
Flûte traversière et Piano
17
Ensemble de saxophones
17
Quintette de Saxophone: 5 saxophones
14
Saxophone Alto
13
Ensemble de Clarinettes
11
Saxophone Tenor
11
Clarinette
11
Ensemble de Flûtes
11
Flûte, Violon
8
Saxophone Soprano et Piano
8
Flûte, Hautbois, Clarinette, Basson
5
Saxophone Alto et Piano
5
Quatuor de Flûtes : 4 flûtes
4
Clarinette et Piano
3
Flûte, Violoncelle
3
Quatuor de Clarinettes: 4 clarinettes
3
Hautbois, Basson (duo)
3
Flûte à Bec
3
Saxophone (partie séparée)
3
2 Saxophones (duo)
2
Quintette de Flûte : 5 flûtes
2
Hautbois (partie séparée)
2
Flûte et Guitare
2
Saxophone Tenor et Piano
1
Clarinette, Basson (duo)
1
Clarinette, Orgue
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Guitare (duo)
1
2 Flûtes traversières (duo)
1
Saxophone, Tuba (duo)
1
Flûte, Violon, Piano
1
Flûte, Basson et Piano
1
3 Clarinettes (trio)
1
4 Hautbois
1
Hautbois, Piano (duo)
1
+ 33 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Trompette
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trombone
9
Ensemble de Trompettes
7
Cor
5
Ensemble de Trombones
5
Trompette, Piano
4
Trombone et Piano
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Ensemble de Cors
2
2 Euphoniums et 2 Tubas
2
Tuba
2
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 cors
1
Cor et Piano
1
4 Tubas
1
Trompette (partie séparée)
1
Tuba et Piano
1
Trombone basse
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
61
Violon
17
Violon et Piano
15
Harpe
12
Violoncelle
10
Violon, Violoncelle (duo)
9
Alto seul
8
2 Harpes (duo)
6
Violoncelle, Piano
5
Alto (partie séparée)
4
Ensemble de Violons
3
Ensemble d'Altos
3
2 Violoncelles (duo)
3
Contre Basse
2
2 Violons (duo)
2
Violon, Alto (duo)
2
Violon, Clarinette, Piano (trio)
1
Violon, Tuba (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
4 Contrebasses
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe, Voix
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes: 4 violons
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
4 Violoncelles
1
Quatuor à cordes : 4 altos
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
59
Orchestre d'harmonie
49
Cloches
49
Orchestre
45
Orchestre à Cordes
26
Ensemble de cuivres
18
Fanfare
17
Orchestre de chambre
15
Jazz combo
7
Ensemble de Percussions
6
Vibraphone
3
Batterie
2
Xylophone
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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CORNET
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EUPHONIUM
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Vous avez sélectionné:
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Saxophone Alto et Piano
Partitions à imprimer
5 partitions trouvées
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Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle, Gioachino Ro
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2363209. Published by Musik Fabrik Music Publishing (A0.533354). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Fantaisie sur Le Barbier de Séville begins with the Count's 1st act cavatina Ecco ridente in cielà This is followed by a seriesof variations sur Rosina's Cabaletta Io sono docile. The second act finale Fredda ed immobile is then presented in a number of variations. Finally, the second part of the Count and Figaros first act duo (Ah che d'amore) brings the work to a brilliant finish.
$19.95
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
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Saxophone Alto et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Ali Ben Sou Alle
#
Ali Ben Sou Alle: Fantaisie su
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
Ali Ben Sou Alle: Grande Fantaisie Variée sur "Lucia di Lammermoor" for alto saxophone and piano
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Saxophone Alto et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Ali Ben Sou Alle
#
Ali Ben Sou Alle: Grande Fanta
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 pages. Musik Fabrik Music Publishing #3002551. Published by Musik Fabrik Music Publishing (A0.533508). This fantasy uses motifs from Donizetti's opera. After the opening which uses motives from the Overture, the main melody of the famous Sextet is presented. The tenor aria from the last act is presented with several vrariations. Finally, motifs form the fmaous mad scene end the work in a brilliant valse.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
River
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Bishop Briggs
#
Anna Coughlan
#
River
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Anna Coughlan Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1329388 By Bishop Briggs. By Ian Brendon Scott, Mark A. Jackson, and Sarah McLaughlin. Arranged by Anna Coughla...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1329388 By Bishop Briggs. By Ian Brendon Scott, Mark A. Jackson, and Sarah McLaughlin. Arranged by Anna Coughlan. 21st Century,Pop,Rock,Singer/Songwriter. Score and part. 21 pages. Anna Coughlan Music #917371. Published by Anna Coughlan Music (A0.1329388). River was released by Sarah Grace Mclaughlin (stage name Bishop Briggs) in 2016, becoming the second single from her debut album Church of Scars. Discussing the meaning of the song's lyrics, Bishop Briggs said my hope with that song is it makes people feel empowered to take things into their own hands.This is a late intermediate level arrangement for Eb saxophone with piano accompaniment.
$4.99
Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle, Vincenzo Bel
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Paul Wehage
#
Ali Ben Sou Alle: Fantaisie su
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,S...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2363203. Published by Musik Fabrik Music Publishing (A0.533353). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.This fantasy begins with motifs from the 1st act chorus « Sempre Felc’Amina » ». The Count’s first act aria « Vi ravisso, o loughi ameni » is followed by an extended cadenza and leads to Amina and Elvino’s first act duo « Prendi l’amel ti dono ». Amina’s second act aria « Ah non guige! » is presented with a brilliant variation to bring the work to a close.
$16.95
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