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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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226
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264
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30
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25
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17
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1 Piano, 4 mains
6
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18
2 Guitares (duo)
7
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Ukulele
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3
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Chorale SATB
103
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22
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19
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12
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Voix duo, Piano
3
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2
Voix Soprano, Piano
2
Voix moyenne, Piano
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Voix seule
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2 Flûtes traversières, Piano
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
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16
Flûte traversière
8
Saxophone Alto
7
Quatuor de Flûtes : 4 flûtes
7
Flûte traversière et Piano
6
Saxophone Alto et Piano
6
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6
Clarinette et Piano
6
3 Clarinettes (trio)
6
Quintette de Clarinettes: 5 clarinettes
4
3 Saxophones (trio)
4
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4
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4
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3
Cor anglais, Piano
3
Hautbois, Piano (duo)
3
Saxophone Tenor
2
2 Flûtes traversières (duo)
2
Saxophone Tenor et Piano
2
Ensemble de Flûtes
2
Clarinette
2
Clarinette Basse, Piano
1
2 Saxophones (duo)
1
Hautbois, Basson (duo)
1
Quintette de Flûte : 5 flûtes
1
Saxophone Soprano et Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Ensemble de saxophones
1
Ensemble de Clarinettes
1
Clarinette, Guitare (duo)
1
Flûte à bec Tenor
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trompette
6
Trompette, Piano
5
Ensemble de Trombones
4
Trombone
3
Quatuor de cuivres: 4 trombones
3
2 Trompettes (duo)
3
Cor anglais, Piano
3
Cor et Piano
3
Ensemble de Cors
3
Tuba
2
2 Cors (duo)
2
Trombone et Piano
2
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Euphoniums et 2 Tubas
1
Euphonium, Tuba (duo)
1
Cor et Orgue
1
Trompette (partie séparée)
1
Trompette, Cor (duo)
1
Quatuor de Cuivres
1
Euphonium, Piano (duo)
1
+ 18 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
52
Violon et Piano
12
Violon, Violoncelle (duo)
10
Violon
10
Alto, Piano
7
Violoncelle
7
Trio à Cordes: violon, alto, violoncelle
6
Violoncelle, Piano
5
Harpe
5
2 Harpes (duo)
4
2 Violons (duo)
2
Trio à Cordes: 3 violoncelles
2
2 Violoncelles (duo)
1
Violon, Guitare (duo)
1
Alto seul
1
Alto (partie séparée)
1
Violon (partie séparée)
1
+ 12 instrumentations
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Orchestre & Percussions
Ensemble Jazz
39
Orchestre d'harmonie
37
Orchestre
35
Ensemble de cuivres
27
Orchestre à Cordes
23
Cloches
13
Jazz combo
11
Orchestre de chambre
11
Fanfare
2
Vibraphone
2
2 Marimbas
1
Ensemble de Percussions
1
Batterie
1
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--INSTRUMENTS--
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Saxophone Alto et Piano
Partitions à imprimer
6 partitions trouvées
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Sunny Blue - A Jazz Style Jaunt for Eb or Bb Saxophone and Piano (improvisation optional, or use sol
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Keri Degg
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Sunny Blue - A Jazz Style Jaun
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Masquerade Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.761487 Composed by Keri Degg. Jazz. Score and part. 15 pages. Masquerade Music #3867477. Published by Masquerad...
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Alto Saxophone,Piano - Level 4 - SKU: A0.761487 Composed by Keri Degg. Jazz. Score and part. 15 pages. Masquerade Music #3867477. Published by Masquerade Music (A0.761487). An infectiously catchy melody make this jazz-style jaunt incredibly fun to play; for Eb or Bb Saxophone (both parts included) and piano. Sunny Blue meanders through various styles; a straight start (mainly 6/8), launching into a groovy swing (following with optional improvisation, or use one of the two written out 'solos' provided). The journey then gravitates to a waltz, before completing its course by ending with a swing ending, and dramatic finish. Sunny Blue has a duration of 3'22 minutes, and is aimed at grade 6/+ players and makes a fantastic concert item. The YouTube video demo shows the whole piece performed on alto sax. You will however receive a universal piano score, and then two saxophone parts (one for Eb, and one for Bb sax).
$7.99
This Nearly Was Mine from South Pacific
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Richard Rodgers
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W
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This Nearly Was Mine from Sout
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Diamond S Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Double Bass,Instrumental Duet,Piano - Level 4 - SKU: A0.790006 Composed by Richard Rodgers. Arranged by W. Brent ...
