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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Song of the Wind
Non classifié
380
Piano & claviers
Piano seul
47
Piano, Voix et Guitare
15
Piano, Voix
9
Accompagnement Piano
7
Instruments en Do
7
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
1
+ 2 instrumentations
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Guitares
Guitare
3
Piano, Guitare (duo)
1
Guitare notes et tablatures
1
Voix
Chorale SATB
23
Chorale SSAA
7
Chorale 3 parties
4
Chorale TTBB
4
Voix Soprano, Piano
3
Voix moyenne, Piano
2
Voix Baryton, Piano
2
Chorale 2 parties
1
Voix haute
1
+ 4 instrumentations
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3 Saxophones (trio)
349
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
186
Quatuor de Saxophones: 4 saxophones
155
3 Clarinettes (trio)
149
Quatuor de Clarinettes: 4 clarinettes
121
Flûte, Hautbois, Clarinette, Basson
107
Flûte, Hautbois, Basson
57
Flûte, Hautbois, Clarinette (trio)
55
3 Hautbois
52
Trio de Flûtes: 3 flûtes
49
Quintette de Saxophone: 5 saxophones
45
Ensemble de Clarinettes
39
Quatuor de Flûtes : 4 flûtes
37
Flûte, Clarinette et Basson
27
Ensemble de Flûtes
22
Hautbois, Clarinette, Basson (trio d'anches)
21
Quintette de Clarinettes: 5 clarinettes
21
Hautbois, Piano (duo)
14
Ensemble de saxophones
12
Saxophone Alto et Piano
6
Clarinette et Piano
3
Flute (partie séparée)
2
2 Flûtes traversières (duo)
2
Clarinette
2
Cor anglais, Piano
2
Hautbois (partie séparée)
2
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette (duo)
2
Saxophone Soprano et Piano
2
Flûte traversière et Piano
2
2 Clarinettes, Basson
1
Clarinette Basse, Piano
1
Saxophone Tenor et Piano
1
Ensemble à vent
1
Flûte traversière
1
Clarinette, Guitare (duo)
1
Flûte à bec Tenor
1
Flûte à bec Soprano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violon
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette (partie séparée)
2
Cor
2
Trompette, Piano
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 cors
1
Cor et Piano
1
Quatuor de cuivres: 4 trombones
1
+ 4 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
9
Alto, Piano
4
Violon
3
Trio à Cordes: violon, alto, violoncelle
3
Violoncelle, Piano
2
Harpe
2
Violon, Violoncelle (duo)
2
Harpe, Flûte (duo)
1
Violon et Piano
1
Alto seul
1
Contre Basse
1
+ 6 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
46
Ensemble de cuivres
31
Orchestre
16
Ensemble Jazz
14
Orchestre de chambre
6
Fanfare
4
Orchestre à Cordes
3
Cloches
2
Ensemble de Percussions
1
Jazz combo
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
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Crtitères actifs :
Song of the Wind
avancé
Saxophone Alto et Piano
Partitions à imprimer
6 partitions trouvées
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1
Sullivan: The Lost Chord for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Wind in the Wood, alto sax.
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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George Arvola, Virginia Mathew
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Wind in the Wood, alto sax.
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George Arvola and Virginia Mathews
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.947527 Composed by George Arvola, Virginia Mathews. Contemporary,Folk,Instructional,Standards,Wedding. Score an...
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Alto Saxophone,Piano - Level 4 - SKU: A0.947527 Composed by George Arvola, Virginia Mathews. Contemporary,Folk,Instructional,Standards,Wedding. Score and part. 9 pages. George Arvola and Virginia Mathews #512931. Published by George Arvola and Virginia Mathews (A0.947527). New release in late 2015, Wind in the Wood is 2:20 in length. Includes piano accompaniment and bass parts. arpeggioartistry.com hosts the full recordings and complete list of titles of INSPIRING arpeggio studies from our book Delicious Licorice. Wind in the Wood features long, flowing arpeggios in this ballad style exercise. The prelude quality might serve as a part of a wedding service or even in quiet contemplation in church services. In those situations, piano accompaniment will make this song come alive.
$5.99
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
Trois pièces : Andante, Sérénade et Chant Serbe
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1493037 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1493037 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 36 pages. Musik Fabrik Music Publishing #1069727. Published by Musik Fabrik Music Publishing (A0.1493037). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Deux Pièces : Invocation et Air Slave
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces : Invocatio
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.862413 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score an...
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Alto Saxophone,Piano - Level 4 - SKU: A0.862413 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468893. Published by Musik Fabrik Music Publishing (A0.862413). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00
Vocalise (Rachmaninoff) - alto sax and piano with FREE BACKING TRACK
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sergei Rachmaninoff
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Austin Ralphson
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Vocalise
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Austin Ralphson
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.564148 Composed by Sergei Rachmaninoff. Arranged by Austin Ralphson. 20th Century,Contemporary,Opera,Wedding. S...
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Alto Saxophone,Piano - Level 4 - SKU: A0.564148 Composed by Sergei Rachmaninoff. Arranged by Austin Ralphson. 20th Century,Contemporary,Opera,Wedding. Score and part. 10 pages. Austin Ralphson #6261081. Published by Austin Ralphson (A0.564148). Originally published in 1915 as the last of his 14 Songs or 14 Romances, Op. 34, Rachmaninoff wrote this beautiful piece for high voice with piano accompaniment. It is presented here as an instrumental solo with piano accompaniment and is a firm favourite to play at any performance, from weddings to recitals to parties and beyond! This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/eDK7bF-cNgY (copy and paste into a new window) and also in the video screen above.This piece features in a collection of 5 beautiful solos which is available to purchase here for $9.99: https://armusiconline.com/b/lAY4n
$3.99
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Song of the Wind 
