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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CLAIRON
CLARINETTE
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DEEJAY
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57
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11
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8
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3
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2
1 Piano, 4 mains
2
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1
Clavecin
1
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Guitare
9
Piano, Guitare (duo)
1
Voix
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16
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7
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4
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3
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3
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3
Voix Soprano, Piano
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2
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1
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1
Voix Tenor, Piano
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14
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12
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12
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9
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5
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4
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4
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4
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3
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3
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3
Flûte traversière et Piano
3
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3
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2
Clarinette Basse, Piano
2
Hautbois, Piano (duo)
2
Saxophone Alto
2
Clarinette et Alto
2
Clarinette
2
3 Saxophones (trio)
2
Quatuor de Clarinettes: 4 clarinettes
2
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2
Clarinette, Trompette (duo)
2
Hautbois, Basson (duo)
2
Hautbois, Flûte
2
Quintette de Flûte : 5 flûtes
2
Flûte, Saxophone (duo)
1
3 Clarinettes (trio)
1
Clarinette et Piano
1
Saxophone Tenor
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte et Guitare
1
Hautbois, Clarinette (duo)
1
2 Hautbois (duo)
1
Saxophone Tenor et Piano
1
Flûte traversière
1
Flûte à Bec
1
Cor anglais, Piano
1
Piccolo, Piano
1
Saxophone Baryton, Piano
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trompette
5
Ensemble de Trompettes
5
Trompette, Saxophone (duo)
4
2 Trompettes (duo)
3
Ensemble de Trombones
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Piano
3
Trombone et Piano
2
Cor et Piano
2
Euphonium, Piano (duo)
2
Trompette, Trombone (duo)
2
Tuba
1
2 Trombones (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trombones
1
Cor anglais, Piano
1
Ensemble de Cors
1
Tuba et Piano
1
+ 15 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
27
Violon, Violoncelle (duo)
12
Violon et Piano
8
Harpe
7
Trio à Cordes: violon, alto, violoncelle
7
2 Violons (duo)
6
2 Violoncelles (duo)
6
Violon, Alto (duo)
4
Alto, Piano
3
Violoncelle
3
Ensemble de Violons
2
Violoncelle, Piano
2
Trio à Cordes: 2 violons, violoncelle
2
Ensemble d'Altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Altos (duo)
1
Trio à Cordes: 3 violoncelles
1
Contrebasse, Piano (duo)
1
4 Contrebasses
1
Violon
1
Violoncelle , Guitare (duo)
1
Harpe, Voix
1
Ensemble de Violoncelles
1
+ 18 instrumentations
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Ensemble de cuivres
25
Orchestre
25
Orchestre d'harmonie
16
Ensemble Jazz
11
Orchestre à Cordes
9
Orchestre de chambre
6
Fanfare
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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Saxophone Alto et Piano
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Wu Xing - Sonata for Five Elements (alto saxophone and piano)
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jeffrey Hoover
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Wu Xing - Sonata for Five Elem
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Musicart Publications
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.971651 Composed by Jeffrey Hoover. 20th Century,Contemporary,World. Score and part. 57 pages. Musicart Publicat...
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Alto Saxophone,Piano - Level 4 - SKU: A0.971651 Composed by Jeffrey Hoover. 20th Century,Contemporary,World. Score and part. 57 pages. Musicart Publications #4627679. Published by Musicart Publications (A0.971651). Winner of the 2019 SMP Press Contemporary Composition award, Wu Xing - Sonata for Five Elements (5 movements, 15 min. 30 sec) was composed by Jeffrey Hoover for Yusheng Li, who initiated the first professional university saxophone degree in China. A work for alto saxophone and piano, Wu Xing reflects a fusion of American and Chinese musical aesthetics and compositional techniques. Each movement represents an element in the traditional Wu Xing generative cycle. Musical elements of one movement carry into the next, in the same way these traditional Chinese elements evolve into the next: Wood, Fire, Earth, Metal, and Water. The fourth movement, Metal, is for unaccompanied saxophone, and includes extended techniques including microtones, multiphonics, and altered tone colors. As with other compositions by Jeffrey Hoover, Hoover has also created a series of paintings that visually interpret the music: Dancing in the Trees, The Ancient Lance, The Dragon's Creation, Temple Bells and Swords, and Life of the Earth. In the way the music is a fusion of American and Chines techniques, the paintings incorporate the Wu Xing philosophy approach. Images of the paintings may be projected during performance and are available directly from the composer.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as and .Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. For more information about his compositions, availability for appearance and festivals, and commissions, please contact him through his website.https://jeffreyhooverart.wixsite.com/mysite
$24.95
When I Get There
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Pink
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Samuel Sequeira
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When I Get There
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Samuel Sequeira
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1199211 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and p...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1199211 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and part. 18 pages. Samuel Sequeira #798280. Published by Samuel Sequeira (A0.1199211). When I Get There - Pink - Alto SaxophonePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted arrangement for alto saxophone and piano in the key of Eb Major.The alto saxophone part has been carefully crafted to include the vocal melody, while the piano accompaniment provides a rich harmonic texture and enhances the emotional impact of the piece. Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play. Whether you're an alto saxophonist looking to perform the song with a pianist or a fan of Pink's music, this arrangement is sure to captivate and inspire.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
When I Get There
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Pink
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Samuel Sequeira
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When I Get There
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Samuel Sequeira
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1199209 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and p...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1199209 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and part. 18 pages. Samuel Sequeira #798278. Published by Samuel Sequeira (A0.1199209). When I Get There - Pink - Alto SaxophonePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted arrangement for alto saxophone and piano in the key of Eb Major.The alto saxophone part has been carefully crafted to include the vocal melody, while the piano accompaniment provides a rich harmonic texture and enhances the emotional impact of the piece. The chords are also included in the sheet music, giving the pianist the option to play them as written or to improvise their own accompaniment.Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play. Whether you're an alto saxophonist looking to perform the song with a pianist or a fan of Pink's music, this arrangement is sure to captivate and inspire.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
Sullivan: The Lost Chord for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
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