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Instrumental Duet,Piano Alto Saxophone,Double Bass,Instrumental Duet,Piano - Level 4 - SKU: A0.790006 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway. Score and parts. 18 pages. Diamond S Music #3533741. Published by Diamond S Music (A0.790006). THIS NEARLY WAS MINE from South Pacific. For SOLO ALTO SAX AND PIANO ACCOMPANIMENT (with optional Double Bass).This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949 Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$10.00
Fuse
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Marcos Fernandez-Barrero
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Marcos Fernandez-Barrero
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Fuse
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Marcos Fernandez-Barrero
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1456619 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 20th Ce...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1456619 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 20th Century,21st Century,Chamber,Classical,Contemporary. Score and part. 33 pages. Marcos Fernandez-Barrero #1035694. Published by Marcos Fernandez-Barrero (A0.1456619). Work commissioned by the Rose-Gibbs Duo (Benita Rose and Tony Gibbs) – Prescott (Arizona, USA). This is a work ideal for both, professional performers as well as students of the year before College level (ie. 17 years old)In the past, I had the chance to experience how performing with a musician who is also your personal partner (wife, girlfriend, etc.) can ease the process of merging together, enhancing the performance as if it were by a single musician rather than two separate individuals. So, when I was asked to write a piece for a duo in such circumstances, like the Rose-Gibbs Duo, I saw it as a great opportunity to explore the possibilities of blending, fusing, and merging musical content, sound, and other parameters into a cohesive whole.Therefore, this work explores the concept of musical discourse produced by the interaction of both instruments, which often have to align their accents, timbre, or dynamics to become one entity; as if melting together, as if two solids became liquid and fused to form a new alloy. The form and structure of the work are also influenced by this constant idea of blending, integrating the various sections into a single, unified movement.Written in Barcelona on July 2023______________________________________Obra encargada por el Rose-Gibbs Duo (Benita Rose y Tony Gibbs) – Prescott (Arizona, EE. UU.). Ideal para tanto músicos profesionales así como tamién para alumnos del curso antes del nivel Universitario de Superior (17 años aproximadamente)En el pasado, tuve la oportunidad de experimentar cómo el hecho de tocar con un músico que también es tu pareja personal (esposa, novia, etc.) puede facilitar el proceso de fusionarse, mejorando la actuación como si fuera realizada por un solo músico en lugar de dos individuos. Así que, cuando me pidieron componer para un dúo en tales circunstancias, como el Rose-Gibbs Duo, lo vi como una gran oportunidad para explorar las posibilidades de mezclar, fusionar e integrar el contenido musical, el sonido y otros parámetros en un todo cohesivo.Por lo tanto, esta obra explora el concepto del discurso musical producido por la interacción de ambos instrumentos, que a menudo deben alinear sus acentos, timbre o dinámicas para convertirse en una sola entidad; como si se fundieran juntos, como si dos sólidos se convirtieran en líquido y se fusionaran para formar una nueva aleación. La forma y la estructura de la obra también están influenciadas por esta idea constante de mezcla, integrando las diversas secciones en un solo movimiento unificado.Escrita en Barcelona en Julio 2023
$17.95
Fantasie Variations on Mazurek Dabrowskiego
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Fantasie Variations on Mazurek
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Sy Brandon
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.755042 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 23 pages. Sy Brandon #3249479. Publis...
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Alto Saxophone,Piano - Level 4 - SKU: A0.755042 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 23 pages. Sy Brandon #3249479. Published by Sy Brandon (A0.755042). Fantasie Variation on Mazurek Dabrowskiego was commissioned in 2010 by David Wozniak. Wozniak suggested using the Polish National Anthem as the basis of a composition that can serve as a fiery opener to a concert. After a short introduction, the anthem is stated using a repetitive rhythmic motif in the piano. Variation one is a minor variant that has a chromatic obligato in the saxophone on the repeat. After a two measure interlude in 4/4 that breaks up the 3/4 meter of the mazurka, Variation two begins. This variation uses motives from the anthem to create a new saxophone melody. Variation three changes meter often and is more technical and angular. A repeat of the minor variant brings the first fast section to a close. After a transition to a slower tempo, a mysterious variation with sudden outbursts occurs. It uses a lot of feminine endings that are characteristic of some Polish music. The tempo slows once again before variation seven which is a lyrical and romantic treatment of motives from the anthem. The final fast section begins with a rhythmic 5/8 variation that changes to 6/8 for the second part of the anthem’s structure. An ornamental version of the anthem with the mazurka rhythm returns at the end before a rousing coda brings the work to a close. This composition is recorded by David Wozniak and Krista Wallace-Boaz on the Emeritus label American Fusion CD.
$9.99
Wexford Carol - Alto/Tenor Sax. solo
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional Irish Carol
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Brian Buda
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Wexford Carol - Alto/Tenor Sax
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budaful music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Piano - Level 4 - SKU: A0.823186 Composed by Traditional Irish Carol. Arranged by Brian Buda. Christmas,Holiday,S...
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 4 - SKU: A0.823186 Composed by Traditional Irish Carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part. 13 pages. Budaful music #6716999. Published by budaful music (A0.823186). The haunting, melodic beauty in this arrangement of Wexford Carol is full of lush harmonies and imitative countermelodies making it a great piece to perform in Christmas concerts and in church services. There are two performance options in this arrangement. One option is to, obviously, perform the piece as written all the way through. (approx. 3:50) The other (less recommended) option would be to omit one of the 3 verses which cuts over a minute of performance time. (approx. 2:40)Both Alto and Tenor Saxophone parts are included at the end of the PDF.The words of the final verse is only part of what makes this carol so powerful:With thankful heart and joyful mind,The shepherds went the babe to find,And as God’s angel has foretold,They did our Savior Christ behold.Within a manger He was laid,And by His side the virgin maidAttending to the Lord of Life,Who came on earth to end all strife.
$4.99
Two for Easter
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Fairlamb, Wesley
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Nick Lacanski
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Two for Easter
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theupperstaff
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.647493 Composed by Fairlamb, Wesley. Arranged by Nick Lacanski. Sacred. Score and part. 9 pages. Theupperstaff ...
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Alto Saxophone,Piano - Level 4 - SKU: A0.647493 Composed by Fairlamb, Wesley. Arranged by Nick Lacanski. Sacred. Score and part. 9 pages. Theupperstaff #1892613. Published by theupperstaff (A0.647493). This medley combines two celebratory Easter hymns. It begins with Across the Eastern Hilltops by Fairlamb and then the timeless Charles Wesley hymn, Christ the Lord Is Risen Today. This can be used as a special or an offertory in the upcoming service. It is arranged so that depending on where you start and/or stop you can accommodate time considerations.
$6.95
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